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Literary Notes: “Becoming Muhammad Ali”

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BOOK REVIEW by THOMAS HAUSER — James Patterson is one of the world’s bestselling authors and a brand unto himself. He has written or co-authored more than 150 books, 67 of which have risen to the #1 slot on the New York Times bestseller list. Patterson’s website lists 28 titles that he has authored or co-authored in 2020 alone with four more due before the end of the holiday season. In recent years, he has been credited with authoring six percent of all hardcover fiction sold in the United States. These are staggering numbers.

There’s an issue as to how much of the output credited to Patterson is his own work. As noted above, many of his books are co-authored. And publishing is a strange business. By way of example, Robert Ludlum died in 2001. Thirty books have been written and published under his name since then.

That said; one can assume that, when Patterson co-authored The President is Missing with Bill Clinton, Patterson rather than the former president did most of the writing.

Patterson has also launched a line of books aimed at young readers under the imprint Jimmy Patterson Books. Becoming Muhammad Ali, co-authored with Kwame Alexander (a writer and poet whose most celebrated work has been in the field of children’s literature) is his latest offering in that genre.

Becoming Muhammad Ali is a novel. For the uninitiated, that means it’s classified as fiction. The story is told in the first person by a narrator named Lucky who informs readers that, when he was growing up in Louisville, Cassius Clay was his best friend. Lucky’s prose is intertwined with poetry, some of which was written in theory by young Cassius Clay and the rest by Lucky.

The storyline traces Clay’s growing up in Louisville through his first Golden Gloves National Championship with brief references to some of Ali’s professional fights. The book is likely to become a best-seller because of Patterson’s name and the marketing apparatus behind it. That said; the methodology chosen by the authors raises several issues.

The novelization of a famous person’s life works best when it’s placed within a historically accurate framework. I have no problem with the authors creating Lucky, inserting him into the narrative, and imagining a history between him and Cassius. Changing the known historical record is another matter. And there are times when Patterson and Alexander do that. It’s hard to know where reality ends and fantasy begins in their recounting of young Cassius Clay’s life. Fact and fiction blur, which can be confusing for a young reader. I know it was confusing for this old one.

To take one small example; Becoming Muhammad Ali identifies a neighborhood bully named Corky Butler (presumably based on Corky Baker, a real-life contemporary of Clay’s) as the person who stole 12-year-old Cassius Clay’s bike. That theft led Cassius into boxing. But in reality, Clay never learned who stole his bike and much of his interaction with Corky as recounted in the book is fantasy.

Also, there are more than a few unintended factual errors.

One poem declares that Sugar Ray Robinson “wipes the mat with his opponents one hundred and seventy-three times, almost half of them before the first round ends.” But BoxRec.com credits Robinson with 20 first-round knockouts in his 199-fight career (which is a far cry from “almost half” of 173).

Another poem talks of Joe Louis “battering each of his 51 opponents in knockouts as heavyweight champion until he met the Brockton Bomber.” That’s just wrong. Louis had 26 fights as champion and won 23 of them by knockout. Then he retired, lost a comeback fight against Ezzard Charles, and after that had eight non-title fights (winning five by decision and three by KO) before being knocked out by Rocky Marciano.

Similarly, the book says that, after Ali-Frazier III, Muhammad lost his next two bouts and that they were the last fights of his ring career But Ali won six consecutive fights after Manila before losing three of his final four bouts.

Also, Willie Pastrano (who interacted briefly with young Cassius Clay) did not have “one of the most powerful left hands anybody had ever seen.” To the contrary, he was a notoriously light puncher with 14 knockouts to his credit in 83 professional fights.

Some of the poems in Becoming Muhammad Ali are moving; others are funny. They would have been just a good if the facts had been accurate.

At its best, Becoming Muhammad Ali is an entertaining impressionistic journey through Ali’s youth as Cassius Clay. Given the talent of its co-authors, it could have been better.

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His next book – Staredown: Another Year Inside Boxing – will be published by the University of Arkansas Press this autumn. In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. He will be inducted into the International Boxing Hall of Fame with the Class of 2020.

