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When Life Imitated Art: The Birth of the Legend of Arturo Gatti

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In retrospect, the timing was eerily appropriate. Less than 24 hours after Arturo “Thunder” Gatti announced himself as his generation’s most compelling action fighter, Braveheart, a film about William Wallace, the legendary, late 13th century Scottish warrior, took the Best Picture Oscar at the 68th annual Academy Awards.

Nor was that the only applicable movie analogy after the nearly blinded Gatti’s epic sixth-round knockout of Wilson Rodriguez on March 23, 1996 – to be technically accurate, very early on March 24, considering that the fight, the second installment of HBO’s recently launched Boxing After Dark series, ended at 12:40 a.m. in the Eastern time zone. Upon entering his dressing room at Madison Square Garden, Gatti, his face a lumpy mess, turned around and shouted, to no one in particular, a familiar catch-phrase from Rocky, the fictional tale of a never-say-die boxer which was named Best Picture of 1977.

“Yo, Adrian, I did it!” screamed an exuberant Gatti, just 22 days shy of his 24th birthday and possibly unaware that his promising ring career had just crossed over into a different dimension.

“That was the transitional fight that took Gatti from being a budding attraction and a champion (the back-from-the-brink conquest of Rodriguez was his first defense of his IBF junior lightweight title) to being a cult figure,” Lou DiBella, now a promoter but then the senior vice president of HBO Sports, said when contacted for his thoughts on a slugfest that became an instant classic, one of many authored by a fighter who demonstrated time and again he was always ready, even eager, to go down into the trenches.

“There’s no question that fight changed everything. It was a Rocky movie, the most dramatic fight I’ve ever seen to this day. I’m not going to say it’s the best fight I’ve ever seen, but it certainly was the most dramatic. The myth and legend of Arturo Gatti was born that night.”

Pat Lynch, Gatti’s manager, agrees with DiBella that the Rodriguez bout represented a sea change for his Italian-born, Montreal-reared, Jersey City-based fighter.

“There were a few people who knew how entertaining and exciting Arturo could be, but that’s the one that really put him on the map because it was televised by HBO and a lot of people got to see it,” Lynch recalled. “He had shown signs of being that guy early on, in a fight against Leon Bostic (winning an eight-round majority decision on Jan. 8, 1994, in Catskill, N.Y.). I remember that fight vividly. I was walking back to the dressing room when Al Gavin (a veteran cutman) made a sign with his hands as if to say, ‘That kid’s got ‘em (cojones) this big.’ That was the kind of throw-down war that Arturo came to be known for, but his coming-out party was definitely the Wilson Rodriguez fight.”

It is curious then that Gatti-Rodriguez has become, if not exactly forgotten, a somewhat lesser entry in Gatti’s thick file of unforgettable trials by combat. Ask fight fans what they most remember about Gatti – who was just 37 when he died under mysterious circumstances in Brazil on July 11, 2009 — and they’re apt to cite his three bouts with Micky Ward, two of which were won by Gatti. Although Gatti was a participant in three Fights of the Year as selected by The Ring magazine (1997, KO5 of Gabriel Ruelas; 1998, L, SD10 to Ivan Robinson and 2002, L, MD10 to Micky Ward), his demolition derby with Rodriguez was aced out for 1996 Fight of the Year, understandably given its more consequential nature, by Evander Holyfield’s 11th round stoppage of Mike Tyson.

“I think it’s fair to say the trilogy with Micky Ward is the defining memory of Gatti in the ring,” said Larry Merchant, the longtime color commentator for HBO boxing telecasts who was at ringside for Gatti-Rodriguez. “At the time Gatti fought Rodriguez we knew he was an exciting brawler, but given the circumstances – it was just the second Boxing After Dark show – and the theatrical drama of that fight, it’s a part of his legacy, although maybe not as much as his fights with Ward.”

