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Peter Broudy Remembers… Don Chargin and The Olympic Auditorium

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Over the past fifteen years, TSS has had the good fortune of featuring the works of highly talented boxing authors and journalists. We have a loyal fan base and we also have a loyal following from within the industry itself.  We are going to be reaching out to those who answer the bell every day, those that add to the fabric of the sport, to pen something more personal and unique that may have escaped the eyes and ears of the boxing public. 

The first article up is a request made upon promoter Peter Broudy, regarding the recent passing of Don Chargin, a legendary boxing figure on the West Coast. Considering Chargin’s friendship and mentoring, Peter was the perfect guy for the task, not to mention their involvement with the historic Grand Olympic Auditorium, which is part of the sport’s rich history. What follows are some of Peter’s recollections of Don, the Olympic Auditorium, and a few other names you might recognize.

Peter Broudy Remembers… Don Chargin and The Olympic Auditorium

In the fifties and sixties, boxing was a prominent sport in the United States. I was a young boy and I could hardly wait for the weekly fights. That is when I first heard the name Chargin, as he was the promoter. The fights were held in the most famous boxing venue in the world, The Olympic Auditorium at 18th and Grand in Downtown Los Angeles. Built in 1924, The Olympic hosted the best fighters in the world from the 1920’s through the 1990’s.

The fights were broadcast on local TV, long before cable TV existed.  KTLA Channel 5 televised the weekly fights from the Olympic, with legendary TV and radio personality Jim Healy calling the action along with Dick Lane.  This is when I first became familiar with the phrase “War-a-Week” Chargin.

Don became known as “War-a-Week” Chargin because of his great matchmaking ability. He managed to put together competitive fights each and every week, and even with free local TV, the Olympic was busting at the seams to hold over 10,000 jammed-in fans, with standing room only. And there was a wide spectrum of fans in attendance… from the most glamorous Hollywood movie stars arriving in chauffeur driven limousines, to fieldworkers from Tijuana, and everybody in between.

The fights brought the best in professional sports entertainment to Los Angeles. At that time, professional sports were limited to the Los Angeles Rams that had recently moved to LA from Cleveland, and the Dodgers that had relocated from Brooklyn in 1958.  Unlike today, boxing was front-page news every week.

Besides the great wealth of world class professional fighters, Chargin also featured amateur fights before the weekly pro card began, and those fights were also televised.  Many of the amateurs went on to very successful pro careers and some became world champions.  Many became household names such as Mando Ramos, Frankie Crawford and Joey Orbillo. The fans loved these young stars of the future, almost as much as Los Angeles’ “Golden Boy” Art Aragon, the most popular fighter to this day in Los Angeles.

The name Don Chargin will forever be linked to the nearly 100-year-old Olympic Auditorium.  Chargin will be remembered along with the great personalities of the Olympic.  Aileen Eaton (the female promoter), Luis Magaña (the legendary publicist), the original ring announcer, Jimmy Lennon (father of Jimmy Lennon, Jr.) the great fight doctor, Dr. Bernard Schwartz (always wearing the white doctor smock), managers like Jackie McCoy, Benny Georgino, and never to be forgotten, “El Ruso Loco” “Da Beegman” Harry Kabakoff with those wild, crazy Hawaiian shirts.

Chargin was every bit as significant as any of the great names that fought at the Olympic Auditorium on a regular basis, such as Mando Ramos, Frankie Crawford, Joey Orbillo, Ray “Windmill” White, Big Ernie “Indian Red” Lopez, his younger brother and future world champion Danny “Little Red” Lopez, Hedgemon Lewis, Carlos Palomino, Jesus Pimentel, Ruben Navarro, and of course, the “Golden Boy” Art Aragon. All of these individuals became famous because of the platform to excel that was provided to them by “War-a-Week” Chargin.

Don’s name is synonymous with all things Olympic Auditorium, including 18th and Grand, Giant Felix Chevrolet on Figueroa, the beautiful marquis on the front of the Olympic, the “celebrity section”, the gamblers section, KTLA channel 5, Jim Healy & Dick Lane, the wannabes and the something specials, and who could forget the famous sign above the ring with the following: RI 9-5171 (The Olympic’s phone number RI-Richmond, long before area codes were used). This is the building that Don was influential in shaping and helped make boxing must see entertainment in Los Angeles.

