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June Is Month of Triumph, Travails For Irish Fighters

My last name has been a cause of some confusion to those boxing buffs inclined to jump to convenient conclusions. More than a few times, I have been asked, “So what are you? Mexican or Puerto Rican?” To which I reply, “I’m actually Spanish-English-French-Irish-Swedish.” That answer always leaves the questioner looking just a bit perplexed. But maybe it shouldn’t; it would seem that there aren’t that many blue-eyed, fair-complexioned Mexicans and Puerto Ricans for whom I might be mistaken.
The Irish-Swedish part owes to my paternal grandmother, and in a nod to her I chose Patrick as my confirmation name in seventh grade, as it is a popular choice by parents of male children in both those countries. My late father is of primarily Latin descent (Mom was of French-English lineage), but, interestingly, Dad (whose given name also is Bernard) was nicknamed Jack during his boxing days, because, during his very fine amateur career, someone thought his crouching style, and penchant for leaping left hooks, was somewhat reminiscent of Jack Dempsey. With just six pro bouts, which resulted in a nondescript 4-1-1 record (with one KO victory), no one should ever have confused my father, a welterweight, with the “Manassas Mauler,” but I did find it fascinating that the surname Dempsey is of Irish origin, and an anglicized form of O’Diomasigh.
As TSS readers know, I periodically do look-back pieces that tie in with the anniversaries of notable fights involving notable fighters. As June draws near its end, I found it curious that the sixth month of the calendar year is so heavily dotted with such fights involving Irish or Irish-American boxers. On June 11, 1982, Larry Holmes defended his WBC heavyweight championship with a 13th-round stoppage of Gerry Cooney in the sweltering outdoor ring at Las Vegas’ Caesars Palace; 23 years later, on that same date, a lumbering Irishman named Kevin McBride ended the career of an out-of-shape, disinterested Mike Tyson, who quit on his stool after six rounds in Washington, D.C.
On June 18, 1941, Joe Louis, making his 18th defense of the heavyweight championship, might have caught a break when the much lighter Billy Conn, ahead on two of the three official scorecards and even on the other, decided to go for the knockout in the 13th round at the Polo Grounds in New York City. Conn’s boldness backfired when he was starched at the 2:58 mark of that round. Asked why he hadn’t tried to continue outboxing the dangerous Louis, Conn, who had relinquished his light heavyweight title to challenge the “Brown Bomber,” famously replied, “What’s the use of being Irish if you can’t be stupid?”
Conn, who was taken out in eight rounds in his rematch with Louis in 1946, also posed this question to the longest-reigning heavyweight champ after their celebrated first match. “Why couldn’t you let me hold the title for a year or so?” Conn asked.
“You had the title for 12 rounds and you couldn’t hold onto it,” the great Louis replied.
Another date to remember is June 23, 1969, when “Irish” Jerry Quarry slugged it out with Joe Frazier in Madison Square Garden, for Smokin’ Joe’s New York State Athletic Association “world” heavyweight title, which was also recognized by Pennsylvania, Maine, Illinois, Texas and Massachusetts. The courageous but cut-prone Quarry gave as good as he got for a while, but in a humdinger of a scrap that was named Fight of the Year by The Ring magazine, Quarry, bleeding badly over his right eye, was not allowed to come out for the eighth round by referee Arthur Mercante.
It has been said that Quarry was a philosophical disciple of the unfortunate Conn in that he attempted to outbox Muhammad Ali (who defeated him twice) and overpower Frazier (against whom he also was 0-2), but that is a misrepresentation. Quarry went right at both of those all-time greats, but came up short. It should be noted, however, that Quarry likely have been at least an alphabet champion in a later era, and that he was more than capable enough to handily outpoint feared contender Ron Lyle and blow out the power-punching Earnie Shavers in one round.
In the forewords to “Hard Times: The Triumph and Tragedy of `Irish’ Jerry Quarry,” co-authored by Steve Springer and Blake Chavez, another elite heavyweight from that period, George Foreman, says that “Jerry Quarry was the best heavyweight fighter never to have won a championship belt. When I became heavyweight champion of the world, I dodged him purposely … He fought toe to toe with heavyweight champion Joe Frazier, twice. He fought heavyweight champion Muhammad Ali twice. He outboxed two-time heavyweight champion Floyd Patterson. He outpunched Earnie Shavers. He destroyed Mac Foster and schooled Ron Lyle.”
