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Award-Winning Writer John Schulian Reflects on His Days on the Boxing Beat
A TSS CLASSIC: Bill Shoemaker was born to ride thoroughbred race horses. Pablo Picasso to paint. Tony Bennett to sing. Marlon Brando to act. John Schulian to write.
Schulian has written for six newspapers including the Washington Post, Chicago Sun-Times and Philadelphia Daily News, and has contributed to such weighty periodicals as Sports Illustrated, Gentlemen’s Quarterly, Inside Sports and Playboy.
In time, Schulian would turn his attention to the bright lights of Hollywood where he was a staff writer for “L.A. Law,” “Miami Vice,” “Wiseguy,” “The Slap Maxwell Story,” and “Midnight Caller.”
Schulian also co-created the worldwide hit television show “Xena: Warrior Princess.”
And if that wasn’t enough, Schulian edited or co-edited four sports anthologies and had three collections of his sports writing published: “Writers’ Fighters And Other Sweet Scientists,” “Twilight of the Long-ball Gods,” and “Sometimes They Even Shook Your Hand.”
After our initial meeting over a three-hour lunch and through continued correspondence via email, the Los Angeles native who holds journalism degrees from the University of Utah (BA) and Northwestern University (MS) agreed to answer a handful of questions for “The Sweet Science.”
Like so many people, Muhammad Ali’s passing at age 74 in Arizona hit home for Schulian.
“My first thought is that I’m hardly alone in having memories of Ali,” he said. “He belonged to the public in a way that no other athlete – no other public figure, really – has belonged to the public. Some people still remember how he shed the name Cassius Clay and stood over the supine Sonny Liston in Lewiston, Maine, daring the big ugly bear he had just knocked down – or had he? – to get up.
“Others remember Ali’s trembling hand when he lit the Olympic torch in Atlanta in 1996. And then there are those who lucked into more personal moments: a kid who met Ali by chance in an airport or a woman who saw him give her husband the once-over at a banquet and then tell her, “You can do better.”
“Sometimes it seemed as if Ali was put on earth to brighten peoples’ lives that way. I know he certainly brightened mine the night I was sitting next to him on the dais at a banquet in New York. He drew the globe complete with continents on a paper placemat, then he nudged me and pointed at it. “I used to be champion of all that,” he said in a raspy voice. He was through with fighting by then, and yet his words still gave me a chill. For some of us, he would always be a champion even if he wore no crown.”
Schulian, who was offered Red Smith’s column at The New York Times, which he turned down, covered boxing in the 1970s and 1980s. Among the many fights he watched, which stand out?
“I wish I could put an Ali fight on this list, but all the fights I covered showcasing him never should have happened,” he said. “He left the last vestiges of his greatness in Manila, just as Joe Frazier did, and it was only after he was back home that I began writing about him.
“The one really good fight Ali had in that era was with Earnie Shavers in Madison Square Garden, but Ali still took some ferocious shots, and I’m sure he paid for them later.
“Now, to get back to your question: [Ray] Leonard-[Thomas] Hearns was a great fight. Hearns had him beat twice, but Leonard had too much heart and brainpower to be stopped.
“The first [Aaron] Pryor-[Alexis] Arguello fight, in Miami, was a study in courage and the thrilling nobility that such a brutal sport can summon from combatants. Of course, a lot of people scarcely remember that because of Duk Koo Kim’s fatal injuries in the ring the next evening.
“[Roberto] Duran-Leonard I was fascinating because of the education Leonard took away from it. In their second fight, he let Duran know that school was out. The best fight I covered – the most electric fight and the most dramatic – was [Marvin] Hagler-Hearns. I never saw anything like it. They charged out of their corners at the start of the first round, and everybody at press row and in the crowd came out of their seats like they’d just taken 1,000 volts in the ass.
“Nobody sat down until Hagler had landed so many punches that all of Hearns’ synapses were misfiring. Of such violence are legends made.”
