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Jesse Hart: The Spawn of a Cyclone is Brewing up a Storm in Philly

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By BERNARD FERNANDEZ

In this pivotal year in American politics, a power struggle of sorts with presidential-primary-type overtones is brewing in Philadelphia boxing. It involves two fighting men of the city, one a beloved older citizen and the other his firebrand son, each of whom has his own vision of how the immediate future will soon play out.

So who gets the final say?

“I do,” insists 26-year-old Jesse Hart (19-0, 16 KOs) who wants to fight for the WBO super middleweight championship before the end of 2016 and likely would be afforded that opportunity should he win his Friday night fight against journeyman Dashon Johnson (19-18-3, 6 KOs), of Escondido, Calif., at the 2300 Arena in South Philly.

“Me,” Jesse’s father-trainer, 1970s middleweight contender Eugene “Cyclone” Hart, 64, said when asked the same question. But Cyclone is of a mind that his son going for a world title this year – or maybe even in the next couple of years – would be a rush to judgment with potentially disappointing consequences.

“I wouldn’t want him fighting for no championship now,” Cylone said when asked if Jesse’s likely elevation to a No. 1 rating from the WBO and mandatory-challenger status for the winner of the April 9 title fight between champion Arthur Abraham (44-4, 29 KOs) and Gilberto Ramirez (33-0, 24 KOs), should result in a showdown for a bejeweled belt. “Jesse is saying now, right now. Me, I would prefer him to wait until he gets about seven more fights and is more comfortable in the ring. A lot of people want him to (be in a title fight soon). Why? I told Bob (Arum, founder of Top Rank, Jesse’s promotional company) I thought he needed six or seven more fights, and then he’d be ready for anybody. Jesse got the tools to get (a world title) now, but he needs to get the tools to hold onto it after he gets it.”

So, if push comes to shove, which Hart gets to make the final decision?

“The son,” said J Russell Peltz, the longtime Philadelphia promoter who co-promotes Jesse’s career.

Or it might be Arum, whom Cyclone said will have a voice in the matter.

“Bob is smart,” Cyclone mused. “Bob will know when Jesse is ready, just like I’ll know.”

Time is always a factor in boxing. How long should a big fight be allowed to simmer until it’s ready to be served at its flavorful best? Or should some matchups be microwaved and hurried to the table?

Jesse Hart’s impatience to fight for a world title is understandable. Another seven bouts worth of seasoning would take him to age 28, possibly 29, and would possibly abbreviate his championship reign, should he be fortunate enough to have one. He believes he is ready to go for the big prize now, so why wait?

But Arum also might not want to delay the process of developing the next Top Rank superstar any longer than necessary. Manny Pacquiao (57-6-2, 38 KOs), Arum’s prime attraction for what seems like forever, has announced his April 9 rubber match against Timothy Bradley Jr. (33-1-1, 13 KOs) at Las Vegas’ MGM Grand, will be his farewell to boxing, so Arum, 84, can be excused for wanting to quickly determine a marquee replacement for “Pac-Man.” That might be Hart, or Ramirez, or possibly WBO super lightweight champion Terence Crawford (28-0, 20 KOs), most recently observed scoring a fifth-round stoppage over Philadelphia’s Hank Lundy (26-6-1, 13 KOs) on Feb. 27 at the Theater at Madison Square Garden.

It is a promoter’s duty to stroke the egos of all of his fighters, to make them feel as if each is his top priority, and Arum has taken care to ensure that Jesse Hart is showered with the requisite compliments.

“There’s boxing stars and there’s superstars,” Jesse said before a recent workout at the Joe Hand Boxing Gym in the Northern Liberties section of Philadelphia. “You got to know how to talk when you get up in front of that camera. You got to have a great smile. There’s different characteristics that go into it, and Bob said I got ’em all. He said I got the total package, the `it’ factor, to be a superstar.”

It is not anything Jesse hasn’t heard before. Not long after he joined Top Rank’s deep stable, Arum told the then-24-year-old about what could happen when talent meets charisma and the fighter in question is given the benefit of Arum’s special touch.

