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A Wrinkle in Time

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Three months ago, Bernard “The Alien” Hopkins raised his gnarled hand to fight the most dangerous light heavyweight on the planet. Many wondered why. Those who did so aloud found themselves rebuked by a serious man: “Have you been paying attention to my career?” I have. His career is a study in bootstrap pride and star-flung ambitions. One of his ambitions is to surpass the achievements of the Ursa Major of geriatric pugilists, Archie Moore.

Twenty years ago he was a workman toiling in the long shadows of Roy Jones Jr. and James Toney. Few saw him for who and what he was. The truth of him was obscured by more than an executioner’s hood or an alien mask. What is the truth of him? Ask him and you’ll be in for mind-bending misdirection. He knows better than you that words don’t matter. The answer has been unveiled, gradually, since he lost the middleweight crown at the ripe old age of forty. It’s in a remarkable campaign that saw him seize the light heavyweight crown at age forty-six, lose it at forty-seven, and spend the last seventeen months spanking top-ranked contenders twenty years his junior. But it’s his decision to face Sergey “Krusher” Kovalev two months before turning fifty that would make Moore tip his top hat.

“Alien vs. Krusher” was televised live from Atlantic City on HBO Saturday night. I wasn’t about to watch it from the couch. I put on a suit and boarded an Amtrak train at Boston.

The fellow traveler I shared a space with was too riveted to an iPad to acknowledge my greeting. He was watching a college football game, drinking Bloody Marys like my Camaro drinks gasoline, and cheering at turnovers with increasing bravura. Once, glancing up from Liebling’s essays, I found him in a fighter’s pose -his right fist cocked as if. He looked closer to fifty than me, but probably knew not a whit about Bernard Hopkins and what he was risking and reaching for that very day.

My seat faced backwards. For a sentimental sort who prefers books to iPads, this gives the unwelcome feeling of being pulled kicking and screaming into the future like a reluctant astronaut. I looked out the window at the things receding behind us. At Central Falls, Rhode Island a prison appeared, sprawled behind fences and great concentric circles of barbed wire. Hopkins history. The future fighter was convicted of armed robbery when he was seventeen and his name became a number. Inmate #Y4145 spent five years at Pennsylvania’s Graterford Prison thinking about life and all that comes with it. Archie Moore also did time after stealing seven dollars from a street car. Both counted those lost years as a turning point. Both found an older mentor inside, a necessary man who showed them the ropes and blessed the boxing ring and their place in it. “It was then that I made up my mind,” Moore said. “There were two ways to go, you understand, and only two.” One was surrender and single-file between cinderblocks. The other was hope and what Moore called “the glass mountain.” Hopkins knows what that is. Many who came out of big-city housing projects will tell you it’s the black man’s experience -two steps up to slide four steps down, scratching and clawing in a desperate effort “to touch that peak with outstretched fingertips.”

Moore and Hopkins made vows to climb.

It took years, but they proved their mettle as men and champions. And they wouldn’t let the formative past recede out of reach. They made it a point to visit reform schools and penitentiaries to place a strong hand on the shoulders of outcasts. They brought hope. In the early 1990s, Hopkins actually held a training camp at Graterford. “I’ve seen how Bernard inspires the inmates,” a promoter said. “I’ve seen their eyes light up. After sparring, he’ll sit down and talk to them for hours.”

I had a five-hour train ride to think about the fight and all that comes with it. Images strangely fitting flashed by the window; at times like archetypes, at times like credits in a movie trailer. Military trucks and other objets d’guerre at ease in Pawtucket and rubble strewn along the tracks in Providence called to mind the Russian puncher. Antique tractors of no use to anyone anymore, half-sunk in the ground. Somewhere near New Haven I saw cars piled like metal corpses in a dirt morgue, tires stripped, hoods open-mouthed. Only the graffiti had vitality. Crossing into New York City brought plenty -of graffiti, not vitality. Some of the tags took on a power of suggestion that a subtle-minded theorist like Hopkins would not miss: “Solo” “Shock” “Bard” “Stoic” “Distort” “Duzzit” “Ready”. One was not so subtle. Toward the end of a sun-splashed tunnel, twenty-feet of sharp angles and pastel green went racing by that read “Alien Intelligence.”

It got my hopes up.