Don Chargin was both my friend and mentor for well over 30 years. I love him like family. I first met him when I attended a California State Athletic Commission monthly meeting in the early 1980s in Palm Springs, California.  I was lucky enough to meet both Don and his lifetime partner and love of his life, Lorraine. At the commission meeting, Don kindly introduced me to Aileen Eaton, the legendary promoter at the Olympic Auditorium. Though she was wheelchair bound, she was, even at her advanced age, a remarkable woman. Aileen, Lorraine and Don were all involved with the Olympic, and “War-a-Week” Chargin is known for the memorable bouts featured there from 1965-1984.

Don was a licensed promoter for 69 years and became the most knowledgeable man in boxing. For over half a century, he taught many people about boxing and the art of promoting. From the day I first met him, he was always there for me to answer any questions I had. When I took over promotions at the Olympic Auditorium in the mid 1990’s, Don’s advice was invaluable.

The Needleman family were the owners of the Olympic Auditorium. While we were negotiating, I made a promise to them that I could fill the Olympic and bring it back as close as possible to the glory days of Eaton and the Chargins.  I reached out to Don and we discussed the formula required in order to bring instant success back to the grand old building that, since being renovated, had still not had much success in that first year under Bob Arum’s Top Rank. Chargin knew that I wanted to bring the spotlight back to the greatest venue in the world, rather than simply using the Olympic as a sound stage for ESPN shows.

At that time Don, along with Dan Duva, was managing the career of Ramon “Yory Boy” Campas. In a fight for the IBF welterweight title in September of 1994, Campas experienced his first loss to rising star, Puerto Rico’s Felix Trinidad. There were many fight fans who wrote “Yory Boy” off after the fourth round TKO, especially those from his home country of Mexico. We decided that Campas was the right guy for the Olympic.

The LA Times printed a story by Tim Kawakami on June 18th, 1995 entitled “From Glory Days to Yory Days. Campas has breathed new life into Grand Olympic Auditorium.” Chargin is quoted as saying, “I told Peter he’d be the guy to draw at the Olympic. Number 1, he’s a real Mexican. He’s from there. He’s had the majority of his fights in Mexico, he will take two punches to land one, and he’s a puncher, which they like.” The way the guy meets the people and shakes hands, he just typifies the fighter from below the border that they really like.  “I will admit they needed each other,” Chargin said of the fighter and the old building. “His career, after losing to Trinidad, needed a boost and the Olympic needed a boost.”

The rest is history, as “Yory Boy’” brought a huge turnout to the Olympic. And not just once, he came back a short time later and again delivered a full house and thrilling fight. The fans loved it. “Yory Boy” was back.  At the end of Tim’s article about “Yory Boy” and the venue, Chargin emphasized that the key was to do what the old Olympic did, keep finding young fighters who can draw the real fight crowd. “Peter’s not afraid to work, so he’s probably going to be successful,” stated Chargin. Which is something Top Rank, for all its power and name fighters, could not do.  Chargin also said,“I heard that Arum told (Top Rank Matchmaker) Bruce Trampler ‘Your friend Chargin gave the new promoter “Yory Boy”. Why didn’t he give him to us?’” “Thing was,” Chargin said, “they never asked.”

Don Chargin must be credited for The Olympic Auditorium taking off again in the 90s.

Don and I talked every day and each conversation always evolved into a discussion of what fighters to bring to the Olympic.  Once again, Don helped me out and was able to get Hector “Macho” Camacho, who was one of my most favorite fighters.  We both were very confident that Hector was the type of fighter that could fill the Olympic Auditorium. Even though Hector was not a Mexican National, we both felt that the type of fans at the Olympic appreciated Hector’s immense talent.  And because he fought in weight divisions that Mexican fans closely follow, they had seen him fight many times on TV.  It is important to note that in boxing, not only was Hector not a Mexican, he was also the natural enemy, a Puerto Rican.  Best of all, Hector had never fought in Southern California.  In fact, the only time Hector fought in California was many years before, when he fought for my man Don in Northern California. We both knew that the Los Angeles fans would appreciate being treated to this great showman.

