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Federer and the Punch

Once a year, I let tennis into my life.
I’m reluctant to do so. Wimbledon catches my attention for its entire duration but I don’t like the way competitors are feted for their “stamina” and “courage.” Yes, the levels of fitness they obtain are impressive, and yes it can be difficult to play on when losing, but these are well paid elite athletes in pursuit of cash money.
And nobody is punching them in the face while they submit to their cardio exam.
There is a video on YouTube on the legendary Rafael Nadal exalting “the heart of a warrior.” Overlap between tennis and boxing fans seems reasonably rare and I’d suggest that this is why such radical statements as this are allowed to be made; relative to other tennis players, it is very possible that Nadal does indeed have the heart of a warrior, but compare him to, say, Austin Trout and that claim becomes somewhat ridiculous. Compare him to someone like Israel Vazquez and such a claim becomes utterly bizarre.
Additionally, Nadal was meekly eliminated form Wimbledon early last week by a journeyman of such low ranking that it would have made Mike Tyson shudder. Still, the one-hundred and second ranked men’s tennis player, Dustin Brown, showed a lot of guts in picking up that win – but nothing like the heart James “Buster” Douglas displayed in knocking out the once-rampant Iron Mike.
Different sports – different levels of commitment and risk. Different men.
I was interested then in the questions raised by William Skidelsky in his new book about the great Roger Federer (perhaps the greatest tennis player in history) in his new book Federer and Me. Skidelsky freely admits to an obsession born of some seemingly clichéd self-psychoanalysis but the obsession bares fruit. Skidelsky’s insight into his subject is impractical and born of compulsion and so gets to the root of a matter that stirred within me some fistic interest, specifically his description of Federer’s backhand which he lauds as capable of reaching “any part of the court with every conceivable variation of height, spin and power; and he can do this from almost any position.” To a fairweather tennis fan such as myself that just sounds like tennis, but apparently this is not so. Apparently men’s tennis has retreated from the net, where the creative, exciting tennis of yesteryear was played, to the baseline at the rear of the court, where power dominates all. Thudding, booming hits swapped in rallies defined by endurance and hitting ability as much as technique. Unlike most of his contemporaries, Federer hits his backhand one-handed in pursuit of grace and touch, not power.
Angles; variation of height and power – the firm belief that placement can be more important than power. Skidelsky could be writing about a boxer, not a tennis player.
I want to take you back now to June of 1963. The #2 contender to the welterweight title held by Emile Griffith is twenty-two year old Cuban Jose Stable, two years away from the spirited but doomed shot at the title which would ruin him, and in his prime. Matching him at Madison Square Garden, New York, is Philadelphian and former #2 contender Charley Scott. Scott, once a promising prospect himself, now stands on the precipice of journeyman hell. Both men have much to lose.
Bell.
Federer’s technique is a matter of geometry. Rafael Nadal, his nemesis, deals in torque. Federer has spoken of his admiration for Nadal, of his respect for the Spaniard’s concentration, but equally has stressed that he could never play tennis in such a way. For Federer, Nadal’s mission is to make every point the same – Nadal wants to win by force. Federer gives the nod to Nadal’s overwhelming sense of self but admits that he would find such an approach boring. Federer wants variety. He wants surprise.
Scott and Stable meet ring centre. Stable gives ground a little but fights and when he comes dipping back to Scott the two bump heads to shoulder. Stable places his head under Scott’s chin and they both try to make room for punches without going wide in search of the tiny entrance behind one-another’s elbow – it’s a trap, you see. Something that is rarely mentioned when comparing old-school to new in boxing is this propensity of the referee to permit infighting, and as we shall see, more pertinently, for the boxers to do the same. Infighting was so much a part of the sport up to and including the sixties that it was not even remarked upon, generally, in commentary. It was as much a part of the boxing canon as out-fighting; there was literally no difference in how the two were perceived – a fighter need both to succeed.