There are enough great boxers to fill a good-size garage. Who stands above the rest?
“I didn’t start writing about boxing extensively until after the Thrilla in Manila, which means I covered Ali at a time he shouldn’t have been fighting at all,” said Schulian, who had his first novel, “A Better Goodbye,” published in 2015. “So I can’t call him the best. The Hagler-Hearns fight was the best I covered and the most electric event I’ve seen in any sport, but that doesn’t put Marvelous Marvin atop my list.
“The same goes for Roberto Duran, who was a brilliant defensive fighter as well as a terrifying puncher, and Larry Holmes, a great heavyweight with a wrecking-ball jab and the bad luck to succeed Ali as champion.
“The best fighter in my time, however, was Sugar Ray Leonard. He proved how big his heart and talent were when he beat Hearns, but that was just part of what made him so great. He also had a rapacious intellect when it came to boxing. He watched film of every great old fighter and he went to school on all of them. And his education in the ring was enhanced exponentially by the way his trainer Angelo Dundee brought him along, pitting him against every possible type of opponent, sluggers and cutie pies, southpaws and stylists, and defensive specialists and guys who, given the chance, would try to gouge out his eyes.
“Leonard beat them all, and did it with the same flair and personality that the public fell in love with at the 1976 Olympics in Montreal. Once his name was included among boxing’s all-time greats, however, something in him changed. He began retiring and un-retiring and he slowly got rid of all the people who had helped him get to the top, Dundee and lifetime friends like Dave Jacobs and Janks Morton, and the lawyer who made sure he would always be financially secure, Mike Trainer.
“It happens in every profession, I suppose, but that doesn’t mean I have to like it. For what it’s worth, I don’t think Leonard beat Hagler, either. But he was still the best fighter I covered in what was boxing’s last golden era.”
What separates covering boxing from other sports? “I hope you don’t mind if I quote myself,” he said. “This is from my introduction to “At The Fights,” which George Kimball (RIP) and I edited for the Library of America.
“[Boxing] is the best friend a writer ever had. It doesn’t matter whether the writer is a newspaper wage-slave feverishly trying to make his deadline after a title fight or a big-name author who has parachuted in to survey toe-to-toe gladiators and the exotica surrounding them.
“There is an undeniable jolt to watching violence in the ring, an almost electrical charge composed of equal parts beauty and savagery, and it can stir the poet in a writer who doesn’t realize he has poetry in him.
“I’m sure our very best boxing writers, from A.J. Liebling to Mark Kram to Richard Hoffer, would have wonderful things to add to that, but if you read their work, you’ll see the points I made driven home in high style.”
Was it more fun covering boxing during your era versus the present day? “I’m not out in the gyms and ballparks anymore so it’s hard for me to give you a definitive answer,” Schulian pointed out. “But judging by what I hear from old sports writing friends, read in papers and magazines, and see on TV, the job looks a hell of a lot harder than it used to be.
“The best sport of all for guys who would bend your ear was boxing. If you walked into a gym or arena with a notebook in your hand, you were instantly surrounded by people with stories to tell. All anyone cared about was that you spelled his name right, and that included Don King, who just laughed every time he got caught short-changing another fighter.
When Angelo Dundee was in his final years, I needed to talk to him for a piece I was writing about Ali. It had been years since we’d last spoken, so I felt compelled to introduce myself. “Why you doin’ that?” Angelo said. “I oughta punch you in the nose. We’re friends, for crying out loud.”
For the late Sports Illustrated scribe Pat Putnam, he used Liebling’s words to help elevate his prose. What took Schulian to the next level?
“Maybe I would have written better if I’d read Liebling too, but, no, I never did anything like Pat did,” he noted.” The fighters were always my inspiration. If they weren’t up to the challenge, then I’d fall back on the world I was in at every fight, with a cast of characters that seemed to have stepped out of a noir novel. I didn’t always write an “A” story, but the material for one was almost always at my disposal.”
