When Life Imitated Art: The Birth of the Legend of Arturo Gatti

Published

6 years ago

March 22, 2019

In retrospect, the timing was eerily appropriate. Less than 24 hours after Arturo “Thunder” Gatti announced himself as his generation’s most compelling action fighter, Braveheart, a film about William Wallace, the legendary, late 13^th century Scottish warrior, took the Best Picture Oscar at the 68^th annual Academy Awards.

Nor was that the only applicable movie analogy after the nearly blinded Gatti’s epic sixth-round knockout of Wilson Rodriguez on March 23, 1996 – to be technically accurate, very early on March 24, considering that the fight, the second installment of HBO’s recently launched Boxing After Dark series, ended at 12:40 a.m. in the Eastern time zone. Upon entering his dressing room at Madison Square Garden, Gatti, his face a lumpy mess, turned around and shouted, to no one in particular, a familiar catch-phrase from Rocky, the fictional tale of a never-say-die boxer which was named Best Picture of 1977.

“Yo, Adrian, I did it!” screamed an exuberant Gatti, just 22 days shy of his 24^th birthday and possibly unaware that his promising ring career had just crossed over into a different dimension.

“That was the transitional fight that took Gatti from being a budding attraction and a champion (the back-from-the-brink conquest of Rodriguez was his first defense of his IBF junior lightweight title) to being a cult figure,” Lou DiBella, now a promoter but then the senior vice president of HBO Sports, said when contacted for his thoughts on a slugfest that became an instant classic, one of many authored by a fighter who demonstrated time and again he was always ready, even eager, to go down into the trenches.

“There’s no question that fight changed everything. It was a Rocky movie, the most dramatic fight I’ve ever seen to this day. I’m not going to say it’s the best fight I’ve ever seen, but it certainly was the most dramatic. The myth and legend of Arturo Gatti was born that night.”

Pat Lynch, Gatti’s manager, agrees with DiBella that the Rodriguez bout represented a sea change for his Italian-born, Montreal-reared, Jersey City-based fighter.

“There were a few people who knew how entertaining and exciting Arturo could be, but that’s the one that really put him on the map because it was televised by HBO and a lot of people got to see it,” Lynch recalled. “He had shown signs of being that guy early on, in a fight against Leon Bostic (winning an eight-round majority decision on Jan. 8, 1994, in Catskill, N.Y.). I remember that fight vividly. I was walking back to the dressing room when Al Gavin (a veteran cutman) made a sign with his hands as if to say, ‘That kid’s got ‘em (cojones) this big.’ That was the kind of throw-down war that Arturo came to be known for, but his coming-out party was definitely the Wilson Rodriguez fight.”

It is curious then that Gatti-Rodriguez has become, if not exactly forgotten, a somewhat lesser entry in Gatti’s thick file of unforgettable trials by combat. Ask fight fans what they most remember about Gatti – who was just 37 when he died under mysterious circumstances in Brazil on July 11, 2009 — and they’re apt to cite his three bouts with Micky Ward, two of which were won by Gatti. Although Gatti was a participant in three Fights of the Year as selected by The Ring magazine (1997, KO5 of Gabriel Ruelas; 1998, L, SD10 to Ivan Robinson and 2002, L, MD10 to Micky Ward), his demolition derby with Rodriguez was aced out for 1996 Fight of the Year, understandably given its more consequential nature, by Evander Holyfield’s 11^th round stoppage of Mike Tyson.

“I think it’s fair to say the trilogy with Micky Ward is the defining memory of Gatti in the ring,” said Larry Merchant, the longtime color commentator for HBO boxing telecasts who was at ringside for Gatti-Rodriguez. “At the time Gatti fought Rodriguez we knew he was an exciting brawler, but given the circumstances – it was just the second Boxing After Dark show – and the theatrical drama of that fight, it’s a part of his legacy, although maybe not as much as his fights with Ward.”