In 1952, A.J. Liebling boarded this train at Penn Station when he covered Jersey Joe Walcott’s world title defense against Rocky Marciano in Philadelphia. Across the aisle from him was a contingent of Brocktonians laying 5 to 1 odds on their hero. “They might have been either union officials or downtown businessmen,” he observed. They were on the train with me, sixty-two years later, only the subject was less stirring than a championship bout and less historic than Hopkins’ battle against two destroyers in Time and Kovalev. “The Eagles lose their quarterback. The Giants can’t get out of their own way,” said one. “They’re supposed to have this lightning quick offense and they’re fumbling on their own line!” said another. I yawned.

At 4:10pm, I disembarked with Liebling’s book where Liebling did at Philadelphia’s 30th Street Station. Before boarding the New Jersey Transit to Atlantic City, I scanned the concourse for some tribute to Hopkins, a statue maybe. I found one, though it was a memorial to other warriors from a greater war. “Angel of the Resurrection” by Walker Hancock features a forty-foot bronze Archangel holding up a fallen soldier. It was dedicated in August 1952. Liebling waddled past it only a month later on his way to the Municipal Stadium where he would witness “old man Walcott” collapse at Marciano’s feet. In September of 1955, he would witness the Ole’ Mongoose himself in the same undignified position. Both fell and could not get up.

I saw Youth deck Age yet again when Kovelev slung a right hand like an iron ball on a chain. It landed, literally and figuratively, on the temple of the Philadelphian.

But the Philadelphian got up.

Flying Objects
Kovalev’s tendency to sling first and think later was tempered by a masterful strategy. He began with a statement of power to keep Hopkins at bay. It worked. After Hopkins was decked, he adjusted his distance from the perimeter (only a half-step away from Kovalev’s chin) to just off the perimeter (a full step outside Kovalev’s reach). This adjustment was made early and told the story of the fight.

By round five, Nazim Richardson knew what was happening. He saw very human impulses of self-preservation. “You’re not trusting your weapons,” he told Hopkins in the corner. “Relax, get inside, and smother.” But Hopkins could not relax and had no inclination for close encounters of that kind. Kovalev only had to feint to send thirty years of drills into complete disarray. Jabs likewise forced the thinking veteran to think again while a debilitating body attack depleted his already suspect energy reserves. What had been well-timed invasions against lesser opponents became infrequent forays against Kovalev. He seemed content to hover.

Hopkins noted Kovalev’s strategy of stepping out of range after landing his punches, though there was more to it. When Kovalev wasn’t stepping back, he was finishing his combinations with a left hook or a jab. It’s called “finishing on your left” and Marciano’s trainer recommended it because it naturally returns the conventional fighter to the ready position. It does something else too; a left ‘going away’ is a surprise to opponents. A big right at the end of a combination registers as an exclamation point, a signal that the worst is over, and most fighters will follow it with their own attack. They don’t expect a left to pop them on the nose. Not even Hopkins could figure it out.

Plan B from Outer Space
Hopkins was forced to reconfigure his whole motherboard. As winning became more and more remote, his objective was reduced and he found new answers to new questions. He would do what neither Walcott nor Moore could do against Marciano. He would take him the distance. Kovalev, who had yet to stand around in his own sweat after twelve or even ten rounds waiting for judges’ scorecards to be read, would have to tonight. Hopkins switched into defensive overdrive and displayed a vast array of old ring foils to find an advantage. In the third round he landed a left hook to the body and at the same time swung his right foot behind Kovalev’s front foot, jammed his forearm under Kovalev’s armpit, and pushed him down. Then he raised his hands in hopes that the referee would take the cue and start a count. It was an underhanded version of the Fitzsimmons Shift, which is over a century old.

In the eighth round, Hopkins was hurt by a right hand. He sagged and stumbled like a septuagenarian in a stairwell-and what does he do? He does what he did in the first round when he got knocked down-he glances down at the canvas. It was a ploy to stunt Kovelev’s adrenalin-fueled rush with a suggestion that perhaps, just perhaps, he he’d slipped.

In the tenth round Hopkins surprised everyone. He gritted his dentures and landed a right blast that repeated all the way to the nosebleeds. Kovalev’s leg shuddered and the Russians seated near me jumped up and spilled their vodka. “Rossiya! Ataka!” they hollered as their hero resumed control of the bout.