It’s also fair to say that Gatti was not exactly an unknown commodity when he squared off against Rodriguez. Even before he wrested the IBF 130-pound title from Tracy Harris Patterson on a 12-round unanimous decision on Dec. 15, 1995, the ruggedly handsome, tri-lingual Gatti had been identified as a potential superstar with the kind of crossover appeal that would find favor with fringe and even non-boxing fans. Integrated Sports International, a sports management company that represented, among others, Oscar De La Hoya, the NBA’s Hakeem Olajuwon and NFL’s Steve Young and Drew Bledsoe, envisioned Gatti as a key addition to its lineup of athletes who could also serve as commercial spokesmen.

DiBella’s first Boxing After Dark telecast, the main event of which had been WBO super bantamweight champion Marco Antonio Barrera’s 12th-round stoppage of Kennedy McKinney, had been an aesthetic and ratings smash, with Barrera going down once and McKinney four times. Hoping to build on that momentum, DiBella wanted to pair Gatti with Wilfredo Vazquez, a former WBA super bantamweight and featherweight champion who had more name recognition than Rodriguez, a 30-year-old native of the Dominican Republic based in Spain who was the IBF’s No. 2-ranked junior lightweight but had never fought in the United States. Lynch lobbied for Rodriguez, whom he incorrectly believed would pose a somewhat easier test for Gatti after he had gone 12 grueling rounds with Patterson only three months earlier.

“I wanted Vazquez because he was the bigger name,” DiBella reasoned. “I had no problem with Rodriguez. I thought it was a good fight. But I was trying to build a series. We did incredibly well with the ratings for Barrera-McKinney and I wanted to make sure we had a follow-up show that was attractive, so we doubled down with Junior Jones-Orlando Canizales as the lead-in. We had three of the best lower weight-class fighters in the world, and two of them were fighting each other.”

Jones and Canizales held up their end with Jones, a Brooklyn native, winning a minor super bantamweight title on a unanimous, 12-round decision to the delight of the announced attendance of 3,698 (about 800 below capacity) in the Theater at Madison Square Garden. It might have been a tough act to follow, considering that one well-regarded boxing writer had labeled Gatti-Rodriguez as a “gimme” for Gatti, who went in with a 24-1 record and 20 KOs, including 14 in the first round.

Some gimme. Tagged with laser-like accuracy by Rodriguez’s stiff jabs and overhand rights, Gatti returned to his corner after the first round with a puffy left eye and a mouse beginning to form under his right. It got worse for him in the second round, when he was floored with a three-punch combination. He was up at the count of three and, as was his custom, fought back gamely, refusing to clinch, but the condition of both of his eyes was rapidly deteriorating.

Fortunately for Gatti, one of the best cutmen in the business, Joe Souza, had just joined his support crew and was proving to be a valuable addition as he feverishly worked his magic. Souza’s handiwork was evident when the ring physician examined Gatti after both the third and fourth rounds, with Gatti five times correctly answering how many fingers the doctor was holding up. But Gatti knew, as did trainer Hector Roca, that his field of vision would soon be too impaired for him to be allowed to fight on.

In typical Gatti fashion, each time he appeared to inch close to a loss by stoppage, he would launch a counterattack that bought him precious seconds. Despite being docked a penalty point by referee Wayne Kelly in the fifth round for repeated low blows, Gatti ripped a left hook to the liver that put Rodriguez down for a six count in the fifth round. It was a harbinger of what was to follow in the sixth, when, with Rodriguez’s right hand held low to protect his injured side, Gatti went upstairs with another hook that landed flush on the jaw, the challenger collapsing onto his back where he was counted out at the 2:16 mark. He would remain prone, unable to rise, for over a minute.

“We’ve been billing Arturo Gatti as one of the most exciting fighters in the world,” said his promoter, Dino Duva. “I just wish he wouldn’t make it this exciting.”

Kelly was asked how close he had come to awarding a TKO victory to Rodriguez, who was ahead by three points on two of the official scorecards and was behind by one point on the other. “I was close to stopping it in the third,” he said. “But I’ve worked with Gatti before and know he’s very resilient.”

Gatti, of course, went on to become the franchise fighter in Atlantic City, so much so that Lynch observed that “People planned their vacations around going there for the full weekend when Arturo fought there. His fights were that kind of must-see event.