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Thomas Hauser is the author of 52 books. In 2005, he was honored by the Boxing Writers Association of America, which bestowed the Nat Fleischer Award for career excellence in boxing journalism upon him. He was the first Internet writer ever to receive that award. In 2019, Hauser was chosen for boxing's highest honor: induction into the International Boxing Hall of Fame. Lennox Lewis has observed, “A hundred years from now, if people want to learn about boxing in this era, they’ll read Thomas Hauser.”

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Avila Perspective, Chap. 295: Callum Walsh, Pechanga Casino Fights and More

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Super welterweight contender Callum Walsh worked out for reporters and videographers at the Wild Card Gym in Hollywood, Calif. on Thursday,

The native of Ireland Walsh (11-0, 9 KOs) has a fight date against Poland’s Przemyslaw Runowski (22-2-1, 6 KOs) on Friday, Sept. 20 at the city of Dublin. It’s a homecoming for the undefeated southpaw from Cork. UFC Fight Pass will stream the 360 Promotions card.

Mark down the date.

Walsh is the latest prodigy of promoter Tom Loeffler who has a history of developing European boxers in America and propelling them forward on the global boxing scene. Think Gennady “Triple G” Golovkin and you know what I mean.

Golovkin was a middleweight monster for years.

From Kevin Kelley to Oba Carr to Vitaly Klitschko to Serhii Bohachuk and many more in-between, the trail of elite boxers promoted by Loeffler continues to grow. Will Walsh be the newest success?

Add to the mix Dana White, the maestro of UFC, who is also involved with Walsh and you get a clearer picture of what the Irish lad brings to the table.

Walsh has speed, power and a glint of meanness that champions need to navigate the prizefighting world. He also has one of the best trainers in the world in Freddie Roach who needs no further introduction.

Perhaps the final measure of Walsh will be when he’s been tested with the most important challenge of all:

Can he take a punch from a big hitter?

That’s the final challenge

It always comes down to the chin. It’s what separates the Golovkins from the rest of the pack. At the top of the food chain they all can hit, have incredible speed and skill, but the fighters with the rock hard chins are those that prevail.

So far, the chin test is the only examination remaining for Walsh.

“King’ Callum Walsh is ready for his Irish homecoming and promises some fireworks for the Irish fans. This will be an entertaining show for the fans and we are excited to bring world class boxing back to the 3Arena in Dublin,” said Loeffler.

Pechanga Fights

MarvNation Promotions presents a battle between welterweight contenders Jose “Chon” Zepeda (37-5, 28 KOs) and Ivan Redkach (24-7-1, 19 KOs) on Friday, Sept. 6, at Pechanga Resort and Casino in Temecula. DAZN will stream the fight card.

Both have fought many of the best welterweights in the world and now face each other. It should be an interesting clash between the veterans.

Also on the card, featherweights Nathan Rodriguez (15-0) and Bryan Mercado (11-5-1) meet in an eight-round fight.

Doors open at 6:30 p.m. First bout at 7 p.m.

Monster Inoue

Once again Japan’s Naoya Inoue dispatched another super bantamweight contender with ease as TJ Doheny was unable to continue in the seventh round after battered by a combination on Tuesday in Tokyo.

Inoue continues to brush away whoever is placed in front of him like a glint of dust.

Is the “Monster” the best fighter pound-for-pound on the planet or is it Terence Crawford? Both are dynamic punchers with skill, speed, power and great chins.

Munguia in Big Bear

Super middleweight contender Jaime Munguia is two weeks away from his match with Erik Bazinyan at the Desert Diamond Arena in Glendale, Arizona. ESPN will show the Top Rank card.

“Erik Bazinyan is a good fighter. He’s undefeated. He switches stances. We need to be careful with that. He’s taller and has a longer reach than me. He has a good jab. He can punch well on the inside. He’s a fighter who comes with all the desire to excel,” said Munguia.

Bazinyan has victories over Ronald Ellis and Alantez Fox.

