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AFTERMATH MONDAY: Avila Reflects On Mosley-Mayorga
Our crew began early Saturday morning as we trekked from Riverside, Calif., to Inglewood – a distance of more than 80 miles. We left with the temperature hovering at 105 to the “cooler” climate of 95.
Katherine Rodriguez of La Prensa, Jeannie Avila of Uppercutmagazine.com and I loaded up the faded gold Mercedes and headed to our favorite watering hole, El Cholos, in downtown Los Angeles. On a regular basis you can see one or more of us at the restaurant that, I think, has the best margaritas in the world, pound-for-pound.
Once in a while you can spot a boxer, promoter or manager at El Cholos. Earlier in the year I ran into K2 Promotions managing director Tom Loeffler, trainer Abel Sanchez and writer Kevin Iole in the patio area. Before that it was boxing writers Igor Frank and Anna Dragost. No wonder El Cholos is my favorite place in L.A.
After one margarita and some lunch we headed toward The Forum via Manchester Avenue. It’s been decades since I took this route. I wanted to see if anything had changed. Not much, from what I could tell.
Readers and fellow journalists might wonder why I chose to cover Shane Mosley’s fight with Ricardo Mayorga. It’s very simple. Long ago, when I was a fledgling writer, Sugar Shane Mosley was a fast-rising star from Pomona. He had recently grabbed the lightweight world title and nearly everyone in the boxing world had dubbed him one of the most dangerous fighters out there. He had speed, power and stamina to go with a rock-steady chin. At the time I was working for a new magazine called Uppercut. We published out of East L.A., in the heart of the barrio on Whittier Boulevard.
Back in the 1990s Mosley was famous for his gym wars with guys like Zack Padilla, Genaro Hernandez and even Julio Cesar Chavez. He and his dad, Jack, were everyday figures in East L.A. at Bell and La Habra. Those wars were explosive with fans getting an eyeful for free. The famous Main Street Gym had recently closed because of the Northridge earthquake, so boxers were fanning out over the Southern California landscape.
I would talk with Jack a lot in those days while his son was duking it out with the entire world, it seemed. Shane reminded me of a pit bull with his willingness to match blows with anyone. His hand speed was blinding and his quickness afoot was equally dazzling.
It was the third year of Uppercut magazine and we had a small but hustling staff of people working all hours of the day. One of our staff had a side job working as a bodyguard for Oscar De La Hoya, who was a certified superstar. Our guy told us that Oscar read our magazine, so we decided to do a story on Mosley challenging De La Hoya.
Mosley knew us vaguely,but when we promised that Oscar would see the story we were planning, he decided to take a chance and come to our building.
One Sunday morning at 5 a.m. , Shane, Jack and Shane’s sister Serena drove from Pomona to the dark streets of East L.A. and met us before the sun came up. Shane was asleep in the back seat of a the car when Jack parked in front of our building. We needed to beat the Sunday traffic so we could pose Shane under the famous East L.A. sign on Whittier Boulevard. Ironically, De La Hoya lived a few blocks from that sign as a child and still had family members in the area.
Mosley posed for us in the early morning light when traffic was extremely light. It was so early that some guys were barely leaving the cantinas. They emerged from their dark havens with a weak morning sun greeting them, and Sugar Shane Mosley standing with us in the middle of the boulevard.
“Azucar!” shouted a few of the knowledgable barflies walking by us. They motioned, drunkenly, with their arms for him to come over. Our photographer that day was Carlos Puma, who worked for the Riverside Press-Enterprise at the time. We shot photos of Mosley in challenging poses under the East L.A. sign. The crowd seemed to get a kick out of it.
Our first copies of the magazine went directly to De La Hoya via our guy Alfredo. According to Alfredo, De La Hoya immediately decided to demand a fight with Mosley. I never got a chance to ask Oscar if this was indeed the case, but whether or not it’s true, the fight was made.
Mosley was appreciative, but we were more so. Here was Shane, an emerging megastar, willing to wake up at 4 a.m. to drive to East L.A. I never forgot that, and I always try to repay a favor whenever possible. So when Mosley decided to make this comeback fight with Mayorga, I was all in, no matter what.
I’m loyal to those who are loyal to me or helped me in some way. What Shane did for us 16 years ago was unforgettable.
The Fight
In my columns leading up to Shane Mosley’s fight card, I wondered if he could pull it off. It was like somebody placed one mine field after another in front of his promotional company, GoBox Promotions.
But Shane Mosley is no quitter.
Fights kept dropping out, he lost or fired the person handling media credentials, promoter tried to stop the main event and Premier Boxing Champions put on a competing card the same night at the Staples Center. Others would have meekly capitulated, but that is not in Mosley’s makeup.
Mayorga was the victor, by knockout, in his previous two fights and he has never been a pushover. At times, when Mayorga was fighting hard, Mosley took time off. It was a risk that some in the audience probably overlooked, but it was a risk nonetheless. Mayorga might be crazy, but he is plenty dangerous. Anybody who can claim to have defeated Vernon Forrest twice has to have talent. Ask Mosley.