It’s also fair to say that Gatti was not exactly an unknown commodity when he squared off against Rodriguez. Even before he wrested the IBF 130-pound title from Tracy Harris Patterson on a 12-round unanimous decision on Dec. 15, 1995, the ruggedly handsome, tri-lingual Gatti had been identified as a potential superstar with the kind of crossover appeal that would find favor with fringe and even non-boxing fans. Integrated Sports International, a sports management company that represented, among others, Oscar De La Hoya, the NBA’s Hakeem Olajuwon and NFL’s Steve Young and Drew Bledsoe, envisioned Gatti as a key addition to its lineup of athletes who could also serve as commercial spokesmen.

DiBella’s first Boxing After Dark telecast, the main event of which had been WBO super bantamweight champion Marco Antonio Barrera’s 12^th-round stoppage of Kennedy McKinney, had been an aesthetic and ratings smash, with Barrera going down once and McKinney four times. Hoping to build on that momentum, DiBella wanted to pair Gatti with Wilfredo Vazquez, a former WBA super bantamweight and featherweight champion who had more name recognition than Rodriguez, a 30-year-old native of the Dominican Republic based in Spain who was the IBF’s No. 2-ranked junior lightweight but had never fought in the United States. Lynch lobbied for Rodriguez, whom he incorrectly believed would pose a somewhat easier test for Gatti after he had gone 12 grueling rounds with Patterson only three months earlier.

“I wanted Vazquez because he was the bigger name,” DiBella reasoned. “I had no problem with Rodriguez. I thought it was a good fight. But I was trying to build a series. We did incredibly well with the ratings for Barrera-McKinney and I wanted to make sure we had a follow-up show that was attractive, so we doubled down with Junior Jones-Orlando Canizales as the lead-in. We had three of the best lower weight-class fighters in the world, and two of them were fighting each other.”

Jones and Canizales held up their end with Jones, a Brooklyn native, winning a minor super bantamweight title on a unanimous, 12-round decision to the delight of the announced attendance of 3,698 (about 800 below capacity) in the Theater at Madison Square Garden. It might have been a tough act to follow, considering that one well-regarded boxing writer had labeled Gatti-Rodriguez as a “gimme” for Gatti, who went in with a 24-1 record and 20 KOs, including 14 in the first round.

Some gimme. Tagged with laser-like accuracy by Rodriguez’s stiff jabs and overhand rights, Gatti returned to his corner after the first round with a puffy left eye and a mouse beginning to form under his right. It got worse for him in the second round, when he was floored with a three-punch combination. He was up at the count of three and, as was his custom, fought back gamely, refusing to clinch, but the condition of both of his eyes was rapidly deteriorating.

Fortunately for Gatti, one of the best cutmen in the business, Joe Souza, had just joined his support crew and was proving to be a valuable addition as he feverishly worked his magic. Souza’s handiwork was evident when the ring physician examined Gatti after both the third and fourth rounds, with Gatti five times correctly answering how many fingers the doctor was holding up. But Gatti knew, as did trainer Hector Roca, that his field of vision would soon be too impaired for him to be allowed to fight on.

In typical Gatti fashion, each time he appeared to inch close to a loss by stoppage, he would launch a counterattack that bought him precious seconds. Despite being docked a penalty point by referee Wayne Kelly in the fifth round for repeated low blows, Gatti ripped a left hook to the liver that put Rodriguez down for a six count in the fifth round. It was a harbinger of what was to follow in the sixth, when, with Rodriguez’s right hand held low to protect his injured side, Gatti went upstairs with another hook that landed flush on the jaw, the challenger collapsing onto his back where he was counted out at the 2:16 mark. He would remain prone, unable to rise, for over a minute.

“We’ve been billing Arturo Gatti as one of the most exciting fighters in the world,” said his promoter, Dino Duva. “I just wish he wouldn’t make it this exciting.”

Kelly was asked how close he had come to awarding a TKO victory to Rodriguez, who was ahead by three points on two of the official scorecards and was behind by one point on the other. “I was close to stopping it in the third,” he said. “But I’ve worked with Gatti before and know he’s very resilient.”

Gatti, of course, went on to become the franchise fighter in Atlantic City, so much so that Lynch observed that “People planned their vacations around going there for the full weekend when Arturo fought there. His fights were that kind of must-see event.