Now, a fighter can be held to be a technician by the boxing public if he can throw a very good one-two from the outside. In the run up to his fight with Jennings this year, Bryan Graham, writing in The Guardian named Wladimir Klitschko definitive of the “Eastern European technicians”; Steve Bunce, the pre-eminent British boxing journalist, saw Klitschko “heavyweight’s finest technician”; some less pre-eminent members of the press have even begun to talk about “technician” as a style that Klitschko embodies.
Please understand, I am not saying that anyone who labels Klitschko a technician is wrong; I’m not interested in semantics but rather etymology and what it means for boxing. It is now reasonable to call Wladimir a technician but there is a time when you would have been laughed at for doing so. Draping yourself across your opponents back and leaning down when he gets close was no more legitimate in infighting in 1963 than drawing a knife after a knockdown is now.
Federer is described as “pre-modern” by Skidelsky. In boxing we prefer “old-school”. Either way, what it means is belonging to a different time. Just as Federer’s essence belongs to an era before graphite rackets drove big-hitting bomb-builders to the baseline, Stable and Scott belong to an era long before referees separated fighters that went head-to-head. Naturally, this had consequences for their boxing.
For one thing, the sixties were a time when to become a technician one needed more than a booming jab and footwork birthed specifically to control distance. A technician had to fight at all ranges. If a fighter spent an evening’s work trying to bore in he was no more – but also no less – a technician than the man who backed up all night and jab-jab-jabbed. Both were lacking. A technician was a man who had mastered jab-, mid- and close-range. The word had no other meaning.
In 1963, Scott and Stable have entered the third round. They have agreed now that the fight will be settled on the inside, and given that neither man is a knockout hitter, crisp, volume punching will decide the result. Scott has decided to spring Stable’s trap and punch wide to the body, Stable responds by quadrupling the uppercut to the mid-section, an astonishing technical achievement which requires poise, balance, and the co-operation of a referee willing to let the opponent do enough punching inside that such an advantage presents itself; that last point is important: that such an advantage presents itself.
Such an advantage is not presented to the modern day boxer. It’s a rare, rare night when a boxer can be inside long enough in rounds one and two that he can feel-out and deploy a plan for infighting success. Infighting has become an opportunity to out-muscle a fighter for a psychological edge, perhaps land one punch, perhaps two, before the referee breaks. In 1963 a fighter might spend twenty minutes of a thirty minute fight finding room for punches inside, if he boxed to a certain style. Consider, if you will, how much time a fighter will spend on such techniques in the gym if that is liable to be the case. Now, flip that coin. What if all a fighter has to do to avoid infighting is clinch?
It is common to hear people say that the clinch is “killing boxing”. The truth is both more terrible and less dramatic than that: clinching is modern boxing. Clinching, specifically, is the reason that a whole plethora of infighting skills have been eliminated from boxing’s toolbox. It is one of the great ironies of sporting history, I think, that after boxing became a staple of television’s diet, clinching was frowned upon due to it being seen as dull. This cultural shift trickled through to the ring where referees were encouraged to break as many clinches as possible meaning all a fighter short of in-fighting skills needed to do in order to end that action was clinch. This, in turn, led to an erosion of infighting capabilities in modern fighters because all that is needed to negate any close action is a clinch – and this, finally, results in a huge upturn in clinching.
Boxing, the snake that eats itself.
The last two lineal heavyweight champions of the world, the keepers of the flame of the culture of the sport, have resorted almost exclusively to clinching as an infighting defence. I am a huge admirer of both Wladimir Klitschko and Lennox Lewis; I don’t believe they have done anything other than what was absolutely right for them. All any opponent wants to do with Klitschko is come inside and rough him up in search of the KO. The idea that Klitschko should play Russian-roulette with anyone that breaches his jab when the clinch is available to him is absurd and while people are free to dislike him for it, criticising him for it is not reasonable.
