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Arum, Top Rank Aim Overhand Right At Haymon; Lawsuit Seeks $100-Plus Damages
UPDATE: Late afternoon on Wednesday, a statement from Team Haymon was released, in response to the Top Rank suit. Here it is:
Statement from Kramer Levin Naftalis and Frankel:
Re: Top Rank, Inc. v. Alan Haymon et al
On behalf of our clients Alan Haymon, Haymon Boxing LLC, Haymon Sports, LLC and Haymon Holdings LLC
The lawsuit filed today by Bob Arum and Top Rank is entirely without merit and is a cynical attempt by boxing’s old guard to use the courts to undermine the accessibility, credibility and exposure of boxing that the sport so desperately needs. The Premier Boxing Champions series makes boxing free again, by bringing championship boxing to free TV, with a fighter-first promise and a commitment to the fans to restore boxing to the luster of its heyday. The continued success of this effort will far outlast this baseless lawsuit.
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Another shoe has dropped in the promotional wars of 2015; promoter Bob Arum has lodged a lawsuit against disruptor in chief Al Haymon, asserting that Haymon is a shadowy figure who is rigging the game to suit his nefarious needs.
This document and flurry aimed at the ex music biz maven, who has turned the sport on its head by snapping up marquee platforms, where he showcases the more than 200 fighters signed to him under an advisory capacity, comes on the heels of a similar one advanced by Oscar De La Hoya.
Arum is seeking $100 million plus in damages, and the suit, overseen by attorney Daniel Petrocelli in California, is stationed in the US District Court of Los Angeles.
The aim seems to be to turn off the money spigot which has been made available to Haymon from investment firm Waddell and Reed. Fighters have been enjoying stellar paydays this year as a result of the war chest Haymon enjoys, so we have not heard, really, a peep of protest from them, as their purses have been bumped north, but we can expect this suit to kick up dust, and shed light on practices by the sports top-most brokers of power in the coming months and maybe years.
Haymon is portrayed as a “shadowy” figure who is “rigging” the industry, and is engaged in practices of “payola,” which is essentially paying off people to get preferential treatment, and was a term popularized in the radio business in the 50s and 60s.
The suit puts forth that there is a groundswell of opposition to Haymon, including the Association of Boxing Commissions, who in April sent a request to the US AG to investigate Haymon’s practices. Also backing this play by Top Rank is De La Hoya and Bernard Hopkins, who lodged their own suit, which will have Haymon arguably playing a ton of defense, and keeping his lawyers well paid…also, the call by the WBO president to have Haymon investigated is referenced. Message: there is a legion of anti Haymon folks who agree with the contentions in the suit.
The suit seeks to “rebrand” Haymon’s “time buy” model as “neo payola,” as illegally paying for prominent placement. More punches–Haymon has suppressed competition, illegally, by booking venues, engaging in “venue squatting,” so that other promoters have to move their events elsewhere. Examples for that argument include citing the April Ruslan Provodnikov-Lucas Matthysse bout, which ended up at the lower-tier venue Turning Stone Casino in Verona, NY, instead of a higher-profile staging platform.
Other points of interest: Haymon allegedly profiting from illegal ticket scalping, and being instrumental in blocking certain fighters from getting sparring from boxers who are “bought off” by Haymon.
Boiled down, the suit comes down the assertion that Haymon cannot act as both manager and promoter, because the Muhammad Ali Act forbids him from doing so. Also, that he is engaged in monopolistic practices by trying to corner venues, and block other promoters from booking them. Others are folded into the claim; the suit says that promoters like Lou DiBella, Leon Margules and Goossen Promotions are basically acting as covers for Haymon, are “sham” actors, not the “real” promoter who sets up all the matches of import.
In talking to some Haymon and Haymon-tied folks on background, I get the sense the reaction to this latest flurry ranges from ire, and counter-claims that Arum is in fact a bad actor himself, to resignation, in a “haters gonna hate” sphere, seeing it as a cost of doing business as the new monster on the block. No one is privately, to me, evincing any worry that the suits have merit, though I have to imagine, at least, that there has to be a private mindset of at the least mild concern that maybe the court takes the Top Rank side in this clash.
De La Hoya put out a statment a little after 3 PM Eastern time on Wednesday:
“I applaud Bob Arum and Top Rank Boxing for stepping up on behalf of fighters not only in their own stable, but all across the sport. Those like Bob and myself who have spent the bulk of their lives around boxing understand that the Muhammad Ali Boxing Reform Act is a crucial piece of legislation that serves to protect boxers and enhance the sport. Golden Boy Promotions will continue to push forward with our own lawsuit to ensure our wonderful sport continues to grow in a competitive, just manner.”
Background on GBP Lawsuit:
On May 6, 2015, Golden Boy Promotions filed a $300 million lawsuit against Al Haymon and his related companies alleging repeated violation of antitrust laws and the Muhammad Ali Boxing Reform Act. The case was filed in Federal Court in Los Angeles.
