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The Underappreciated Boxing Brilliance of Erislandy Lara
Erislandy Lara is not universally praised as one of the best boxers on the planet, but he should be.
Oh sure, he holds an alphabet title belt and is recognized as the No. 2 junior middleweight fighter in the world by both the Transnational Rankings and Ring Magazine. But being recognized and accepted as a top fighter is not nearly the same thing as being praised for it. And Lara isn’t celebrated for his boxing brilliance by fans and media.
He’s scoffed at for it.
A Familiar Story
There’s always that one guy. Isn’t there? He’s the one who doesn’t have hoards of fans but still commands the respect among his peers because they know what he is capable of doing every single time the bell rings: winning.
Other fighters avoid facing him like The Plague. They know he has the goods. He’s just too damned skilled at what he does to be worth the risk no matter how big the associated payday might be. There’s always someone else to fight, someone less risky. And to hell with whatever the alphabet gang says about him, fighters know he’s the toughest fight in the division.
But he’s a hard sell. Maybe he’s so great defensively that his fights are labeled boring by anyone but boxing’s most astute observers. Or maybe his best weapons are his jab and footwork. Or maybe he hails from a tiny island off the coast of America, one that’s estranged from Uncle Sam’s capitalist culture and doesn’t offer a gigantic built-in fan base like some of boxing’s other social groups.
God forbid it’s all of them.
And because of it, ringside judges make him work extra hard to win fights. It’s not that they’re necessarily corrupt. It’s not that they’re not necessarily corrupt either. But it’s mainly because they’re human. They hear the crowd cheering for the other guy. They read the papers before the fight. They hear, too, the fans in the cheap seats, those whose interests typically match their pocketbooks, boo lustily as he slips and dodges punches rather than absorbing them with his face.
So our guy Lara has to win nine rounds or more every single fight just to get a “fair” shake from boxing judges. If he wins anything less, he can expect a draw on the cards or a decision loss. That’s just how it goes.
It’s not right, but Lara is used to it. He comes from tougher stuff.
The American Dream
Lara was born in one of the poorest areas of Cuba. He’s never met his father, and he told me that his mother, Marisol, was an alcoholic. His grandmother did the best she could to raise him, but she died when Lara was just 11 years old.
Like I said, tougher stuff.
Maybe Lara was born to fight. By 2005, he was captain of the Cuban national team and a three-time national champion for a country that produces exponentially more Olympic boxing medalists per capita than any other in the world. Lara was one of the favorites for the 2008 Olympics in Beijing, but he never made it there.
Teofilo Stevenson, winner of three Olympic gold medals and perhaps Cuba’s greatest boxer of all time, turned down $5 million dollars in the 1970s to leave his country and fight reigning heavyweight champion Muhammad Ali.
“I wouldn’t exchange my piece of Cuba for all the money they could give me,” Stevenson told Sports Illustrated. “I prefer the affection of eight million Cubans.”
But Lara was from a new generation of Cubans, one that experienced the results of Fidel Castro’s revolution in a vacuum. They weren’t part of the change. They were the result of it. Lara’s generation didn’t reflect as fondly on their county’s past. They looked even less favorably on its current condition.
Lara wanted more than his countrymen’s ardor, so he attempted to defect from Cuba during the 2007 Pan American Games in Brazil. After having a few drinks with teammate Guillermo Rigondeaux, the two made a break for Germany with boxing promoter Ahmet Oner, who had helped Yuriorkis Gamboa and Yan Barthelemy defect from Cuba a short time earlier so that they could start their professional careers. That’s what Lara and Rigondeaux wanted, too. The two men were hidden away by Oner so they could be smuggled safely out of the country when the time was right.
But it never happened.
The two languished for three weeks, fugitives in a strange land with no place to turn. Cuba worked diligently with Brazilian authorities to search for the missing boxers until Lara and Rigondeaux finally decided to turn themselves in. Upon their return to Cuba, the two were branded traitors and placed on indefinite suspension by the Cuban government. The men were then confined to their homes and not allowed to fight again.