Schulian received the prestigious PEN/ESPN Lifetime Achievement Award for Literary Sports Writing this year.
“It was the biggest and best surprise of my career,” he said. “You have to realize that I left daily newspapering for Hollywood thirty years ago. It was a move that I always assumed rendered me a non-candidate for any journalism awards even if I kept my hand in sports writing by doing occasional pieces for GQ, Sports Illustrated, the L.A. Times, Deadspin, and Alex Belth’s Bronx Banter Blog.
“What can I tell you? I’m a compulsive writer. And there were things I wanted to say and subjects that editors wanted me to write about. The great discovery of this second phase of my sports writing career was that l felt like I’d somehow become better at putting words on paper.
“Maybe I needed time away from the grind of doing four columns a week and always having a freelance magazine piece going on the side. Maybe I learned something from the incredibly smart people I worked with in TV – nothing about writing prose, mind you, but plenty about thinking and challenging the norm and being exposed to new ideas.
“Whatever the reason, I ended up doing some of the best pieces of my career, about Ali, Josh Gibson, Chuck Bednarik and the obscure legends that help make baseball such a compelling game. But once they were in print and I’d cashed the checks I got for them, I figured that was the end of the line.
“When PEN e-mailed me early this year to say I’d won the award, I was gobsmacked. I didn’t even know I was in the running, and I still don’t know who nominated me, but I hope that whoever it was realizes how grateful I am. I’m equally grateful to Dave Kindred, Sally Jenkins and Senator Bill Bradley, who comprised the panel that selected me.
“They put me in the same sentence with Roger Angell, Dan Jenkins, Frank Deford, Dave Anderson and Bob Ryan, the award’s previous winners. It’s hard to believe that a guy who co-created “Xena” could keep such distinguished company, but I’ve got the plaque to prove it.”
EDITOR’S NOTE: This story originally ran on August 23, 2016
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Rick Assad has covered sports in Southern California for almost three decades. You may contact him at yankeespride55@gmail.com
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The first annual dinner of the Boxing Writers Association of America was staged on April 25, 1926 in the grand ballroom of New York’s Hotel Astor, an edifice that rivaled the original Waldorf Astoria as the swankiest hotel in the city. Back then, the organization was known as the Boxing Writers Association of Greater New York.
The ballroom was configured to hold 1200 for the banquet which was reportedly oversubscribed. Among those listed as agreeing to attend were the governors of six states (New York, New Jersey, Massachusetts, Pennsylvania, Connecticut, and Maryland) and the mayors of 10 of America’s largest cities.
In 1926, radio was in its infancy and the digital age was decades away (and inconceivable). So, every journalist who regularly covered boxing was a newspaper and/or magazine writer, editor, or cartoonist. And at this juncture in American history, there were plenty of outlets for someone who wanted to pursue a career as a sportswriter and had the requisite skills to get hired.
The following papers were represented at the inaugural boxing writers’ dinner:
New York Times
New York News
New York World
New York Sun
New York Journal
New York Post
New York Mirror
New York Telegram
New York Graphic
New York Herald Tribune
Brooklyn Eagle
Brooklyn Times
Brooklyn Standard Union
Brooklyn Citizen
Bronx Home News
This isn’t a complete list because a few of these papers, notably the New York World and the New York Journal, had strong afternoon editions that functioned as independent papers. Plus, scribes from both big national wire services (Associated Press and UPI) attended the banquet and there were undoubtedly a smattering of scribes from papers in New Jersey and Connecticut.
Back then, the event’s organizer Nat Fleischer, sports editor of the New York Telegram and the driving force behind The Ring magazine, had little choice but to limit the journalistic component of the gathering to writers in the New York metropolitan area. There wasn’t a ballroom big enough to accommodate a good-sized response if he had extended the welcome to every boxing writer in North America.