“When we first sat down, (Arum) said, `I want you. You’re going to be a superstar. You have what (Oscar) De La Hoya had, what Floyd Mayweather has,’” Jesse said in January 2014. “I was, like, wow. Then he asked me, `Who’s the first Mexican-(American) fighter that was on a Wheaties box?’ I said, `I don’t know, who was it?’ He said, `Oscar De La Hoya. That’s how big I want you to be. You have all the qualities to be a megastar in the sport of boxing. I’m going to let you reach those heights.’”

Jesse certainly has the genes to be something special. His dad, Cyclone, began his career with 19 straight victories inside the distance and has been described by Peltz as “the best one-punch knockout artist I ever saw in person.”

Hart had the good fortune – or misfortune, depending on which way one chooses to look at it – of being one of four Philly middleweights who were all world-ranked in the top 10 in the 1970s, the others being Bennie Briscoe, Bobby “Boogaloo” Watts and Willie “The Worm” Monroe. But elite opponents ducked the Philly Four as if they were lepers and, although Watts and Monroe did score decision victories over a young Marvin Hagler at the since-demolished Spectrum, only Briscoe ever was afforded the opportunity to fight for a world championship. He was 0-3 in such bouts, losing twice to Rodrigo Valdez and once to Carlos Monzon.

“We held down the city for, like, 20 years,” Cyclone said of that golden era of middleweights in Philly, when he and the other local kings of the ring were stars as celebrated as much as any member of the Eagles, Phillies, 76ers or Flyers. “Couldn’t nobody come in here and do nothin’ with us. The only way we could make money was to fight each other.”

Thus was the legend embellished of Philly’s down-and-dirty gym wars, where the best of the best took turns cannibalizing one another for neighborhood pride and then did so again in well-attended main events at the Spectrum. It was an era perhaps beyond replication, but Jesse Hart, who has heard all the stories of that magical time from his dad, is eager to do his part to restore at least some of that lost tradition.

Jesse had been scheduled to appear on the non-televised portion of the Crawford-Lundy undercard, but he went directly to Arum and requested that he headline his own show in his hometown. It is high time, Jesse declared, that Philadelphia fighters, the most accomplished of whom have been obliged to take their act on the road, return to America’s best fight town and remind everyone of what once was, and could be again.

“I wish I was back in that (1970s) era,” he sighed. “The mission for me has always to become one of the greatest Philadelphia fighters. I kept hearing about how great my dad was, how great Georgie Benton was, how great Bennie Briscoe was. Gypsy Joe Harris. My dad came up in that era and that’s the mindset I have. In my mind, I’m a 15-round fighter. I’m not a modern-day dude, man.”

Cyclone remembers taking Jesse to the gym for the first time when he was around 10. He has tutored him well, but no trainer can confer the gift of power on a fighter who lacks the natural capability to deliver a shot with the force of a runaway locomotive. Cyclone had that gift, and he said Jesse does, too.

“I realized he had the same qualities I had as a fighter,” Cyclone said. “He can punch with either hand, he can take you out with either hand. Once he gets a little more comfortable, ain’t nobody going to beat Jesse Hart.”

Jesse said he is pretty damn comfortable now, and he has little inclination for taking the long view espoused by Cyclone. He has a wife and child to support, and why shouldn’t he strike when the iron is hot? If he’s a superstar-in-waiting, as Arum had so often told him, why delay the inevitable?

“All I know is I get the winner of the Ramirez-Abraham fight,” Jesse said. “I don’t care who it is. That’s why I’m pushing for a win (against Johnson) in spectacular fashion. This fight is going to prove to the world that I’m one of the best super middleweights in the world, if not the best.

“This is what sets me apart. Nobody else is fighting here. I wanted to bring it home to the Philly fight fans. I’m not knocking nobody else, but what other top Philadelphia fighter is bringing it back here? Bernard Hopkins isn’t. Danny Garcia isn’t.