“I pulled up to Bally’s one time and the bell kid came out to get all our stuff. He saw the corner jackets and the robe that were in my car and he asked, `You’re with Team Gatti?’ I said yeah. He goes, `We love it when Gatti comes to town. Everybody makes money.’ And it was true. The taxi drivers made money, there were more restaurant reservations made. His following in Atlantic City just grew and grew. He had a cult following like you’d see anywhere the Grateful Dead played.”

Rodriguez wasn’t so fortunate. He did not get a rematch with Gatti and had only one more meaningful fight, a unanimous decision loss to Angel Manfredy, before retiring in 1999 with a 48-11-3 record and 37 KOs. Perhaps Gatti-Rodriguez has lost some of its original luster because Rodriguez did not rise in prominence as did Ward, whose three-bout passion play with Gatti has made him a more or less equal partner for posterity’s sake.

Gatti was posthumously inducted into the International Boxing Hall of Fame in 2013, an honor more than a few pundits believe is undeserved because he never quite made it to the top tier of superstardom that owes in equal parts to popularity and success inside the ropes. DiBella would argue that Gatti did deserve enshrinement for the excitement he so frequently generated, even if his skills never approached those of De La Hoya and Floyd Mayweather Jr., both of whom defeated him with relative ease.

“Gatti was never a pound-for-pound guy,” DiBella acknowledged. “If you were a warrior and had a good night, you could rumble with Gatti. But he was an incredible fighter, and you can’t rewrite him into Floyd Mayweather. He was just a blood-and-guts warrior. Gatti wasn’t really happy if he didn’t get into a war.”

Bernard Fernandez is the retired boxing writer for the Philadelphia Daily News. He is a five-term former president of the Boxing Writers Association of America, an inductee into the Pennsylvania, New Jersey and Atlantic City Boxing Halls of Fame and the recipient of the Nat Fleischer Award for Excellence in Boxing Journalism and the Barney Nagler Award for Long and Meritorious Service to Boxing.

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Sam Goodman and Eccentric Harry Garside Score Wins on a Wednesday Card in Sydney

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Australian junior featherweight Sam Goodman, ranked #1 by the IBF and #2 by the WBO, returned to the ring today in Sydney, NSW, and advanced his record to 20-0 (8) with a unanimous 10-round decision over Mexican import Cesar Vaca (19-2). This was Goodman’s first fight since July of last year. In the interim, he twice lost out on lucrative dates with Japanese superstar Naoya Inoue. Both fell out because of cuts that Goodman suffered in sparring.

Goodman was cut again today and in two places – below his left eye in the eighth and above his right eye in the ninth, the latter the result of an accidental head butt – but by then he had the bout firmly in control, albeit the match wasn’t quite as one-sided as the scores (100-90, 99-91, 99-92) suggested. Vaca, from Guadalajara, was making his first start outside his native country.

Goodman, whose signature win was a split decision over the previously undefeated American fighter Ra’eese Aleem, is handled by the Rose brothers — George, Trent, and Matt — who also handle the Tszyu brothers, Tim and Nikita, and two-time Olympian (and 2021 bronze medalist) Harry Garside who appeared in the semi-wind-up.

Harry Garside

Harry Garside

Harry Garside

A junior welterweight from a suburb of Melbourne, Garside, 27, is an interesting character. A plumber by trade who has studied ballet, he occasionally shows up at formal gatherings wearing a dress.

Garside improved to 4-0 (3 KOs) as a pro when the referee stopped his contest with countryman Charlie Bell after five frames, deciding that Bell had taken enough punishment. It was a controversial call although Garside — who fought the last four rounds with a cut over his left eye from a clash of heads in the opening frame – was comfortably ahead on the cards.