The only thing was that I had some reservations in the back of my mind because of all the crazy stories that were out there about Hector.  Don assured me that I would love working with Hector, to forget all the craziness that people saw on TV. Don told me that Hector was a real gentleman, very business-like, and was a promoter’s best friend because no one could hype a fight the way Hector could. Hector understood that promoters and fighters needed to work together so that the show would be highly anticipated and a truly memorable night for the fans.  Everything Don told me about Hector was true, and the Olympic Auditorium was rockin’ the night Hector fought.

Don shared a funny story about Hector.  Years before, when Hector fought for Don, after the fight was over, Hector asked Don to please hold his money and later, he would let Don know where to send it.  I believe his purse was $80,000, so we are talking about a significant amount of money.  Don deposited Hector’s purse into a separate account.  Years went by, and Don told me Hector finally called him. To the best of my recollection, the conversation went almost exactly as follows: Hector introduced himself, “Mr. Chargin, this is Hector.”  After Don acknowledged him, Hector said, “Mr. Chargin, do you still have the $80,000?”  Don told me that although he had a big smile on his face, he said in a serious tone, “Hector, I don’t have the $80,000.” Don waited for Hector to say something, but there was just silence on the other end.  Don finally spoke up, saying “Hector, I don’t have the $80,000, but what I do have is your $80,000 plus whatever interest has accrued after all these years.”  Hector laughed and told Don how much he loved him and then gave him the address of where to send the money.

What’s ironic about this story is that after Hector fought for me at the Olympic, we had a similar situation.  After Hector’s fight, which the crowd loved, I went down to Hector’s dressing room.  I wanted to thank him for a great show and tell him what a pleasure it was working with him and his team.  Hector pulled me into an adjoining room, so that we were alone and could have a private conversation.  Things proceeded as follows: Hector said to me, “Peter, the whole experience of fighting at the Olympic was great. I enjoyed the public workouts every day at Brooklyn Gym and I was happy doing all the interviews.” (Hector went by limo every night to different radio and tv stations, hyping the fight.  He was even a guest on the Monday Night Football game telecast the week of the fight.  I never saw any fighter work that hard to help a promotion, he really understood the whole boxing business.) Hector continued the conversation and said, “Look Peter, I know you took a big risk putting me on a show with no television.  I know I am expensive, especially with all the plane flights I requested, and that you housed us in a beautiful hotel for almost two weeks.  Even though I know it was a great show and a big crowd, I know you couldn’t have made any money, and you may have even lost money.  I know what you’re doing with the Olympic and I feel honored to have fought in a building with such history.” (After the fight, I still owed Hector a balance of $25,000.)  Hector continued, “Why don’t you hold my $25,000 and in a month or so, you can start sending me $5000 a month until the entire purse is paid.”

That was the Hector Camacho I knew, not the Hector “Macho” Camacho the public saw on their TVs.  Once again, it all happened because of Don Chargin and Hector’s manager Mike Acri.  I could never thank Hector, Mike and especially Don enough.

I wanted to share another side of Don Chargin with you.  He was co-promoting a world championship fight with Don King. They were all busy during the week leading up to the fight. One day Don was in his hotel room with some people involved with the show.  There was a loud knock on the door and Don answered it.  One of the individuals involved with the promotion was there, out of breath, and excitedly telling Don that he had to get down to the lobby as fast as possible.  Don told the guy to calm down, catch his breath, and tell him what the problem was.  The guy told Don that his wife Lorraine was arguing jaw to jaw with Don King in the lobby and he needed to get down to the lobby asap to save Lorraine from King.  With a big smile on his face, Don told the guy that Lorraine wasn’t the one who needed saving, it was King! Lorraine was as tough as anyone in boxing and that is one of the reasons why Don and Lorraine Chargin made such a great match as partners in promoting and partners in life.

Don has had a huge impact both on my life and on the sport of boxing. He was not only instrumental, but also essential to the success of the Grand Olympic Auditorium. Chargin was a remarkable matchmaker and promoter. Personally, I consider him to be the Godfather of professional prizefighting. The boxing world has lost a legend in Don Chargin and he will be greatly missed.