Bernard Hopkins finished the fight going to toe-to-toe with Time the Destroyer and getting the worst of it. The crowd roared. I saw the glass mountain. I saw an old black man scratching and clawing in a desperate effort to touch that peak with outstretched fingertips.

……

It was 3:26am Sunday when the New Jersey Transit pulled into Philadelphia’s 30th Street Station. Eleven hours earlier, I hadn’t noticed its magnificence as a work of architecture. A coffered ceiling looms a hundred feet overhead and six Corinthian columns stand at the main entrances. The design of the building combines Neoclassicism with Art Deco -old with new.

With two hours to kill before the arrival of my Boston-bound train, I lingered with the low echoes in the main concourse. The chandeliers were dimmed and it was almost deserted. Spectral shoes clacked now and then on marble floors. An off-duty conductor was stretched out on a bench, snoring like three men in a chamber.

I wandered underneath Walker Hancock’s war memorial and was reading the inscription when I sensed a presence over my shoulder. An old man stood there gazing up at the angel and the fallen warrior. I didn’t hear him approach. His skin was the color of good coffee; gray mutton chops graced his face. He was smiling, as if he knew the answers.

And then he was gone.

 


Resources include Robert Seltzer’s article “‘E xecutioner’ Visits Prison” (Philadelphia Inquirer, 12/3/92); Archie Moore’s “glass mountain” found in his autobiography Any Boy Can: The Archie Moore Storywith Leonard Pearl (Prentice-Hall, 1971); Charley Goldman recommendation to “finish on your left” was found in A.J. Liebling’s The Sweet Science (Viking, 1956). Special thanks to Jason McMann for coming through in a pinch.

Springs Toledo is the author of the newly-released book, The Gods of War: Boxing Essays (Tora,2014,$25).Contact him at scalinatella@hotmail.com for signed copies.

 

 

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Hall of Fame Boxing Writer Michael Katz (1939-2025) Could Wield His Pen like a Stiletto

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One of the last of the breed – a full-time boxing writer for the print edition of a major metropolitan daily – left us this week. Hall of Fame boxing writer Michael Katz was 85 when he drew his last breath at an assisted living facility in Brooklyn on Monday, Jan. 27.

Born in the Bronx, Katz earned his spurs writing for the school newspaper “The Campus” at the City College of New York. He was living in Paris and working for the international edition of the New York Times when he covered his first fight, the 15-round contest between Floyd Patterson and Jimmy Ellis at Stockholm in 1968. He eventually became the Times boxing writer, serving in that capacity for almost nine years before bolting for the New York Daily News in 1985 where he was reunited with the late Vic Ziegel, his former CCNY classmate and cohort at the campus newspaper.

From a legacy standpoint, leaving America’s “paper of record” for a tabloid would seem to be a step down. Before the digital age, the Times was one of only a handful of papers that could be found on microfilm in every college library. Tabloids like the Daily News were evanescent. Yesterday’s paper, said the cynics, was only good for wrapping fish.

But at the Daily News, Michael Katz was less fettered, less of a straight reporter and more of a columnist, freer to air his opinions which tended toward the snarky. Regarding the promoter Don King, Katz wrote, “On the way to the gallows, Don King would try to pick the pocket of the executioner.”

With his metaphoric inkwell steeped in bile, Katz made many enemies. “Bob Arum would sell tickets to a Joey Buttafuoco lecture on morals and be convinced it was for a noble cause,” wrote Katz in 1993. Arum had had enough when Katz took him to task for promoting a fight on the night of Yom Kippur and sued Katz for libel.

“It was out of my hands, HBO picked the date,” said Arum of the 1997 bout between Buster Douglas and John Ruiz that never did come off after Douglas suffered a hand injury in training. (Arum would subsequently drop the suit, saying it wasn’t worth the hassle.)

At press luncheons in Las Vegas, the PR people always made certain to seat Katz with his pals Ed Schuyler, the Associated Press boxing writer, and Pat Putnam, the Sports Illustrated guy. They reveled in each other’s company. But Katz also made enemies with some of his peers on press row, in some cases fracturing longstanding friendships.

“I like Hauser,” wrote Katz in a review of Thomas Hauser’s award-winning biography of Muhammad Ali, “and was afraid that after Tom put in those thousands of hours with Ali, somehow the book couldn’t be as good as I wanted. With relief, I can report it’s better than I had hoped.”

The two later had a falling-out.

