Book Review
In His New Book, Jerry Izenberg Pays Homage to the Golden Era of Heavyweights
JERRY IZENBERG’S “Once There Were Giants”: — Anyone who saw the great 2004 biopic about Ray Charles, Ray, might recall what Jamie Foxx, who won the Academy Award as Best Actor for his spot-on portrayal of the R&B legend, said in explaining Charles’ mid-1960s excursion into country music.
“It’s the stories, man,” Foxx, as Charles, said of the title character’s surprisingly effective take on an entirely different American art form than the one which initially had brought him acclaim.
Boxing, perhaps more than any other sport, provides rich and engaging material for those with a keen enough eye to get to the heart of the matter, and the literary skill to express that knowledge in prose that all but leaps off the page of a book or newspaper column. Put into that context, it might be said that Jerry Izenberg’s latest treatise on the fight game, Once There Were Giants: The Golden Age of Heavyweight Boxing, contains as many subtle hints of venerated guitar pickers Hank Williams and Woody Guthrie as of iconic sports writers A.J. Liebling and Paul Gallico. Then again, no comparison of Izenberg to anyone else is valid; like his friend, the late, great Muhammad Ali, the 86-year-old columnist emeritus for the Newark Star-Ledger is an original, a master wordsmith and observer of the human condition who can take familiar source material and wring from it small gems of fresh insight that glisten like diamonds in the noonday sun.
The premise of Izenberg’s 216-page journey into an era of big-man boxing that was and perhaps forever shall be unmatched is as straightforward as a stiff jab to the nose. It begins with an introductory chapter on mob influence that stained prize rings until the late 1950s before moving on to the figurative launch of that golden age, with Sonny Liston’s back-to-back, one-round thumpings of Floyd Patterson, and extending through Evander Holyfield’s disqualification victory over ear-gnawing Mike Tyson. Along the way readers again are treated to the best, and sometimes worst, of Liston, Cassius Clay/Ali, Joe Frazier, George Foreman, Larry Holmes, Michael Spinks, Tyson and Holyfield, with nods toward such important contributing characters as Gerry Cooney and Leon Spinks.
It was a 35-year period of sustained heavyweight glory so deep at the top end that the gifted likes of Jerry Quarry, Ron Lyle, Earnie Shavers, Cleveland “Big Cat” Williams and Cooney never held even a sliver of what once was deemed the most prestigious title in all of sport, but has since been severely devalued by the proliferation of sanctioning organizations only concerned with their own self-serving little realms. (Note: Izenberg mentions Lennox Lewis and Riddick Bowe only in passing, contending that their prime years did not fully intersect with other principal players in the golden age.)
Izenberg pulls no punches in his disdain of the convoluted mess that has made shared championships the norm, complaining of “a tsunami of alphabet-soup commissions, each using an assortment of acronyms (and) making enormous money grabs that would change boxing forever. Their names were ludicrous: World Boxing Council, World Boxing Association, International Boxing Federation – none of which was global, and none of which was respected as a council, an association, or a federation. More than one of their ersatz titles often carried the suspicion that they had arrived cash-on-delivery because of the private fiefdoms and sanctioning fees those bodies fiercely guarded and collected from each title fight – or, as they might put it at the Wharton School of Finance, the more titles, the more money.”
At this point, you’re probably thinking Once There Were Giants doesn’t really contain anything that a reasonably astute fight fan doesn’t already know. But that isn’t always the case, and even in going over well-trod ground he turns phrases with the nimbleness of the Ali Shuffle.
Consider this tasty tidbit on the evolution of Frazier’s renowned left hook, which caught even me a bit off-guard seeing as how I have covered boxing in Smokin’ Joe’s adopted hometown of Philadelphia for many years and had numerous conversations with the man himself as well as with his children, Marvis Frazier and Jacqui Frazier-Lyde.