In the court of public/Twitter opinion, reaction is mixed: some see Haymon as a bad actor, a master manipulator who has turned the industry on its ear and is bad for the sweet science; others are pleased with all the free content now available on marquee platforms.
There is now no shortage of Internet attorneys, I note, labeling the suit one way or another, as “devastating” or the like, when in fact, opinion among ACTUAL logicians with degrees in that realm are mixed. For instance, I think the counter-claim can be made that the Haymon play leaving “no room for …other promoters” can be debated, as high profile shows put together by Golden Boy, Top Rank and Main Events have just occured or are about to. Bottom line, my two cents: let us let the lawyers do the lawyering, and do a better job at staying in our lane.
The fighters, by and large, are not squawking, as their purses have headed northward when in the Haymon fold, and the market all-told seems to reflect the new reality, arguably, as other promoters need to keep talent happy, lest they seek to jump to the Haymon ship.
One fighter mentioned in the 50 page suit is Julio Cesar Chavez Jr., a former Top Rank boxer; he did jump ship and was rewarded with a handsome payday in his last outing. Indeed, he posted a $1.75 million dollar check pic on social media, and that pic is noted in the suit…as evidence of Haymon’s odiousness, because the promoter typically pays the fighter, his “advisor” does not.
Bottom line–suit says Haymon wears too many hats: promoter, manager/advisor, popcorn seller. No bueno, it is alleged…that muddies his aims and loyalties and disqualifies him from doing business in a free and righteous open market. He is trying to gain a monolopoly, with the end result being a one-man game, the attorneys and Top Rank put forth, with only him controlling all the marbles…and then, the fans will have to pay the piper (“supracompetitive pricing”) and he will charge egregiously with all the power and players in his lap. For this reason, Top Rank asks that Haymon and companies be barred from doing this business, and seeks damages in excess of $100 million, “trebled.”
Trouble?
Is Haymon in quicksand now? Or is this much ado about near nothing?
Thoughts, readers?
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Steven Navarro is the TSS 2024 Prospect of the Year
“I get ‘Bam’ vibes when I watch this kid,” said ESPN ringside commentator Tim Bradley during the opening round of Steven Navarro’s most recent match. Bradley was referencing WBC super flyweight champion Jesse “Bam” Rodriguez, a precociously brilliant technician whose name now appears on most pound-for-pound lists.
There are some common threads between Steven Navarro, the latest fighter to adopt the nickname “Kid Dynamite,” and Bam Rodriguez. Both are southpaws currently competing in the junior bantamweight division. But, of course, Bradley was alluding to something more when he made the comparison. And Navarro’s showing bore witness that Bradley was on to something.
It was the fifth pro fight for Navarro who was matched against a Puerto Rican with a 7-1 ledger. He ended the contest in the second frame, scoring three knockdowns, each the result of a different combination of punches, forcing the referee to stop it. It was the fourth win inside the distance for the 20-year-old phenom.
Isaias Estevan “Steven” Navarro turned pro after coming up short in last December’s U.S. Olympic Trials in Lafayette, Louisiana. The #1 seed in the 57 kg (featherweight) division, he was upset in the finals, losing a controversial split decision. Heading in, Navarro had won 13 national tournaments beginning at age 12.
A graduate of LA’s historic Fairfax High School, Steven made his pro debut this past April on a Matchroom Promotions card at the Fontainebleau in Las Vegas and then inked a long-term deal with Top Rank. He comes from a boxing family. His father Refugio had 10 pro fights and three of Refugio’s cousins were boxers, most notably Jose Navarro who represented the USA at the 2000 Sydney Olympics and was a four-time world title challenger as a super flyweight. Jose was managed by Oscar De La Hoya for much of his pro career.
Nowadays, the line between a prospect and a rising contender has been blurred. Three years ago, in an effort to make matters less muddled, we operationally defined a prospect thusly: “A boxer with no more than a dozen fights, none yet of the 10-round variety.” To our way of thinking, a prospect by nature is still in the preliminary-bout phase of his career.
We may loosen these parameters in the future. For one thing, it eliminates a lot of talented female boxers who, like their Japanese male counterparts in the smallest weight classes, are often pushed into title fights when, from a historical perspective, they are just getting started.
But for the time being, we will adhere to our operational definition. And within the window that we have created, Steven Navarro stood out. In his first year as a pro, “Kid Dynamite” left us yearning to see more of him.
Honorable mention: Australian heavyweight Teremoana Junior (5-0, 5 KOs)
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The Challenge of Playing Muhammad Ali
There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.
The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”
The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”
The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.
The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).
Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.
On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.
Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.
Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.
“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”
And Ali was Ali. That’s a hard act to follow.
Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.
Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”
Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”
****
Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.
Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.
Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”
****
The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”
photo (c) David Serero
Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1
In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.
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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year
L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year
If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.
A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.
As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).
Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.
“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.
Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.
Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)
Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.
Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.
Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.
Photo credit: Steve Kim
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