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The Frampton Fight Is Off, but the New Main Event is a Compelling Fight

ESPN+ will broadcast a card from the Liacouras Center in Philadelphia, PA this coming Saturday. Originally the card was to be headlined by former featherweight champion Carl Frampton who was matched against Emmanuel Dominguez. However, Frampton broke his left hand Monday in a freakish accident at his hotel where a concrete pillar fell onto a table where the former champion had placed his hands.
Frampton, the former featherweight champion, was the main attraction. In all likelihood, the promoters will have to refund quite a few tickets. But the show will go on with the semi-main, Jason Sosa vs. Haskell Lydell Rhodes, a 130-pound contest scheduled for 10 rounds, bumped into the main event. And this shapes up as a very entertaining fight. In fact, before learning of Frampton’s injury, I had written that the fight between Sosa (22-3-4, 15 KOs) and Rhodes (27-3-1, 13 KOs) would likely steal the show.
This is an evenly matched crossroads fight that features a contrast of styles. Sosa, who hails from nearby Camden, NJ, knows only one way to fight and that is to come forward applying constant pressure and he will do so from the opening bell. An accomplished body puncher when he gets into range, Sosa is the type of fighter that is more than willing to take a few punches just to get the opportunity to land one of his own.
While Sosa’s style tends to lead to exciting contests, it can also take a toll on a fighter. In his last fight in January, Sosa struggled mightily in winning a 10-round decision against sub-.500 journeyman Moises Delgadillo. There is a legitimate question as to just how much Sosa has left in his tank.
Rhodes is a quick athletic fighter who likes to use his legs. He is going to use the entire ring and fight from the outside carefully picking his spots to unload his punches. While he does have fast hands, he tends to not be busy enough in fights and allows himself to be outhustled. Against Sosa, Rhodes will need to be more active than we have seen in the past.
Stylistically, Rhodes could be a nightmare for Sosa. But Sosa is just so determined and will keep coming, applying the pressure all night even if he may not be the same fighter from just a few years ago. The contrast of styles along with the evenly matched skill levels should make this a very entertaining bout.
How To Make Boxing A Safer Sport, Part One
If there is something that all boxing fans can agree upon it is the need to make this a safer sport. But just how is that accomplished? What I propose is a minor rule adjustment.
Open scoring has long been a subject of debate amongst boxing fans. For the longest time, I was strongly opposed to any and all concepts of it. But my thoughts have changed ever so slightly as I now think that a modified form of open scoring if universally adopted can improve fighter safety.
Before I present my proposal, let me start with an anecdote. I will from time to time wager a few bucks on a fight. And sometimes my having a little skin in the game will alter how I view a fight. I sometimes see something in favor of the fighter that I wagered on that others are just not seeing.
Whenever this happens, I always go back and watch the fight a second time. And amazingly, I generally see something entirely different.
So where am I going with this? Well, if $25 can skew my viewpoint, I can only imagine how someone with a much larger stake in the fight — a cornerman, manager, etc — could be viewing it. No doubt their perceptions can be skewed as to what is actually occurring inside the ring.
I would like to see a modified open scoring system implemented for any bouts that are scheduled for more than eight rounds to make potentially relevant parties aware of what is actually occurring in the bout.
For example, let’s take a bout scheduled for 12 rounds. If after eight rounds a fighter needs at least one 10-8 round to get mathematically back into the fight on the scorecards, the commission informs that fighter’s corner, the referee and doctor. No scores are read but the commission is informing everyone just where that fighter stands on the scorecards. This would also be done after the ninth round if the scenario still exists.
Every fight is different and this is not saying the fight should necessarily be stopped. But the seeds are planted for everyone to start monitoring the situation much more carefully. If the fighter shows no hope of turning things around, then those involved (referee, corner, doctor and commission) may opt to end things rather than allowing the fighter to take more needless punishment.
For a 10-round fight, the commission would inform the relevant parties after rounds six and seven. For an 8-round fight, this would be done only after round six.