“One of my dad’s jobs was to care for the pigs,” Marvis says in relation to his father’s childhood as a field laborer in his birth town of Beaufort, S.C. “They had one that was 300 pounds and Daddy used a stick to get him to move. And the pig turned on him and chased him.”
Joe, who then around 12 years old, ran, tripped over a rock and broke his left arm. There was no money for a doctor. The arm had to heal by itself and could no longer be extended anywhere near as far as the right arm. This may have been the reason Frazier had to work so much harder than most fighters to develop strength in that arm.
It would become his most powerful weapon by far, giving him what had long been known in the gyms of Philly as a Philadelphia left hook – a misnomer in his case because of its genesis. What it was, was a Beaufort-inspired, hell-raising left hook.
It was a leaping left hook from Frazier that floored Ali in the 15th and final round of what arguably is the most significant boxing event of all time, the “Fight of the Century,” which the squatty Philadelphia brawler won on a unanimous decision on March 8, 1971, at Madison Square Garden.
After the fight, Izenberg – and it says much about the respect with which he was held by those he wrote about – was invited to grab a bite with Frazier, which enabled him to bear witness to something other reporters did not get the opportunity to see.
“We went out to eat, and while we stood in front of a deli, three little kids came running up,” Jerry writes. “One of them said, `My daddy says Muhammad Ali was drugged.’
“Anger flashed in Joe Frazier’s eyes. `Go home and tell your daddy he is right. He was drugged. I drug him with a left hook.’”
Of the steady stream of limousines carrying fur-clad, jewelry-festooned men and women that pulled up in front of the Garden for Ali-Frazier I, Izenberg suggests there might have been an ulterior motive other than boxing for the beautiful people to make an appearance.
“Freddie Guinyard, a friend of Joe Louis who ran an after-hours joint in Detroit, noted my puzzlement,” Izenberg writes. “Let me explain,” he said, and he began to point at the cars. “Numbers, Detroit; Girls, L.A.; Drugs, New York City. It’s not what you might think. These people don’t give a s— about Ali. All they care about is he beat The Man (the government), which is something they’ve tried to do all their lives, and that’s cool with them.”
Of his trip to Zaire to cover the Oct. 30, 1974, “Rumble in the Jungle,” won by Ali on a shocking, eighth-round knockout of the seemingly invincible George Foreman, Izenberg finds time not only to cover the action inside the ropes, but to set that bizarre scene before and after in bold strokes.
The trip was historic on the one hand and an ordeal on the other, Jerry admitting to having a “perceived romance” inherent in traveling to “such an exotic locale to write about a sports event that, from the crudest of crumbling stadiums in Kinshasa, would be beamed to the world by what was then the most sophisticated of satellites.”
Of Zaire’s dictatorial president, Mobutu Sese Seko, Izenberg discerned not even the thinnest scintilla of actual grandeur. “The name Mobutu had given himself was President Mobutu Sese Seko Kuku Wa Za Banga of Zaire, which translates to `The all-powerful warrior who, because of his endurance and inflexible will to win, will go from conquest to conquest leaving fire in his wake.” (But) even that was incomplete. In addition to his `endurance and inflexible will to win,’ there was also his ability to murder, steal and maintain happy ties with the CIA. He had already been fingered by Amnesty International for the torture of political prisoners and had not hesitated to support episodes of strategic genocide in neighboring Rwanda when it serves his purpose.”
Many years after being taken down by Ali, George Foreman reaffirmed an ancient truth to Izenberg: Styles really do make fights.
“It’s simple,” Foreman said. “Styles dictate every fight. I never had trouble punching down to a shorter man. The uppercuts were the reason. I could fight Joe a hundred times and probably beat him 99. But I could fight Muhammad a hundred times and he’d probably beat me 99. Yet when Joe and Muhammad fought each other, trust me, it would have been life and death a hundred times.”