Some version of this is what old-timers and classic apologists are trying to tell us when they say that boxers were “more skilled” in those days. Newsflash: they were. But this is not all it seems to be, nor what dismissive modernists presume it to be, nor, finally, what some old-school determinists insist it is. At the opening of the ninth round, Scott and Stable are surprisingly fresh, and although Stable is well ahead, Scott remains game. By the time they meet ring centre in that penultimate round Stable is sure of his own speed advantage, assured in his technical superiority and his eye for distance is in. He comes narrow but reaches all the way around for a right-hand lead to the kidney, and then a left hand gunned for Scott’s jaw that is caught on the gloves, another right to the body followed up by a left uppercut which glances across the dipping Scott’s scalp. Because Scott, too, was seeking out the inside where he has done his best work, and because the referee will allow them both to punch there, these punches were available for Stable; and so he has learned them.
This is not the case for their modern counterparts. The only time real fighting will take place inside is when the fighters decide to allow it. Before Ricky Hatton’s 2007 tilt at Floyd Mayweather his trainer Billy Graham was direct in asking that Hatton be allowed to fight on the inside. I understand why; his man’s whole strategy relied upon being able to get close and throw punches. The simple fact is, however, is that it is not in the referee’s gift to allow fighting on the inside. That gift lay with Mayweather, whose strategy for victory was to hit Hatton on the outside and nullify him inside. This, he did, by holding. Once Mayweather holds the referee is honour bound to separate them.
This fact is obscured by occasions when infighting takes place, as was the case in the first Mike Alvarado-Brandon Rios war. Here, Alvarado allowed Rios inside, and allowed him to work, while waiting to reclaim distance and blast his man, giving the impression that the referee was “allowing them to work inside” in the parlance of American commentary; in fact, Alvarado was allowing Rios to work inside by neglecting to hold. He was punished for this tactical transgression.
The only ready solution to this infighting issue, should one be required, is for the referee to penalise a new generation of fighters who take holding for granted. This will result in physically and technically inferior fighters claiming wins on point deductions and disqualifications, at least in the short term; or will result in the bizarre sight, as in Lewis-Tyson, of a fighter leaning while holding his arms out wide to prove he is not holding. There is nothing harder in sports than enforcing a cultural change through a rule change (see the total inability of football’s governing body to eliminate diving in football [soccer] by penalising it).
Stable hit Scott with combination after combination on the inside in that ninth round at a point in the fight where Scott needed a knockout to win. If Scott elected to hold, Stable would have been allowed to fight out; meanwhile, if Stable had hit while holding, he would be in breach. So Scott fought on, tending to dip to his left, something Stable did too, but every now and again Stable hops out of their formation and in again to his right creating a whole new mess of geometry between the two. Next time you are watching a fight, or better yet sparring, take note, during a rare infighting exchange, of the enormous difference a small step to the left makes for both fighters. When they are head to head they seek the same punches dependent upon handedness, but with that single half step one fighter is looking for the left hook to the body, the other the right uppercut to the head. There are dozens of such variations. Now, perform the same exercise on the outside – both men still seek to jab.
Like Federer, Scott and Stable are seeking to land punches all over the court and for the most part there is no modern equivalent. Initiating a clinch is a legitimate skill in modern boxing, but it is not one that can be compared to the pulse of this whirling dervish of a contest. Scott has to try to get his head on Stable’s left shoulder opening up his right hand to the body when Stable uses his left; he wants to lock down Stable’s left with this tactic. Meanwhile Stable wants to quick-time Scott’s body when he is stepping in and snipes for the head while Scott is trying to find position. Even this singular version of the inside game is enthralling and fuelled by drill upon drill in the gym.
What this does not mean is that Scott and Stable are better fighters under their ruleset than modern fighters are under theirs. What it means is that fighters from the 1960s have, by necessity, a deeper skillset. Wladimir Klitschko is as brilliant at what he does as Jose Stable was at what he did – more brilliant, Klitschko has perfected, even defined a certain style where Stable was only a disciple of his – but he does less. That he can now be named a technician is the single harshest indictment of the shrinking pool of skills necessary to achieve greatness in boxing.
And so at last we return to tennis and the final analogy between this less demanding sport and the commitment that is boxing. Nadal is just as technically correct as Federer – more so, perhaps, given the specifics of the era, produced by graphite rackets – but Federer’s skilful backhander opens up a whole world of new and more varied techniques.