“It was a pointless existence,” said Lara.
But it wasn’t pointless for Castro. It was important for him to make an example out of the two. “They have reached a point of no return as members of a Cuban boxing team,” wrote Castro in the state-run Granma. “An athlete who abandons his team is like a solider who abandons his fellow troops in the middle of combat.”
Four months later, Lara tried to leave Cuba again. He was smuggled by boat along with 20 other defectors. The six-hour trek to Mexico took 17 hours in the dead of night, and the smugglers demanded 10 times more for Lara’s passage once they learned he was a world champion boxer.
Lara made it to Mexico, and once there, he was transported by Oner to Germany. He fought twice overseas for Oner before leaving for the United States in 2008 to sign with a new manager, Luis DeCubas, Jr. In 2012, boxing powerbroker Al Haymon became Lara’s co-manager alongside DeCubas.
“It was a very difficult decision to leave Cuba, which is why it took me so long to leave, but I did it for the right reasons,” said Lara. “I did it to better my life and better my family’s life and that is what I’ve done. I came here to work hard and fight.”
Lara’s journey was fraught with danger. He wasn’t sure he’d make it.
“Being on the sea, not knowing whether you are going to live or die—whether I’d make it or not,” he said. “I’m grateful to God I was able to pass that stage of my life and now that is why I work so hard in this country to make the most out of my life. I believe that God put every human being on this planet for a reason.”
If one supposes there truly is a reason for every human being on earth to exist, a close study of Lara reveals one obvious conclusion: Lara was born to be a world-class boxer.
A Technical Appreciation
A quote attributed to Bruce Lee can rightly be applied to Lara’s boxing skills, too: “I fear not the man who has practiced 10,000 kicks once, but I fear the man who has practiced one kick 10,000 times.”
Substitute “punch” for “kick” and Lee would probably have admitted a healthy amount of fear of Lara, particularly his straight left hand. Everything Lara does inside a boxing ring relies and depends on his left, and he does multiple things to set the punch up.
Erislandy Lara’s offense is simple but effective. https://t.co/dGCDgAMCmb
— Kelsey McCarson (@KelseyMcCarson) January 22, 2015
All of Lara’s favorite combinations include the straight left. He frequently employs a jab-cross, a jab-cross-jab and even a cross-jab that ends in a pivot.
While less used than the aforementioned, Lara also throws a mean half-hook, half-uppercut to the body after a stiff or blinding jab to the face.
Here are a couple of Lara’s favorite punch sequences. https://t.co/3H9PP4tQoS
— Kelsey McCarson (@KelseyMcCarson) January 27, 2015
Like most fighters, Lara has more than one jab. Unlike most, he’s great at more than one of them. The two most frequent jabs he uses are the classic, stiff jab (aka the first punch you learn in a boxing gym) and a flashy, blinding jab that’s primarily used as a setup for whatever is coming in behind it.
In the video below, Lara uses both jabs in succession. His blinding jab sets up the stiff one. Only the second of the two is meant to land.
Here’s an example of Lara using both types of jabs in succession. https://t.co/Rez5HEiUHz
— Kelsey McCarson (@KelseyMcCarson) January 27, 2015
Lara will at times use his power hand like a jab. Similar to Rigondeaux, Lara will sometimes paw with his left hand simply to have his opponent react to it or be blinded by it, after which he’ll throw a sharp jab or stinging hook behind it. Think of it as a Trojan Horse; the light-hitting left seems so amiable and sweet until one realizes the walloping right that seemingly comes from within it.
In the very same sequence, Lara uses his left hand to blind Alvarez before throwing a hard one-two.
Lara uses his power hand sometimes in the same way as a flash jab. https://t.co/S63MEB1Eru
— Kelsey McCarson (@KelseyMcCarson) January 27, 2015
Overall, Lara’s style is relatively simple but incredibly effective. He relies on just a few critical elements but has mastered them to the point of being almost unbeatable. His trainer, Ronnie Shields, believes the more one knows the intricacies of the sport, the more one appreciates the crafty style of Lara.