The keynote speaker at the inaugural dinner was New York’s charismatic Jazz Age mayor James J. “Jimmy” Walker, architect of the transformative Walker Law of 1920 which ushered in a new era of boxing in the Empire State with a template that would guide reformers in many other jurisdictions.
Prizefighting was then associated with hooligans. In his speech, Mayor Walker promised to rid the sport of their ilk. “Boxing, as you know, is closest to my heart,” said hizzoner. “So I tell you the police force is behind you against those who would besmirch or injure boxing. Rowdyism doesn’t belong in this town or in your game.” (In 1945, Walker would be the recipient of the Edward J. Neil Memorial Award given for meritorious service to the sport. The oldest of the BWAA awards, the previous recipients were all active or former boxers. The award, no longer issued under that title, was named for an Associated Press sportswriter and war correspondent who died from shrapnel wounds covering the Spanish Civil War.)
Another speaker was well-traveled sportswriter Wilbur Wood, then affiliated with the Brooklyn Citizen. He told the assembly that the aim of the organization was two-fold: to help defend the game against its detractors and to promote harmony among the various factions.
Of course, the 1926 dinner wouldn’t have been as well-attended without the entertainment. According to press dispatches, Broadway stars and performers from some of the city’s top nightclubs would be there to regale the attendees. Among the names bandied about were vaudeville superstars Sophie Tucker and Jimmy Durante, the latter of whom would appear with his trio, Durante, (Lou) Clayton, and (Eddie) Jackson.
There was a contraction of New York newspapers during the Great Depression. Although empirical evidence is lacking, the inaugural boxing writers dinner was likely the largest of its kind. Fifteen years later, in 1941, the event drew “more than 200” according to a news report. There was no mention of entertainment.
In 1950, for the first time, the annual dinner was opened to the public. For $25, a civilian could get a meal and mingle with some of his favorite fighters. Sugar Ray Robinson was the Edward J. Neil Award winner that year, honored for his ring exploits and for donating his purse from the Charlie Fusari fight to the Damon Runyon Cancer Fund.
There was no formal announcement when the Boxing Writers Association of Greater New York was re-christened the Boxing Writers Association of America, but by the late 1940s reporters were referencing the annual event as simply the boxing writers dinner. By then, it had become traditional to hold the annual affair in January, a practice discontinued after 1971.
The winnowing of New York’s newspaper herd plus competing banquets in other parts of the country forced Nat Fleischer’s baby to adapt. And more adaptations will be necessary in the immediate future as the future of the BWAA, as it currently exists, is threatened by new technologies. If the forthcoming BWAA dinner (April 30 at the Edison Ballroom in mid-Manhattan) were restricted to wordsmiths from the traditional print media, the gathering would be too small to cover the nut and the congregants would be drawn disproportionately from the geriatric class.
Some of those adaptations have already started. Last year, Las Vegas resident Sean Zittel, a recent UNLV graduate, had the distinction of becoming the first videographer welcomed into the BWAA. With more and more people getting their news from sound bites, rather than the written word, the videographer serves an important function.
The reporters who conducted interviews with pen and paper have gone the way of the dodo bird and that isn’t necessarily a bad thing. A taped interview for a “talkie” has more integrity than a story culled from a paper and pen interview because it is unfiltered. Many years ago, some reporters, after interviewing the great Joe Louis, put words in his mouth that made him seem like a dullard, words consistent with the Sambo stereotype. In other instances, the language of some athletes was reconstructed to the point where the reader would think the athlete had a second job as an English professor.
The content created by videographers is free from that bias. More of them will inevitably join the BWAA and similar organizations in the future.
Photo: Nat Fleischer is flanked by Sugar Ray Robinson and Tony Zale at the 1947 boxing writers dinner.
It was just a numbers game for Gabriela Fundora and despite Mexico’s Marilyn Badillo’s elusive tactics it took the champion one punch to end the fight and retain her undisputed flyweight world title by knockout on Saturday.