By Peter Broudy

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Philly’s Jesse Hart Continues His Quest plus Thoughts on Tyson-Paul and ‘Boots’ Ennis

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Jesse Hart (31-3, 25 KOs) returns to the ring tomorrow night (Friday, Nov. 22) on a Teflon Promotions card at the Liacouras Center on the campus of Temple University. During a recent media workout for the show, which will feature five other local fighters in separate bouts, Hart was adamant that fighting for the second time this year at home will only help in his continuing quest to push towards a second chance at a world championship. “Fighting at home is always great and it just makes sense from a business standpoint since I already have a name in the sport and in the city,” said Hart (pictured with his friend and training partner Joey Dawejko).

Hart’s view of where his career currently resides in relation to the landscape in the light heavyweight division leads you to believe that, at the age of 35, Hart is realistic about how far he can go before his career is over.

“Make good fights, win those fights, fight as much as I can and stay busy, that’s the way the light heavyweight division won’t be able to ignore me,” he says. Aside from two losses back in 2017 and 2018 to current unified cruiserweight champion Gilberto Ramirez at super middleweight, Hart’s only other defeat was to Joe Smith during Smith’s most successful portion of his career.

When attempts to make fights with (at the time) up-and-coming prospects like Edgar Berlanga and David Benavidez were denied with Hart being viewed as the typical high risk-low reward opponent, it was time to find another way.  So, Hart decided to stay local after splitting with Top Rank Promotions post-surgery to repair his longtime right-hand issues and hooked up with Teflon Promotions, an upstart company that is the latest to take on the noble endeavor of trying to return North Broad Street and Atlantic City to boxing prominence.

In essence, it is a calculated move that is potentially a win-win situation for all parties. Continued success for Hart along with some of the titles at light heavyweight eventually being released from Artur Beterbiev’s grasp due to outside politics, and Jesse Hart just may lift up Teflon Promotions into a major player on the regional scene.

Tickets for Friday’s show are available on Ticketmaster platforms.

**

As we entered November, a glance at the boxing schedule made me wonder if it was possible for the sport to have a memorable month — one that could shine a light forward in boxing’s ongoing quest to regain relevance in today’s sports landscape. Having consecutive weekends with events that could spark interest in the pugilistic artform and its wonderful characters was what I was hoping for, but what we got instead was more evidence that boxing isn’t immune to modern business practices landing a one-two punch on the action both inside and outside of the ring.

Jaron “Boots” Ennis was expected to make a statement in his rematch with Karen Chukhadzian on Nov. 9, a statement to put the elite level champions around his weight class on notice. What we witnessed, however, was more evidence of how current champions in their prime can be hampered by having to navigate a business that functions through the cooperation of independent contractors. Ennis got the job done – he won – but it was a lackluster performance.

It’s time for Ennis to fight the fighters we already thought we would have seen him fight by now and I do believe there is some truth to Ennis rising to the occasion if there was a more noteworthy name across the ring.

Some positives emerged from the Mike Tyson-Jake Paul event the following week. Amanda Serrano, Katie Taylor, and women’s boxing are finally getting the public recognition they deserve. Mario Barrios’s draw against the tough Abel Ramos, also on the Netflix broadcast, was an action-packed firefight. So, mainstream America and beyond got to witness actual fights before being subjected to Paul’s latest circus.

Unfortunately for fans, but fortunately for Paul, the lone true boxing star in the main event dimmed out from an athletic standpoint decades ago. In this instance modern business practices allowed for a social media influencer to stage his largest money grab from a completely unnuanced public.

As Paul rose to the ring apron from the steps and looked around “Jerry’s World,” taking in the moment, it reminded me of an actual fighter when they’re about to enter the ring taking in the atmosphere before they risk their lives after a lifetime of dedication to try and realize a childhood dream. In this case though, this was a natural-born hustler realizing as he made it to the ring apron that his hustle was likely having its moment of glory.

In boxing circles, Jake Paul is viewed as a “necessary evil.”  What occurs in his fights are merely an afterthought to the spectacle that is at the core of the social media realm that birthed him. Hopefully the public learned from the atrocity that occurred once the exhibition started that smoke and mirrors last for only so long. Hopefully Paul’s moment of being a boxing performer and acting like a true fighter comes to its conclusion. But he isn’t going away anytime soon, especially since his promotional company is now in bed with Netflix.