Please note this is a careful balancing act as to not go too far with open scoring where it alters the dynamics of a fight. This is why this would only be done after those select rounds and not after rounds 10 or 11 of a 12-round bout. We are trying to catch obvious situations of one-sided fights and inform the relevant parties of the facts of the situation.
For the record, this idea first came to me after watching the Teofimo Lopez-Diego Magdaleno fight in February. If the relevant parties had all been told just where Magdaleno had stood on the scorecards after round six, there is a good chance someone would have ended that bout before allowing Magdaleno to absorb vicious and unnecessary punishment in the following round before ultimately getting knocked out.
These are the situations that I want to see avoided going forward and such a modified open scoring system could do just that.
How To Make Boxing A Safer Sport, Part Two
Something that we in the media and as fans can do to make this sport safer is to change out mindset on certain things. In particular, I think we need to remove the term “quit” from our vocabulary and instead applaud fighters for making the courageous decision not to go forward in a bout.
Again, let me begin with a quick anecdote. I was upset when Guillermo Rigondeaux did not come out of his corner to start round seven for his fight with Vasiliy Lomachenko in December of 2017. I voiced my displeasure on social media and various other outlets. In hindsight, I was wrong for doing so.
The first line of defense for a fighter is his corner. The second is the referee. But neither the corner nor the referee can truly know what is going on inside a fighter’s body during a fight. This is where it is on the fighter to make the courageous decision if something is not feeling right and remove himself from the fight.
In the boxing culture, a fighter making such a decision generally faces an enormous backlash. And as such, many fighters are hesitant to take this step. But we need to change that culture. If something is not right, fighters need to be encouraged to pull themselves out of a fight.
In many sports, athletes are often told that if something is not feeling right that they need to inform someone as soon as possible. For example, a major league pitcher who is feeling discomfort is in pitching arm is expected to tell his manager this even if that means having to be removed from the game. The pitcher is not quitting but making a common sense decision to keep a possible injury from getting much worse.
Boxing needs to adopt the cultures of other sports and encourage fighters to make common sense decisions when something does not feel right. This falls in part on us as members of the media as well as fans. By us doing so, a fighter may feel more comfortable in removing himself from a bad situation and that could potentially save that fighter from serious injury.
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“Breadman” Edwards: An Unlikely Boxing Coach with a Panoramic View of the Sport

Stephen “Breadman” Edwards’ first fighter won a world title. That may be some sort of record.
It’s true. Edwards had never trained a fighter, amateur or pro, before taking on professional novice Julian “J Rock” Williams. On May 11, 2019, Williams wrested the IBF 154-pound world title from Jarrett Hurd. The bout, a lusty skirmish, was in Fairfax, Virginia, near Hurd’s hometown in Maryland, and the previously undefeated Hurd had the crowd in his corner.
In boxing, Stephen Edwards wears two hats. He has a growing reputation as a boxing coach, a hat he will wear on Saturday, May 31, at Mandalay Bay in Las Vegas when the two fighters that he currently trains, super middleweight Caleb Plant and middleweight Kyrone Davis, display their wares on a show that will air on Amazon Prime Video. Plant, who needs no introduction, figures to have little trouble with his foe in a match conceived as an appetizer to a showdown with Jermall Charlo. Davis, coming off his career-best win, an upset of previously undefeated Elijah Garcia, is in tough against fast-rising Cuban prospect Yoenli Hernandez, a former world amateur champion.
Edwards’ other hat is that of a journalist. His byline appears at “Boxing Scene” in a column where he answers questions from readers.
It’s an eclectic bag of questions that Breadman addresses, ranging from his thoughts on an upcoming fight to his thoughts on one of the legendary prizefighters of olden days. Boxing fans, more so than fans of any other sport, enjoy hashing over fantasy fights between great fighters of different eras. Breadman is very good at this, which isn’t to suggest that his opinions are gospel, merely that he always has something provocative to add to the discourse. Like all good historians, he recognizes that the best history is revisionist history.
“Fighters are constantly mislabled,” he says. “Everyone talks about Joe Louis’s right hand. But if you study him you see that his left hook is every bit as good as his right hand and it’s more sneaky in terms of shock value when it lands.”