Will it be her last flyweight defense?
Though Fundora (16-0, 8 KOs) fired dozens of misses, a single punch found Badillo (19-1-1, 3 KOs) and ended her undefeated career and first attempt at a world title at the Frontwave Arena in Oceanside, California.
Fundora, however, proves unbeatable at flyweight.
The champion entered the arena as the headliner for the Golden Boy Promotion show and stepped through the ropes with every physical advantage possible, including power.
Mexico’s Badillo was a midget compared to Fundora but proved to be as elusive as a butterfly in a menagerie for the first six rounds. As the six-inch taller Fundora connected on one punch for every dozen thrown, that single punch was a deadly reminder.
Badillo tried ducking low and slipping to the left while countering with slashing uppercuts, she found little success. She did find the body a solid target but the blows proved to be useless. And when Badillo clinched, that proved more erroneous as Fundora belted her rapidly during the tie-ups.
“She was kind of doing her ducking thing,” said Fundora describing Badillo’s defensive tactics. “I just put the pressure on. It was just like a train. We didn’t give her that break.”
The Mexican fighter tried valiantly with various maneuvers. None proved even slightly successful. Fundora remained poised and under control as she stalked the challenger.
In the seventh round Badillo seemed to take a stand and try to slug it out with Fundora. She quickly was lit up by rapid left crosses and down she went at 1:44 of the seventh round. The Mexican fighter’s corner wisely waved off the fight and referee Rudy Barragan stopped the fight and held the dazed Badillo upright.
Once again Fundora remained champion by knockout. The only question now is will she move up to super flyweight or bantamweight to challenge the bigger girls.
Perez Beats Conwell.
Mexico’s Jorge “Chino” Perez (33-4, 26 KOs) upset Charles Conwell (21-1, 15 KOs) to win by split decision after 12 rounds in their super welterweight showdown.
It was a match that paired two hard-hitting fighters whose ledgers brimmed with knockouts, but neither was able to score a knockdown against each other.
Neither fighter moved backward. It was full steam ahead with Conwell proving successful to the body and head with left hooks and Perez connecting with rights to the head and body. It was difficult to differentiate the winner.
Though Conwell seemed to be the superior defensive fighter and more accurate, two judges preferred Perez’s busier style. They gave the fight to Perez by 115-113 scores with the dissenter favoring Conwell by the same margin.
It was Conwell’s first pro loss. Maybe it will open doors for more opportunities.
Other Bouts
Tristan Kalkreuth (15-1) managed to pass a serious heat check by unanimous decision against former contender Felix Valera (24-8) after a 10-round back-and-forth heavyweight fight.
It was very close.
Kalkreuth is one of those fighters that possess all the physical tools including youth and size but never seems to be able to show it. Once again he edged past another foe but at least this time he faced an experienced fighter in Valera.
Valera had his moments especially in the middle of the 10-round fight but slowed down during the last three rounds.
One major asset for Kalkreuth was his chin. He got caught but still motored past the clever Valera. After 10 rounds two judges saw it 99-91 and one other judge 97-93 all for Kalkreuth.
Highly-rated prospect Ruslan Abdullaev (2-0) blasted past dangerous Jino Rodrigo (13- 5-2) in an eight round super lightweight fight. He nearly stopped the very tough Rodrigo in the last two rounds and won by unanimous decision.
Abdullaev is trained by Joel and Antonio Diaz in Indio.
Bakersfield prospect Joel Iriarte (7-0, 7 KOs) needed only 1:44 to knock out Puerto Rico’s Marcos Jimenez (25-12) in a welterweight bout.
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‘Krusher’ Kovalev Exits on a Winning Note: TKOs Artur Mann in his ‘Farewell Fight’
At his peak, former three-time world light heavyweight champion Sergey “Krusher” Kovalev ranked high on everyone’s pound-for-pound list. Now 42 years old – he turned 42 earlier this month – Kovalev has been largely inactive in recent years, but last night he returned to the ring in his hometown of Chelyabinsk, Russia, and rose to the occasion in what was billed as his farewell fight, stopping Artur Mann in the seventh frame.
