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BATTLES

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I think part of the reason I love fighters is because they’re warriors, modern-day gladiators who do things most of us can’t or won’t. Boxers fight battles. And while winning battles is very important, life teaches us battles are usually remembered less by being won and more by how they were fought. That’s probably the reason more of us gravitate toward brawlers like Arturo Gatti and Mickey Ward than sweet scientists like Guillermo Rigondeaux and Erislandy Lara. That isn’t to say the latter two gentlemen haven’t been in battles. They have. Rigondeaux’s Round 11 TKO over Hisashi Amagasa and Lara’s Round 10 TKO over Alfredo Angulo were riveting slugfests with knockdowns galore. But the styles of Rigondeaux and Lara are geared more toward winning battles than fighting the good fight. Gatti and Ward didn’t just want to win their battles. They wanted to fight.

One of the most popular battles in the celebrated history of Texas was the Battle of the Alamo in 1836. It was a pivotal event in Texas’ revolution from Mexico. After holding off a reported 2,500 soldiers in the mission-turned-fortress for 13 days, the Texans fell. The Mexican troops, under the direction of President General Antonio López de Santa Anna, launched a final assault on the Alamo’s 182 defenders. They left no survivors. Santa Anna’s cruelty, along with his exponential number of troops, led to the massacre of an entire Texas garrison. It was a slaughter. Almost everyone there died that day in battle or were killed after their surrender, but many in Texas still claim the soul-crushing loss, one where Texas soldiers killed as many as 600 of the Mexican troops as well, as a great and important historical moral victory over the tyranny and cruelty of the time period.

The other night I was thinking about all of this, and I just finally told my wife.

“I’m sick of life,” I said.

“I know,” she replied. “But you should think of life as a battle. That’s what life is really. It’s a battle.”

There is no doubt Rachel was referring to some king of biblical philosophy in her answer. One of my wife’s greatest interests in life is theology, and most of her thoughts and actions are steeped the teachings and traditions of the Church.

But I wasn’t feeling particularly moved by it at the time.

“I’m sick of the battle though,” I admitted after a long pause.

“You’re supposed to be. Battles are not good.”

While our society props them up as glorious pursuits, the truth of things like wars and battles is surprisingly horrid. My father was drafted into the military when he was just 18 years old. He was flown to Vietnam on Christmas Eve so that he could kill people. Since his return, he wakes up in the middle of the night smelling Napalm. He has flashbacks to when he learned how to kill other human beings with knives so they couldn’t make a sound while they died and also wouldn’t spurt blood all over him. I’ve seen my father shoot a wild turkey with a pistol running full speed in a crosswind from 30 yards away. If you ask him what he did during the war, he’ll simply tell you he was debriefed. That’s his way of saying he can’t tell you. But if you ask him when he’s drunk, which is often, he’ll tell you he did all the bad things everyone says happens during wars but nobody ever admits to doing. That or he’ll just stare out into the abyss of the night sky and not talk back to you at all.

Boxing probably isn’t a good thing. There are many horrid things that have happened in our sport. I’m sure we don’t even know a pittance of them. The media can’t really tell you what they don’t know, and most of us aren’t really asking that many important questions. Even when we try, we probably ask the wrong people the wrong things, and even when we get it right and ask the right people the right things it doesn’t mean they have to answer. Moreover, the sport just seems to attract the most dysfunctional group of human beings possible. I’m not talking about the fighters. I’m talking about everyone else: the promoters, the managers, the television producers, the writers, the fans—everyone.

We are all horrible. But that’s probably why we love boxing.

***

I see him in the middle of the street as I’m walking. It’s another gray bird . He’s upside down and fluttering his one good wing. I walk up to him slowly, wondering if today I’ll see another miracle. I pick the bird up carefully off the hard pavement because I know he’s in pain. I find a nice, soft place to lay him nearby in the grass. The sun is out but it’s overcast so he will be comfortable. There’s a nice little place in the lawn that looks like it was made just for him, just for this very moment. The blades of grass are mashed down in one little spot like it’s a little bed for him, and the luscious green stalks around it act as little arms to hold him close.

I don’t really know what to say or do, so I say some prayers. Last time I said prayers in front of a sick looking bird, he got up and flew off. But this one just watches me with one eye as I pray. He’s breathing at a measured pace. I don’t know what to do. He looks so very tired.

I tell him that I love him. I think if I were lying there all alone, I’d want someone to tell me they love me, even if I had never seen them before. I think I would find some comfort in that. So I tell him I love him. He just stares at me and breathes at a measured pace. I know he can’t understand me, but I pretend like he can.