Heavyweights

In a slobberknocker being hailed as a shoo-in for the Australian domestic Fight of the Year, 34-year-old bruisers Stevan Ivic and Toese Vousiutu took turns battering each other for 10 brutal rounds. It was a miracle that both were still standing at the final bell. A Brisbane firefighter recognized as the heavyweight champion of Australia, Ivic (7-0-1, 2 KOs) prevailed on scores of 96-94 and 96-93 twice. Melbourne’s Vousiuto falls to 8-2.

Tim Tsyzu.

The oddsmakers have installed Tim Tszyu a small favorite (minus-135ish) to avenge his loss to Sebastian Fundora when they tangle on Sunday, July 20, at the MGM Grand in Las Vegas.

Their first meeting took place in this same ring on March 30 of last year. Fundora, subbing for Keith Thurman, saddled Tszyu with his first defeat, taking away the Aussie’s WBO 154-pound world title while adding the vacant WBC belt to his dossier. The verdict was split but fair. Tszyu fought the last 11 rounds with a deep cut on his hairline that bled profusely, the result of an errant elbow.

Since that encounter, Tszyu was demolished in three rounds by Bakhram Murtazaliev in Orlando and rebounded with a fourth-round stoppage of Joey Spencer in Newcastle, NSW. Fundora has been to post one time, successfully defending his belts with a dominant fourth-round stoppage of Chordale Booker.

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Thomas Hauser’s Literary Notes: Johnny Greaves Tells a Sad Tale

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Johnny Greaves was a professional loser. He had one hundred professional fights between 2007 and 2013, lost 96 of them, scored one knockout, and was stopped short of the distance twelve times. There was no subtlety in how his role was explained to him: “Look, Johnny; professional boxing works two ways. You’re either a ticket-seller and make money for the promoter, in which case you get to win fights. If you don’t sell tickets but can look after yourself a bit, you become an opponent and you fight to lose.”

By losing, he could make upwards of one thousand pounds for a night‘s work.

Greaves grew up with an alcoholic father who beat his children and wife. Johnny learned how to survive the beatings, which is what his career as a fighter would become. He was a scared, angry, often violent child who was expelled from school and found solace in alcohol and drugs.

The fighters Greaves lost to in the pros ran the gamut from inept local favorites to future champions Liam Walsh, Anthony Crolla, Lee Selby, Gavin Rees, and Jack Catterall. Alcohol and drugs remained constants in his life. He fought after drinking, smoking weed, and snorting cocaine on the night before – and sometimes on the day of – a fight. On multiple occasions, he came close to committing suicide. His goal in boxing ultimately became to have one hundred professional fights.

On rare occasions, two professional losers – “journeymen,” they’re called in The UK – are matched against each other. That was how Greaves got three of the four wins on his ledger. On September 29, 2013, he fought the one hundredth and final fight of his career against Dan Carr in London’s famed York Hall. Carr had a 2-42-2 ring record and would finish his career with three wins in ninety outings. Greaves-Carr was a fight that Johnny could win. He emerged triumphant on a four-round decision.

The Johnny Greaves Story, told by Greaves with the help of Adam Darke (Pitch Publishing) tells the whole sordid tale. Some of Greaves’s thoughts follow:

*        “We all knew why we were there, and it wasn’t to win. The home fighters were the guys who had sold all the tickets and were deemed to have some talent. We were the scum. We knew our role. Give some young prospect a bit of a workout, keep out of the way of any big shots, lose on points but take home a wedge of cash, and fight again next week.”

*        “If you fought too hard and won, then you wouldn’t get booked for any more shows. If you swung for the trees and got cut or knocked out, then you couldn’t fight for another 28 days. So what were you supposed to do? The answer was to LOOK like you were trying to win but be clever in the process. Slip and move, feint, throw little shots that were rangefinders, hold on, waste time. There was an art to this game, and I was quickly learning what a cynical business it was.”

*        “The unknown for the journeyman was always how good your opponent might be. He could be a future world champion. Or he might be some hyped-up nightclub bouncer with a big following who was making lots of money for the promoter.”

*        “No matter how well I fought, I wasn’t going to be getting any decisions. These fights weren’t scored fairly. The referees and judges understood who the paymasters were and they played the game. What was the point of having a go and being the best version of you if nobody was going to recognize or reward it?”