Just a couple more examples of Izenberg’s ability to cut through the bullspit with grace and clarity:
Of Las Vegas, the sunless, timeless netherworld that has become the prime landing spot for megafights: “Vegas is a place where nobody knows what time it is because the clickety-click of dice on green felt tables respects no hour. There are no clocks in the casinos and no daylight streaming into the rooms. There is no afternoon, no concept of tonight or tomorrow. A dealer on the lam from Louisiana once told me, `In this joint, it’s like you’re working on a submarine. There is only now.’”
Of Cus D’Amato, who managed Patterson and Tyson as if every waiter was trying to poison their and his food: He was “a boxing mentor who spoke in parables and wrapped himself in an impenetrable cloak of paranoia.”
Of cackling, electric-haired promoter Don King: “On the battlefield of boxing, victory often goes to the man with the tenacity of a pit bull, the patience of an inch-worm, and the track record of Caligula. And in that time and place, Don King was the unchallenged wearer of the only triple crown.”
It took me only a day and a half to consume Once There Were Giants from cover to cover, but it was time well spent.
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Book Review
“The Knockout” and More from Thomas Hauser
The Knockout by Andy Clarke (published by Aurum) is a thoughtful book that encourages readers to think more deeply about boxing’s most violent spectacle, described by Clarke as, “The greatest finish in all of sport . . . Boxing’s money shot . . . Sport’s most decisive moment . . . The ultimate sporting cataclysm . . . A public sporting execution . . . The ultimate expression of sporting victory and defeat.”
Clarke focuses on two types of knockouts that he labels “type one” (the single-punch knockout) and “type two” (when a fighter has been beaten down over time to the point where he can no longer properly defend himself).
“Type one is spectacular,” Clarke writes. “The suddenness of it is shocking. It almost doesn’t seem right or fair that something that until so recently was so full of potential and possibility can just end like that, without warning, without consultation. But that’s boxing and that’s the knockout and you won’t find anything like it anywhere else in the world of sport. Type two is slow by comparison, gruelling, and, at least in theory, much more preventable. Torture. Breaking the will. That’s what a type-two knockout is about.”
“There is no response to a knockout,” Clarke continues. “There is no other moment in sport that can rival it for its utter finality. No opportunity to come back. It renders the clock irrelevant. Other sports can provide moments of great drama. But a last-second goal or basket on the buzzer to win the game requires whoever scores them to be within striking distance, to be close enough to their opponent’s score for that final act to be decisive.”
Clarke examines knockouts from multiple perspectives. He starts with fighters – both winners and losers – keying on conversations with Carl Froch, Ricky Hatton, Amir Khan, Matthew Macklin, Jamie Moore, David Haye, and Tony Bellew. Then he broadens his inquiry to consider the role played by third parties such as trainers and referees and the response of fans to a “traumatic physical event” that often redirects the trajectory of a fighter’s career and, for the loser, can change him physically and mentally for life.
Here, the thoughts of two trainers are instructive.
Joe Gallagher, talking about whether or not to stop a fight when his charge is taking a beating, told Clarke, “There’s a very fine line. You’ve got to understand what your fighter is capable of or not capable of. And if you’ve got to ask them to do something that he’s never done in his career before, never done in the gym, than why do you keep him in there? We’re beginning to get into a highlight-reel knockout situation and he shouldn’t be in there. It’s very hard.”
And Billy Graham opines, “Fighters might say they don’t want to hurt their opponent. But let me tell you, when you’re in there, you absolutely f***ing do. You want to knock them out. You want to keep hitting them until they drop so they’ll stop f***ing hitting you and you can get yourself out of that hellhole. Yeah, a few seconds later, when you’ve done it, when it’s over, you might start to think about if they’re okay. But whilst you’re in there, you just want to finish it, to knock them the f*** out.”