“I pulled up to Bally’s one time and the bell kid came out to get all our stuff. He saw the corner jackets and the robe that were in my car and he asked, `You’re with Team Gatti?’ I said yeah. He goes, `We love it when Gatti comes to town. Everybody makes money.’ And it was true. The taxi drivers made money, there were more restaurant reservations made. His following in Atlantic City just grew and grew. He had a cult following like you’d see anywhere the Grateful Dead played.”

Rodriguez wasn’t so fortunate. He did not get a rematch with Gatti and had only one more meaningful fight, a unanimous decision loss to Angel Manfredy, before retiring in 1999 with a 48-11-3 record and 37 KOs. Perhaps Gatti-Rodriguez has lost some of its original luster because Rodriguez did not rise in prominence as did Ward, whose three-bout passion play with Gatti has made him a more or less equal partner for posterity’s sake.

Gatti was posthumously inducted into the International Boxing Hall of Fame in 2013, an honor more than a few pundits believe is undeserved because he never quite made it to the top tier of superstardom that owes in equal parts to popularity and success inside the ropes. DiBella would argue that Gatti did deserve enshrinement for the excitement he so frequently generated, even if his skills never approached those of De La Hoya and Floyd Mayweather Jr., both of whom defeated him with relative ease.

“Gatti was never a pound-for-pound guy,” DiBella acknowledged. “If you were a warrior and had a good night, you could rumble with Gatti. But he was an incredible fighter, and you can’t rewrite him into Floyd Mayweather. He was just a blood-and-guts warrior. Gatti wasn’t really happy if he didn’t get into a war.”

Bernard Fernandez is the retired boxing writer for the Philadelphia Daily News. He is a five-term former president of the Boxing Writers Association of America, an inductee into the Pennsylvania, New Jersey and Atlantic City Boxing Halls of Fame and the recipient of the Nat Fleischer Award for Excellence in Boxing Journalism and the Barney Nagler Award for Long and Meritorious Service to Boxing.

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Arne’s Almanac: The First Boxing Writers Assoc. of America Dinner Was Quite the Shindig

Published

1 day ago

April 20, 2025

Arne K. Lang

Arne's-Almanac-The-First-Boxing-Writers-Assoc-of-America-Dinner-was-Quite-the-Shindig

The first annual dinner of the Boxing Writers Association of America was staged on April 25, 1926 in the grand ballroom of New York’s Hotel Astor, an edifice that rivaled the original Waldorf Astoria as the swankiest hotel in the city. Back then, the organization was known as the Boxing Writers Association of Greater New York.

The ballroom was configured to hold 1200 for the banquet which was reportedly oversubscribed. Among those listed as agreeing to attend were the governors of six states (New York, New Jersey, Massachusetts, Pennsylvania, Connecticut, and Maryland) and the mayors of 10 of America’s largest cities.

In 1926, radio was in its infancy and the digital age was decades away (and inconceivable). So, every journalist who regularly covered boxing was a newspaper and/or magazine writer, editor, or cartoonist. And at this juncture in American history, there were plenty of outlets for someone who wanted to pursue a career as a sportswriter and had the requisite skills to get hired.

The following papers were represented at the inaugural boxing writers’ dinner:

New York Times

New York News

New York World

New York Sun

New York Journal

New York Post

New York Mirror

New York Telegram

New York Graphic

New York Herald Tribune

Brooklyn Eagle

Brooklyn Times

Brooklyn Standard Union

Brooklyn Citizen

Bronx Home News

This isn’t a complete list because a few of these papers, notably the New York World and the New York Journal, had strong afternoon editions that functioned as independent papers. Plus, scribes from both big national wire services (Associated Press and UPI) attended the banquet and there were undoubtedly a smattering of scribes from papers in New Jersey and Connecticut.

Back then, the event’s organizer Nat Fleischer, sports editor of the New York Telegram and the driving force behind The Ring magazine, had little choice but to limit the journalistic component of the gathering to writers in the New York metropolitan area. There wasn’t a ballroom big enough to accommodate a good-sized response if he had extended the welcome to every boxing writer in North America.