I tell him I love him and I tell him that it’s okay. It’s okay, I say. Everything has to die. He stares at me and breathes at a measured pace.

I’m crying now. But he stares and I pray and I tell him I love him and that it’s okay because everything has to die. Everything. His breaths draw shorter and shorter. He looks peaceful but also terrified. He tries one more time to rise. He rolls over to his side and flutters his one good wing with all his remaining might.

But nothing happens. He flutters and flutters and flutters and then stops. His breaths grow shorter and more labored. He stares at me. I tell him I love him and he stares at me. He stares at me and dies.

We romanticize boxing as if it isn’t what it is. I know I do. I look at boxing as a kind of art. To me, it is not just two men punching each other until someone either falls down on the ground or three people sitting around the ring confer and tell us which one punched the other man the best. To me, boxing is something more. It’s poetry. It’s science. It’s religion. It’s everything interesting in the world all wrapped up in one conveniently priced package, a brutally honest one full of people who habitually tell each other lies but everyone is okay with it.

Here’s the worst part. I know all of this in my head, but I still love boxing in my heart, and all the people involved in it, even the ones I hate. And I still love the fighters for silly and naïve and idyllic reasons. I love them because they fight battles. I love them because they’re warriors, modern-day gladiators who do what most of us can’t or won’t. Boxers fight battles. They might be needless battles. They might be horrid battles. But at least they’re fighting.

Maybe Rachel is right. Maybe we do all fight battles. But if it’s true, most of us pretend we don’t. And if we do, we don’t all get to see each other fight them on the grand stage of the blue boxing mat. Some of us struggle with addiction. Others with suicidal thoughts. Some of us are lonely. Some of us are mean. Some of us are trapped in failed marriages with kids they never wanted. Some of us would do anything to hear someone say “I love you” or call them “Mommy” just one time. Some have committed heinous crimes. Others have always been the victims.

All of our lives are horrible.

But everyone is battling. Whether we admit it to ourselves or not, we are all that little bird struggling down there in the grass. We are all born to be fighters, but only some of us choose to fight. I love fighters because they choose to fight. I’m not certain their reasons are just and valid. I’m not sure if boxing is good or bad or if it should exist or even be eradicated. I don’t really care so much about any of it either. I just know it’s nice sometimes to see someone battle, to see some broken-winged creature fluttering around there on the ground doing its best to fly right up until its final breath—to see someone winning the moment, even when they end up losing the next.

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Avila Perspective, Chap. 323: British Family Feud and More

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ext generation rivals Conor Benn and Chris Eubank Jr. carry on the family legacy of feudal warring in the prize ring on Saturday.

This is huge in British boxing.

Eubank (34-3, 25 KOs) holds the fringe IBO middleweight title but won’t be defending it against the smaller welterweight Benn (23-0, 14 KOs) on Saturday, April 26, at Tottenham Hotspur Stadium in London. DAZN will stream the Matchroom Boxing card.

This is about family pride.

The parents of Eubank and Benn actually began the feud in the 1990s.

Papa Nigel Benn fought Papa Chris Eubank twice. Losing as a middleweight in November 1990 at Birmingham, England, then fighting to a draw as a super middleweight in October 1993 in Manchester. Both were world title fights.

Eubank was undefeated and won the WBO middleweight world title in 1990 against Nigel Benn by knockout. He defended it three times before moving up and winning the vacant WBO super middleweight title in September 1991. He defended the super middleweight title 14 times until suffering his first pro defeat in March 1995 against Steve Collins.

Benn won the WBO middleweight title in April 1990 against Doug DeWitt and defended it once before losing to Eubank in November 1990. He moved up in weight and took the WBC super middleweight title from Mauro Galvano in Italy by technical knockout in October 1992. He defended the title nine times until losing in March 1996. His last fight was in November 1996, a loss to Steve Collins.

Animosity between the two families continues this weekend in the boxing ring.

Conor Benn, the son of Nigel, has fought mostly as a welterweight but lately has participated in the super welterweight division. He is several inches shorter in height than Eubank but has power and speed. Kind of a British version of Gervonta “Tank” Davis.

“It’s always personal, every opponent I fight is personal. People want to say it’s strictly business, but it’s never business. If someone is trying to put their hands on me, trying to render me unconscious, it’s never business,” said Benn.

This fight was scheduled twice before and cut short twice due to failed PED tests by Benn. The weight limit agreed upon is 160 pounds.

Eubank, a natural middleweight, has exchanged taunts with Benn for years. He recently avenged a loss to Liam Smith with a knockout victory in September 2023.