To Clarke’s credit, his book is not a tedious compendium of boxing’s greatest knockouts. But a little more historical perspective would have been welcome. The most celebrated one-punch (“type one”) knockout in boxing history was a left hook to the jaw delivered by Sugar Ray Robinson on May 1, 1957, in his second fight against Gene Fullmer. Rocky Marciano’s one-punch knockout of Jersey Joe Walcott to seize the heavyweight throne on September 23, 1952, runs a close second. More recently, on November 5, 1994, George Foreman solidified his place in boxing history with a one-punch knockout of Michael Moorer. It would have been nice had Clarke acknowledged those moments.
Also, “type one” knockouts come from body punches as well as head shots. Clarke largely ignores that phenomenon.
That said; The Knockout is a good book.
“Boxing,” Clarke observes, “is as old as sport gets.” He reminds us that, “In boxing, the ability to survive is the cornerstone around which everything else can be built.” And he cautions, “The ultimate aim for all boxers is to leave the sport having taken more from boxing than boxing has taken from them. It’s a straightforward ambition but one that few achieve.”
****
One of the sad things about the craziness that enveloped Mike Tyson for much of his ring career is that it obscures what a remarkable fighter he was when he was young. Consider this one statistic.
Tyson knocked out Trevor Berbick on November 22, 1986, to claim the WBC heavyweight crown. He was undefeated in THIRTEEN fights that year. Some of his opponents were easy outs. But others – like James Tillis and Mitch Green – posed credible challenges.
Compare Tyson to his brethren.
Larry Holmes fought three times in the twelve months before he defeated Ken Norton for the heavyweight crown. Evander Holyfield had two fights in the year prior to his beating Buster Douglas. Lennox Lewis, two before beating Tony Tucker. Riddick Bowe, four before beating Holyfield.
What about “throwback fighters”?
Rocky Marciano had five fights in the year before he dethroned Jersey Joe Walcott. Joe Louis had seven fights in the year before beating James Braddock. Gene Tunney, three before toppling Dempsey. Dempsey, ten before beating Jess Willard. Jack Johnson had one win the year before he beat Tommy Burns.
And recent heavyweight champions?
Oleksandr Usyk had one fight during the year before he dethroned Anthony Joshua . . . Joshua, four before beating Charles Martin . . . Tyson Fury, two before beating Wladimir Klitschko . . . Deontay Wilder, two before beating Bermane Stiverne.
So to repeat the number: Mike Tyson’s knockout of Trevor Berbick to claim the WBC heavyweight title was his THIRTEENTH fight of 1986. That’s a lot of fights.
****
At the kick-off press conference at the Hunt and Fish Club in New York for his largely-ignored August 24 rematch against John Gotti III, Floyd Mayweather bragged, “Last time I checked, I’ve beat more fighters that are in the Hall of Fame than any fighter in history.”
Floyd should check again.
Floyd beat Diego Corrales, Arturo Gatti, Oscar De La Hoya, Ricky Hatton, Juan Manuel Marquez, Shane Mosley, and Miguel Cotto. That’s victories over seven Hall of Fame opponents. And let’s assume that Manny Pacquaio will be inducted into the Hall of Fame some day which will give Floyd eight (although the number now stands at seven).
Now let’s look at two men who Mayweather often compares himself to.
Pacquiao defeated eight opponents who are now in the Hall of Fame: Marco Antonio Barrera, Juan Manuel Marquez, Eric Morales, Oscar De La Hoya, Ricky Hatton, Miguel Cotto, Shane Mosley, and Tim Bradley.
And Sugar Ray Robinson defeated eleven: Henry Armstrong, Kid Gavilan, Carmen Basilio, Jake LaMotta, Rocky Graziano, Gene Fullmer, Fritzie Zivic, Randy Turpin, Bobo Olson, Joey Giardello, and Sammy Angott.
Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1
In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.
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Book Review
Literary Notes from Thomas Hauser
Literary Notes from Thomas Hauser
Bernard Fernandez has written thousands of articles during his 55-year career as a sports journalist. Championship Rounds: Round 5 is the fifth (and Bernard says, the last) collection of his articles to be published in book form.
