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Rest in Peace George “Tex” Rickard (January 2nd, 1870 – January 6th, 1929)

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George Lewis “Tex” Rickard was born on January 2nd, 1870 in Kansas City, Missouri, however he is remembered as a 'Texan' because his family moved there at a very early age.   The impact “Tex” would have on boxing, and indeed, on modern sports before he passed away on January 6th, 1929 at the age of 59 years is so massive as to be immeasurable.

Rickard is most often remembered as the promoter for boxing icon Jack Demspey, the Heavyweight Champion throughout most of the 1920's, and the pair took boxing out of the athletic clubs and mining towns and into the mainstream of American society.

The story of Rickard begins in the mining towns of the American west at the start of the 20th century.  Rickard owned bars and saloons in Alaska and Nevada's desert as he chased the gold rushes around the west.  It was in those times that he started promoting boxing events and in 1906, Rickard was the promoter for the legendary Lightweight title bout between “The Old Master” Joe Gans and Battling Nelson.  The fight lasted for 42 rounds with Gans retaining the belt.  History would see him eventually lose the belt to Nelson in 1908.

Rickard, with his nose for big things, then promoted the first fight that was marketed as “The Fight of the Century”, which featured former World Heavyweight Champion James J. Jeffries returning from a long hiatius to try and rescue the belt for the white race from Jack Johnson.  After that match, Rickard left for South America, and when he returned he went east.  Rickard's genius can be seen in his ability to foretell the potential of having a truly national sports star using the emerging newspaper and radio technology of the day.  He returned to New York on March 25th, 1916 to the original Madison Square Garden to promote World Heavyweight Champion Jess Willard's fight with Frank Moran.  Willard had wrested the World heavyweight title from Jack Johnson almost a year earlier, and this was Willard's first title defense.

It would be more than three years before Willard would fight again, but on July 4th, 1919 Rickard was there, in Toledo, Ohio.  Willard was a reticent champion, at that point more at home back on the farm than in the ring, or in the spotlight Rickard had in mind.  ButJack Dempsey, who had come up fighting in the same western mining landscape that saw Rickard emerge fifteen years earlier, and he would prove to be exactly what Rickard needed.  Willard versus Moran had gone down in the record books as a lackluster performance, but Dempsey's two round dismantling of the gigantic champion gave him a sensational performance and Rickard a new star.  Dempsey could be the star Rickard envisioned.

Rickard periodically promoted shows at Madison Square Garden throughout 1920, but on July 2nd, 1921 the true scope of what Rickard was capable of became apparent, as World Heavyweight Champion Jack Dempsey defended his title against Georges Carpentier, a Frenchman who was one of the best boxers of his era and an iconic star in Europe.  Carpentier had just knocked out Britain's Joe Beckett to earn the title fight. The charismatic Frenchman was the perfect foil to Dempsey's dark persona.  Rickard made sure that he was at the forefront of new radio technology, and this was the first fight to be broadcast through the new medium.  People stood at receiving stations in the streets to hear results, as most homes didn't have radios yet.  In order to host the fight, Rickard would have a 90,000 seat arena built on a farm in New Jersey in nine weeks.

The numbers around the fight are truly staggering.  The event was a sellout, with over 90,000 people in attendance generating a live gate of $1,789.238, boxing's first million dollar gate.  Under Rickard's clever guidance, the fight was promoted with Dempsey firmly in the the role as the bad guy.  Carpentier was a war hero, and in Post World War I America, questions about Dempsey's war record were enough to have people wanting him to get beat.  The fourth round KO by Dempsey catapulted him to the level of international star, and a few years later he would meet Carpentier as friends while he travelled Europe giving lucrative exhibitions and rubbing elbows with other famous entertainers of the time.  

Rickard would avoid involvement in Dempsey's ill fated title defense against Tommy Gibbons in Shelby, Montana on July 4th, 1923.  Dempsey would win, but he did not deliver the expected knock out and the event promoters did not make their money back in what is generally described as a financial disaster. Two months later at New York's Polo Grounds, Rickard and Dempsey produced another million plus dollar gate as he defended the Heavyweight title against feared Argentininan “Wild Bull” Luis Angel Firpo.  Dempsey, again in the eye of Rickard's media frenzy, delivered one of the most memorable performances of his career as he was knocked onto press row by the rampaging Firpo after scoring half a dozen knock downs himself.  He would take Firpo out in the fourth round.