In case you didn’t know, Munguia moved over to Top Rank but still has ties with Golden Boy Promotions and Zanfer Promotions. Bazinyan is promoted by Eye of the Tiger.

This is the Tijuana fighter’s first match with Top Rank since losing to Saul “Canelo” Alvarez last May in Las Vegas. He is back with trainer Erik Morales.

Callum Walsh photo credit: Lina Baker

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60 Years Ago This Month, the Curtain Fell on the Golden Era of TV Boxing

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The Sept. 11, 1964 fight between Dick Tiger and Don Fullmer marked the end of an era. The bout aired on ABC which had taken the reins from NBC four years earlier. This would be the final episode of the series informally known as the “Friday Night Fights” or the “Fight of the Week,” closing the door on a 20-year run. In the future, boxing on free home TV (non-cable) would be sporadic, airing mostly on Saturday and Sunday afternoons. The days when boxing was a weekly staple on at least one major TV network were gone forever.

During the NBC years, the show ran on Friday in the 10:00-11-00 pm slot for viewers in the Eastern Time Zone and the “studio” was almost always Madison Square Garden. The sponsor from the very beginning was the Gillette razor company (during the ABC run, El Producto Cigars came on as a co-sponsor).

Gillette sponsored many sporting events – the Kentucky Derby, the World Series, the U.S. Open golf tournament and the Blue-Gray college football all-star game, to name just a few – all of which were bundled under the handle of the Gillette Cavalcade of Sports. Every sports fan in America could identify the catchphrase that the company used to promote their disposable “Blue Blades” – “Look Sharp, Feel Sharp, Be Sharp!” — and the melody of the Gillette jingle would become the most-played tune by marching bands at high school and college football halftime shows (the precursor, one might say, of the Kingsmen’s “Louie, Louie”).

The Sept. 11 curtain-closer wasn’t staged at Madison Square Garden but in Cleveland with the local area blacked out.

Dick Tiger, born and raised in Nigeria, was making his second start since losing his world middleweight title on a 15-round points decision to Joey Giardello. Don Fullmer would be attempting to restore the family honor. Dick Tiger was 2-0-1 vs. Gene Fullmer, Don’s more celebrated brother. Their third encounter, which proved to be Gene Fullmer’s final fight, was historic. It was staged in Ibadan, Nigeria, the first world title fight ever potted on the continent of Africa.

In New York, the epitaph of free TV boxing was written three weeks earlier when veteran Henry Hank fought up-and-comer Johnny Persol to a draw in a 10-round light heavyweight contest at the Garden. This was the final Gillette fight from the place where it all started.

Some historians trace the advent of TV boxing in the United States to Sept. 29, 1944, when a 20-year-old boxer from Connecticut, Willie Pep, followed his manager’s game plan to perfection, sticking and moving for 15 rounds to become the youngest featherweight champion in history, winning the New York version of the title from West Coast veteran Albert “Chalky” Wright.

There weren’t many TVs in use in those days. As had been true when the telephone was brand new, most were found in hospitals, commercial establishments, and in the homes of the very wealthy. But within a few years, with mass production and tumbling prices, the gizmo became a living room staple and the TV repairman, who made house calls like the family doctor, had a shop on every Main Street.

Boxing was ideally suited to the infant medium of television because the action was confined to a small area that required no refurbishment other than brighter illumination, keeping production costs low. The one-minute interval between rounds served as a natural commercial break. The main drawback was that a fight could end early, meaning fewer commercials for the sponsor who paid a flat rate.

At its zenith, boxing in some locales aired five nights a week. And it came to be generally seen that this oversaturation killed the golden goose. One by one, the small fight clubs dried up as fight fans stayed home to watch the fights on TV. In the big arenas, attendance fell off drastically. Note the difference between Pep vs. Wright, the 1944 originator, and Hank vs. Persol, also at Madison Square Garden:

Willie Pep vs. Chalky Wright Sept. 29, 1944      attendance 19,521

Henry Hank vs. Johnny Persol Aug. 21, 1964    attendance 5,219

(True, Pep vs. Wright was a far more alluring fight, but this fact alone doesn’t explain the wide gap. Published attendance counts aren’t always trustworthy. In the eyes of the UPI reporter who covered the Hank-Persol match, the crowd looked smaller. He estimated the attendance at 3,000.)