As June melts into July, it should be noted that the upcoming month is largely reserved for some of the high points of the legendary heavyweight champion with that Irish surname. On June 2, 1921, Jack Dempsey knocked out Georges Carpentier in Jersey City, N.J., to retain his title in the first round of what was then the first million-dollar gate; on July 4, 1919, Dempsey flattened Jess Willard, also in four rounds, in Toledo, Ohio, to win the championship; on July 4, 1923, he outpointed Tommy Gibbons over 15 rounds in Shelby, Montana; on July 21, 1927, he starched Jack Sharkey in seven rounds in New York City, and on July 27, 1918, he needed only 23 seconds of the first round to blow away Fred Fulton in Harrison, N.J.
Not ceding the entirety of July to the incomparable Dempsey, one of my favorite fighters, “Irish” Micky Ward, took a 10-round decision over Emanuel Augustus on July 13, 2001, in Hampton Beach, N.H., which was so action-packed it was named Fight of the Year by The Ring.
What do all these fights, and fighters, have in common? It got me to thinking. There are certain generic groupings that instantly call to mind certain characteristics. Philadelphia fighters are said to come out of their mothers’ wombs firing that city’s signature punch, the left hook; Mexican fighters are acknowledged as being tougher than a 50-cent steak, and resistant to ever taking a backward step. If those generalizations are at least somewhat accurate, shouldn’t Irish fighters also have their own category? And what would be the most common trait, the thread that ties them together?
I asked Gerry Cooney, who, like Quarry, might have been a world champion, and a good one, if he had come along at a different time, if there are certain traits, in and out of the ring, that are common to fighters who are Irish to any appreciable degree.
“All fighters, whatever their background, fight their hearts out,” “Gentleman Gerry” responded. “I always fought my heart out. I fought to win. Jerry Quarry was the same way. But, really, all fighters are that way.
“But, sure, I’m proud to be an Irish-American. The Irish take pride in being tough guys.”
That toughness likely is an inherited quality. Remember, the Irish who came to America sought to escape economic hardship in their homeland (the Irish potato famine and a resistance, in some cases, to real or imagined British authority). Those who arrived on these shores often were relegated to manual labor and continued second-class citizenship, as was the case with other ethnicities arriving on these shores. And if boxing is proof of anything, it is that hard times make for hard men. Remember the Ron Howard-directed 1992 movie about Irish immigrants in the late 19th century, “Far and Away”? Tom Cruise played the role of Joseph Donnelly, a poor lad from the old country who earned his respect and a decent wage in a strange new land as a bare-knuckle fighter in bouts staged in waterfront saloons.
Donnelly is a fictionalized version of such very real Irish fighters as John L. Sullivan, Jim Corbett, Dempsey, Gene Tunney, James J. Braddock, Conn, Mickey Walker and Tommy Loughran, whose ideological successors were Quarry, Cooney, Barry McGuigan, Ward, Wayne McCullough, John Duddy and Andy Lee.
The Irish have had more than their fair share of successes inside the ropes, to be sure, but their golden linings frequently have been obscured by dark clouds; even Dempsey had his Long Count, Conn his failed bid to put away Louis, Quarry his of-fer against Ali and Frazier, Cooney his courageous but doomed challenge of Holmes. Ward’s fights were pure entertainment, but he lost two of three in his epic trilogy with Arturo Gatti and never quite attained elite status. One of the more poignant stories I ever reported was that of Seamus McDonagh, the Pierce Brosnan lookalike who was stopped in four rounds by a pre-championship Evander Holyfield, lost himself in the bottle and gravitated westward, where he operated a shoeshine stand in San Francisco, showing patrons a wallet-sized photo of himself in action against Holyfield to anyone who expressed even a mild interest in boxing.
Then again, perhaps my interest in Irish boxers owes in part to the fact I am a writer, and the Irish are a people who, if anything, are better known for their mastery of the written word than their determination with padded gloves on their fists. Among the celebrated men of letters to have come from the Emerald Isle are James Joyce, Oscar Wilde, Jonathan Swift, George Bernard Shaw, Samuel Beckett and William Butler Yeats.