Fernandez has a way with words. He also has an ear for quotes as evidenced by the following thoughts from Championship Rounds: Round 5:
Alex Rodriguez (speaking about his brother, Francisco, who died after being knocked out by Teon Kennedy at the Blue Horizon in Philadelphia): “My brother had a perfect heart, perfect lungs, perfect kidneys, perfect pancreas. Because of him, other people will have a chance for better health, more birthdays, the fulfillment of their own dreams. Paco is going to continue walking through this world through them.”
Johnny Tapia (after Don King completely dominated the final prefight press conference for his fight against Nana Yaw Konadu in Atlantic City): “I don’t understand this. I mean, I’m the one who’s fighting, right?”
Archie Moore: “A legend is something between fact and fable. Some people might say that that is an accurate description of me.”
George Foreman (on Roy Jones): “The better he is at his craft, the less people understand it.”
Mike Tyson (on Sonny Liston’s gift for weakening opponents through intimidation): “He was a menacing force. Sonny could pull it off. I could pull it off. Not a lot of people could pull it off.”
Bert Sugar (reflecting on some of the unsavory characters who have been inducted into the International Boxing Hall of Fame): “You can always make a case for someone’s exclusion. It depends on how moralistic you want to be. But remember, this is boxing we’re talking about.”
Ferdie Pacheco (after watching 47-year-old Roberto Duran get knocked out by William Joppy in three rounds): “What happened tonight happens too often in boxing. How often do we need to see Joe Louis knocked out by Rocky Marciano, Muhammad Ali beaten to a pulp by Larry Holmes, Sugar Ray Robinson losing to everybody? How much longer do we need to see these legends take beatings like this? This wasn’t a boxing match. It was a licensed execution. I hope it’s the end of the line for Roberto. It should have been the end of the line ten years ago.”
Seth Abraham (reflecting on having signed Roy Jones to a multi-bout contract with insufficient quality control regarding opponents): “In retrospect, I wish I had taken a harder line with him. He wanted to make the most money. That’s fine. He wanted to take the fewest risks. That’s not fine if you want the most money.”
Matthew Saad Muhammad (on his hyper-aggressive ring style and growing older): “You can’t fight the way I did unless you got something to back it up. I couldn’t back it up anymore.”
Archie Moore. “Boxing is magnificent. It’s beautiful to know. But you’ve got to marry it. And so I did. Boxing was my lover. It was my lady.”
Earnie Shavers (on knocking Larry Holmes down and near-senseless with an overhand right. Miraculously, Holmes rose from the canvas and, four rounds later, knocked Shavers out): “I was the heavyweight champion of the world. All my troubles were finally over. It was the greatest feeling I’d ever had. And it lasted for five whole seconds.”
Dan Goossen (on Michael Nunn leaving him for a new manager): “Am I hurt that he decided to leave me? Of course. It’s kind of like being married to a beautiful woman. Guys are going to whistle at her, try to pick her up. It’s up to her to do the right thing and come home. Same thing with Michael. People are going to constantly hit on him. This time, he didn’t come home.”
* * *
Women’s boxing peaked with Katie Taylor vs. Amanda Serrano at Madison Square Garden on April 30, 2022. It was a superb fight between two skilled fighters in an atmosphere that was electric. In Malissa Smith’s words, that night “set the stage for a new era of elite female boxing” and “legitimized” women’s boxing.
Six months later, Claressa Shields and Savannah Marshall squared off at the O2 Arena in London with Mikaela Mayer vs. Alycia Baumgardner on the undercard. Like Taylor-Serrano, the fights in London were a platform for women’s boxing to build on.
Smith’s new book – The Promise of Women’s Boxing (Rowman & Littlefield) – focuses on women’s boxing from the 2012 Olympics to date and is a sequel to her first book – A History of Women’s Boxing (published a decade ago).