Katz’s most celebrated run-in with a colleague happened in June of 2004 when he scuffled with Boston Globe boxing writer Ron Borges in the media room at the MGM Grand during the pre-fight press conference for the fight between Oscar De La Hoya and Felix Sturm. During the fracas, Katz, Borges, Arum, and Arum’s publicist Lee Samuels toppled to the floor. The cantankerous Katz, who initiated the fracas by attacking Borges verbally, then wore a neck brace and carried a cane.

“I had my ups and downs with him,” wrote Borges on social media upon learning of Katz’s death, “but we traveled the world together for nearly 50 years and I long admired his talent, his willingness to stand up for fighters and to call out the b.s. of boxing and its promoters and broadcast entities who worked diligently to try and destroy a noble sport.”

A little-known fact about Michael Katz is that he played a role in getting one of the best boxing books, George Kimball’s vaunted “Four Kings,” to its publishing house. Kimball, who passed away in 2011, an esophageal cancer victim at age 67, was hospitalized and too ill to finish the proofing and editing of the manuscript and enlisted the aid of Katz and an old friend from Boston, Tom Frail, an editor at the Smithsonian magazine, to complete the finishing touches. “If there are any mistakes in the book,” wisecracked Kimball, “blame them.”

Katz was one of the first sportswriters to hop on the internet bandwagon, moving his tack to HouseofBoxing.com which became MaxBoxing.com. That didn’t work out so well for him. Some of his last published pieces ran in the Memphis Commercial Appeal and in the Las Vegas weekly Gaming Today.

A widower for much of his adult life, Katz was predeceased by his only child, his beloved daughter Moorea, a cancer sufferer who passed away in 2021. Her death took all the spirit out of him, noted matchmaker and freelance boxing writer Eric Bottjer in a moving tribute.

During a moment in Atlantic City, Bottjer had been privy to a different side of the irascible curmudgeon, “a beautiful soul when open and vulnerable.” The best way to honor Katz’s memory, he writes, is to reach out to a long lost friend. Pass it on.

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Boxing Odds and Ends: Ernesto Mercado, Marcel Cerdan and More

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The TSS Fighter of the Month for January is super lightweight Ernesto “Tito” Mercado who scored his sixth straight knockout, advancing his record to 17-0 (16 KOs) with a fourth-round stoppage of Jose Pedraza on the undercard of Diego Pacheco vs. Steven Nelson at the Cosmopolitan Hotel in Las Vegas.

Mercado was expected to win. At age 35, Pedraza’s best days were behind him. But the Puerto Rican “Sniper” wasn’t chopped liver. A 2008 Beijing Olympian, he was a former two-division title-holder. In a previous fight in Las Vegas, in June of 2021, Pedraza proved too savvy for Julian Rodriguez (currently 23-1) whose corner pulled him out after eight rounds. So, although Mercado knew that he was the “A-side,” he also knew, presumably, that it was important to bring his “A” game.

Mercado edged each of the first three frames in what was shaping up as a tactical fight. In round four, he followed a short left hand with an overhand right that landed flush on Pedraza’s temple. “It was a discombobulating punch,” said one of DAZN’s talking heads. Indeed, the way that Pedraza fell was awkward. “[He] crushed colorfully backward and struck the back of his head on the canvas before rising on badly wobbled legs,” wrote ringside reporter Lance Pugmire.

He beat the count, but referee Robert Hoyle wisely waived it off.

Now 23 years old, Ernesto “Tito” Mercado was reportedly 58-5 as an amateur. At the December 2019 U.S. Olympic Trials in Lake Charles, Louisiana, he advanced to the finals in the lightweight division but then took sick and was medically disqualified from competing in the championship round. His opponent, Keyshawn Davis, won in a walkover and went on to win a silver medal at the Tokyo Games.

As a pro, only one of Mercado’s opponents, South African campaigner Xolisani Ndongeni, heard the final bell. Mercado won nine of the 10 rounds. The stubborn Ndongeni had previously gone 10 rounds with Devin Haney and would subsequently go 10 rounds with Raymond Muratalla.

The Ndongeni fight, in July of 2023, was staged in Nicaragua, the homeland of Mercado’s parents. Tito was born in Upland in Southern California’s Inland Empire and currently resides in Pomona.

Pomona has spawned two world champions, the late Richie Sandoval and Sugar Shane Mosley. Mercado is well on his way to becoming the third.

