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The Real “Fight of the Century” Remains Corrales-Castillo I
Forget the hype. Forget what you were told. Forget even what you know, or think you know. Not to disparage Mayweather-Pacquiao, which is the undisputed revenue-producing champion of all time, but the real “Fight of the Century” remains the classic first pairing of lightweight champions Diego “Chico” Corrales and Jose Luis Castillo. Their epic unification clash on May 7, 2005, at the Mandalay Bay in Las Vegas was so riveting that many consider it to be the greatest boxing match of all time.
Such an assertion might or might not be considered true, as there are always disparities in individual perception. There is no algorithm to pinpoint which treasured fight in ring history indisputably deserves to be at the very top of that figurative mountain. But while the Mayweather-Pacquiao fight was relayed to the International Space Station to be viewed by U.S. astronauts at their leisure, Corrales-Castillo I, won by Corrales on a 10th-round stoppage only moments after it appeared he was on the verge of being taken out himself, is what we would want communicated throughout the galaxy to show other intelligent life forms, if indeed there are any, that inhabitants of Earth are incredibly tough, courageous and not to be messed with.
“You can vote now,” Gary Shaw, Corrales’ promoter, said at the postfight press conference a decade ago. “This is Fight of the Year, Fight of Next Year, Fight of the Decade. I don’t believe you’ll ever see anything like this again.”
There have, of course, been some excellent bouts since Corrales and Castillo took each other to hell and back. But in the 10 years that have passed, Shaw and others who were fortunate enough to have been eyewitnesses that amazing night haven’t had cause to rate any fight higher for drama and gut-wrenching excitement.
“Oh, it was a great fight. A spectacular fight,” Shaw told me a few days ago. “But that was Corrales. He always said that they would have to carry him out of the ring before he’d ever stop fighting. He was the ultimate never-give-up guy.
“I actually thought the fight was going to be over in that 10th round. Diego had gone down a second time and was on his hands and knees. I was thinking as a promoter would, `What am I going to say at the press conference? How am I going to bring Diego back?’ The next thing I knew, I had almost an out-of-body experience. When I looked up, Castillo was sagging against the ropes and the referee (Tony Weeks) was waving the fight off. Incredible.”
Said referee Tony Weeks, who drew the assignment as third man in the ring: “That fight definitely is the highlight of my career. It will go down in history. It is history. And those guy guys, Corrales and Castillo, made me a part of that history. I’m forever indebted to them. They epitomized what true champions are.”
As amazing rallies go, Corrales’ comeback from the brink was like a baseball team that was six runs down with two outs and the bases empty in the bottom of the ninth inning in Game 7 of the World Series somehow pulling out the victory. If such a stark momentum shift in a boxing match can be equated to a miracle, well, this was it.
“In the 10th round, Castillo nailed Corrales with a left hook and he went down,” Weeks recalled. “There was the mouthpiece issue, of course. (More on that a bit later.) Corrales got up and he seemed to be OK, so I let things go on and, boom, he goes down again. At this point I’m thinking it’s a brutal fight, I might have to stop it if he goes down another time. But, somehow, Corrales was able to turn the tables. If you look at the film, you can see my focus shift from Corrales to Castillo.
“It was unbelievable, and it all happened so fast. One minute I’m counting over Corrales and the next minute I’m stopping the fight with Castillo out on his feet.”
As is often the case with any story that has a rich vein of silver linings, there are dark clouds of controversy and even tragedy that stick to Corrales-Castillo I like lint on a Velcro brush. Jay Larkin, the Showtime boxing boss who was instrumental I making the fight, was ousted from the position he had held for 21 years later in 2005. He was 59 when he died, after a lengthy battle with brain cancer, on Aug. 9, 2010. Corrales was never the same after that first go-round with Castillo; he lost his final three bouts, including the rematch, retired and, inebriated and reportedly despondent , he died in a motorcycle crash in Las Vegas on May 7,2007 – two years to the day after the signature victory of a praiseworthy career in which he went 40-5, with 33 wins inside the distance.
“When I received the news (of Corrales’ death), I was devastated,” Weeks said. “I couldn’t believe it. For it to happen on that particular date … that was devastating. I got to know Corrales through boxing, in the ring and out of the ring. He was a real nice guy, a real likable guy. He would always cater to the public as far as giving autographs and taking pictures with fans. You would never think he was such a fierce warrior if you met him outside of the ring.”
More so than most, I have a deep connection to Corrales-Castillo I because, in some small way, I feel like I helped make it happen. I was the president of the Boxing Writers Association of America in 2005, and it was my decision, at the suggestion of Las Vegas-based writer Kevin Iole, to bring the 80th annual BWAA Awards Dinner to the Strip for the first time after many years of it being staged exclusively on the East Coast, most often in New York.
As part of the process of transforming that plan into a reality, I contacted officials at both Showtime and HBO and said the event could only be staged in Las Vegas if it was in conjunction with a major fight the following night. I gave a list of preferred dates to both premium cable networks and told them, basically, that we’d partner up with whichever stepped up first.