Stephen “Breadman” Edwards was born and raised in Philadelphia. His father died when he was three. His maternal grandfather, a Korean War veteran, filled the void. The man was a big boxing fan and the two would watch the fights together on the family television.
Edwards’ nickname dates to his early teen years when he was one of the best basketball players in his neighborhood. The derivation is the 1975 movie “Cornbread, Earl and Me,” starring Laurence Fishburne in his big screen debut. Future NBA All-Star Jamaal Wilkes, fresh out of UCLA, plays Cornbread, a standout high school basketball player who is mistakenly murdered by the police.
Coming out of high school, Breadman had to choose between an academic scholarship at Temple or an athletic scholarship at nearby Lincoln University. He chose the former, intending to major in criminal justice, but didn’t stay in college long. What followed were a succession of jobs including a stint as a city bus driver. To stay fit, he took to working out at the James Shuler Memorial Gym where he sparred with some of the regulars, but he never boxed competitively.
Over the years, Philadelphia has harbored some great boxing coaches. Among those of recent vintage, the names George Benton, Bouie Fisher, Nazeem Richardson, and Bozy Ennis come quickly to mind. Breadman names Richardson and West Coast trainer Virgil Hunter as the men that have influenced him the most.
We are all a product of our times, so it’s no surprise that the best decade of boxing, in Breadman’s estimation, was the 1980s. This was the era of the “Four Kings” with Sugar Ray Leonard arguably standing tallest.
Breadman was a big fan of Leonard and of Leonard’s three-time rival Roberto Duran. “I once purchased a DVD that had all of Roberto Duran’s title defenses on it,” says Edwards. “This was a back before the days of YouTube.”
But Edwards’ interest in the sport goes back much deeper than the 1980s. He recently weighed in on the “Pittsburgh Windmill” Harry Greb whose legend has grown in recent years to the point that some have come to place him above Sugar Ray Robinson on the list of the greatest of all time.
“Greb was a great fighter with a terrific resume, of that there is no doubt,” says Breadman, “but there is no video of him and no one alive ever saw him fight, so where does this train of thought come from?”
Edwards notes that in Harry Greb’s heyday, he wasn’t talked about in the papers as the best pound-for-pound fighter in the sport. The boxing writers were partial to Benny Leonard who drew comparisons to the venerated Joe Gans.
Among active fighters, Breadman reserves his highest praise for Terence Crawford. “Body punching is a lost art,” he once wrote. “[Crawford] is a great body puncher who starts his knockouts with body punches, but those punches are so subtle they are not fully appreciated.”
If the opening line holds up, Crawford will enter the ring as the underdog when he opposes Canelo Alvarez in September. Crawford, who will enter the ring a few weeks shy of his 38th birthday, is actually the older fighter, older than Canelo by almost three full years (it doesn’t seem that way since the Mexican redhead has been in the public eye so much longer), and will theoretically be rusty as 13 months will have elapsed since his most recent fight.
Breadman discounts those variables. “Terence is older,” he says, “but has less wear and tear and never looks rusty after a long layoff.” That Crawford will win he has no doubt, an opinion he tweaked after Canelo’s performance against William Scull: “Canelo’s legs are not the same. Bud may even stop him now.”
Edwards has been with Caleb Plant for Plant’s last three fights. Their first collaboration produced a Knockout of the Year candidate. With one ferocious left hook, Plant sent Anthony Dirrell to dreamland. What followed were a 12-round setback to David Benavidez and a ninth-round stoppage of Trevor McCumby.
Breadman keeps a hectic schedule. From Monday through Friday, he’s at the DLX Gym in Las Vegas coaching Caleb Plant and Kyrone Davis. On weekends, he’s back in Philadelphia, checking in on his investment properties and, of greater importance, watching his kids play sports. His 14-year-old daughter and 12-year-old son are standout all-around athletes.
On those long flights, he has plenty of time to turn on his laptop and stream old fights or perhaps work on his next article. That’s assuming he can stay awake.