It is my Irish-Swedish grandmother, who died when I was in grade school, who encouraged me as much as anyone to read the classics and to write about anything and everything that drew my attention. Perhaps she intrinsically understood that one of my favorite things was to watch the “Friday Night Fights” with her son, the ex-fighter, and from that bonding experience a career in boxing journalism might someday evolve for Bernard the younger. Then again, probably not.
We are all the products of multiple influences, of genetic splicing, of curiosities cast as a wide net and eventually narrowed to one or two specialized interests. When I look at my red-haired grandchildren (well, two of them, anyway), I see that part of myself that was passed on by my Grandma Lala and somewhere along the way brushed up against fighters like Jerry Quarry and Micky Ward.
In Quarry biography, there is a reference to his last fight of any real significance, in which the used-up and cut-up former contender is stopped in four rounds by Ken Norton. As a despondent Quarry laid on a table in his dressing room, Bill Slayton, Norton’s trainer, came by to extend his well wishes.
“The doctors had him on the table because he was all busted up,” Slayton is quoted as saying. Jerry asked him, “Did I disgrace myself?” To which Slaton replied, “You fought like an Irishman.”
Then, as now, that should be taken as a compliment.
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Avila Perspective, Chap. 323: Benn vs Eubank Family Feud and More

Next generation rivals Conor Benn and Chris Eubank Jr. carry on the family legacy of feudal warring in the prize ring on Saturday.
This is huge in British boxing.
Eubank (34-3, 25 KOs) holds the fringe IBO middleweight title but won’t be defending it against the smaller welterweight Benn (23-0, 14 KOs) on Saturday, April 26, at Tottenham Hotspur Stadium in London. DAZN will stream the Matchroom Boxing card.
This is about family pride.
The parents of Eubank and Benn actually began the feud in the 1990s.
Papa Nigel Benn fought Papa Chris Eubank twice. Losing as a middleweight in November 1990 at Birmingham, England, then fighting to a draw as a super middleweight in October 1993 in Manchester. Both were world title fights.
Eubank was undefeated and won the WBO middleweight world title in 1990 against Nigel Benn by knockout. He defended it three times before moving up and winning the vacant WBO super middleweight title in September 1991. He defended the super middleweight title 14 times before suffering his first pro defeat in March 1995 against Steve Collins.
Benn won the WBO middleweight title in April 1990 against Doug DeWitt and defended it once before losing to Eubank in November 1990. He moved up in weight and took the WBC super middleweight title from Mauro Galvano in Italy by technical knockout in October 1992. He defended the title nine times until losing in March 1996. His last fight was in November 1996, a loss to Steve Collins.
Animosity between the two families continues this weekend in the boxing ring.
Conor Benn, the son of Nigel, has fought mostly as a welterweight but lately has participated in the super welterweight division. He is several inches shorter in height than Eubank but has power and speed. Kind of a British version of Gervonta “Tank” Davis.
“It’s always personal, every opponent I fight is personal. People want to say it’s strictly business, but it’s never business. If someone is trying to put their hands on me, trying to render me unconscious, it’s never business,” said Benn.
This fight was scheduled twice before and cut short twice due to failed PED tests by Benn. The weight limit agreed upon is 160 pounds.
Eubank, a natural middleweight, has exchanged taunts with Benn for years. He recently avenged a loss to Liam Smith with a knockout victory in September 2023.
“This fight isn’t about size or weight. It’s about skill. It’s about dedication. It’s about expertise and all those areas in which I excel in,” said Eubank. “I have many, many more years of experience over Conor Benn, and that will be the deciding factor of the night.”
Because this fight was postponed twice, the animosity between the two feuding fighters has increased the attention of their fans. Both fighters are anxious to flatten each other.
“He’s another opponent in my way trying to crush my dreams. trying to take food off my plate and trying to render me unconscious. That’s how I look at him,” said Benn.
Eubank smiles.
“Whether it’s boxing, whether it’s a gun fight. Defense, offense, foot movement, speed, power. I am the superior boxer in each of those departments and so many more – which is why I’m so confident,” he said.
Supporting Bout
Former world champion Liam Smith (33-4-1, 20 KOs) tangles with Ireland’s Aaron McKenna (19-0, 10 KOs) in a middleweight fight set for 12 rounds on the Benn-Eubank undercard in London.