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Boxing Odds and Ends: Oscar Collazo, Reimagining ‘The Ring’ Magazine and More

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With little boxing activity over the next two weekends, there’s no reason to hold off anointing Oscar Collazo the Fighter of the Month for November. In his eleventh pro fight, Collazo turned heads with a masterful performance against previously undefeated Thammanoon Niyamtrong, grabbing a second piece of the title in boxing’s smallest weight class while ending the reign of the sport’s longest-reigning world title-holder. The match was on the undercard of the Nov. 16 “Latino Night” show in Riyadh, Saudi Arabia headlined by the cruiserweight tiff between Mexico’s Zurdo Ramirez and England’s Chris Billam-Smith.

Collazo was a solid favorite, but no one expected the fight would be as one-sided. Collazo put on a clinic, as the saying goes. He took the starch out of Niyamtrong with wicked body punches before ending matters in the seventh. A left uppercut sent the Thai to the canvas for the third time and the referee immediately stepped in and stopped it.

Collazo, wrote Tris Dixon, “dissected and destroyed a very good fighter.” Indeed. A former Muay Thai champion, Niyamtrong (aka Knockout CP Freshmart) brought a 25-0 record and was making the thirteenth defense of his WBA strap.

A Puerto Rican born in Newark, Jersey, Oscar Collazo turned pro after winning a gold medal in the 2019 Pan American games in Lima, Peru. He was reportedly named after Oscar De La Hoya (we will take that info with a grain of salt), names Hall of Famer Ivan Calderon as a mentor and is co-promoted by Hall of Famer Miguel Cotto.

Collazo, 27, won the WBO version of the 105-pound title in his seventh pro fight with a seven-round beatdown of Melvin Jerusalem. He won a world title faster than any Puerto Rican boxer before him.

His goal now, he says, is to become a unified champion. He would be the first from the island in the modern era.  Although Puerto Rico has a distinguished boxing history – twelve Boricua boxers are enshrined in the International Boxing Hall of Fame — there hasn’t been a fully unified champion from Puerto Rico since the WBO came along in 1988.

The other belt-holders at 105 are the aforementioned Jerusalem (WBC) and his Filipino countryman Melvin Taduran (IBF). Both won their belts in Japan with upsets of the Shigeoka brothers, respectively Yudai (Jerusalem) and Ginjiro (Taduran). Collazo would be a massive favorite over either.

A far more attractive fight would pit Collazo against two-time Olympic gold medalist Hasanboy Dusmatov. In theory, this would be an easy fight to make as the undefeated Uzbek trains in Indio, California, a frequent stomping ground of Collazo’s co-promoter Oscar De La Hoya who had a piece of the action when Dusmatov made his pro debut in Mexico. However, it’s doubtful that Dusmatov’s influential advisor Vadim Kornilov would let him take such a treacherous fight until the match-up had been properly “marinated,” by which time they both may be competing in a higher weight class. The Puerto Rican, who began his pro career at 110, is big for the 105-pound division notes the noted boxing historian Matt McGrain who is partial to the little guys.

Outside the ropes, the big news in boxing in November was the news that The Ring magazine had been sold to Turki Alalshikh. The self-acclaimed Bible of Boxing, which celebrated its 100th anniversary in 2022, was previously owned by a subsidiary of Oscar De La Hoya’s company, Golden Boy Enterprises, which acquired the venerable publication in 2007. Alalshikh purportedly paid $10 million dollars.

Alalshikh, the head of Saudi Arabia’s General Entertainment Authority, confirmed the sale on social media on Monday, Nov. 11.

“Earlier this week, I finalized a deal to acquire 100% of The Ring Magazine, and I want to make a few things clear,” he said. “The print version of the magazine will return immediately after a two year hiatus and it will be available in the US and UK markets. The magazine will be fully independent, with brilliant writers and focusing on every aspect in the sport of boxing. We will continue to raise the prestige of The Ring Titles, and plans are already underway to have a yearly extravagant awards ceremony to celebrate the very best in the boxing industry.”