“If you really know boxing, then you will love Erislandy Lara,” said Shields. “If you don’t know anything about boxing, then you will not love him. Because the kid knows how to fight. He knows what to do inside of that ring. That’s all that’s important.”
Lara is the prototypical Cuban fighter. He’s a fast stylist who uses swift movement, educated timing and precise punching. He is a master of both distance and space who relies on his defense to set up his offense. He’d rather hit and not be hit. It’s not that he doesn’t believe in his ability to take a punch. It’s that he knows he doesn’t have to in order to land his own.
He accomplishes this by using superb footwork to create angles. Lara’s goal is create linear attack points from one direction, and linear escape points in another. He’s capable of stepping either toward or away from his opponent’s power hand in order to land the punches he wants. He often steps wide to the side when he fights, but still manages to follow through with his punches as if he were trying to hit someone two inches behind where the opponent is standing.
It’s called punching through the target, and Lara does it better than anyone in the sport.
Lara steps wide after punching to avoid return fire. https://t.co/pxswXbyBqM
— Kelsey McCarson (@KelseyMcCarson) January 27, 2015
The hallmark of Lara’s style is his overly wide stance. If you go into any local American boxing gym and try to mimic his fighting technique, you’ll likely be admonished. Traditionally, fighters rely on narrower stances than Lara’s because they feel it allows more freedom to move around the ring.
A good example of a traditional wide-but-not-Lara-wide stance would be the one employed by Juan Manuel Marquez, a brilliant mover who can punch from virtually anywhere on the floor. There’s nothing wrong with the approach. Marquez is one of the finest boxers ever.
Lara can punch from anywhere, too. And Lara’s overly wide stance gives him significant power in situations where other fighters typically wouldn’t have it, even if he’s moving backwards.
Moreover, Lara uses his stance to draw opponents toward him. While Lara is capable of leading, he prefers to be a counterpuncher. One unique way he tries to lure his opponents in is by bending his knees low while resting in his stance. It puts his torso very close to the mat, and at times his rear is virtually inches from the ground. From this position, Lara moves his head and shoulders as punches come toward him and is capable of making his opponents miss wildly, serving the dual function of tiring them out and setting them up for counters.
“The Cubans really know what the sweet science is,” said Shields. “Boxing is a hit-and-don’t-get-hit sport. The Cubans have perfected that. They are boxer-punchers. They know how to hurt you. But at the same time, they’re not getting beat up.”
Lara has fought 24 times as a professional. He’s never been beat up.
Fair Criticism
Lara is overly criticized for his fighting methods, but not all of it is unfair or unwarranted. While he’s clearly a superb pugilist, one gets the impression watching him fight that he’s not quite maximizing his full potential.
That was nowhere more apparent than during his hotly disputed split-decision loss to Saul “Canelo” Alvarez in 2014, a fight Lara probably won but also deserved to lose.
Judge Levi Martinez scored the bout atrociously, 117-111 for Alvarez. The other two judges scored the bout 115-113: Jerry Roth for Lara and Dave Moretti for Alvarez.
Media scores were similarly close. According to a Boxing News poll, of 89 media members who scored the bout, 34 of them scored it for Alvarez, 30 for Lara and 25 called it a draw. Compubox numbers support the Lara crowd. Lara outlanded Alvarez 107-97 and landed a higher percentage of his punches.
But Lara appeared to be in control of the bout for most of the night, and while Alvarez was an aggressor in many of the rounds (i.e., he was moving forward), he was hardly effective. Lara’s footwork kept him out of sync, and while he hurled body punches at his Cuban foe over the course of the fight, much of them where blocked by Lara’s arms and elbows.
Having watched and rewatched the bout numerous times, it seems that the most likely outcome of the fight, had Alvarez not been a popular Mexican fighter with big-money backers, and a loud a boisterous crowd shouting praises at him from all over the MGM Grand in Las Vegas, would have been anywhere between a draw to a 116-112 win for Lara.