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Arne’s Almanac: The Good, the Bad, and the (Mostly) Ugly; a Weekend Boxing Recap and More

Arne’s Almanac: The Good, the Bad, and the (Mostly) Ugly; a Weekend Boxing Recap and More
It’s old news now, but on back-to-back nights on the first weekend of May, there were three fights that finished in the top six snoozefests ever as measured by punch activity. That’s according to CompuBox which has been around for 40 years.
In Times Square, the boxing match between Devin Haney and Jose Carlos Ramirez had the fifth-fewest number of punches thrown, but the main event, Ryan Garcia vs. Rolly Romero, was even more of a snoozefest, landing in third place on this ignoble list.
Those standings would be revised the next night – knocked down a peg when Canelo Alvarez and William Scull combined to throw a historically low 445 punches in their match in Riyadh, Saudi Arabia, 152 by the victorious Canelo who at least pressed the action, unlike Scull (pictured) whose effort reminded this reporter of “Cat on a Hot Tin Roof” – no, not the movie starring Paul Newman, just the title.
CompuBox numbers, it says here, are best understood as approximations, but no amount of rejiggering can alter the fact that these three fights were stinkers. Making matters worse, these were pay-per-views. If one had bundled the two events, rather than buying each separately, one would have been out $90 bucks.
****
Thankfully, the Sunday card on ESPN from Las Vegas was redemptive. It was just what the sport needed at this moment – entertaining fights to expunge some of the bad odor. In the main go, Naoya Inoue showed why he trails only Shohei Ohtani as the most revered athlete in Japan.
Throughout history, the baby-faced assassin has been a boxing promoter’s dream. It’s no coincidence that down through the ages the most common nickname for a fighter – and by an overwhelming margin — is “Kid.”
And that partly explains Naoya Inoue’s charisma. The guy is 32 years old, but here in America he could pass for 17.
Joey Archer
Joey Archer, who passed away last week at age 87 in Rensselaer, New York, was one of the last links to an era of boxing identified with the nationally televised Friday Night Fights at Madison Square Garden.

Joey Archer
Archer made his debut as an MSG headliner on Feb. 4, 1961, and had 12 more fights at the iconic mid-Manhattan sock palace over the next six years. The final two were world title fights with defending middleweight champion Emile Griffith.
Archer etched his name in the history books in November of 1965 in Pittsburgh where he won a comfortable 10-round decision over Sugar Ray Robinson, sending the greatest fighter of all time into retirement. (At age 45, Robinson was then far past his peak.)
Born and raised in the Bronx, Joey Archer was a cutie; a clever counter-puncher recognized for his defense and ultimately for his granite chin. His style was embedded in his DNA and reinforced by his mentors.
Early in his career, Archer was domiciled in Houston where he was handled by veteran trainer Bill Gore who was then working with world lightweight champion Joe Brown. Gore would ride into the Hall of Fame on the coattails of his most famous fighter, “Will-o’-the Wisp” Willie Pep. If Joey Archer had any thoughts of becoming a banger, Bill Gore would have disabused him of that notion.
In all honesty, Archer’s style would have been box office poison if he had been black. It helped immensely that he was a native New Yorker of Irish stock, albeit the Irish angle didn’t have as much pull as it had several decades earlier. But that observation may not be fair to Archer who was bypassed twice for world title fights after upsetting Hurricane Carter and Dick Tiger.
When he finally caught up with Emile Griffith, the former hat maker wasn’t quite the fighter he had been a few years earlier but Griffith, a two-time Fighter of the Year by The Ring magazine and the BWAA and a future first ballot Hall of Famer, was still a hard nut to crack.
Archer went 30 rounds with Griffith, losing two relatively tight decisions and then, although not quite 30 years old, called it quits. He finished 45-4 with 8 KOs and was reportedly never knocked down, yet alone stopped, while answering the bell for 365 rounds. In retirement, he ran two popular taverns with his older brother Jimmy Archer, a former boxer who was Joey’s trainer and manager late in Joey’s career.
May he rest in peace.