“This fight isn’t about size or weight. It’s about skill. It’s about dedication. It’s about expertise and all those areas in which I excel in,” said Eubank. “I have many, many more years of experience over Conor Benn, and that will be the deciding factor of the night.”

Because this fight was postponed twice, the animosity between the two feuding fighters has increased the attention of their fans. Both fighters are anxious to flatten each other.

“He’s another opponent in my way trying to crush my dreams. trying to take food off my plate and trying to render me unconscious. That’s how I look at him,” said Benn.

Eubank smiles.

“Whether it’s boxing, whether it’s a gun fight. Defense, offense, foot movement, speed, power. I am the superior boxer in each of those departments and so many more – which is why I’m so confident,” he said.

Supporting Bout

Former world champion Liam Smith (33-4-1, 20 KOs) tangles with Ireland’s Aaron McKenna (19-0, 10 KOs) in a middleweight fight set for 12 rounds on the Benn-Eubank undercard in London.

“Beefy” Smith has long been known as one of the fighting Smith brothers and recently lost to Eubank a year and a half ago. It was only the second time in 38 bouts he had been stopped. Saul “Canelo” Alvarez did it several years ago.

McKenna is a familiar name in Southern California. The Irish fighter fought numerous times on Golden Boy Promotion cards between 2017 and 2019 before returning to the United Kingdom and his assault on continuing the middleweight division. This is a big step for the tall Irish fighter.

It’s youth versus experience.

“I’ve been calling for big fights like this for the last two or three years, and it’s a fight I’m really excited for. I plan to make the most of it and make a statement win on Saturday night,” said McKenna, one of two fighting brothers.

Monster in L.A.

Japan’s super star Naoya “Monster” Inoue arrived in Los Angeles for last day workouts before his Las Vegas showdown against Ramon Cardenas on Sunday May 4, at T-Mobile Arena. ESPN will televise and stream the Top Rank card.

It’s been four years since the super bantamweight world champion performed in the US and during that time Naoya (29-0, 26 KOs) gathered world titles in different weight divisions. The Japanese slugger has also gained fame as perhaps the best fighter on the planet. Cardenas is 26-1 with 14 KOs.

Pomona Fights

Super featherweights Mathias Radcliffe (9-0-1) and Ezequiel Flores (6-4) lead a boxing card called “DMG Night of Champions” on Saturday April 26, at the historic Fox Theater in downtown Pomona, Calif.

Michaela Bracamontes (11-2-1) and Jesus Torres Beltran (8-4-1) will be fighting for a regional WBC super featherweight title. More than eight bouts are scheduled.

Doors open at 6 p.m. For ticket information go to: www.tix.com/dmgnightofchampions

Fights to Watch

Sat. DAZN 9 a.m. Conor Benn (23-0) vs Chris Eubank Jr. (34-3); Liam Smith (33-4-1) vs Aaron McKenna (19-0).

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Floyd Mayweather has Another Phenom and his name is Curmel Moton

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Floyd Mayweather has Another Phenom and his name is Curmel Moton

In any endeavor, the defining feature of a phenom is his youth. Philadelphia Phillies outfielder Bryce Harper was a phenom. He was on the radar screen of baseball’s most powerful player agents when he was 14 years old.

Curmel Moton, who turns 19 in June, is a phenom. Of all the young boxing stars out there, wrote James Slater in July of last year, “Curmel Moton is the one to get most excited about.”

Moton was born in Salt Lake City, Utah. His father Curtis Moton, a barber by trade, was a big boxing fan and specifically a big fan of Floyd Mayweather Jr. When Curmel was six, Curtis packed up his wife (Curmel’s stepmom) and his son and moved to Las Vegas. Curtis wanted his son to get involved in boxing and there was no better place to develop one’s latent talents than in Las Vegas where many of the sport’s top practitioners came to train.

Many father-son relationships have been ruined, or at least frayed, by a father’s unrealistic expectations for his son, but when it came to boxing, the boy was a natural and he felt right at home in the gym.

The gym the Motons patronized was the Mayweather Boxing Club. Curtis took his son there in hopes of catching the eye of the proprietor. “Floyd would occasionally drop by the gym and I was there so often that he came to recognize me,” says Curmel. What he fails to add is that the trainers there had Floyd’s ear. “This kid is special,” they told him.

It costs a great deal of money for a kid to travel around the country competing in a slew of amateur boxing tournaments. Only a few have the luxury of a sponsor. For the vast majority, fund raisers such as car washes keep the wheels greased.