Marcel Cerdan Jr

Born in Casablanca, Marcel Cerdan Jr was four years old when his dad ripped the world middleweight title from Tony Zale. A good fighter in his own right, albeit nowhere near the level of his ill-fated father, the younger Cerdan passed away last week at age 81.

Fighting mostly as a welterweight, Cerdan Jr scored 56 wins in 64 professional bouts against carefully selected opponents. He came up short in his lone appearance in a U.S. ring where he was matched tough against Canadian champion Donato Paduano, losing a 10-round decision on May 11, 1970 at Madison Square Garden. This was a hard, bloody fight in which both men suffered cuts from accidental head butts.

Cerdan Jr and Paduano both trained for the match at the Concord Hotel in the Catskills. In the U.S. papers, Cerdan Jr’s record was listed as 47-0-1. The record conveniently omitted the loss that he had suffered in his third pro bout.

Eight years after his final fight, Cerdan Jr acquired his highest measure of fame for his role in the movie Edith et Marcel. He portrayed his father who famously died at age 33 in a plane crash in the Azores as he was returning to the United States for a rematch with Jake LaMotta who had taken away his title.

Edith et Marcel, directed by Claude Lelouch, focused on the love affair between Cerdan and his mistress Edith Piaf, the former street performer turned cabaret star who remains today the most revered of all the French song stylists.

Released in 1983, twenty years after the troubled Piaf passed away at age 47, the film, which opened to the greatest advertising blitz in French cinematic history, caused a sensation in France, spawning five new books and hundreds of magazine and newspaper articles. Cerdan Jr’s performance was “surprisingly proficient” said the Associated Press about the ex-boxer making his big screen debut.

The French language film occasionally turns up on Turner Classic Movies. Although it got mixed reviews, the film is a feast for the ears for fans of Edith Piaf. The musical score is comprised of Piaf’s original songs in her distinctive voice.

Marcel Cerdan Jr’s death was attributed to pneumonia complicated by Alzheimer’s. May he rest in peace.

Claressa Shields

Speaking of movies, the Claressa Shields biopic, The Fire Inside, released on Christmas day, garnered favorable reviews from some of America’s most respected film critics with Esquire’s Max Cea calling it the year’s best biopic. First-time director Rachel Morrison, screenwriter Barry Jenkins, and Ryan Destiny, who portrays Claressa, were singled out for their excellent work.

The movie highlights Shields’ preparation for the 2012 London Olympics and concludes with her training for the Rio Games where, as we know, she would win a second gold medal. In some respects, the movie is reminiscent of The Fighter, the 2010 film starring Mark Wahlberg as Irish Micky Ward where the filmmakers managed to manufacture a great movie without touching on Ward’s famous trilogy with Arturo Gatti.

The view from here is that screenwriter Jenkins was smart to end the movie where he did. In boxing, and especially in women’s boxing, titles are tossed around like confetti. Had Jenkins delved into Claressa’s pro career, a very sensitive, nuanced biopic, could have easily devolved into something hokey. And that’s certainly no knock on Claressa Shields. The self-described GWOAT, she is dedicated to her craft and a very special talent.

Shields hopes that the buzz from the movie will translate into a full house for her homecoming fight this coming Sunday, Feb. 2, at the Dort Financial Center in Flint, Michigan. A bevy of heavyweight-division straps will be at stake when Shields, who turns 30 in March, takes on 42-year-old Brooklynite Danielle Perkins.

At bookmaking establishments, Claressa is as high as a 25/1 favorite. That informs us that the oddsmakers believe that Perkins is marginally better than Claressa’s last opponent, Vanessa Lepage-Joanisse. That’s damning Perkins with faint praise.

Shields vs. Perkins plus selected undercard bouts will air worldwide on DAZN at 8 pm ET / 5 pm PT.

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Ringside at the Cosmo: Pacheco Outpoints Nelson plus Undercard Results

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Ringside at the Cosmo: Pacheco Outpoints Nelson plus Undercard Results

LAS VEGAS, NV – Eddie Hearn’s Matchroom Promotions was at the Cosmopolitan in Las Vegas tonight for the second half of a DAZN doubleheader that began in Nottingham, England. In the main event, Diego Pacheco, ranked #1 by the WBO at super middleweight, continued his ascent toward a world title with a unanimous decision over Steven Nelson.