Alalshikh, blessed with an apparently unlimited budget, is already the most powerful man in the sport and more than a few concerns have been raised about his latest venture, especially in light of an incident involving prominent British scribe Oliver Brown.

Brown, the chief sports writer for the Telegraph who had previously covered three of Tyson Fury’s fights in Saudi Arabia, had his credential pulled for the Joshua-Dubois show at Wembley Stadium after calling the event “a grisly conduit for glorifying the Saudi regime.”

“I frankly do not trust Alalshikh to keep his personal aims from influencing the publication’s content,” says boxing writer Patrick Stumberg. One thing is certain: So long as the publication remains in the hands of the Saudis, the word “sportswashing” will never appear in the pages of The Ring magazine.

The Ring is the second major online boxing magazine to change hands this year. In February, Boxing Scene, one of the most heavily-trafficked sites in the ecosystem, was sold to Canadian-American entrepreneur Garry Jonas, best known as the founder of ProBox, a promotional entity headquartered in Plant City, Florida.

Mike Tyson’s showing against Jake Paul was mindful of something that Jimmy Cannon once wrote: “…the flesh was corrupted by time. The mind operated as if it was in another man’s head…the talent has been contaminated by age.”

Cannon was describing Joe Louis in Louis’s farewell fight against Rocky Marciano.

True, Jake Paul is no Rocky Marciano. To include their names in the same sentence borders on sacrilege. But the fabled Brown Bomber was 37 years old when he was rucked into retirement by Marciano on that October night at Madison Square Garden. At age 58, Mike Tyson was old enough to be Joe Louis’s father and yet human lemmings by the thousands couldn’t resist betting on him.

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The Hauser Report: Some Thoughts on Mike Tyson vs. Jake Paul

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Jake Paul boxed his way to a unanimous decision over Mike Tyson at AT&T Stadium in Arlington, Texas, on Friday night. The bout, streamed live on Netflix, was one of the most-watched fights of all time and, in terms of the level of competition, boxing’s least-consequential mega-fight ever.

We’re living in a golden age for spectator sports. Sports generate massive amounts of money from engaged fan bases and are more popular now than ever before. Today’s athletes are more physically gifted, better conditioned, and more skilled than their predecessors. Their prowess is appreciated and understood by tens of millions of fans.

Not so for boxing. For the sweet science, this is an era of “fools’ gold.” Yes, fighters like Oleksandr Usyk, Canelo Alvarez, Terence Crawford, and Naoya Inoue bring honor to the sport. But boxing’s fan base has dwindled to the point where most people have no idea who the heavyweight champion of the world is. The sport’s dominant promoter has a business model that runs hundreds of millions of dollars a year in the red. And most fights of note are contested behind a paywall that shrinks the fan base even more. Few sports fans understand what good boxing is.

Mike Tyson is 58 years old. Once upon a time, he was the most destructive boxer in the world and “the baddest man on the planet.” Prior to last Friday night, he hadn’t fought in nineteen years and hadn’t won a fight since 2003.

Jake Paul is a 27-year-old social media personality who wasn’t born when Tyson lost his aura of invincibility at the hands of Buster Douglas. Paul began boxing professionally three years ago and, before fighting Tyson, had compiled a 10-1 (7 KOs) record against carefully chosen opponents.

Netflix has roughly 283 million subscribers globally, 84 million of them in North America. Recently, it made the decision to move into live sports. On December 25, it will stream the National Football League’s two Christmas games on an exclusive basis.

Netflix took note of the fact that Tyson’s 2020 exhibition against Roy Jones drew 1.6 million pay-per-view buys and concluded that Tyson-Paul had the potential to be the most-viewed fight of all time. It purchased rights to the fight as an attention grabber and subscription seller for (a best-estimate) $40 million.

Tyson-Paul was originally scheduled for July 20. A compliant Texas Department of Licensing and Regulations sanctioned the bout as an official fight, not an exhibition. In deference to Tyson’s age, the fighters agreed that the match would be contested over eight two-minute rounds (women’s rules) with 14-ounce gloves (heavyweight gloves normally weigh ten ounces).