Smith has put a huge amount of research into her work. But she recites the details of fight after fight after fight. After a while, the fights tend to blur together and reading about them feels like reading a 224-page encyclopedia article.
Also, when Smith’s writing isn’t too dry, it tends toward hyperbole. Words like “great” and “spectacular” are overused . . . Amanda Serrano is a very good boxer. She is not “one of the hardest-hitting fighters in boxing, male or female.” (Amanda’s last seven opponents have gone the distance against her) . . . And as good a fight as Taylor-Serrano was, it was not “one of the greatest boxing matches in the history of the sport.”
Here, the thoughts of promoter Lou DiBella are instructive. As recounted by Smith, DiBella cautions that fans should “stop comparing women’s boxing contests to men’s and start appreciating them on their own terms.”
* * *
Every fighter has a story. And every fighter’s story is interesting. But some fighters’ stories are more interesting and more artfully told than others.
Land of Hope and Glory by Maurice Hope with Ron Shillingford (Pitch Publishing) has some worthwhile moments but falls short of the mark.
Hope (30-4-1, 24 KOs, 2 KOs by) fought professionally from 1973 through 1982. The high point of his career came in 1979 when he stopped Italian-born Rocky Mattioli in San Remo to claim the WBC 154-pound title. Two years later, he lost his belt to Wilfred Benitez.
The loss to Benitez ended with a frightening highlight-reel knockout that left Hope unconscious on the canvas for an extended period of time. In an ugly coda, when Wilfred was told that Maurice had lost two teeth in the battle, Wilfred responded, “He can put the teeth under his pillow.”
There are some entertaining passages in Land of Hope and Glory. Recounting the prelude to his championship-winning fight against Mattioli, Hope recalls, “Walking to the ring was frightening. Shady figures in the crowd in dark suits and sunglasses were walking around with hands on their breast pockets. Whether there was just a handkerchief there or a loaded gun, the impact had the desired effect – intimidation. I pretended not to see them but it was hard to stay focused and calm. Gangsters with bandages around their hands seemed to be everywhere. It seemed like the Mafia had taken over the whole venue.”
There are also poignant recountings of the death of Hope’s son in a car accident and Maurice visiting a horribly disabled Wilfred Benitez in Puerto Rico long after Wilfred had descended into a hellish dementia.
But sixty pages pass before Land of Hope and Glory gets to a boxing gym. Hope doesn’t turn pro until page 93. And overall, the treatment of boxing is superficial. The book doesn’t explain with nuance or in depth what’s involved in being a fighter or what the business of boxing is about.
There are too many factual errors. For example, Las Vegas is described as being “in the middle of the Arizona desert.” And there’s some fuzzy math. Hope complains about an 80-79 decision that he lost to Mickey Flynn, writing, “The 80-79 decision meant Flynn won two rounds and the other six were draws.” That leads to two thoughts; (1) It’s more likely that Flynn won one round with seven rounds being called even; and (2) Since Maurice was the A-side fighter in that bout and Flynn had thirteen losses on his record, one might speculate that referee Benny Caplan (who was the sole judge) leaned over backward in Maurice’s favor and marked his scorecard “10-10” for rounds that Flynn should have won.
To his credit, Hope got out of boxing at the right time. After losing to Benitez and in his next fight to Luigi Minchillo, he retired from the ring at age thirty. He understood the risks of the trade he had chosen and now writes, “In my mind, boxing is the hardest sport out there. Once you get in the ring, you know your head’s going to hurt.”
Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1
In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.
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Book Review
Thomas Hauser’s Literary Notes: Dave Kindred and Robert Seltzer
Midway through reading Dave Kindred’s most recent book – My Home Team (published by Public Affairs) – I said to myself, “Kindred is such a good writer.”
Kindred, now 83 years old, has won virtually every sports journalism award worth winning. My Home Team is a memoir that weaves together three love stories – Kindred and Cheryl Liesman (his high school sweetheart and wife for more than fifty years) . . . Kindred and sports journalism . . . And late in life, Kindred’s immersion in a high school girls basketball team (the Lady Potters of Morton, Illinois).