In January of 1925 Rickard built the third edition of Madison Square Garden.  The box style building of the new arena was built with boxing in mind, and could seat nearly 19,000.  Rickard had gathered investors from among his contacts and built what would become the most famous arena in the world.  Though boxing was clearly Rickard's first love, his nose for business led him to found the New York Rangers Ice Hockey franchise, and he helped solidify the presence of the new sport in the nation's largest media market.  The name Rangers came as a reference to Rickard's “Texas” roots.

Rickard would promote Jack Dempsey's final fight as Heavyweight Champion, as he faced Gene Tunney on September 23rd, 1926.  Though Dempsey walked in the favorite, he was outboxed by he clever Tunney and lost the Heavyweight title in what was his sixth title defense.  For Rickard, it was the third gate in boxing history that broke a million dollars, as over 120,000 people filled Philadelphia's Sesquicentennial Stadium for the fight, paying a gate of over $1.8 million dollars.

Rickard would promote Dempsey's subsequent fight with Jack Sharkey before he re-matched Tunney, and Rickard promoted Tunney's last career fight on July 26th, 1928 when Tunney defeated Tom Heeney at New York's Yankee Stadium but it would all come to an abrupt end for Rickard. On January 6th, 1929 after undergoing surgery on his appendix, he suffered complications and was unable to recover.  What followed in boxing is recognized as a slump in Heavyweight division post-Dempsey, but how would Rickard have affected that period in boxing history had he lived?

Gone but not forgotten, “Tex” Rickard.

  

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Steven Navarro is the TSS 2024 Prospect of the Year

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“I get ‘Bam’ vibes when I watch this kid,” said ESPN ringside commentator Tim Bradley during the opening round of Steven Navarro’s most recent match. Bradley was referencing WBC super flyweight champion Jesse “Bam” Rodriguez, a precociously brilliant technician whose name now appears on most pound-for-pound lists.

There are some common threads between Steven Navarro, the latest fighter to adopt the nickname “Kid Dynamite,” and Bam Rodriguez. Both are southpaws currently competing in the junior bantamweight division. But, of course, Bradley was alluding to something more when he made the comparison. And Navarro’s showing bore witness that Bradley was on to something.

It was the fifth pro fight for Navarro who was matched against a Puerto Rican with a 7-1 ledger. He ended the contest in the second frame, scoring three knockdowns, each the result of a different combination of punches, forcing the referee to stop it. It was the fourth win inside the distance for the 20-year-old phenom.

Isaias Estevan “Steven” Navarro turned pro after coming up short in last December’s U.S. Olympic Trials in Lafayette, Louisiana. The #1 seed in the 57 kg (featherweight) division, he was upset in the finals, losing a controversial split decision. Heading in, Navarro had won 13 national tournaments beginning at age 12.

A graduate of LA’s historic Fairfax High School, Steven made his pro debut this past April on a Matchroom Promotions card at the Fontainebleau in Las Vegas and then inked a long-term deal with Top Rank. He comes from a boxing family. His father Refugio had 10 pro fights and three of Refugio’s cousins were boxers, most notably Jose Navarro who represented the USA at the 2000 Sydney Olympics and was a four-time world title challenger as a super flyweight. Jose was managed by Oscar De La Hoya for much of his pro career.

Nowadays, the line between a prospect and a rising contender has been blurred. Three years ago, in an effort to make matters less muddled, we operationally defined a prospect thusly: “A boxer with no more than a dozen fights, none yet of the 10-round variety.” To our way of thinking, a prospect by nature is still in the preliminary-bout phase of his career.

We may loosen these parameters in the future. For one thing, it eliminates a lot of talented female boxers who, like their Japanese male counterparts in the smallest weight classes, are often pushed into title fights when, from a historical perspective, they are just getting started.

But for the time being, we will adhere to our operational definition. And within the window that we have created, Steven Navarro stood out. In his first year as a pro, “Kid Dynamite” left us yearning to see more of him.

Honorable mention: Australian heavyweight Teremoana Junior (5-0, 5 KOs)

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The Challenge of Playing Muhammad Ali

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There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.

 The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”

The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”

The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.

The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).

Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.

On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.

Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.

Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.

“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”

And Ali was Ali. That’s a hard act to follow.

Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.

Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”

Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”

****

Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.

Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.

Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”

****

The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”

photo (c) David Serero

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

            In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.

A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.

As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).

Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.

“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.

Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.

Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)

Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.

Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.

Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.

Photo credit: Steve Kim

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