“Roger Federer,” writes Skidelsky, “made tennis beautiful again.” Whether or not it will be beautiful enough to see Federer to yet another Wimbledon title remains to be seen (he had qualified for the second round at the time of writing), but it’s unlikely we will ever see a return to the beauty of boxing as is it appears in the time of Stable and Scott. I don’t say that boxing was better then – fights like Segura-Marquez and Matthysse-Molina render that opinion invalid – but I do say it was deeper, richer.
I reach for it with the same sense of nostalgia with which Skidelsky reaches for Federer, nostalgia for a time I never knew.
Stable beat Scott by a unanimous decision. At the final bell they embraced, and walked the ring, arm in arm.
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Avila Perspective, Chap. 323: Benn vs Eubank Family Feud and More

Next generation rivals Conor Benn and Chris Eubank Jr. carry on the family legacy of feudal warring in the prize ring on Saturday.
This is huge in British boxing.
Eubank (34-3, 25 KOs) holds the fringe IBO middleweight title but won’t be defending it against the smaller welterweight Benn (23-0, 14 KOs) on Saturday, April 26, at Tottenham Hotspur Stadium in London. DAZN will stream the Matchroom Boxing card.
This is about family pride.
The parents of Eubank and Benn actually began the feud in the 1990s.
Papa Nigel Benn fought Papa Chris Eubank twice. Losing as a middleweight in November 1990 at Birmingham, England, then fighting to a draw as a super middleweight in October 1993 in Manchester. Both were world title fights.
Eubank was undefeated and won the WBO middleweight world title in 1990 against Nigel Benn by knockout. He defended it three times before moving up and winning the vacant WBO super middleweight title in September 1991. He defended the super middleweight title 14 times before suffering his first pro defeat in March 1995 against Steve Collins.
Benn won the WBO middleweight title in April 1990 against Doug DeWitt and defended it once before losing to Eubank in November 1990. He moved up in weight and took the WBC super middleweight title from Mauro Galvano in Italy by technical knockout in October 1992. He defended the title nine times until losing in March 1996. His last fight was in November 1996, a loss to Steve Collins.
Animosity between the two families continues this weekend in the boxing ring.
Conor Benn, the son of Nigel, has fought mostly as a welterweight but lately has participated in the super welterweight division. He is several inches shorter in height than Eubank but has power and speed. Kind of a British version of Gervonta “Tank” Davis.
“It’s always personal, every opponent I fight is personal. People want to say it’s strictly business, but it’s never business. If someone is trying to put their hands on me, trying to render me unconscious, it’s never business,” said Benn.
This fight was scheduled twice before and cut short twice due to failed PED tests by Benn. The weight limit agreed upon is 160 pounds.
Eubank, a natural middleweight, has exchanged taunts with Benn for years. He recently avenged a loss to Liam Smith with a knockout victory in September 2023.
“This fight isn’t about size or weight. It’s about skill. It’s about dedication. It’s about expertise and all those areas in which I excel in,” said Eubank. “I have many, many more years of experience over Conor Benn, and that will be the deciding factor of the night.”
Because this fight was postponed twice, the animosity between the two feuding fighters has increased the attention of their fans. Both fighters are anxious to flatten each other.
“He’s another opponent in my way trying to crush my dreams. trying to take food off my plate and trying to render me unconscious. That’s how I look at him,” said Benn.
Eubank smiles.
“Whether it’s boxing, whether it’s a gun fight. Defense, offense, foot movement, speed, power. I am the superior boxer in each of those departments and so many more – which is why I’m so confident,” he said.
Supporting Bout
Former world champion Liam Smith (33-4-1, 20 KOs) tangles with Ireland’s Aaron McKenna (19-0, 10 KOs) in a middleweight fight set for 12 rounds on the Benn-Eubank undercard in London.
“Beefy” Smith has long been known as one of the fighting Smith brothers and recently lost to Eubank a year and a half ago. It was only the second time in 38 bouts he had been stopped. Saul “Canelo” Alvarez did it several years ago.
McKenna is a familiar name in Southern California. The Irish fighter fought numerous times on Golden Boy Promotion cards between 2017 and 2019 before returning to the United Kingdom and his assault on continuing the middleweight division. This is a big step for the tall Irish fighter.