Hank vs. Persol was an entertaining bout between evenly-matched combatants. The Tiger-Fullmer bout, which played out before a sea of empty seats, was a snoozer. Don Fullmer, a late sub for Rocky Rivero who got homesick and returned to Argentina, was there just for the paycheck. A Pittsburgh reporter wrote that the match was as dull as a race between two turtles. Scoring off the “5-point-must” system, the judges awarded the match to Dick Tiger by margins of 6, 6, and 7 points.

And that was that. Some of the most sensational fights in the annals of boxing aired free on a major TV network, but the last big bang of the golden era was hardly a bang, merely a whimper.

A recognized authority on the history of prizefighting and the history of American sports gambling, TSS editor-in-chief Arne K. Lang is the author of five books including “Prizefighting: An American History,” released by McFarland in 2008 and re-released in a paperback edition in 2020.

The photo accompanying this article is from the 1962 fight at Madison Square Garden between Dick Tiger (on the right) and Henry Hank. To comment on this story in the Fight Forum CLICK HERE

 

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Boxing Notes and Nuggets from Thomas Hauser

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Boxing Notes and Nuggets from Thomas Hauser

Adam Pollack has written eleven books about boxing’s early gloved champions including a three-volume study of Jack Dempsey. Volume Three of the Dempsey trilogy (which covers The Manassa Mauler’s ring career subsequent to Dempsey-Firpo) has just been published by Win by KO Publications.

Pollack (a former prosecutor and now a practicing criminal defense attorney in Iowa) is also an accomplished boxing referee. That leads to the question: “Would he have handled matters differently had he been the third man in the ring for Demsey vs. Luis Firpo and Dempsey’s “long count” rematch against Gene Tunney?”

“Unless you’re actually in the moment,” Pollack answers, “it’s hard to know how you’d handle situations like that. And I prefer to let readers decide things on their own. I just lay out the evidence and let readers make their own judgments.”

But when pressed, Pollack offers some thoughts.

The referee for Dempsey-Firpo was Johnny Gallagher. Firpo was knocked down seven times in round one while dropping Dempsey on flash knockdowns twice. Then he knocked Dempsey through the ropes into the press secton with a hellacious righthand before being knocked out himself in the second round.

“The neutral corner rule was in existence at the time of Dempsey-Firpo,” Pollack recounts. “But it was rarely enforced at that time. There was a fair amount of criticism of Gallagher for not enforcing the rule to the extent that he allowed Dempsey to hit Firpo as soon as Firpo’s glove left the canvas rather than making Dempsey wait until Firpo was in an on-guard standing position and ready to defend himself. In fact, that criticism led directly to the rule being highlighted in the referees’ instructions before both Dempsey-Tunney fights. If I’d been the referee for Dempsey-Firpo, using the accepted 1923 standard, I would have made Dempsey take a few steps back after each knockdown and not allowed him to approach until Firpo was totally upright. But I would not have required him to go to a neutral corner.”

“As for Dempsey being knocked through the ropes,” Pollack continues, “back then, a fighter who was knocked out of the ring had ten seconds to get back in, not twenty seconds the way it is today. The consensus is that Dempsey beat the ten-count and didn’t get any help from the writers. Just because someone is pushing you off of them doesn’t mean they’re helping you.”

As for the long-count controversy in Tunney-Dempsey II, Pollack states, “There’s an argument that Dave Barry [the referee] should have picked up the count at four and not started at ‘one’ when Dempsey finally went to the far neutral corner. But Barry was within his rights to handle the situation the way he did. I could go either way on it. And people forget that Dempsey didn’t stay in the neutral corner. He was practically halfway across the ring, coming in for the kill at the count of nine, and Barry ignored it.”