“Beefy” Smith has long been known as one of the fighting Smith brothers and recently lost to Eubank a year and a half ago. It was only the second time in 38 bouts he had been stopped. Saul “Canelo” Alvarez did it several years ago.
McKenna is a familiar name in Southern California. The Irish fighter fought numerous times on Golden Boy Promotion cards between 2017 and 2019 before returning to the United Kingdom and his assault on continuing the middleweight division. This is a big step for the tall Irish fighter.
It’s youth versus experience.
“I’ve been calling for big fights like this for the last two or three years, and it’s a fight I’m really excited for. I plan to make the most of it and make a statement win on Saturday night,” said McKenna, one of two fighting brothers.
Monster in L.A.
Japan’s super star Naoya “Monster” Inoue arrived in Los Angeles for last day workouts before his Las Vegas showdown against Ramon Cardenas on Sunday May 4, at T-Mobile Arena. ESPN will televise and stream the Top Rank card.
It’s been four years since the super bantamweight world champion performed in the US and during that time Naoya (29-0, 26 KOs) gathered world titles in different weight divisions. The Japanese slugger has also gained fame as perhaps the best fighter on the planet. Cardenas is 26-1 with 14 KOs.
Pomona Fights
Super featherweights Mathias Radcliffe (9-0-1) and Ezequiel Flores (6-4) lead a boxing card called “DMG Night of Champions” on Saturday April 26, at the historic Fox Theater in downtown Pomona, Calif.
Michaela Bracamontes (11-2-1) and Jesus Torres Beltran (8-4-1) will be fighting for a regional WBC super featherweight title. More than eight bouts are scheduled.
Doors open at 6 p.m. For ticket information go to: www.tix.com/dmgnightofchampions
Fights to Watch
Sat. DAZN 9 a.m. Conor Benn (23-0) vs Chris Eubank Jr. (34-3); Liam Smith (33-4-1) vs Aaron McKenna (19-0).
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Floyd Mayweather has Another Phenom and his name is Curmel Moton

Floyd Mayweather has Another Phenom and his name is Curmel Moton
In any endeavor, the defining feature of a phenom is his youth. Philadelphia Phillies outfielder Bryce Harper was a phenom. He was on the radar screen of baseball’s most powerful player agents when he was 14 years old.
Curmel Moton, who turns 19 in June, is a phenom. Of all the young boxing stars out there, wrote James Slater in July of last year, “Curmel Moton is the one to get most excited about.”
Moton was born in Salt Lake City, Utah. His father Curtis Moton, a barber by trade, was a big boxing fan and specifically a big fan of Floyd Mayweather Jr. When Curmel was six, Curtis packed up his wife (Curmel’s stepmom) and his son and moved to Las Vegas. Curtis wanted his son to get involved in boxing and there was no better place to develop one’s latent talents than in Las Vegas where many of the sport’s top practitioners came to train.
Many father-son relationships have been ruined, or at least frayed, by a father’s unrealistic expectations for his son, but when it came to boxing, the boy was a natural and he felt right at home in the gym.
The gym the Motons patronized was the Mayweather Boxing Club. Curtis took his son there in hopes of catching the eye of the proprietor. “Floyd would occasionally drop by the gym and I was there so often that he came to recognize me,” says Curmel. What he fails to add is that the trainers there had Floyd’s ear. “This kid is special,” they told him.
It costs a great deal of money for a kid to travel around the country competing in a slew of amateur boxing tournaments. Only a few have the luxury of a sponsor. For the vast majority, fund raisers such as car washes keep the wheels greased.
Floyd Mayweather stepped in with the financial backing needed for the Motons to canvas the country in tournaments. As an amateur, Curmel was — take your pick — 156-7 or 144-6 or 61-3 (the latter figure from boxrec). Regardless, at virtually every tournament at which he appeared, Curmel Moton was the cock of the walk.
Before the pandemic, Floyd Mayweather Jr had a stable of boxers he promoted under the banner of “The Money Team.” In talking about his boxers, Floyd was understated with one glaring exception – Gervonta “Tank” Davis, now one of boxing’s top earners.
When Floyd took to praising Curmel Moton with the same effusive language, folks stood up and took notice.