*        “When I first stepped into the professional arena, I believed I was tough. believed that nobody could stop me. But fight by fight, those ideas were being challenged and broken down. Once you know that you can be hurt, dropped and knocked out, you’re never quite the same fighter.”

*        “I had started off with a dream, an idea of what boxing was and what it would do for me. It was going to be a place where I could prove my toughness. A place that I could escape to and be someone else for a while. For a while, boxing was that place. But it wore me down to the point that I stopped caring. I’d grown sick and tired of it all. I wished that I could feel pride at what I’d achieved. But most of the time, I just felt like a loser.”

*        “The fights were getting much more difficult, the damage to my body and my psyche taking longer and longer to repair after each defeat. I was putting myself in more and more danger with each passing fight. I was getting hurt more often and stopped more regularly. Even with the 28-day [suspensions], I didn’t have time to heal. I was staggering from one fight to the next and picking up more injuries along the way.”

*        “I was losing my toughness and resilience. When that’s all you’ve ever had, it’s a hard thing to accept. Drink and drugs had always been present in my life. But now they became a regular part of my pre-fight preparation. It helped to shut out the fear and quieted the thoughts and worries that I shouldn’t be doing this anymore.”

*        “My body was broken. My hands were constantly sore with blisters and cuts. I had early arthritis in my hip and my teeth were a mess. I looked an absolute state and inside I felt worse. But I couldn’t stop fighting yet. Not before the 100.”

*        “I had abused myself time after time and stood in front of better men, taking a beating when I could have been sensible and covered up. At the start, I was rarely dropped or stopped. Now it was becoming a regular part of the game. Most of the guys I was facing were a lot better than me. This was mainly about survival.”

*        “Was my brain f***ed from taking too many punches? I knew it was, to be honest. I could feel my speech changing and memory going. I was mentally unwell and shouldn’t have been fighting but the promoters didn’t care. Johnny Greaves was still a good booking. Maybe an even better one now that he might get knocked out.”

*        “Nobody gave a f*** about me and whether I lived or died. I didn’t care about that much either. But the thought of being humiliated, knocked out in front of all those people; that was worse than the thought of dying. The idea of being exposed for what I was – a nobody.”

*        “I was a miserable bastard in real life. A depressive downbeat mouthy little f***er. Everything I’ve done has been to mask the feeling that I’m worthless. That I have no value. The drinks and the drugs just helped me to forget that for a while. I still frighten myself a lot. My thoughts scare me. Do I really want to be here for the next thirty or forty years? I don’t know. If suicide wasn’t so impactful on people around you, I would have taken that leap. I don’t enjoy life and never have.”

So . . . Any questions?

****

Steve Albert was Showtime’s blow-by-blow commentator for two decades. But his reach extended far beyond boxing.

Albert’s sojourn through professional sports began in high school when he was a ball boy for the New York Knicks. Over the years, he was behind the microphone for more than a dozen teams in eleven leagues including four NBA franchises.

Putting the length of that trajectory in perspective . . . As a ballboy, Steve handed bottles of water and towels to a Knicks back-up forward named Phil Jackson. Later, they worked together as commentators for the New Jersey Nets. Then Steve provided the soundtrack for some of Jackson’s triumphs when he won eleven NBA championships as head coach of the Chicago Bulls and Los Angeles Lakers.

It’s also a matter of record that Steve’s oldest brother, Marv, was arguably the greatest play-by-play announcer in NBA history. And brother Al enjoyed a successful career behind the microphone after playing professional hockey.

Now Steve has written a memoir titled A Funny Thing Happened on the Way to the Broadcast Booth. Those who know him know that Steve doesn’t like to say bad things about people. And he doesn’t here. Nor does he delve into the inner workings of sports media or the sports dream machine. The book is largely a collection of lighthearted personal recollections, although there are times when the gravity of boxing forces reflection.