Does Pollack think that Tunney would have beaten the count if he’d had only ten seconds to work with rather than fourteen?

“It’s speculation,” Adam answers. “Looking at the films, I think Tunney could have gotten up within the first ten seconds. But he probably would have been a bit dazed and more vulnerable to Dempsey’s punches.”

“Boxing is becoming a niche sport,” Pollack adds in closing. “So you have fewer and fewer people writing about boxing history today. But I love the research. I love the learning. There are always surprises. The surprises are part of the fun for me. And I love taking readers back in time so they can relive the eras I’m writing about. I put a lot of time and effort into these books. I know there are people who appreciate them, and that’s very gratifying to me. I’m not the one to judge, but I think my books will stand the test of time.”

Yes, they will.

***

SOME WORDS OF WISDOM FROM TRAINERS

Teddy Atlas: “Boxing has its share of beautiful stories. But it has sad ones too.”

Charlie Goldman: “I always say to my guys, ‘Don’t tell ’em. Show ’em.'”

Willie Ketchum (who trained world champions Jimmy Carter, Antonio Cervantes, Lou Salica, Davey Moore, and Lew Jenkins): “They always quit at the wrong time. When it’s too late, they see the light.”

Donald Turner: “There’s a lot of bad people in boxing. And those people should know what kind of person I am. I live an honorable life. When I’m wrong, I admit it and apologize for what I did. But I’ll get in your face if I think you’re wrong. And I’ll come at you with a baseball bat if you try to take what’s mine.”

And then there’s the standard reply that Hall of Fame trainer Ray Arcel gave whenever he was asked about boxing’s many ills: “It was ever thus.”

***

On August 24, a faded, stained, gray flannel shirt sold at auction at Heritage for $24,120,000.

Before you check your closet to see if you have any faded, stained, gray flannel shirts, keep in mind that we’re talking about the jersey Babe Ruth is believed to have worn when he hit his famed “called shot” home run off Chicago Cubs pitcher Charlie Root in the 1932 World Series.

I say “believed” because the jersey has been examined by several respected photomatching authenticators. One of them – Resolution Photomatching – examined the jersey on three separate occasions and each time declined to confirm a match. When Resolution Photomatching went public with its reservations, Chris Ivy (director of sports auctions for Heritage) declared it “unfortunate that a company like Resolution would want to come out and say something like that.”

In recent years, game-worn attire has become increasingly popular among collectors. In 2022, Sotheby’s sold the jersey that Michael Jordan wore in Game 1 of the 1998 NBA Championship Finals for $10.1 million. That same year, the jersey Diego Maradona wore when he scored his “Hand of God” goal in the 1986 World Cup brought in $9.3 million.

The Babe Ruth jersey in question was sold at auction in 1999 at a time when it was described simply as a game-worn Babe Ruth road uniform. The price was $284,000. Six years later – with the “called shot” designation added to the description – it sold at auction for $940,000. Now the same jersey has sold for twenty-five times its 2005 price.

How do boxing trunks and robes stand up against these numbers?

Far behind.

Craig Hamilton is the foremost boxing memorabilia dealer in the United States. Asked about robes and trunks. Hamilton says that the most valuable piece of fight-worn memorabilia known to exist is the robe that Muhammad Ali wore when he reclaimed the heavyweight throne from George Foreman in Zaire. It sold at auction for $157,000 in 1997 and, in Hamilton’s view, would bring several million dollars today.

“You have to remember;” Hamilton adds, “in 1997, sports memorabilia sales were fueled by collectors. Now the market is driven by investors. They might be fans too. But no matter how much they spend, the biggest spenders have their eye on the longterm bottom line.”

And by the way; Babe Ruth loved boxing. He was a regular at ringside for big fights. There are numerous photos of Ruth in boxing poses (sometimes with his hands gloved) and also photos of Ruth with Jack Dempsey and Joe Louis. When the Boxing Writers Association of America (then known as the Boxing Writers Association of Greater New York) held its first annual dinner at the Hotel Astor on April 26, 1926, The Babe was there.

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

          In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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