But on May 26, Tyson became nauseous and dizzy while on a flight from Miami to Los Angeles and needed medical assistance for what was later described as a bleeding ulcer. The fight was rescheduled for November 15. Later, Tyson described the incident on the plane as follows: “I was in the bathroom throwing up blood. I had, like, eight blood transfusions. The doctor said I lost half my blood. I almost died. I lost 25 pounds in eleven days. Couldn’t eat. Only liquids. Every time I went to the bathroom, it smelled like tar. Didn’t even smell like shit anymore. It was disgusting.”

Does that sound like a 58-year-old man who should be fighting?

As Eliot Worsell noted, Tyson-Paul contained all the elements of a successful reality show. “There are for a start,” he wrote, “celebrities involved, two of them. One is ‘old famous’ and the other ‘new famous’ and both bring large audiences with them. They need only tap something on their phone to guarantee the entire world pays attention. And that, in this day and age, is all you really need to green light a project like this.”

But Worsell added a word of caution, observing, “This has been the story of Jake Paul’s pro boxing career to date; one of smoke and mirrors, one of sycophants telling him only what he wants to hear. He has been fed a lie just as Mike Tyson is now being fed a lie, and on November 15 they will both play dress-up and be watched by millions. They will wear gloves like boxers and they will move like boxers – one hampered in this quest by old age and the other by sheer incompetence – and they will together make ungodly sums of money.”

There was early talk that 90,000 fans would jam AT&T Stadium on fight night. Initially, ticket prices ranged from $381 to $7,956. And those prices were dwarfed by four tiers of VIP packages topped by a two-million-dollar “MVP Owner’s Experience” that included special ringside seating at the fight for six people, luxury hotel accommodations, weigh-in and locker room photo ops, boxing gloves signed by Tyson and Paul, and other amenities.

But by Monday of fight week, ticket prices had dropped to as little as $36. Ringside seats were available for $900. And the press release announcing the eventual MVP Owner’s Experience sale backtracked a bit, saying the package was “valued at $2 million” – not that the actual sale price was $2 million. It also appeared that the purchase price included advertising for the law firm that purchased the package since the release proclaimed, “Just as every fighter in the ring stands to represent resilience, grit, and the pursuit of victory, TorkLaw stands in the corner of the people, fighting for justice and empowering those who need it most.”

That said, the fight drew 72,300 fans (inclusive of giveaway tickets) to AT&T Stadium. And the live gate surpassed $18 million making it the largest onsite gate ever in the United States for a fight card outside of Las Vegas. More than 60 million households watched the event live around the world.

The undercard featured a spirited fight between Mario Barrios and Abel Ramos that ended in a draw. Then came the second dramatic showdown between Katie Taylor and Amanda Serrano.

Taylor-Serrano II was for all four major sanctioning body 140-pound belts. Two years ago, Katie and Amanda did battle at Madison Square Garden on a historic night that saw Taylor emerge with a controversial split-decision win. Katie is now 38 years old and her age is showing. Amanda is 36. Taylor was an early 6-to-5 betting favorite in the rematch but the odds flipped late in Serrano’s favor.

Amanda began Taylor-Serrano II in dominating fashion and wobbled Katie just before the bell ending round one. That set the pattern for the early rounds. Serrano looked like she could hurt Taylor, and Taylor didn’t look like she could hurt Serrano.

Then in round four, Serrano got hurt. A headbutt opened a gruesome gash on her right eyelid. As the bout progressed, the cut became more dangerous. From an armchair perspective, it looked as though the fight should have been stopped and the result determined by the judges’ abbreviated scorecards. But the ring doctor who examined Serrano allowed it to continue even though the flow of blood seemed to handicap Amanda more and more with each passing round.

In round eight, referee Jon Schorle took a point away from Taylor after the fourth clash of heads that he thought Katie had initiated. By then, Serrano’s face resembled a gory Halloween mask and the bout had turned into a non-stop firefight. Each woman pushed herself as far as it seemed possible to go.

In the eyes of most observers, Serrano clearly won the fight. This writer scored the bout 96-93 in Amanda’s favor. Then the judges had their say. Each one favored Taylor by a 95-94 margin.