“That’s why we’re calling this promotion `Hart of the City.’ All our pro teams stink, nobody’s doing nothin’. But you got Jesse Hart standing up for Philly.

“Oh, and make sure to tell everybody that Philly still has the best boxers in the world.”

 

 

 

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The Challenge of Playing Muhammad Ali

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There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.

 The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”

The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”

The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.

The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).

Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.

On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.

Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.

Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.

“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”

And Ali was Ali. That’s a hard act to follow.

Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.

Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”

Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”

****

Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.

Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.

Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”

****

The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”

photo (c) David Serero

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

            In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.

A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.

As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).

Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.

“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.

Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.

Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)

Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.

Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.

Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.

Photo credit: Steve Kim

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A Shocker in Tijuana: Bruno Surace KOs Jaime Munguia !!

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It was a chilly night in Tijuana when Jaime Munguia entered the ring for his homecoming fight with Bruno Surace. The main event of a Zanfer/Top Rank co-promotion, Munguia vs. Surace was staged in the city’s 30,000-seat soccer stadium a stone’s throw from the U.S. border in the San Diego metroplex.

Surace, a Frenchman, brought a 25-0-2 record and a 22-fight winning streak, but a quick glance at his record showed that he had scant chance of holding his own with the house fighter. Only four of Surace’s 25 wins had come by stoppage and only eight of his wins had come against opponents with winning records. Munguia was making the first start in the city of his birth since February 2022. Surace had never fought outside Europe.

But hold the phone!

After losing every round heading into the sixth, Surace scored the Upset of the Year, ending the contest with a one-punch knockout.

It looked like a short and easy night for Munguia when he knocked Surace down with a left hook in the second stanza. From that point on, the Frenchman fought off his back foot, often with back to the ropes, throwing punches only in spurts. Munguia worked the body well and was seemingly on the way to wearing him down when he was struck by lightning in the form of an overhand right.

Down went Munguia, landing on his back. He struggled to get to his feet, but the referee waived it off a nano-second before reaching “10.” The official time was 2:36 of round six.

Munguia, who was 44-1 heading in with 35 KOs, was as high as a 35/1 favorite. In his only defeat, he had gone the distance with Canelo Alvarez. This was the biggest upset by a French fighter since Rene Jacquot outpointed Donald Curry in 1989 and Jacquot had the advantage of fighting in his homeland.

Co-Main

Mexico City’s Alan Picasso, ranked #1 by the WBC at 122 pounds, scored a third-round stoppage of last-minute sub Yehison Cuello in a scheduled 10-rounder contested at featherweight. Picaso (31-0-1, 17 KOs) is a solid technician. He ended the bout with a left to the rib cage, a punch that weaved around Cuello’s elbow and didn’t appear to be especially hard. The referee stopped his count at “nine” and waived the fight off.

A 29-year-old Colombian who reportedly had been training in Tijuana, the overmatched Cuello slumped to 13-3-1.

Other Bouts of Note

In a ho-hum affair, junior middleweight Jorge Garcia advanced to 32-4 (26) with a 10-round unanimous decision over Uzbekistan’s Kudratillo Abudukakhorov (20-4). The judges had it 97-92 and 99-90 twice. There were no knockdowns, but Garcia had a point deducted in round eight for low blows.

Garcia displayed none of the power that he showed in his most recent fight three months ago in Arizona and when he knocked out his German opponent in 46 seconds. Abudukakhorov, who has competed mostly as a welterweight, came in at 158 1/4 pounds and didn’t look in the best of shape. The Uzbek was purportedly 170-10 as an amateur (4-5 per boxrec).

Super bantamweight Sebastian Hernandez improved to 18-0 (17 KOs) with a seventh-round stoppage of Argentine import Sergio Martin (14-5). The end came at the 2:39 mark of round seven when Martin’s corner threw in the towel. Earlier in the round, Martin lost his mouthpiece and had a point deducted for holding.

Hernandez wasn’t all that impressive considering the high expectations born of his high knockout ratio, but appeared to have injured his right hand during the sixth round.

Photo credit: Mikey Williams / Top Rank

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