Pacheco glides round the ring smoothly whereas Nelson wastes a lot energy with something of a herky-jerky style. However, although Nelson figured to slow down as the fight progressed, he did some of his best work in rounds 11 and 12. Fighting with a cut over his left eye from round four, a cut that periodically reopened, the gritty Nelson fulfilled his promise that he would a fight as if he had everything to lose if he failed to win, but it just wasn’t enough, even after his Omaha homie Terence “Bud” Crawford entered his corner before the last round to give him a pep talk (back home in North Omaha, Nelson runs the B&B (Bud and Bomac) Sports Academy.

All three judges had it 117-111 for Pacheco who mostly fought off his back foot but landed the cleaner punches throughout. A stablemate of David Benavidez and trained by David’s father Jose Benevidez Sr, Pacheco improved to 23-0 (18). It was the first pro loss for the 36-year-old Nelson (20-1).

Semi wind-up

Olympic gold medalist Andy Cruz, who as a pro has never fought a match slated for fewer than 10 rounds, had too much class for Hermosillo, Mexico’s rugged Omar Salcido who returned to his corner with a puffy face after the fourth stanza, but won the next round and never stopped trying. The outcome was inevitable even before the final round when Salcido barely made it to the final gun, but the Mexican was far more competitive than many expected.

The Cuban, who was 4-0 vs. Keyshawn Davis in closely-contested bouts as an amateur, advanced his pro record to 5-0 (2), winning by scores by 99-91 and 98-92 twice. Salido, coming off his career-best win, a 9th-round stoppage of former WBA super featherweight title-holder Chris Colbert, falls to 20-2.

Other TV bouts

Ernesto “Tito” Mercado, a 23-year-old super lightweight, aims to become the next world champion from Pomona, California, following in the footsteps of the late Richie Sandoval and Sugar Shane Mosely, and based on his showing tonight against former Beijing Olympian and former two-division title-holder Jose Pedraza, he is well on his way.

After three rounds after what had been a technical fight, Mercado (17-0, 16 KOs) knocked Pedraza off his pins with a short left hand followed by an overhand right. Pedraza bounced back and fell on his backside. When he arose on unsteady legs, the bout was waived off. The official time was 2:08 of round four and the fading, 35-year-old Pedraza (29-7-1) was saddled with his third loss in his last four outings.

The 8-round super lightweight clash between Israel Mercado (the 29-year-old uncle of “Tito”) and Leonardo Rubalcava was a fan-friendly skirmish with many robust exchanges. When the smoke cleared, the verdict was a majority draw. Mercado got the nod on one card (76-74), but was overruled by a pair of 75-75 scores.

Mercado came out strong in the opening round, but suffered a flash knockdown before the round ended. The referee ruled it a slip but was overruled by replay operator Jay Nady and what would have been a 10-9 round for Mercado became a 10-8 round for Rubalcava. Mercado lost another point in round seven when he was penalized for low blows.

The scores were 76-74 for Mercado (11-1-2) and 75-75 twice. The verdict was mildly unpopular with most thinking that Mercado deserved the nod. Reportedly a four-time Mexican amateur champion, Rubalcava (9-0-1) is trained by Robert Garcia.

Also

New Matchroom signee Nishant Dev, a 24-year-old southpaw from India, had an auspicious pro debut (pardon the cliché). Before a beaming Eddie Hearn, Dev stopped Oakland’s Alton Wiggins (1-1-1) in the opening round. The referee waived it off after the second knockdown.

Boxers from India have made large gains at the amateur level in recent years and Matchroom honcho Eddie Hearn anticipates that Dev, a Paris Olympian, will be the first fighter from India to make his mark as a pro.

Undefeated Brooklyn lightweight Harley Mederos, managed by the influential Keith Connolly, scored his seventh knockout in eight tries with a brutal third-round KO of Mexico’s Arturo de Isla.

A left-right combination knocked de Isla (5-3-1) flat on his back. Referee Raul Caiz did not bother to count and several minutes elapsed before the stricken fighter was fit to leave the ring. The official time was 1:27 of round three.

In the opener, Newark junior lightweight Zaquin Moses, a cousin of Shakur Stevenson, improved to 2-0 when his opponent retired on his stool after the opening round.

Photo credit: Melina Pizano / Matchroom

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