“My God!” blow-by-blow commentator Mauro Ranallo exclaimed after the verdict was announced. “How does one rob Amanda Serrano after a performance like that?”

In keeping with the hyperbole of the promotion, one might say that it was the most-watched ring robbery (although not the worst) in boxing history.

CompuBox is an inexact tabulation. But there’s a point at which the numbers can’t be ignored. According to CompuBox, Serrano outlanded Taylor in nine of ten rounds with an overall 324-to-217 advantage in punches landed.

From a boxing standpoint, Taylor-Serrano II made the evening special. Casual fans who don’t know much about the sweet science saw a very good fight. But they also saw how bad judging undermines boxing.

Meanwhile, as good as Taylor-Serrano II was, that’s not what Netflix was selling to the public. Jake Paul’s most recent events had engendered disappointing viewer numbers. This one was a cultural touchstone because of Tyson.

Paul has worked hard to become a boxer. In terms of skills, he’s now a club fighter (which is more than 99.9 percent of the population could realistically dream of being). So, what happens when a club fighter fights a 58-year-old man who used to be great?

Jack Johnson fought until the age of 53, losing four of his last six bouts. And the two he won were against opponents named Rough House Wilson (who was disqualified in what would be his only recorded professional fight) and Brad Simmons (who was barred from fighting again in Kansas because he was believed to have thrown the fight against Johnson).

Larry Holmes fought until age 52, knocking out 49-year-old Mike Weaver at age 51 and winning a unanimous decision over Eric Esch (aka Butterbean) in his final bout.

Paul was a 2-to-1 betting favorite. Serious PED testing for the fight was a murky issue but seems to have been minimal. Taylor and Serrano underwent VADA testing in advance of their bout. Tyson and Paul didn’t.

Tyson weighed in for the contest at 228.4 pounds; Paul at 227.2 (well over his previous high of 200). Following the weigh-in, Mike and Jake came face to face for the ritual staredown and Mike slapped Jake. But the incident was self-contained with no ripple effect and had the feel of a WWE confrontation.

That raised a question that was fogging the promotion: “Would Tyson vs. Paul be a ‘real’ fight or a pre-arranged sparring session (which was what Tyson vs. Roy Jones appeared to be)?”

That question was of particular note because sports betting is legal in 38 states and 31 of them were allowing wagers on the fight.

Nakisa Bidarian (co-founder of Paul’s promotional company) sought to lay that issue to rest, telling ESPN, “There’s no reason for us to create a federal fraud, a federal crime. These are pro fights that consumers are making legal bets on. We have never and we’ll never do anything that’s other than above board and one hundred percent a pro fight unless we come out clearly and say, ‘Hey, this is an exhibition fight that is a show.'”

Tyson looked old and worried during his ring walk and wore a sleeve on his right knee. The crowd was overwhelmingly in his favor. But it’s an often-repeated truism that the crowd can’t fight. And neither could Mike.

Once upon a time, Tyson scored nine first-minute knockouts in professional fights. Not first-round. First-minute.

Against Paul, “Iron Mike” came out for round one as hard as he could (which wasn’t very hard) while Jake kept a safe distance between them. Then Tyson tired and took all the air out of the fight. By round three, he was in survival mode with his head tucked safely behind his 14-ounce gloves. And Jake didn’t have the skills to hurt him.

The CompuBox numbers favored Paul by a 78-to-18 margin in punches landed. In other words, Tyson landed an average of two punches per round. The judges’ scores were 80-72, 79-73, 79-73 in Jake’s favor. It was a “real” fight but a bad one.

“I love Mike Tyson,” Terence Crawford posted on X afterward. “But they giving him too much credit. He looked like trash.”

Prior to the bout, Tris Dixon wrote, “Tyson-Paul is a weird event, and I can’t think of anything even remotely like it in terms of the level of fighters, celebrity, and their ages. The event is unique, and morally and ethically it is questionable. It is a cynical cash grab. I can’t see it being particularly entertaining as a high-level sporting event. But I’m sure once it starts you won’t be able to take your eyes off it.”

All true. But let’s remember that there was a time when Mike Tyson was universally recognized as the best fighter in the world. Not many people in history have been able to say that.

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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