Kovalev hit his peak during his first run as a world title-holder. He was 30-0-1 (26 KOs) entering first match with Andre Ward, a mark that included a 9-0 mark in world title fights. The only blemish on his record was a draw that could have been ruled a no-contest (journeyman Grover Young was unfit to continue after Kovalev knocked down in the second round what with was deemed an illegal rabbit punch). Among those nine wins were two stoppages of dangerous Haitian-Canadian campaigner Jean Pascal and a 12-round shutout over Bernard Hopkins.
Kovalev’s stature was not diminished by his loss to the undefeated Ward. All three judges had it 114-113, but the general feeling among the ringside press was that Sergey nicked it.
The rematch was also somewhat controversial. Referee Tony Weeks, who halted the match in the eighth stanza with Kovalev sitting on the lower strand of ropes, was accused of letting Ward get away with a series of low blows, including the first punch of a three-punch series of body shots that culminated in the stoppage. Sergey was wobbled by a punch to the head earlier in the round and was showing signs of fatigue, but he was still in the fight. Respected judge Steve Weisfeld had him up by three points through the completed rounds.
Sergey Kovalev was never the same after his second loss to Andre Ward, albeit he recaptured a piece of the 175-pound title twice, demolishing Vyacheslav Shabranskyy for the vacant WBO belt after Ward announced his retirement and then avenging a loss to Eleider Alvarez (TKO by 7) with a comprehensive win on points in their rematch.
Kovalev’s days as a title-holder ended on Nov. 2, 2019 when Canelo Alvarez, moving up two weight classes to pursue a title in a fourth weight division, stopped him in the 11th round, terminating what had been a relatively even fight with a hellacious left-right combination that left Krusher so discombobulated that a count was superfluous.
That fight went head-to-head with a UFC fight in New York City. DAZN, to their everlasting discredit, opted to delay the start of Canelo-Kovalev until the main event of the UFC fight was finished. The delay lasted more than an hour and Kovalev would say that he lost his psychological edge during the wait.
Kovalev had two fights in the cruiserweight class between his setback to Canelo and last night’s presumptive swan song. He outpointed Tervel Pulev in Los Angeles and lost a 10-round decision to unheralded Robin Sirwan Safar in Riyadh, Saudi Arabia.
Artur Mann, a former world title challenger – he was stopped in three rounds by Mairis Briedis in 2021 when Briedis was recognized as the top cruiserweight in the world – was unexceptional, but the 34-year-old German, born in Kazakhstan, wasn’t chopped liver either, and Kovalev’s stoppage of him will redound well to the Russian when he becomes eligible for the Boxing Hall of Fame.
Krusher almost ended the fight in the second round. He knocked Mann down hard with a short left hand and seemingly scored another knockdown before the round was over (but it was ruled a slip). Mann barely survived the round.
In the next round, a punch left Mann with a bad cut on his right eyelid, but the German came to fight and rounds three, four and five were competitive.
Kovalev had a good sixth round although there were indications that he was tiring. But in the seventh he got a second wind and unleashed a right-left combination that rolled back the clock to the days when he was one of the sport’s most feared punchers. Mann went down hard and as he staggered to his feet, his corner signaled that the fight should be stopped and the referee complied. The official time was 0:49 of round seven. It was the 30th KO for Kovalev who advanced his record to 36-5-1.
Addendum: History informs us that Farewell Fights have a habit of becoming redundant, by which we mean that boxers often get the itch to fight again after calling it quits. Have we seen the last of Sergey “Krusher” Kovalev? We woudn’t bet on it.
The complete Kovalev-Mann fight card was live-streamed on the Boxing News youtube channel.
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