“Fighters were unlike any other professional athletes I had ever encountered,” Albert writes. “Many were products of incomprehensible backgrounds, fiercely tough neighborhoods, ghettos and, in some cases, jungles. Some got into the sport because they were bullied as children. For others, boxing was a means of survival. In many cases, it was an escape from a way of life that most people couldn’t even fathom.”

At one point, Steve recounts a ringside ritual that he followed when he was behind the microphone for Showtime Boxing: “I would precisely line up my trio of beverages – coffee, water, soda – on the far edge of the table closest to the ring apron. Perhaps the best advice I ever received from Ferdie [broadcast partner Ferdie Pacheco] was early on in my blow-by-blow career – ‘Always cover your coffee at ringside with an index card unless you like your coffee with cream, sugar, and blood.’”

Writing about the prelude to the infamous Holyfield-Tyson “bite fight,” Albert recalls, “I remember thinking that Tyson was going to do something unusual that night. I had this sinking feeling in my gut that he was going to pull something exceedingly out of the ordinary. His grousing about Holyfield’s head butts in the first fight added to my concern. [But] nobody could have foreseen what actually happened. Had I opened that broadcast with, ‘Folks, tonight I predict that Mike Tyson will bite off a chunk of Evander Holyfield’s ear,’ some fellas in white coats might have approached me and said, ‘Uh, Steve, could you come with us.'”

And then there’s my favorite line in the book: “I once asked a fighter if he was happily married,” Albert recounts. “He said, ‘Yes, but my wife’s not.'”

“All I ever wanted was to be a sportscaster,” Albert says in closing. “I didn’t always get it right, but I tried to do my job with honesty and integrity. For forty-five years, calling games was my life. I think it all worked out.”

 Thomas Hauser’s email address is thomashauserwriter@gmail.com. His next book – The Most Honest Sport: Two More Years Inside Boxing – will be published this month and is available for preorder at:

https://www.amazon.com/Most-Honest-Sport-Inside-Boxing/dp/1955836329

         In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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Argentina’s Fernando Martinez Wins His Rematch with Kazuto Ioka

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In an excellent fight climaxed by a furious 12th round, Argentina’s Fernando Daniel Martinez came off the deck to win his rematch with Kazuto Ioka and retain his piece of the world 115-pound title. The match was staged at Ioka’s familiar stomping grounds, the Ota-City General Gymnasium in Tokyo.

In their first meeting on July 7 of last year in Tokyo, Martinez was returned the winner on scores of 117-111, 116-112, and a bizarre 120-108. The rematch was slated for late December, but Martinez took ill a few hours before the weigh-in and the bout was postponed.

The 33-year-old Martinez, who came in sporting a 17-0 (9) record, was a 7-2 favorite to win the sequel, but there were plenty of reasons to favor Ioka, 36, aside from his home field advantage. The first Japanese male fighter to win world titles in four weight classes, Ioka was 3-0 in rematches and his long-time trainer Ismael Salas was on a nice roll. Salas was 2-0 last weekend in Times Square, having handled upset-maker Rolly Romero and Reito Tsutsumi who was making his pro debut.

But the fourth time was not a charm for Ioka (31-4-1) who seemingly pulled the fight out of the fire in round 10 when he pitched the Argentine to the canvas with a pair of left hooks, but then wasn’t able to capitalize on the momentum swing.

Martinez set a fast pace and had Ioka fighting off his back foot for much of the fight. Beginning in round seven, Martinez looked fatigued, but the Argentine was conserving his energy for the championship rounds. In the end, he won the bout on all three cards: 114-113, 116-112, 117-110.

Up next for Fernando Martinez may be a date with fellow unbeaten Jesse “Bam” Rodriguez, the lineal champion at 115. San Antonio’s Rodriguez is a huge favorite to keep his title when he defends against South Africa’s obscure Phumelela Cafu on July 19 in Frisco, Texas.

As for Ioka, had he won today’s rematch, that may have gotten him over the hump in so far as making it into the International Boxing Hall of Fame. True, winning titles in four weight classes is no great shakes when the bookends are only 10 pounds apart, but Ioka is still a worthy candidate.

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