The idea that Alvarez won more than six rounds is a stretch at the very least and becomes even more elasticized as one moves up the ladder to seven, eight or nine rounds in his favor.
Judge Martinez gave Alvarez nine rounds in the fight, meaning he either somehow prefilled his scorecards for each round based solely on expectation before the bout started or simply got the fighter’s names mixed up when the bell rang.
But either way, Lara made curious choices leading up to the biggest bout of his professional career, enough to make one wonder how Roth and Moretti would have scored the bout had he done things just a little differently.
When Lara first defected from Cuba, he ended up in Miami. But Lara found the nightlife there distracting and decided to instead move to Katy, a suburb of Houston, Texas, so he could focus solely on the two things that mattered most to him: boxing and his family.
But heading into the biggest fight of his career, Lara moved his training camp away from home and to Las Vegas, a city known exactly for the things Lara left Miami for in the first place.
Lara trains with Shields in a boxing gym housed within Plex, an impressive fitness facility near Katy in Stafford, another Houston suburb. It’s a place where the owner, Danny Arnold, has made a good living training elite athletes from all over the world.
Other Shields fighters, such as Bryan Vera and the Charlo brothers, Jermell and Jermall, train with Arnold there year-round. The results are astounding. The Charlos are two of the fittest 154-pounders in boxing. Since working with Arnold, their appearance has visibly changed and both have shown marked increases in speed and punching power.
Vera attained similar results. His newfound athleticism helped what used to be a lead-footed brawler deserve (but not receive) the nod for outboxing Julio Cesar Chavez in 2013.
Moreover, as Vera has been more and more absent from training at Plex over the last year, so too have his skills seemingly eroded back to the fighter he was before.
Despite having access to a place where other Shields’ fighters, as well as NFL, NBA and MLB players, train with the latest technology to develop endurance, speed and power, Lara has maintained an old school boxing mentality.
Instead of taking advantage of where he is, Lara uses Edward Jackson, strength and conditioning coordinator who told me he didn’t really even need a gym to get his fighters ready to fight.
“I don’t need any of this stuff,” said Jackson as he pointed to the machines at gadgets around him a Plex. “We can get ready anywhere.”
Maybe that’s true. But as someone who has been with and around Shields’ fighters over the past couple of years, I can wholeheartedly attest to one thing: the fighters that train at Plex have changed significantly since they’ve taken the plunge. You don’t just think the fighters are getting faster and stronger. You can actually see it.
Here’s why that’s so crucial. Lara’s style is entirely dependent on his foot-speed and movement. It relies on him being quick and explosive and requires the maximum amount of endurance the human body can muster over 12 full rounds.
Against Alvarez, Lara appeared to tire in the middle rounds. He threw fewer punches, and allowed Alvarez to steal key moments in the bout by not keeping pace. Yes, Lara was in fine shape that night. But if there were ways for him to get into even better shape, it would have behooved him and his handlers to explore them.
Lara will never get the benefit of the doubt from judges. He should know that by now. He doesn’t just have to win rounds. He has to win them convincingly. In order to do that, he doesn’t just have to be in great shape. He has to be in exceptionally great shape.
And starting with Plex–exploring it and any other ideas or options that are available to a world-class fighter with big-money backers like Haymon and DeCubas–would be a wise move going forward.
The Road Ahead
Lara is 31 years old. His fan base largely consists of the small number of hardcore fight fans who enjoy the Cuban style of boxing and fighters who rely on ring generalship more than any other attribute. And even at that, he plays second fiddle to Rigondeaux, a fighter more talented, more accomplished and more ballyhooed with essentially the same fighting approach but more power and speed for his weight class.
Ranked No. 2 in the division by the Transnational Rankings behind lineal champion Floyd Mayweather and the No. 1 rated Alvarez, Lara appears to have no big fights on the horizon.
