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Death of Hall of Famer Gene Fullmer Lost in Media Frenzy of May-Pac Week

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It is Mayweather-Pacquiao week, which overshadows everything else that might be happening in the world of boxing.

But maybe that shouldn’t be the case, at least not quite so absolutely. There should at least be a tiny window of light open amid all the May-Pac buzz to shine upon an 83-year-old former middleweight champion whose Hall of Fame career has been woefully overlooked, and not just since his 12-year professional career ended with a loss to Dick Tiger for the WBA and vacant WBC 160-pound titles on Aug. 10, 1963, in Ibadan, Nigeria.

Gene Fullmer, who died of natural causes late Monday night in his West Jordan, Utah, home, posted a 55-6-3 record, with 24 victories inside the distance, in those dozen years of inelegant success. Even though he was inducted into the International Boxing Hall of Fame in 1991, and had a raft of quality wins (against Sugar Ray Robinson, Paul Pender, Gil Turner, Peter Mueller, Ralph “Tiger” Jones, Spider Webb, Florentino Fernandez and Benny “Kid” Paret, among others) during one of the golden ages of the middleweight division, he is perhaps best known for the only knockout loss on his record, which came in the second of his four clashes with the incomparable Sugar Ray on May 1, 1957, in Chicago Stadium.

Defending the championship he had wrested from Robinson on a 15-round unanimous decision four months earlier, Fullmer was slightly ahead on points when the aging but still dangerous master of the prize ring unleashed what many have called the single most memorable punch in boxing history, a short left hook which put Fullmer down for the count in the fifth round.

That exquisite shot is a fixture on any video compilation of the greatest knockouts of all time, right up there with the crushing overhand right that Rocky Marciano landed to the chin of Jersey Joe Walcott in the 13th round the night he captured the heavyweight title on Sept. 23, 1952, in Philadelphia’s Municipal Stadium.

“In the fifth, I moved in with my left hand maybe six inches lower than it should have been and he slipped that left hook over the top and caught me right on the chin,” Fullmer recalled during the IBHOF’s induction weekend in 2008. “All at once the lights went out. I had never been knocked out. I had no idea what it felt like and I can’t tell you what it feels like even now.”

The fact that Fullmer, whose style was as smooth as sandpaper and as flashy as a lead pipe, was kayoed just that one time speaks volumes about how tough the Mormon mauler was. Here was a guy who was as easy to hit as a tin can targeted by a Navy SEAL sniper shooting in his back yard, but who had enough heart and will to carry the fight to anyone, and the awkwardly effective style to flummox even technically superior boxers.

In Robinson’s autobiography, “Sugar Ray: The Sugar Ray Robinson Story,” written in collaboration with Pulitzer Prize-winning New York Times sports columnist Dave Anderson in 1970, the man many consider to be the finest all-around fighter ever to grace the sport recalled his first points defeat and subsequent knockout of Fullmer, against whom he was just 1-2-1 in their four meetings.

“Fullmer’s style bothered me,” Robinson said of that initial loss. “He had a barroom brawler’s style, which I hadn’t expected because Mormons don’t drink.”

But Robinson said he was better prepared for the rematch, and the additional time he put into analyzing Fullmer’s headlong rushes paid off.

“For the return with Fullmer, movies were necessary,” he related. “I needed to study his style. I needed to know all I could about him. Suddenly, watching the films one day, I saw what I had been hoping to find. He liked to throw a right hand to the body and when he did, his jaw was open for my left hook.

“I feinted a left hook, leaving my midsection open. You’ve got to let a fish see the bait before it’ll bite, and Fullmer bit. He let got his right hand, exposing his jaw. His jaw looked as big as any of the jaws on the Mount Rushmore monuments. Snapping a left hook with all my strength, I nailed him as he moved toward me, adding to the impact. His head snapped back and he went down as if I had hit him with an ax. At eight, he attempted to get up, but his legs wouldn’t work for him.”

It is indicative of how gentlemanly Fullmer was in his personal conduct that he and his manager-trainer, Marv Jenson, visited Robinson’s dressing room afterward to congratulate Sugar Ray and compliment him on the soon-to-become-legendary hook. Such gestures of sportsmanship are not as common as one might think, but this one was especially notable because Fullmer, truth be told, was none too fond of Robinson’s self-absorbed persona.

“If Robinson is guilty of any sin, it’s the sin of selfishness,” Fullmer said years afterward. “He appears to have very little time for anybody but himself. He has caused considerable inconvenience to almost everybody he has dealt with in boxing. With him, it’s me, me, me. His disregard for the other fellow is notorious.”

It might or might not be true that Fullmer, a Korean War veteran, was born to fight, but his father’s name was Tuff, so draw your own conclusions. The eldest of Tuff’s three sons to box (the others were Don, who twice challenged for the middleweight championship, and Jay, who, ironically, died on April 22 of this year and was laid to rest the day Gene died), Gene was eight when he was taken by his dad to the West Jordan Athletic Club to learn how to defend himself. He did not, as his later career demonstrated, dazzle his first and only coach, Jenson, with nimble footwork.