Curmel made his pro debut on Sept. 30, 2023, at the T-Mobile Arena in Las Vegas on the undercard of the super middleweight title fight between Canelo Alvarez and Jermell Charlo. After stopping his opponent in the opening round, he addressed a flock of reporters in the media room with Floyd standing at his side. “I felt ready,” he said, “I knew I had Floyd behind me. He believes in me. I had the utmost confidence going into the fight. And I went in there and did what I do.”
Floyd ventured the opinion that Curmel was already a better fighter than Leigh Wood, the reigning WBA world featherweight champion who would successfully defend his belt the following week.
Moton’s boxing style has been described as a blend of Floyd Mayweather and Tank Davis. “I grew up watching Floyd, so it’s natural I have some similarities to him,” says Curmel who sparred with Tank in late November of 2021 as Davis was preparing for his match with Isaac “Pitbull” Cruz. Curmell says he did okay. He was then 15 years old and still in school; he dropped out as soon as he reached the age of 16.
Curmel is now 7-0 with six KOs, four coming in the opening round. He pitched an 8-round shutout the only time he was taken the distance. It’s not yet official, but he returns to the ring on May 31 at Mandalay Bay in Las Vegas where Caleb Plant and Jermall Charlo are co-featured in matches conceived as tune-ups for a fall showdown. The fight card will reportedly be free for Amazon Prime Video subscribers.
Curmel’s presumptive opponent is Renny Viamonte, a 28-year-old Las Vegas-based Cuban with a 4-1-1 (2) record. It will be Curmel’s first professional fight with Kofi Jantuah the chief voice in his corner. A two-time world title challenger who began his career in his native Ghana, the 50-year-old Jantuah has worked almost exclusively with amateurs, a recent exception being Mikaela Mayer.
It would seem that the phenom needs a tougher opponent than Viamonte at this stage of his career. However, the match is intriguing in one regard. Viamonte is lanky. Listed at 5-foot-11, he will have a seven-inch height advantage.
Keeping his weight down has already been problematic for Moton. He tipped the scales at 128 ½ for his most recent fight. His May 31 bout, he says, will be contested at 135 and down the road it’s reasonable to think he will blossom into a welterweight. And with each bump up in weight, his short stature will theoretically be more of a handicap.
For fun, we asked Moton to name the top fighter on his pound-for-pound list. “[Oleksandr] Usyk is number one right now,” he said without hesitation,” great footwork, but guys like Canelo, Crawford, Inoue, and Bivol are right there.”
It’s notable that there isn’t a young gun on that list. Usyk is 38, a year older than Crawford; Inoue is the pup at age 32.
Moton anticipates that his name will appear on pound-for-pound lists within the next two or three years. True, history is replete with examples of phenoms who flamed out early, but we wouldn’t bet against it.
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Arne’s Almanac: The First Boxing Writers Assoc. of America Dinner Was Quite the Shindig

The first annual dinner of the Boxing Writers Association of America was staged on April 25, 1926 in the grand ballroom of New York’s Hotel Astor, an edifice that rivaled the original Waldorf Astoria as the swankiest hotel in the city. Back then, the organization was known as the Boxing Writers Association of Greater New York.
The ballroom was configured to hold 1200 for the banquet which was reportedly oversubscribed. Among those listed as agreeing to attend were the governors of six states (New York, New Jersey, Massachusetts, Pennsylvania, Connecticut, and Maryland) and the mayors of 10 of America’s largest cities.
In 1926, radio was in its infancy and the digital age was decades away (and inconceivable). So, every journalist who regularly covered boxing was a newspaper and/or magazine writer, editor, or cartoonist. And at this juncture in American history, there were plenty of outlets for someone who wanted to pursue a career as a sportswriter and had the requisite skills to get hired.
The following papers were represented at the inaugural boxing writers’ dinner:
New York Times
New York News
New York World
New York Sun
New York Journal
New York Post
New York Mirror
New York Telegram
New York Graphic
New York Herald Tribune
Brooklyn Eagle
Brooklyn Times
Brooklyn Standard Union
Brooklyn Citizen
Bronx Home News
This isn’t a complete list because a few of these papers, notably the New York World and the New York Journal, had strong afternoon editions that functioned as independent papers. Plus, scribes from both big national wire services (Associated Press and UPI) attended the banquet and there were undoubtedly a smattering of scribes from papers in New Jersey and Connecticut.