Lara is the WBA regular champion. Supposedly, this makes him first in line for the WBA’s super champion at 154, Mayweather. But there’s simply no world in which the aging Mayweather chooses Lara for a defense that isn’t forced upon him. And even if that were the case, Mayweather only fights above 147 pounds for blockbuster pay-per-views against legitimate superstars.
Lara does not fit the bill.
After Alvarez eked out his decision win over Lara, his promoter, Oscar De La Hoya, was upfront about what everyone knew would be the case at the time: there would be no rematch.
De La Hoya knew Alvarez had gambled greatly by fighting Lara, a tough bout that would have been easy for the young star to avoid. To his credit, Alvarez made the fight happen and did enough in the judges’ eyes to walk away the winner. Alvarez, age 24, is a brave, new generation of star who seems okay with taking fights he could possibly lose, an old school approach more young fighters could stand to mimic.
But Alvarez isn’t stupid. He made it out of the bout unscathed and can now focus on bigger names and less risk. Moreover, Alvarez seems to have outgrown the junior middleweight division. His last two fights were fought above 154 pounds, including the contest with Lara.
Other division titleholders include Demetrius Andrade and Cornelius Bundrage, fighters who likely wouldn’t jump at the prospect of a unification bout with Lara unless they could be guaranteed an amount of money for the fight a TV network isn’t likely to pay.
And the best up-and-comers in the division, the Charlo brothers, are stable mates of Lara who also train with Shields, making them highly unlikely as potential competition.
About the only good thing one can say about Lara’s future prospects is that, in boxing, fights just seem to materialize sometimes. Lara will get more fights, and some of them will be interesting and noteworthy.
Lara dominated former titleholder Austin Trout in 2013. The American has won two straight fights since and a rematch with Lara could make sense to his handlers if they’re looking to earn more title shots.
Lara suffered a technical draw to Vanes Martirosyan in 2012. The bout was halted in Round 9 due to a cut caused by an accidental head-butt over Martirosyan’s left eye. That fight might also warrant a redo.
Martirosyan lost a split-decision to Andrade in 2013 but has rebounded nicely since parting ways with former promoter Top Rank and hooking up with Goossen Promotions. He’s won two straight over fairly decent opposition, including a solid shellacking of Willie Nelson last year.
And then there’s Al Haymon.
The mysterious advisor, who just announced a multi-year deal to broadcast numerous fights on the NBC network, will need inventory for his grand television venture. Does Lara fit into those plans?
Lara is one of the fighters Haymon advises and could potentially be used to fill timeslots at NBC, or at the very least Lara could be someone who benefits from Haymon putting other fighters on NBC. With those men busy with dates on the slew of upcoming NBC, NBC Sports Network and Spike TV cards, and potentially less Haymon fighters left for traditional boxing powerhouse Showtime to choose from now, the superbly skilled Lara could suddenly become an alluring option to Showtime executives looking to fill dates with fighters that fans can recognize while Haymon focuses on his free TV experiment. Lara’s bout with Alvarez last year and his exciting knockout of Alfredo Angulo in 2013 at least made him into someone fight fans know and have seen fight.
Whatever Lara’s future is, though, one thing remains clear. He’ll box brilliantly once the bell rings. He’ll move, feint and counter better than most fighters in the world today. He’ll showcase the Cuban style of boxing that has dominated amateur competitions for decades now, and he’ll do it over 12 rounds in the world of professional prizefighting.
He’ll make people wonder how great a heavyweight bout between Ali and Stevenson might actually have been. He’ll do the same for those who pined for Mike Tyson against three-time gold medalist Felix Savon in the 1980s. He’ll help people understand exactly why it’s so hard for Rigondeaux to get the biggest names at junior featherweight to fight him, and whether professional boxing’s slow demise in the United States would have been less severe had more of his countrymen chose he and Rigondeaux’s path rather than Stevenson’s and Savon’s.
And Lara will probably remain underappreciated for all of it. Maybe it’s just his lot in life. Maybe it’s his choices. Maybe it’s something heretofore undefined.