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Bombs Away in Las Vegas where Inoue and Espinoza Scored Smashing Triumphs

Japan’s Naoya “Monster” Inoue banged it out with Mexico’s Ramon Cardenas, survived an early knockdown and pounded out a stoppage win to retain the undisputed super bantamweight world championship on Sunday.
Japan and Mexico delivered for boxing fans again after American stars failed in back-to-back days.
“By watching tonight’s fight, everyone is well aware that I like to brawl,” Inoue said.
Inoue (30-0, 27 KOs), and Cardenas (26-2, 14 KOs) and his wicked left hook, showed the world and 8,474 fans at T-Mobile Arena in Las Vegas that prizefighting is about punching, not running.
After massive exposure for three days of fights that began in New York City, then moved to Riyadh, Saudi Arabia and then to Nevada, it was the casino capital of the world that delivered what most boxing fans appreciate- pure unadulterated action fights.
Monster Inoue immediately went to work as soon as the opening bell rang with a consistent attack on Cardenas, who very few people knew anything about.
One thing promised by Cardenas’ trainer Joel Diaz was that his fighter “can crack.”
Cardenas proved his trainer’s words truthful when he caught Inoue after a short violent exchange with a short left hook and down went the Japanese champion on his back. The crowd was shocked to its toes.
“I was very surprised,” said Inoue about getting dropped. ““In the first round, I felt I had good distance. It got loose in the second round. From then on, I made sure to not take that punch again.”
Inoue had no trouble getting up, but he did have trouble avoiding some of Cardenas massive blows delivered with evil intentions. Though Inoue did not go down again, a look of total astonishment blanketed his face.
A real fight was happening.
Cardenas, who resembles actor Andy Garcia, was never overly aggressive but kept that left hook of his cocked and ready to launch whenever he saw the moment. There were many moments against the hyper-aggressive Inoue.
Both fighters pack power and both looked to find the right moment. But after Inoue was knocked down by the left hook counter, he discovered a way to eliminate that weapon from Cardenas. Still, the Texas-based fighter had a strong right too.
In the sixth round Inoue opened up with one of his lightning combinations responsible for 10 consecutive knockout wins. Cardenas backed against the ropes and Inoue blasted away with blow after blow. Then suddenly, Cardenas turned Inoue around and had him on the ropes as the Mexican fighter unloaded nasty combinations to the body and head. Fans roared their approval.
“I dreamed about fighting in front of thousands of people in Las Vegas,” said Cardenas. “So, I came to give everything.”
Inoue looked a little surprised and had a slight Mona Lisa grin across his face. In the seventh round, the Japanese four-division world champion seemed ready to attack again full force and launched into the round guns blazing. Cardenas tried to catch Inoue again with counter left hooks but Inoue’s combos rained like deadly hail. Four consecutive rights by Inoue blasted Cardenas almost through the ropes. The referee Tom Taylor ruled it a knockdown. Cardenas beat the count and survived the round.
In the eighth round Inoue looked eager to attack and at the bell launched across the ring and unloaded more blows on Cardenas. A barrage of 14 unanswered blows forced the referee to stop the fight at 45 seconds of round eight for a technical knockout win.
“I knew he was tough,” said Inoue. “Boxing is not that easy.”
Espinoza Wins
WBO featherweight titlist Rafael Espinosa (27-0, 23 KOs) uppercut his way to a knockout win over Edward Vazquez (17-3, 4 KOs) in the seventh round.
“I wanted to fight a game fighter to show what I am capable,” said Espinoza.
Espinosa used the leverage of his six-foot, one-inch height to slice uppercuts under the guard of Vazquez. And when the tall Mexican from Guadalajara targeted the body, it was then that the Texas fighter began to wilt. But he never surrendered.
Though he connected against Espinoza in every round, he was not able to slow down the taller fighter and that allowed the Mexican fighter to unleash a 10-punch barrage including four consecutive uppercuts. The referee stopped the fight at 1:47 of the seventh round.
It was Espinoza’s third title defense.
Photo credit: Mikey Williams / Top Rank
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