“But he had three things I could work on: strength, a good mind and fast reflexes,” Jenson said of the same elementary skill-set that made Marciano one of the most celebrated heavyweight champions ever.

So crude was Fullmer, who won his first 29 pro bouts, that, upon seeing him spar for the first time, venerable Madison Square Garden matchmaker Teddy Brenner advised Jenson to send him home to Utah to learn a trade in which it was less likely for him to get hurt, like, say welding. (Which is one of the jobs Fullmer held even after winning the middleweight belt.) But beauty is in the eyes of the beholder, and Fullmer’s bull-in-a-china-shop approach obviously worked for him.

As a child watching the “Gillette Calvalcade of Sports” on Friday nights with my father in the late 1950s and early 1960s, I saw Fullmer fight often enough to appreciate his toughness, but I was more of a Carmen Basilio fan. Both were blue-collar tradesmen, but Basilio had a name that rolled over the tongue liked recited poetry, as well as the ultimate fighter’s face and an undeniable flair for the dramatic. Fullmer had few if any refined flourishes, and one had to look hard to pick up on any small nuances that separated him from the barroom brawler Robinson had imagined him to be.

Now he is gone, and the pool of mourners who actually saw him in action, if only on fuzzy, black-and-white TV, is becoming increasingly shallow. Today’s fight fans are fixated on Mayweather-Pacquiao, and rightly so. The past is the past and even those disposed to peek over their shoulders aren’t always keen-eyed enough to see that far back.

But it says here that Gene Fullmer would have been no picnic for any current fighter in or near his weight class, including Mayweather and Pacquiao, because he had a steely determination that, while not prettied up with finesse, is at the core of what true champions are made of.

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Steven Navarro is the TSS 2024 Prospect of the Year

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“I get ‘Bam’ vibes when I watch this kid,” said ESPN ringside commentator Tim Bradley during the opening round of Steven Navarro’s most recent match. Bradley was referencing WBC super flyweight champion Jesse “Bam” Rodriguez, a precociously brilliant technician whose name now appears on most pound-for-pound lists.

There are some common threads between Steven Navarro, the latest fighter to adopt the nickname “Kid Dynamite,” and Bam Rodriguez. Both are southpaws currently competing in the junior bantamweight division. But, of course, Bradley was alluding to something more when he made the comparison. And Navarro’s showing bore witness that Bradley was on to something.

It was the fifth pro fight for Navarro who was matched against a Puerto Rican with a 7-1 ledger. He ended the contest in the second frame, scoring three knockdowns, each the result of a different combination of punches, forcing the referee to stop it. It was the fourth win inside the distance for the 20-year-old phenom.

Isaias Estevan “Steven” Navarro turned pro after coming up short in last December’s U.S. Olympic Trials in Lafayette, Louisiana. The #1 seed in the 57 kg (featherweight) division, he was upset in the finals, losing a controversial split decision. Heading in, Navarro had won 13 national tournaments beginning at age 12.

A graduate of LA’s historic Fairfax High School, Steven made his pro debut this past April on a Matchroom Promotions card at the Fontainebleau in Las Vegas and then inked a long-term deal with Top Rank. He comes from a boxing family. His father Refugio had 10 pro fights and three of Refugio’s cousins were boxers, most notably Jose Navarro who represented the USA at the 2000 Sydney Olympics and was a four-time world title challenger as a super flyweight. Jose was managed by Oscar De La Hoya for much of his pro career.

Nowadays, the line between a prospect and a rising contender has been blurred. Three years ago, in an effort to make matters less muddled, we operationally defined a prospect thusly: “A boxer with no more than a dozen fights, none yet of the 10-round variety.” To our way of thinking, a prospect by nature is still in the preliminary-bout phase of his career.

We may loosen these parameters in the future. For one thing, it eliminates a lot of talented female boxers who, like their Japanese male counterparts in the smallest weight classes, are often pushed into title fights when, from a historical perspective, they are just getting started.

But for the time being, we will adhere to our operational definition. And within the window that we have created, Steven Navarro stood out. In his first year as a pro, “Kid Dynamite” left us yearning to see more of him.

Honorable mention: Australian heavyweight Teremoana Junior (5-0, 5 KOs)

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The Challenge of Playing Muhammad Ali

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There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.

 The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”

The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”

The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.

The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).

Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.

On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.

Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.

Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.

“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”

And Ali was Ali. That’s a hard act to follow.

Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.

Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”

Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”

****

Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.

Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.

Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”

****

The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”

photo (c) David Serero

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

            In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.

A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.

As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).

Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.

“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.

Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.

Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)

Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.

Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.

Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.

Photo credit: Steve Kim

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