The fight turned one-sided in Mosley’s favor, but Mayorga was always ready with his left hook cocked.
When Shane Mosley got popped and staggered backward in the sixth round, it looked like Mayorga – who calls himself “El Matador,” but is really more of a wild bull – had finally landed the big punch to turn things around. Instead, it was the beginning of the end for him.
Mosley let loose the one sure punch guaranteed to take out the Nicaraguan, the liver shot. Down went Mayorga. It made me believe that Mosley always knew he could dust off Mayorga with a body punch, but you never know.
Mayorga lost several teeth early in the bout. His mouth guard had broken and apparently he did not have another available. Mosley was cracking Mayorga with overhand rights in every round. Sometimes that was at the invitation of the macho Mayorga, who repeatedly pointed to his chin and invited Mosley to target it. It was Mayorga at his unhinged best. Who can forget him doing the same thing to Forrest or Felix Trinidad? Mayorga has a big heart and took his punishment like the warrior he is. No crying. No complaining. From what I hear, it was his wife who did the crying.
Here’s hoping the best for both Mosley and Mayorga with each early-morning sunrise.
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The Challenge of Playing Muhammad Ali
There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.
The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”
The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”
The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.
The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).
Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.
On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.
Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.
Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.
“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”
And Ali was Ali. That’s a hard act to follow.
Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.
Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”
Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”
****
Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.
Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.
Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”
****
The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”
photo (c) David Serero
Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1
In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.
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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year
L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year
If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.
A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.
As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).
Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.
“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.
Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.
Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)
Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.
Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.
Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.
Photo credit: Steve Kim
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A Shocker in Tijuana: Bruno Surace KOs Jaime Munguia !!
It was a chilly night in Tijuana when Jaime Munguia entered the ring for his homecoming fight with Bruno Surace. The main event of a Zanfer/Top Rank co-promotion, Munguia vs. Surace was staged in the city’s 30,000-seat soccer stadium a stone’s throw from the U.S. border in the San Diego metroplex.
Surace, a Frenchman, brought a 25-0-2 record and a 22-fight winning streak, but a quick glance at his record showed that he had scant chance of holding his own with the house fighter. Only four of Surace’s 25 wins had come by stoppage and only eight of his wins had come against opponents with winning records. Munguia was making the first start in the city of his birth since February 2022. Surace had never fought outside Europe.
But hold the phone!
After losing every round heading into the sixth, Surace scored the Upset of the Year, ending the contest with a one-punch knockout.
It looked like a short and easy night for Munguia when he knocked Surace down with a left hook in the second stanza. From that point on, the Frenchman fought off his back foot, often with back to the ropes, throwing punches only in spurts. Munguia worked the body well and was seemingly on the way to wearing him down when he was struck by lightning in the form of an overhand right.
Down went Munguia, landing on his back. He struggled to get to his feet, but the referee waived it off a nano-second before reaching “10.” The official time was 2:36 of round six.
Munguia, who was 44-1 heading in with 35 KOs, was as high as a 35/1 favorite. In his only defeat, he had gone the distance with Canelo Alvarez. This was the biggest upset by a French fighter since Rene Jacquot outpointed Donald Curry in 1989 and Jacquot had the advantage of fighting in his homeland.
Co-Main
Mexico City’s Alan Picasso, ranked #1 by the WBC at 122 pounds, scored a third-round stoppage of last-minute sub Yehison Cuello in a scheduled 10-rounder contested at featherweight. Picaso (31-0-1, 17 KOs) is a solid technician. He ended the bout with a left to the rib cage, a punch that weaved around Cuello’s elbow and didn’t appear to be especially hard. The referee stopped his count at “nine” and waived the fight off.
A 29-year-old Colombian who reportedly had been training in Tijuana, the overmatched Cuello slumped to 13-3-1.
Other Bouts of Note
In a ho-hum affair, junior middleweight Jorge Garcia advanced to 32-4 (26) with a 10-round unanimous decision over Uzbekistan’s Kudratillo Abudukakhorov (20-4). The judges had it 97-92 and 99-90 twice. There were no knockdowns, but Garcia had a point deducted in round eight for low blows.
Garcia displayed none of the power that he showed in his most recent fight three months ago in Arizona and when he knocked out his German opponent in 46 seconds. Abudukakhorov, who has competed mostly as a welterweight, came in at 158 1/4 pounds and didn’t look in the best of shape. The Uzbek was purportedly 170-10 as an amateur (4-5 per boxrec).
Super bantamweight Sebastian Hernandez improved to 18-0 (17 KOs) with a seventh-round stoppage of Argentine import Sergio Martin (14-5). The end came at the 2:39 mark of round seven when Martin’s corner threw in the towel. Earlier in the round, Martin lost his mouthpiece and had a point deducted for holding.
Hernandez wasn’t all that impressive considering the high expectations born of his high knockout ratio, but appeared to have injured his right hand during the sixth round.
Photo credit: Mikey Williams / Top Rank
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