The keynote speaker at the inaugural dinner was New York’s charismatic Jazz Age mayor James J. “Jimmy” Walker, architect of the transformative Walker Law of 1920 which ushered in a new era of boxing in the Empire State with a template that would guide reformers in many other jurisdictions.

Prizefighting was then associated with hooligans. In his speech, Mayor Walker promised to rid the sport of their ilk. “Boxing, as you know, is closest to my heart,” said hizzoner. “So I tell you the police force is behind you against those who would besmirch or injure boxing. Rowdyism doesn’t belong in this town or in your game.” (In 1945, Walker would be the recipient of the Edward J. Neil Memorial Award given for meritorious service to the sport. The oldest of the BWAA awards, the previous recipients were all active or former boxers. The award, no longer issued under that title, was named for an Associated Press sportswriter and war correspondent who died from shrapnel wounds covering the Spanish Civil War.)

Another speaker was well-traveled sportswriter Wilbur Wood, then affiliated with the Brooklyn Citizen. He told the assembly that the aim of the organization was two-fold: to help defend the game against its detractors and to promote harmony among the various factions.

Of course, the 1926 dinner wouldn’t have been as well-attended without the entertainment. According to press dispatches, Broadway stars and performers from some of the city’s top nightclubs would be there to regale the attendees. Among the names bandied about were vaudeville superstars Sophie Tucker and Jimmy Durante, the latter of whom would appear with his trio, Durante, (Lou) Clayton, and (Eddie) Jackson.

There was a contraction of New York newspapers during the Great Depression. Although empirical evidence is lacking, the inaugural boxing writers dinner was likely the largest of its kind. Fifteen years later, in 1941, the event drew “more than 200” according to a news report. There was no mention of entertainment.

In 1950, for the first time, the annual dinner was opened to the public. For $25, a civilian could get a meal and mingle with some of his favorite fighters. Sugar Ray Robinson was the Edward J. Neil Award winner that year, honored for his ring exploits and for donating his purse from the Charlie Fusari fight to the Damon Runyon Cancer Fund.

There was no formal announcement when the Boxing Writers Association of Greater New York was re-christened the Boxing Writers Association of America, but by the late 1940s reporters were referencing the annual event as simply the boxing writers dinner. By then, it had become traditional to hold the annual affair in January, a practice discontinued after 1971.

The winnowing of New York’s newspaper herd plus competing banquets in other parts of the country forced Nat Fleischer’s baby to adapt. And more adaptations will be necessary in the immediate future as the future of the BWAA, as it currently exists, is threatened by new technologies. If the forthcoming BWAA dinner (April 30 at the Edison Ballroom in mid-Manhattan) were restricted to wordsmiths from the traditional print media, the gathering would be too small to cover the nut and the congregants would be drawn disproportionately from the geriatric class.

Some of those adaptations have already started. Last year, Las Vegas resident Sean Zittel, a recent UNLV graduate, had the distinction of becoming the first videographer welcomed into the BWAA. With more and more people getting their news from sound bites, rather than the written word, the videographer serves an important function.

The reporters who conducted interviews with pen and paper have gone the way of the dodo bird and that isn’t necessarily a bad thing. A taped interview for a “talkie” has more integrity than a story culled from a paper and pen interview because it is unfiltered. Many years ago, some reporters, after interviewing the great Joe Louis, put words in his mouth that made him seem like a dullard, words consistent with the Sambo stereotype. In other instances, the language of some athletes was reconstructed to the point where the reader would think the athlete had a second job as an English professor.

The content created by videographers is free from that bias. More of them will inevitably join the BWAA and similar organizations in the future.

Photo: Nat Fleischer is flanked by Sugar Ray Robinson and Tony Zale at the 1947 boxing writers dinner.

A recognized authority on the history of prizefighting and the history of American sports gambling, TSS editor-in-chief Arne K. Lang is the author of five books including “Prizefighting: An American History,” released by McFarland in 2008 and re-released in a paperback edition in 2020.