Back then, the event’s organizer Nat Fleischer, sports editor of the New York Telegram and the driving force behind The Ring magazine, had little choice but to limit the journalistic component of the gathering to writers in the New York metropolitan area. There wasn’t a ballroom big enough to accommodate a good-sized response if he had extended the welcome to every boxing writer in North America.
The keynote speaker at the inaugural dinner was New York’s charismatic Jazz Age mayor James J. “Jimmy” Walker, architect of the transformative Walker Law of 1920 which ushered in a new era of boxing in the Empire State with a template that would guide reformers in many other jurisdictions.
Prizefighting was then associated with hooligans. In his speech, Mayor Walker promised to rid the sport of their ilk. “Boxing, as you know, is closest to my heart,” said hizzoner. “So I tell you the police force is behind you against those who would besmirch or injure boxing. Rowdyism doesn’t belong in this town or in your game.” (In 1945, Walker would be the recipient of the Edward J. Neil Memorial Award given for meritorious service to the sport. The oldest of the BWAA awards, the previous recipients were all active or former boxers. The award, no longer issued under that title, was named for an Associated Press sportswriter and war correspondent who died from shrapnel wounds covering the Spanish Civil War.)
Another speaker was well-traveled sportswriter Wilbur Wood, then affiliated with the Brooklyn Citizen. He told the assembly that the aim of the organization was two-fold: to help defend the game against its detractors and to promote harmony among the various factions.
Of course, the 1926 dinner wouldn’t have been as well-attended without the entertainment. According to press dispatches, Broadway stars and performers from some of the city’s top nightclubs would be there to regale the attendees. Among the names bandied about were vaudeville superstars Sophie Tucker and Jimmy Durante, the latter of whom would appear with his trio, Durante, (Lou) Clayton, and (Eddie) Jackson.
There was a contraction of New York newspapers during the Great Depression. Although empirical evidence is lacking, the inaugural boxing writers dinner was likely the largest of its kind. Fifteen years later, in 1941, the event drew “more than 200” according to a news report. There was no mention of entertainment.
In 1950, for the first time, the annual dinner was opened to the public. For $25, a civilian could get a meal and mingle with some of his favorite fighters. Sugar Ray Robinson was the Edward J. Neil Award winner that year, honored for his ring exploits and for donating his purse from the Charlie Fusari fight to the Damon Runyon Cancer Fund.
There was no formal announcement when the Boxing Writers Association of Greater New York was re-christened the Boxing Writers Association of America, but by the late 1940s reporters were referencing the annual event as simply the boxing writers dinner. By then, it had become traditional to hold the annual affair in January, a practice discontinued after 1971.
The winnowing of New York’s newspaper herd plus competing banquets in other parts of the country forced Nat Fleischer’s baby to adapt. And more adaptations will be necessary in the immediate future as the future of the BWAA, as it currently exists, is threatened by new technologies. If the forthcoming BWAA dinner (April 30 at the Edison Ballroom in mid-Manhattan) were restricted to wordsmiths from the traditional print media, the gathering would be too small to cover the nut and the congregants would be drawn disproportionately from the geriatric class.
Some of those adaptations have already started. Last year, Las Vegas resident Sean Zittel, a recent UNLV graduate, had the distinction of becoming the first videographer welcomed into the BWAA. With more and more people getting their news from sound bites, rather than the written word, the videographer serves an important function.
The reporters who conducted interviews with pen and paper have gone the way of the dodo bird and that isn’t necessarily a bad thing. A taped interview for a “talkie” has more integrity than a story culled from a paper and pen interview because it is unfiltered. Many years ago, some reporters, after interviewing the great Joe Louis, put words in his mouth that made him seem like a dullard, words consistent with the Sambo stereotype. In other instances, the language of some athletes was reconstructed to the point where the reader would think the athlete had a second job as an English professor.
The content created by videographers is free from that bias. More of them will inevitably join the BWAA and similar organizations in the future.
Photo: Nat Fleischer is flanked by Sugar Ray Robinson and Tony Zale at the 1947 boxing writers dinner.
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