Larkin clearly was on board. “We very much want to be involved,” he told me, “and I’m prepared to go a half-million dollars over our normal budget for a Showtime Championship Boxing telecast to make it happen.”
What he delivered was a showdown between Corrales, the WBO lightweight champion, and Castillo, who held the WBC title. It was an attractive fight, given the reputations of both fighters, but it wasn’t a megafight. In fact, the announced attendance that night in the Mandalay Bay Events Center was 5,100, well short of capacity, although the correct figure is probably somewhere between 3,000 and 4,000.
To my way of thinking, anything good that took place on May 7 was gravy. The BWAA Awards Dinner, thanks in large part to Mandalay Bay public relations director Gordon Absher, who was instrumental in the event selling out with a celebrity guest list that included, among others, Sugar Ray Leonard, Oscar De La Hoya, Floyd Mayweather Jr., Bernard Hopkins, Vitali Klitschko, Winky Wright, James Toney, Shane Mosley, Chris Byrd, Hasim Rahman, Lamon Brewster, Erik Morales, Glen Johnson, Wayne McCullough, Jeff Lacy, Zab Judah, Kevin Kelly and Richie Sandoval.
But the BWAA Awards Dinner, star-studded as it was, merely served as an appetizer to the real main event the following night. Corrales and Castillo hurled themselves at one another with uncommon fury from the opening bell. The exchanges were frequent and torrid, clinches rare, and the ebb and flow suggested something lifted from a WWE script. It was obvious seconds into Round 1 that those spectators who were fortunate enough to be in the arena, and the Showtime viewing audience, were witnessing an instant classic.
The toll of the punishment being dished out both ways soon became apparent, most noticeably on Corrales’ face, which was a gargoyle mask with angry, purplish lumps under each eye. He later described them as “marbles, big, hard marbles.” And as those marbles enlarged, a curtain was slowly being drawn across the slits his battered eyes had become.
Asked afterward if he was concerned about his diminishing field of vision, Corrales, well, lied. Distorting reality is something desperate fighters do to buy extra time from a referee or a ring physician upon whose judgment their further participation in a bout hinges.
“It’s not my job to worry about swelling,” he said of the mouses that had become rat-sized, offering still another magnificent prevarication. “It’s not my job to worry about knockdowns. It’s not my job to worry about anything that might hinder me. It’s the corner’s job to worry about those things. It’s my job to fight.”
Make no mistake, Corrales’ trainer, Joe Goossen, was fretting enough for the entire corner team. And what he told his fighter, or what Corrales decided on his own, might have proved the difference between a spectacular, back-from-the-brink victory and near-certain defeat.
In his most notable fight prior to his trench war with Castillo, Corrales had wrested the WBO 135-pound title from Brazil’s Acelino Freitas on a 10th-round TKO on Aug. 7, 2004, in Mashantucket, Conn. It did not escape Corrales’ attention that, whenever Freitas appeared to be in real trouble, he would “accidentally” lose his mouthpiece, obliging referee Mike Ortega to call time to have it rinsed off. A slick ploy, but one that ultimately did not prevent Freitas’ championship from changing hands.
Twenty-five seconds into Round 10, Castillo landed flush with a left hook that sent Corrales crashing to the canvas. His mouthpiece was dislodged by the shot, which probably was done legitimately, but Corrales – who had demonstrated remarkable recuperative powers throughout his career, in which he previously had been decked eight times – got precious additional seconds of recovery time.
The second knockdown, also from a left hook, had “Chico’s” chances of winning hanging by a slender thread. Even before Weeks reached a count of nine, a clearly buzzed Corrales removed his mouthpiece, apparently intentionally.
“The first time it came out, it came out by itself,” Corrales said. “The second time, I took it out to breathe. But I didn’t drop it on purpose.”
Weeks deducted a point from Corrales for intentionally spitting out the mouthpiece and directed him to his corner, where Goossen took his sweet time in rinsing it off and re-inserting it. When Corrales turned to face Castillo again, 28 seconds had elapsed.
Would Corrales have been stopped without the break in the action? Possibly. But Corrales, still in desperate straits, got there first with an overhand right, which he followed up with a barrage of blows, driving the Mexican back against the ropes, his head vibrating like it was on a swivel. Weeks believed he had no choice but to step in and wave things off at the 2:06 mark.
At the time of the stoppage, Corrales led, 87-84 and 86-85, on the scorecards of judge Lou Moret and Daniel Van de Wiele, with Castilo up, 87-84, on Paul Smith’s card.
“Castillo was naked,” Weeks said of the stoppage. “He was being hit with bombs. He went limp. He was unable to defend himself. He was out on his feet. His eyes rolled back, his arms were at his sides. I had to stop it.”
Not surprisingly, Top Rank CEO Bob Arum, who promoted Castillo, went ballistic.
“Forget the Long Count (in Dempsey-Tunney II),” Arum fumed. “Twenty-eight seconds. Nearly half a minute. If Jose Luis had spit out his mouthpiece, maybe he would have gotten 28 seconds (to recuperate).”