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Gabriela Fundora KOs Marilyn Badillo and Perez Upsets Conwell in Oceanside

Published

2 days ago

April 20, 2025

David A. Avila

Gabriela-Fundora-KOs-Marilyn-Badillo-and-Perez-Upsets-Conwell-in-Oceanside

It was just a numbers game for Gabriela Fundora and despite Mexico’s Marilyn Badillo’s elusive tactics it took the champion one punch to end the fight and retain her undisputed flyweight world title by knockout on Saturday.

Will it be her last flyweight defense?

Though Fundora (16-0, 8 KOs) fired dozens of misses, a single punch found Badillo (19-1-1, 3 KOs) and ended her undefeated career and first attempt at a world title at the Frontwave Arena in Oceanside, California.

Fundora, however, proves unbeatable at flyweight.

The champion entered the arena as the headliner for the Golden Boy Promotion show and stepped through the ropes with every physical advantage possible, including power.

Mexico’s Badillo was a midget compared to Fundora but proved to be as elusive as a butterfly in a menagerie for the first six rounds. As the six-inch taller Fundora connected on one punch for every dozen thrown, that single punch was a deadly reminder.

Badillo tried ducking low and slipping to the left while countering with slashing uppercuts, she found little success. She did find the body a solid target but the blows proved to be useless. And when Badillo clinched, that proved more erroneous as Fundora belted her rapidly during the tie-ups.

“She was kind of doing her ducking thing,” said Fundora describing Badillo’s defensive tactics. “I just put the pressure on. It was just like a train. We didn’t give her that break.”

The Mexican fighter tried valiantly with various maneuvers. None proved even slightly successful. Fundora remained poised and under control as she stalked the challenger.

In the seventh round Badillo seemed to take a stand and try to slug it out with Fundora. She quickly was lit up by rapid left crosses and down she went at 1:44 of the seventh round. The Mexican fighter’s corner wisely waved off the fight and referee Rudy Barragan stopped the fight and held the dazed Badillo upright.

Once again Fundora remained champion by knockout. The only question now is will she move up to super flyweight or bantamweight to challenge the bigger girls.

Perez Beats Conwell.

Mexico’s Jorge “Chino” Perez (33-4, 26 KOs) upset Charles Conwell (21-1, 15 KOs) to win by split decision after 12 rounds in their super welterweight showdown.

It was a match that paired two hard-hitting fighters whose ledgers brimmed with knockouts, but neither was able to score a knockdown against each other.

Neither fighter moved backward. It was full steam ahead with Conwell proving successful to the body and head with left hooks and Perez connecting with rights to the head and body. It was difficult to differentiate the winner.

Though Conwell seemed to be the superior defensive fighter and more accurate, two judges preferred Perez’s busier style. They gave the fight to Perez by 115-113 scores with the dissenter favoring Conwell by the same margin.

It was Conwell’s first pro loss. Maybe it will open doors for more opportunities.

Other Bouts

Tristan Kalkreuth (15-1) managed to pass a serious heat check by unanimous decision against former contender Felix Valera (24-8) after a 10-round back-and-forth heavyweight fight.

It was very close.

Kalkreuth is one of those fighters that possess all the physical tools including youth and size but never seems to be able to show it. Once again he edged past another foe but at least this time he faced an experienced fighter in Valera.

Valera had his moments especially in the middle of the 10-round fight but slowed down during the last three rounds.

One major asset for Kalkreuth was his chin. He got caught but still motored past the clever Valera. After 10 rounds two judges saw it 99-91 and one other judge 97-93 all for Kalkreuth.

Highly-rated prospect Ruslan Abdullaev (2-0) blasted past dangerous Jino Rodrigo (13- 5-2) in an eight round super lightweight fight. He nearly stopped the very tough Rodrigo in the last two rounds and won by unanimous decision.

Abdullaev is trained by Joel and Antonio Diaz in Indio.

Bakersfield prospect Joel Iriarte (7-0, 7 KOs) needed only 1:44 to knock out Puerto Rico’s Marcos Jimenez (25-12) in a welterweight bout.