Floyd Mayweather stepped in with the financial backing needed for the Motons to canvas the country in tournaments. As an amateur, Curmel was — take your pick — 156-7 or 144-6 or 61-3 (the latter figure from boxrec). Regardless, at virtually every tournament at which he appeared, Curmel Moton was the cock of the walk.

Before the pandemic, Floyd Mayweather Jr had a stable of boxers he promoted under the banner of “The Money Team.” In talking about his boxers, Floyd was understated with one glaring exception – Gervonta “Tank” Davis, now one of boxing’s top earners.

When Floyd took to praising Curmel Moton with the same effusive language, folks stood up and took notice.

Curmel made his pro debut on Sept. 30, 2023, at the T-Mobile Arena in Las Vegas on the undercard of the super middleweight title fight between Canelo Alvarez and Jermell Charlo. After stopping his opponent in the opening round, he addressed a flock of reporters in the media room with Floyd standing at his side. “I felt ready,” he said, “I knew I had Floyd behind me. He believes in me. I had the utmost confidence going into the fight. And I went in there and did what I do.”

Floyd ventured the opinion that Curmel was already a better fighter than Leigh Wood, the reigning WBA world featherweight champion who would successfully defend his belt the following week.

Moton’s boxing style has been described as a blend of Floyd Mayweather and Tank Davis. “I grew up watching Floyd, so it’s natural I have some similarities to him,” says Curmel who sparred with Tank in late November of 2021 as Davis was preparing for his match with Isaac “Pitbull” Cruz. Curmell says he did okay. He was then 15 years old and still in school; he dropped out as soon as he reached the age of 16.

Curmel is now 7-0 with six KOs, four coming in the opening round. He pitched an 8-round shutout the only time he was taken the distance. It’s not yet official, but he returns to the ring on May 31 at Mandalay Bay in Las Vegas where Caleb Plant and Jermall Charlo are co-featured in matches conceived as tune-ups for a fall showdown. The fight card will reportedly be free for Amazon Prime Video subscribers.

Curmel’s presumptive opponent is Renny Viamonte, a 28-year-old Las Vegas-based Cuban with a 4-1-1 (2) record. It will be Curmel’s first professional fight with Kofi Jantuah the chief voice in his corner. A two-time world title challenger who began his career in his native Ghana, the 50-year-old Jantuah has worked almost exclusively with amateurs, a recent exception being Mikaela Mayer.

It would seem that the phenom needs a tougher opponent than Viamonte at this stage of his career. However, the match is intriguing in one regard. Viamonte is lanky. Listed at 5-foot-11, he will have a seven-inch height advantage.

Keeping his weight down has already been problematic for Moton. He tipped the scales at 128 ½ for his most recent fight. His May 31 bout, he says, will be contested at 135 and down the road it’s reasonable to think he will blossom into a welterweight. And with each bump up in weight, his short stature will theoretically be more of a handicap.

For fun, we asked Moton to name the top fighter on his pound-for-pound list. “[Oleksandr] Usyk is number one right now,” he said without hesitation,” great footwork, but guys like Canelo, Crawford, Inoue, and Bivol are right there.”

It’s notable that there isn’t a young gun on that list. Usyk is 38, a year older than Crawford; Inoue is the pup at age 32.

Moton anticipates that his name will appear on pound-for-pound lists within the next two or three years. True, history is replete with examples of phenoms who flamed out early, but we wouldn’t bet against it.

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Arne’s Almanac: The First Boxing Writers Assoc. of America Dinner Was Quite the Shindig

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The first annual dinner of the Boxing Writers Association of America was staged on April 25, 1926 in the grand ballroom of New York’s Hotel Astor, an edifice that rivaled the original Waldorf Astoria as the swankiest hotel in the city. Back then, the organization was known as the Boxing Writers Association of Greater New York.

The ballroom was configured to hold 1200 for the banquet which was reportedly oversubscribed. Among those listed as agreeing to attend were the governors of six states (New York, New Jersey, Massachusetts, Pennsylvania, Connecticut, and Maryland) and the mayors of 10 of America’s largest cities.

In 1926, radio was in its infancy and the digital age was decades away (and inconceivable). So, every journalist who regularly covered boxing was a newspaper and/or magazine writer, editor, or cartoonist. And at this juncture in American history, there were plenty of outlets for someone who wanted to pursue a career as a sportswriter and had the requisite skills to get hired.

The following papers were represented at the inaugural boxing writers’ dinner:

New York Times

New York News

New York World

New York Sun

New York Journal

New York Post

New York Mirror

New York Telegram

New York Graphic

New York Herald Tribune

Brooklyn Eagle

Brooklyn Times

Brooklyn Standard Union

Brooklyn Citizen

Bronx Home News

This isn’t a complete list because a few of these papers, notably the New York World and the New York Journal, had strong afternoon editions that functioned as independent papers. Plus, scribes from both big national wire services (Associated Press and UPI) attended the banquet and there were undoubtedly a smattering of scribes from papers in New Jersey and Connecticut.