Shaw, of course, saw things differently.
“There’s nothing worse than taking away from a night like this,” he said. “This fight cannot be sullied by controversy.”
For his part, Weeks stands by his decision to allow Corrales enough time to have his mouthpiece rinsed and re-inserted, a ruling which was in accordance with Nevada State Athletic Commission rules, according to Marc Ratner, then the NSAC executive director.
“I would not do anything differently,” insisted Weeks, one of boxing’s best referees. “The first time (the mouthpiece came out), I didn’t see Corrales spit it out. Even the second time, I didn’t see it. But it was out, so the second time I thought, `We got a situation here.’ The appropriate thing was to deduct a point, which I did.”
Maybe Shaw is correct; the mouthpiece controversy doesn’t seem quite as big a deal now, maybe because the action was so indelibly printed on the minds of all that were privileged to have seen one of the great prizefights of all time. Fifteen years into the 21st century, there still hasn’t been anything to quite match it, not even the Gatti-Ward troika and, money considerations aside, not Mayweather-Pacquiao.
“The thing that bothers me the most (about the May-Pac fight) is they made it about money, instead of what a great fight really should be about,” he said. “I have a lot of mixed emotions about Saturday night in relation to Corrales-Castillo because those guys didn’t get anywhere near the money that Mayweather and Pacquiao got. But they were the ones who fought their hearts out and put everything on the line. Mayweather and Pacquiao didn’t, in my estimation.”
The measure of what Corrales-Castillo I was is the fact that it remains a measuring stick against which other fights are judged. Prior to junior welterweight Lucas Matthysse’s 12-round, majority decision over Ruslan Provodnikov on April 18 in Verona, N.Y., Provodnikov’s promoter, Art Pelullo, raised the possibility of a reasonable facsimile of May7, 2005, again taking place.
“I believe it’s going to be Corrales-Castillo I,” Pelullo opined. It wasn’t, but it is indicative of just how special a fight that was that boxing people still bring it up with a reverence that Mayweather-Pacquiao dwarfed in revenues generated but not where it counts, inside the ropes.
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Steven Navarro is the TSS 2024 Prospect of the Year
“I get ‘Bam’ vibes when I watch this kid,” said ESPN ringside commentator Tim Bradley during the opening round of Steven Navarro’s most recent match. Bradley was referencing WBC super flyweight champion Jesse “Bam” Rodriguez, a precociously brilliant technician whose name now appears on most pound-for-pound lists.
There are some common threads between Steven Navarro, the latest fighter to adopt the nickname “Kid Dynamite,” and Bam Rodriguez. Both are southpaws currently competing in the junior bantamweight division. But, of course, Bradley was alluding to something more when he made the comparison. And Navarro’s showing bore witness that Bradley was on to something.
It was the fifth pro fight for Navarro who was matched against a Puerto Rican with a 7-1 ledger. He ended the contest in the second frame, scoring three knockdowns, each the result of a different combination of punches, forcing the referee to stop it. It was the fourth win inside the distance for the 20-year-old phenom.
Isaias Estevan “Steven” Navarro turned pro after coming up short in last December’s U.S. Olympic Trials in Lafayette, Louisiana. The #1 seed in the 57 kg (featherweight) division, he was upset in the finals, losing a controversial split decision. Heading in, Navarro had won 13 national tournaments beginning at age 12.
A graduate of LA’s historic Fairfax High School, Steven made his pro debut this past April on a Matchroom Promotions card at the Fontainebleau in Las Vegas and then inked a long-term deal with Top Rank. He comes from a boxing family. His father Refugio had 10 pro fights and three of Refugio’s cousins were boxers, most notably Jose Navarro who represented the USA at the 2000 Sydney Olympics and was a four-time world title challenger as a super flyweight. Jose was managed by Oscar De La Hoya for much of his pro career.
Nowadays, the line between a prospect and a rising contender has been blurred. Three years ago, in an effort to make matters less muddled, we operationally defined a prospect thusly: “A boxer with no more than a dozen fights, none yet of the 10-round variety.” To our way of thinking, a prospect by nature is still in the preliminary-bout phase of his career.
We may loosen these parameters in the future. For one thing, it eliminates a lot of talented female boxers who, like their Japanese male counterparts in the smallest weight classes, are often pushed into title fights when, from a historical perspective, they are just getting started.
But for the time being, we will adhere to our operational definition. And within the window that we have created, Steven Navarro stood out. In his first year as a pro, “Kid Dynamite” left us yearning to see more of him.
Honorable mention: Australian heavyweight Teremoana Junior (5-0, 5 KOs)
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The Challenge of Playing Muhammad Ali
There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.
The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”
The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”
The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.
The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).
Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.
On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.
Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.
Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.
“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”
And Ali was Ali. That’s a hard act to follow.
Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.
Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”
Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”
****
Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.
Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.
Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”
****
The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”
photo (c) David Serero
Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1
In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.
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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year
L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year
If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.
A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.
As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).
Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.
“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.
Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.
Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)
Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.
Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.
Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.
Photo credit: Steve Kim
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