It’s youth versus experience.
“I’ve been calling for big fights like this for the last two or three years, and it’s a fight I’m really excited for. I plan to make the most of it and make a statement win on Saturday night,” said McKenna, one of two fighting brothers.
Monster in L.A.
Japan’s super star Naoya “Monster” Inoue arrived in Los Angeles for last day workouts before his Las Vegas showdown against Ramon Cardenas on Sunday May 4, at T-Mobile Arena. ESPN will televise and stream the Top Rank card.
It’s been four years since the super bantamweight world champion performed in the US and during that time Naoya (29-0, 26 KOs) gathered world titles in different weight divisions. The Japanese slugger has also gained fame as perhaps the best fighter on the planet. Cardenas is 26-1 with 14 KOs.
Pomona Fights
Super featherweights Mathias Radcliffe (9-0-1) and Ezequiel Flores (6-4) lead a boxing card called “DMG Night of Champions” on Saturday April 26, at the historic Fox Theater in downtown Pomona, Calif.
Michaela Bracamontes (11-2-1) and Jesus Torres Beltran (8-4-1) will be fighting for a regional WBC super featherweight title. More than eight bouts are scheduled.
Doors open at 6 p.m. For ticket information go to: www.tix.com/dmgnightofchampions
Fights to Watch
Sat. DAZN 9 a.m. Conor Benn (23-0) vs Chris Eubank Jr. (34-3); Liam Smith (33-4-1) vs Aaron McKenna (19-0).
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Floyd Mayweather has Another Phenom and his name is Curmel Moton

Floyd Mayweather has Another Phenom and his name is Curmel Moton
In any endeavor, the defining feature of a phenom is his youth. Philadelphia Phillies outfielder Bryce Harper was a phenom. He was on the radar screen of baseball’s most powerful player agents when he was 14 years old.
Curmel Moton, who turns 19 in June, is a phenom. Of all the young boxing stars out there, wrote James Slater in July of last year, “Curmel Moton is the one to get most excited about.”
Moton was born in Salt Lake City, Utah. His father Curtis Moton, a barber by trade, was a big boxing fan and specifically a big fan of Floyd Mayweather Jr. When Curmel was six, Curtis packed up his wife (Curmel’s stepmom) and his son and moved to Las Vegas. Curtis wanted his son to get involved in boxing and there was no better place to develop one’s latent talents than in Las Vegas where many of the sport’s top practitioners came to train.
Many father-son relationships have been ruined, or at least frayed, by a father’s unrealistic expectations for his son, but when it came to boxing, the boy was a natural and he felt right at home in the gym.
The gym the Motons patronized was the Mayweather Boxing Club. Curtis took his son there in hopes of catching the eye of the proprietor. “Floyd would occasionally drop by the gym and I was there so often that he came to recognize me,” says Curmel. What he fails to add is that the trainers there had Floyd’s ear. “This kid is special,” they told him.
It costs a great deal of money for a kid to travel around the country competing in a slew of amateur boxing tournaments. Only a few have the luxury of a sponsor. For the vast majority, fund raisers such as car washes keep the wheels greased.
Floyd Mayweather stepped in with the financial backing needed for the Motons to canvas the country in tournaments. As an amateur, Curmel was — take your pick — 156-7 or 144-6 or 61-3 (the latter figure from boxrec). Regardless, at virtually every tournament at which he appeared, Curmel Moton was the cock of the walk.
Before the pandemic, Floyd Mayweather Jr had a stable of boxers he promoted under the banner of “The Money Team.” In talking about his boxers, Floyd was understated with one glaring exception – Gervonta “Tank” Davis, now one of boxing’s top earners.
When Floyd took to praising Curmel Moton with the same effusive language, folks stood up and took notice.
Curmel made his pro debut on Sept. 30, 2023, at the T-Mobile Arena in Las Vegas on the undercard of the super middleweight title fight between Canelo Alvarez and Jermell Charlo. After stopping his opponent in the opening round, he addressed a flock of reporters in the media room with Floyd standing at his side. “I felt ready,” he said, “I knew I had Floyd behind me. He believes in me. I had the utmost confidence going into the fight. And I went in there and did what I do.”