The book is divided into two parts. The first (“Act One) details Dave’s career as a sports journalist and his personal life from early childhood through his retirement from big-time journalism. “Act Two” deals with the Lady Potters and the tragic stroke that ravaged Cheryl, leaving her bedridden and unable to control her environment or speak more than a few words in her final years. A short coda puts the final pieces in place.
Kindred wrote more than six thousand columns during his years at the Louisville Courier-Journal, Washington Post, and Atlanta Journal-Constitution. As his reputation grew, he covered virtually every major sporting event in the way he chose to cover it.
“Newspapers were never better nor did they matter more than in those days when they were rich with cash and ambition,” Dave writes. “Before the Internet, before Facebook, Twitter, and Instagram, newspapers were important in ways that social media could never be – as trusted messengers of the day’s news.”
“I was not a fan of a team, a coach, a player,” Kindred continues. “That relationship could only end badly. I was a fan of reporting and writing. Journalists root for stories. Whatever happens, good or bad, just make it something we can write. Sometimes we get lucky and the best story is the one we want to write.”
I met Kindred in 1989 when I was researching a biography of Muhammad Ali. Dave had just written a remarkable piece of investigative journalism about a lawyer named Richard Hirschfeld who was exploiting Ali and imitating Muhammad’s voice in telephone calls to members of Congress. It was a notable example of the ways in which Ali was being used by hustlers to advance their own economic interests. Kindred pieced the story together brilliantly. In later years, I got to know him better as a writer and a person.
Dave was with the young Ali in Louisville when he was king of the world, the old Ali in Las Vegas when he was brutalized by Larry Holmes, and each incarnation of Ali in between. He wrote that Ali in his prime was “as near to living flame as a man can get” and added thoughts like:
* “You could spend twenty years studying Ali and still not know what he is or who he is. He’s a wise man and he’s a child. I’ve never seen anyone who was so giving and, at the same time, so self-centered. He’s either the most complex guy that I’ve ever been around or the most simple. And I still can’t figure out which it is. We were sure who Ali was only when he danced before us in the dazzle of the ring lights. Then he could hide nothing.”
* “I never thought of Ali as a saint. He was a rogue and a rebel, a guy with good qualities and flaws who stood for something. He was right on some things and wrong on others, but the challenge was always there.”
* “Rainbows are born of thunderstorms. Muhammad Ali is both.”
In 2010, when Kindred’s sportswriting days on the national stage came to an end, he and Cheryl moved back to their roots in rural Illinois. They bought a house on a big plot of land and envisioned a comfortable old age surrounded by family and friends.
Then, in December 2010, Dave went to a Lady Potters basketball game to see the daughter of friends play.
Three years earlier, Kindred recalls, “Carly Jean Crocker [had been] thirteen years old, blonde and blue-eyed, tall and trim in blue jeans, stylish in a denim jacket and red canvas sneakers.”
This was long before Caitlin Clark set the basketball world ablaze.
A neighbor had asked, “Carly, are you going to be a cheerleader?”
“No,” Carly answered, “I’m going to be the one you cheer for.”
Now Carly was on the Lady Potters roster.
“I climbed three rows up at the Morton High School Gym,” Kindred recounts. “The game was the first sporting event for which I ever bought a ticket. Though I resisted saying the word, friends counted me as, quote, retired. With newspapers and magazines dying in the Digital Age, there was also the unhappy circumstance of nobody looking to coax geezers out of retirement. Without a press credential for the first time since I was seventeen, I was an official spectator.”
Before long, Dave was hooked. He began writing about the Lady Potters for the team website and Facebook. “I had no agenda,” he recalls. “It got me out of the house. It made me pay attention to something other than growing old.”
His pay?
Before each outing, the team gave him a box of Milk Duds to eat in the stands during the game.