Or maybe Lara is right. Maybe God really does put every single human being on the planet for a reason. And maybe—just maybe—he didn’t just put Lara here to be a boxer, but to be an underappreciated one.
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The Challenge of Playing Muhammad Ali
There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.
The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”
The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”
The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.
The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).
Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.
On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.
Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.
Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.
“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”
And Ali was Ali. That’s a hard act to follow.
Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.
Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”
Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”
****
Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.
Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.
Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”
****
The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”
photo (c) David Serero
Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1
In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.
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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year
L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year
If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.
A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.
As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).
Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.
“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.
Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.
Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)
Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.
Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.
Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.
Photo credit: Steve Kim
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A Shocker in Tijuana: Bruno Surace KOs Jaime Munguia !!
It was a chilly night in Tijuana when Jaime Munguia entered the ring for his homecoming fight with Bruno Surace. The main event of a Zanfer/Top Rank co-promotion, Munguia vs. Surace was staged in the city’s 30,000-seat soccer stadium a stone’s throw from the U.S. border in the San Diego metroplex.
Surace, a Frenchman, brought a 25-0-2 record and a 22-fight winning streak, but a quick glance at his record showed that he had scant chance of holding his own with the house fighter. Only four of Surace’s 25 wins had come by stoppage and only eight of his wins had come against opponents with winning records. Munguia was making the first start in the city of his birth since February 2022. Surace had never fought outside Europe.
But hold the phone!
After losing every round heading into the sixth, Surace scored the Upset of the Year, ending the contest with a one-punch knockout.
It looked like a short and easy night for Munguia when he knocked Surace down with a left hook in the second stanza. From that point on, the Frenchman fought off his back foot, often with back to the ropes, throwing punches only in spurts. Munguia worked the body well and was seemingly on the way to wearing him down when he was struck by lightning in the form of an overhand right.
Down went Munguia, landing on his back. He struggled to get to his feet, but the referee waived it off a nano-second before reaching “10.” The official time was 2:36 of round six.
Munguia, who was 44-1 heading in with 35 KOs, was as high as a 35/1 favorite. In his only defeat, he had gone the distance with Canelo Alvarez. This was the biggest upset by a French fighter since Rene Jacquot outpointed Donald Curry in 1989 and Jacquot had the advantage of fighting in his homeland.
Co-Main
Mexico City’s Alan Picasso, ranked #1 by the WBC at 122 pounds, scored a third-round stoppage of last-minute sub Yehison Cuello in a scheduled 10-rounder contested at featherweight. Picaso (31-0-1, 17 KOs) is a solid technician. He ended the bout with a left to the rib cage, a punch that weaved around Cuello’s elbow and didn’t appear to be especially hard. The referee stopped his count at “nine” and waived the fight off.
A 29-year-old Colombian who reportedly had been training in Tijuana, the overmatched Cuello slumped to 13-3-1.
Other Bouts of Note
In a ho-hum affair, junior middleweight Jorge Garcia advanced to 32-4 (26) with a 10-round unanimous decision over Uzbekistan’s Kudratillo Abudukakhorov (20-4). The judges had it 97-92 and 99-90 twice. There were no knockdowns, but Garcia had a point deducted in round eight for low blows.
Garcia displayed none of the power that he showed in his most recent fight three months ago in Arizona and when he knocked out his German opponent in 46 seconds. Abudukakhorov, who has competed mostly as a welterweight, came in at 158 1/4 pounds and didn’t look in the best of shape. The Uzbek was purportedly 170-10 as an amateur (4-5 per boxrec).
Super bantamweight Sebastian Hernandez improved to 18-0 (17 KOs) with a seventh-round stoppage of Argentine import Sergio Martin (14-5). The end came at the 2:39 mark of round seven when Martin’s corner threw in the towel. Earlier in the round, Martin lost his mouthpiece and had a point deducted for holding.
Hernandez wasn’t all that impressive considering the high expectations born of his high knockout ratio, but appeared to have injured his right hand during the sixth round.
Photo credit: Mikey Williams / Top Rank
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