Floyd ventured the opinion that Curmel was already a better fighter than Leigh Wood, the reigning WBA world featherweight champion who would successfully defend his belt the following week.
Moton’s boxing style has been described as a blend of Floyd Mayweather and Tank Davis. “I grew up watching Floyd, so it’s natural I have some similarities to him,” says Curmel who sparred with Tank in late November of 2021 as Davis was preparing for his match with Isaac “Pitbull” Cruz. Curmell says he did okay. He was then 15 years old and still in school; he dropped out as soon as he reached the age of 16.
Curmel is now 7-0 with six KOs, four coming in the opening round. He pitched an 8-round shutout the only time he was taken the distance. It’s not yet official, but he returns to the ring on May 31 at Mandalay Bay in Las Vegas where Caleb Plant and Jermall Charlo are co-featured in matches conceived as tune-ups for a fall showdown. The fight card will reportedly be free for Amazon Prime Video subscribers.
Curmel’s presumptive opponent is Renny Viamonte, a 28-year-old Las Vegas-based Cuban with a 4-1-1 (2) record. It will be Curmel’s first professional fight with Kofi Jantuah the chief voice in his corner. A two-time world title challenger who began his career in his native Ghana, the 50-year-old Jantuah has worked almost exclusively with amateurs, a recent exception being Mikaela Mayer.
It would seem that the phenom needs a tougher opponent than Viamonte at this stage of his career. However, the match is intriguing in one regard. Viamonte is lanky. Listed at 5-foot-11, he will have a seven-inch height advantage.
Keeping his weight down has already been problematic for Moton. He tipped the scales at 128 ½ for his most recent fight. His May 31 bout, he says, will be contested at 135 and down the road it’s reasonable to think he will blossom into a welterweight. And with each bump up in weight, his short stature will theoretically be more of a handicap.
For fun, we asked Moton to name the top fighter on his pound-for-pound list. “[Oleksandr] Usyk is number one right now,” he said without hesitation,” great footwork, but guys like Canelo, Crawford, Inoue, and Bivol are right there.”
It’s notable that there isn’t a young gun on that list. Usyk is 38, a year older than Crawford; Inoue is the pup at age 32.
Moton anticipates that his name will appear on pound-for-pound lists within the next two or three years. True, history is replete with examples of phenoms who flamed out early, but we wouldn’t bet against it.
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Arne’s Almanac: The First Boxing Writers Assoc. of America Dinner Was Quite the Shindig

The first annual dinner of the Boxing Writers Association of America was staged on April 25, 1926 in the grand ballroom of New York’s Hotel Astor, an edifice that rivaled the original Waldorf Astoria as the swankiest hotel in the city. Back then, the organization was known as the Boxing Writers Association of Greater New York.
The ballroom was configured to hold 1200 for the banquet which was reportedly oversubscribed. Among those listed as agreeing to attend were the governors of six states (New York, New Jersey, Massachusetts, Pennsylvania, Connecticut, and Maryland) and the mayors of 10 of America’s largest cities.
In 1926, radio was in its infancy and the digital age was decades away (and inconceivable). So, every journalist who regularly covered boxing was a newspaper and/or magazine writer, editor, or cartoonist. And at this juncture in American history, there were plenty of outlets for someone who wanted to pursue a career as a sportswriter and had the requisite skills to get hired.
The following papers were represented at the inaugural boxing writers’ dinner:
New York Times
New York News
New York World
New York Sun
New York Journal
New York Post
New York Mirror
New York Telegram
New York Graphic
New York Herald Tribune
Brooklyn Eagle
Brooklyn Times
Brooklyn Standard Union
Brooklyn Citizen
Bronx Home News
This isn’t a complete list because a few of these papers, notably the New York World and the New York Journal, had strong afternoon editions that functioned as independent papers. Plus, scribes from both big national wire services (Associated Press and UPI) attended the banquet and there were undoubtedly a smattering of scribes from papers in New Jersey and Connecticut.