Back then, the event’s organizer Nat Fleischer, sports editor of the New York Telegram and the driving force behind The Ring magazine, had little choice but to limit the journalistic component of the gathering to writers in the New York metropolitan area. There wasn’t a ballroom big enough to accommodate a good-sized response if he had extended the welcome to every boxing writer in North America.

The keynote speaker at the inaugural dinner was New York’s charismatic Jazz Age mayor James J. “Jimmy” Walker, architect of the transformative Walker Law of 1920 which ushered in a new era of boxing in the Empire State with a template that would guide reformers in many other jurisdictions.

Prizefighting was then associated with hooligans. In his speech, Mayor Walker promised to rid the sport of their ilk. “Boxing, as you know, is closest to my heart,” said hizzoner. “So I tell you the police force is behind you against those who would besmirch or injure boxing. Rowdyism doesn’t belong in this town or in your game.” (In 1945, Walker would be the recipient of the Edward J. Neil Memorial Award given for meritorious service to the sport. The oldest of the BWAA awards, the previous recipients were all active or former boxers. The award, no longer issued under that title, was named for an Associated Press sportswriter and war correspondent who died from shrapnel wounds covering the Spanish Civil War.)

Another speaker was well-traveled sportswriter Wilbur Wood, then affiliated with the Brooklyn Citizen. He told the assembly that the aim of the organization was two-fold: to help defend the game against its detractors and to promote harmony among the various factions.

Of course, the 1926 dinner wouldn’t have been as well-attended without the entertainment. According to press dispatches, Broadway stars and performers from some of the city’s top nightclubs would be there to regale the attendees. Among the names bandied about were vaudeville superstars Sophie Tucker and Jimmy Durante, the latter of whom would appear with his trio, Durante, (Lou) Clayton, and (Eddie) Jackson.

There was a contraction of New York newspapers during the Great Depression. Although empirical evidence is lacking, the inaugural boxing writers dinner was likely the largest of its kind. Fifteen years later, in 1941, the event drew “more than 200” according to a news report. There was no mention of entertainment.

In 1950, for the first time, the annual dinner was opened to the public. For $25, a civilian could get a meal and mingle with some of his favorite fighters. Sugar Ray Robinson was the Edward J. Neil Award winner that year, honored for his ring exploits and for donating his purse from the Charlie Fusari fight to the Damon Runyon Cancer Fund.

There was no formal announcement when the Boxing Writers Association of Greater New York was re-christened the Boxing Writers Association of America, but by the late 1940s reporters were referencing the annual event as simply the boxing writers dinner. By then, it had become traditional to hold the annual affair in January, a practice discontinued after 1971.

The winnowing of New York’s newspaper herd plus competing banquets in other parts of the country forced Nat Fleischer’s baby to adapt. And more adaptations will be necessary in the immediate future as the future of the BWAA, as it currently exists, is threatened by new technologies. If the forthcoming BWAA dinner (April 30 at the Edison Ballroom in mid-Manhattan) were restricted to wordsmiths from the traditional print media, the gathering would be too small to cover the nut and the congregants would be drawn disproportionately from the geriatric class.

Some of those adaptations have already started. Last year, Las Vegas resident Sean Zittel, a recent UNLV graduate, had the distinction of becoming the first videographer welcomed into the BWAA. With more and more people getting their news from sound bites, rather than the written word, the videographer serves an important function.

The reporters who conducted interviews with pen and paper have gone the way of the dodo bird and that isn’t necessarily a bad thing. A taped interview for a “talkie” has more integrity than a story culled from a paper and pen interview because it is unfiltered. Many years ago, some reporters, after interviewing the great Joe Louis, put  words in his mouth that made him seem like a dullard, words consistent with the Sambo stereotype. In other instances, the language of some athletes was reconstructed to the point where the reader would think the athlete had a second job as an English professor.

The content created by videographers is free from that bias. More of them will inevitably join the BWAA and similar organizations in the future.

Photo: Nat Fleischer is flanked by Sugar Ray Robinson and Tony Zale at the 1947 boxing writers dinner.

A recognized authority on the history of prizefighting and the history of American sports gambling, TSS editor-in-chief Arne K. Lang is the author of five books including “Prizefighting: An American History,” released by McFarland in 2008 and re-released in a paperback edition in 2020.
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