“But I like Milk Duds,” Kindred notes.
Then tragedy struck.
Cheryl was the only girlfriend Dave ever had. Her place in his heart was sealed at their high school senior prom when the awkward young man confessed, “I’m a very bad dancer.”
“She took my hand and squeezed it,” Dave told me decades later. “And then she said, ‘Bad dancing is better than no dancing.'”
On December 6, 2015, Dave and Cheryl were at the movies. She was eating popcorn when a massive stroke hit.
“It’s like a bomb exploded in her brain,” one of her doctors said.
For the next five years, Cheryl lay in bed in a nursing facility – in Kindred’s words, “her spirit gone, her body smaller and smaller, life disappearing.” He made the 36-mile round-trip from their home to her bedside more than a thousand times.
“Some days, I don’t even think she knows who I am,” Dave told me after one of his visits. “But I hold her hand and talk to her. I hope it comforts her. And it makes me feel better to be there.”
Cheryl died on June 24, 2021.
Meanwhile, the Lady Potters had become a very good basketball team. During one five-year stretch, they won 164 games and lost only 13, leading Kindred to refer to them as “the Golden State Warriors, only with ponytails.” In 2015, 2016, 2017, and 2019, they won the Section 3A Illinois State Championship.
“Basketball is beautiful when people move the ball quickly and surely to places where it can be put in the basket easily,” Kindred writes in My Home Team as he looks back on his journey. “It is beautiful, too, when people play defense as if it is the most fun a teenage girl can have. A couple of years in, I understood my real reason for writing about the Lady Potters. No professional athlete ever introduced me to his parents or asked about my family’s well being. Slowly, I understood that I cared about the Lady Potters games in ways I had not cared about all those that came before. We met good people and shared good times. I loved the little gyms, loved the games. [And] writing was my life. Writing anything gave me a reason to stay alive.”
Kindred’s writing is as smooth as silk with some sharp barbs woven into the fabric. In that vein, I’ll close this review with an anecdote from My Home Team that Dave shares in chronicling his days as a national journalist.
Jenny Keller (a reporter for the New York Daily News) was assigned to cover the New York Jets and found herself in the team locker room confronted by a huge defensive lineman who held his male organ up for inspection and asked, “Do you know what this is?”
“Looks like a penis,” Jenny answered. “Only smaller.”
—
Ted Williams – arguably the greatest hitter of all time – had a Mexican-American mother. But he rarely talked about that part of his heritage. After retiring from baseball, Williams said of growing up in San Diego, “If I had my mother’s name, there is no doubt I would have run into problems in those days, the prejudices people had in Southern California.”
As Williams’s mythic career was winding down, a 17-year-old named Ritchie Valens from California’s San Fernando Valley recorded a love song called Donna – one of the most popular love songs of its time. One year later, his life was cut short when he died in a plane crash with Buddy Holly and J.P. Richardson. Valens’s real name was Richard Valenzuela. But he’d been told to anglicize it so his records would be more saleable to mainstream America.
This is the world that Robert Seltzer was thrown into at age ten when he moved with his parents from El Paso to Bakersfield, California. His mother was a Mexican woman from Chihuahua. His father was a “gringo,” originally from Cleveland, who preferred Mexican culture to his own and took the pen name “Amado Muro” for much of his writing.
Amado Muro and Me recounts Seltzer’s first year in Bakersfield when he experienced racism for the first time and was mercilessly picked on as the only Mexican-American in his fifth-grade class. Through the prism of that year, he explores his relationship with his father, wrestles with his own self-identity, and recreates the multi-cultural world that he came from.
Seltzer is known to boxing fans as a past recipient of the Nat Fleischer Award for Career Excellence in Boxing Journalism. There’s not much boxing in this book. But it’s a wonderful read with a particularly reprehensible bully. And it reinforces the view that families are families regardless of race, religion, or national origin.
Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is an intensely personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1
In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.
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