Back then, the event’s organizer Nat Fleischer, sports editor of the New York Telegram and the driving force behind The Ring magazine, had little choice but to limit the journalistic component of the gathering to writers in the New York metropolitan area. There wasn’t a ballroom big enough to accommodate a good-sized response if he had extended the welcome to every boxing writer in North America.
The keynote speaker at the inaugural dinner was New York’s charismatic Jazz Age mayor James J. “Jimmy” Walker, architect of the transformative Walker Law of 1920 which ushered in a new era of boxing in the Empire State with a template that would guide reformers in many other jurisdictions.
Prizefighting was then associated with hooligans. In his speech, Mayor Walker promised to rid the sport of their ilk. “Boxing, as you know, is closest to my heart,” said hizzoner. “So I tell you the police force is behind you against those who would besmirch or injure boxing. Rowdyism doesn’t belong in this town or in your game.” (In 1945, Walker would be the recipient of the Edward J. Neil Memorial Award given for meritorious service to the sport. The oldest of the BWAA awards, the previous recipients were all active or former boxers. The award, no longer issued under that title, was named for an Associated Press sportswriter and war correspondent who died from shrapnel wounds covering the Spanish Civil War.)
Another speaker was well-traveled sportswriter Wilbur Wood, then affiliated with the Brooklyn Citizen. He told the assembly that the aim of the organization was two-fold: to help defend the game against its detractors and to promote harmony among the various factions.
Of course, the 1926 dinner wouldn’t have been as well-attended without the entertainment. According to press dispatches, Broadway stars and performers from some of the city’s top nightclubs would be there to regale the attendees. Among the names bandied about were vaudeville superstars Sophie Tucker and Jimmy Durante, the latter of whom would appear with his trio, Durante, (Lou) Clayton, and (Eddie) Jackson.
There was a contraction of New York newspapers during the Great Depression. Although empirical evidence is lacking, the inaugural boxing writers dinner was likely the largest of its kind. Fifteen years later, in 1941, the event drew “more than 200” according to a news report. There was no mention of entertainment.
In 1950, for the first time, the annual dinner was opened to the public. For $25, a civilian could get a meal and mingle with some of his favorite fighters. Sugar Ray Robinson was the Edward J. Neil Award winner that year, honored for his ring exploits and for donating his purse from the Charlie Fusari fight to the Damon Runyon Cancer Fund.
There was no formal announcement when the Boxing Writers Association of Greater New York was re-christened the Boxing Writers Association of America, but by the late 1940s reporters were referencing the annual event as simply the boxing writers dinner. By then, it had become traditional to hold the annual affair in January, a practice discontinued after 1971.
The winnowing of New York’s newspaper herd plus competing banquets in other parts of the country forced Nat Fleischer’s baby to adapt. And more adaptations will be necessary in the immediate future as the future of the BWAA, as it currently exists, is threatened by new technologies. If the forthcoming BWAA dinner (April 30 at the Edison Ballroom in mid-Manhattan) were restricted to wordsmiths from the traditional print media, the gathering would be too small to cover the nut and the congregants would be drawn disproportionately from the geriatric class.
Some of those adaptations have already started. Last year, Las Vegas resident Sean Zittel, a recent UNLV graduate, had the distinction of becoming the first videographer welcomed into the BWAA. With more and more people getting their news from sound bites, rather than the written word, the videographer serves an important function.
The reporters who conducted interviews with pen and paper have gone the way of the dodo bird and that isn’t necessarily a bad thing. A taped interview for a “talkie” has more integrity than a story culled from a paper and pen interview because it is unfiltered. Many years ago, some reporters, after interviewing the great Joe Louis, put words in his mouth that made him seem like a dullard, words consistent with the Sambo stereotype. In other instances, the language of some athletes was reconstructed to the point where the reader would think the athlete had a second job as an English professor.
The content created by videographers is free from that bias. More of them will inevitably join the BWAA and similar organizations in the future.
Photo: Nat Fleischer is flanked by Sugar Ray Robinson and Tony Zale at the 1947 boxing writers dinner.
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