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‘Krusher’ Kovalev Exits on a Winning Note: TKOs Artur Mann in his ‘Farewell Fight’

Published

3 days ago

April 19, 2025

Arne K. Lang

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At his peak, former three-time world light heavyweight champion Sergey “Krusher” Kovalev ranked high on everyone’s pound-for-pound list. Now 42 years old – he turned 42 earlier this month – Kovalev has been largely inactive in recent years, but last night he returned to the ring in his hometown of Chelyabinsk, Russia, and rose to the occasion in what was billed as his farewell fight, stopping Artur Mann in the seventh frame.

Kovalev hit his peak during his first run as a world title-holder. He was 30-0-1 (26 KOs) entering first match with Andre Ward, a mark that included a 9-0 mark in world title fights. The only blemish on his record was a draw that could have been ruled a no-contest (journeyman Grover Young was unfit to continue after Kovalev knocked down in the second round what with was deemed an illegal rabbit punch). Among those nine wins were two stoppages of dangerous Haitian-Canadian campaigner Jean Pascal and a 12-round shutout over Bernard Hopkins.

Kovalev’s stature was not diminished by his loss to the undefeated Ward. All three judges had it 114-113, but the general feeling among the ringside press was that Sergey nicked it.

The rematch was also somewhat controversial. Referee Tony Weeks, who halted the match in the eighth stanza with Kovalev sitting on the lower strand of ropes, was accused of letting Ward get away with a series of low blows, including the first punch of a three-punch series of body shots that culminated in the stoppage. Sergey was wobbled by a punch to the head earlier in the round and was showing signs of fatigue, but he was still in the fight. Respected judge Steve Weisfeld had him up by three points through the completed rounds.

Sergey Kovalev was never the same after his second loss to Andre Ward, albeit he recaptured a piece of the 175-pound title twice, demolishing Vyacheslav Shabranskyy for the vacant WBO belt after Ward announced his retirement and then avenging a loss to Eleider Alvarez (TKO by 7) with a comprehensive win on points in their rematch.

Kovalev’s days as a title-holder ended on Nov. 2, 2019 when Canelo Alvarez, moving up two weight classes to pursue a title in a fourth weight division, stopped him in the 11^th round, terminating what had been a relatively even fight with a hellacious left-right combination that left Krusher so discombobulated that a count was superfluous.

That fight went head-to-head with a UFC fight in New York City. DAZN, to their everlasting discredit, opted to delay the start of Canelo-Kovalev until the main event of the UFC fight was finished. The delay lasted more than an hour and Kovalev would say that he lost his psychological edge during the wait.

Kovalev had two fights in the cruiserweight class between his setback to Canelo and last night’s presumptive swan song. He outpointed Tervel Pulev in Los Angeles and lost a 10-round decision to unheralded Robin Sirwan Safar in Riyadh, Saudi Arabia.

Artur Mann, a former world title challenger – he was stopped in three rounds by Mairis Briedis in 2021 when Briedis was recognized as the top cruiserweight in the world – was unexceptional, but the 34-year-old German, born in Kazakhstan, wasn’t chopped liver either, and Kovalev’s stoppage of him will redound well to the Russian when he becomes eligible for the Boxing Hall of Fame.

Krusher almost ended the fight in the second round. He knocked Mann down hard with a short left hand and seemingly scored another knockdown before the round was over (but it was ruled a slip). Mann barely survived the round.

In the next round, a punch left Mann with a bad cut on his right eyelid, but the German came to fight and rounds three, four and five were competitive.

Kovalev had a good sixth round although there were indications that he was tiring. But in the seventh he got a second wind and unleashed a right-left combination that rolled back the clock to the days when he was one of the sport’s most feared punchers. Mann went down hard and as he staggered to his feet, his corner signaled that the fight should be stopped and the referee complied. The official time was 0:49 of round seven. It was the 30^th KO for Kovalev who advanced his record to 36-5-1.

Addendum: History informs us that Farewell Fights have a habit of becoming redundant, by which we mean that boxers often get the itch to fight again after calling it quits. Have we seen the last of Sergey “Krusher” Kovalev? We woudn’t bet on it.

The complete Kovalev-Mann fight card was live-streamed on the Boxing News youtube channel.

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