“Cassius X: The Transformation of Muhammad Ali”

Published

4 years ago

November 13, 2020

BOOK REVIEW by THOMAS HAUSER — Music was the lifeblood of cultural change in the 1950s and 1960s. Cassius X: The Transformation of Muhammad Ali by Stuart Cosgrove (published by Lawrence Hill Books, an imprint of Chicago Review Press) focuses on Cassius Clay’s involvement with the Nation of Islam in the years leading up to his 1964 triumph over Sonny Liston and the expanding reach of what Cosgrove calls “Black music” during that time.

Cassius X is divided into six chapters with a coda entitled “Requiem.” Each chapter is set in a particular city – Miami, Detroit, Philadelphia, New York, London, and Miami again – that was the site for one or more pivotal events in Clay’s life. In each instance, Cosgrove describes Clay’s life and the music scene in that city in depth.

For example, the first chapter (“Miami”) includes a graphic portrayal of racial injustice in the segregated American south as well as Clay’s early involvement with the Nation of Islam and the origins of his friendship with Sam Cooke (a pioneering singer and songwriter of that era). The second chapter (“Detroit”) contains an interesting recounting of a 1962 journey that Cassius, his brother, and Sam Saxon (who introduced Clay to the Nation of Islam) took to Detroit to attend a Nation of Islam rally overseen by Elijah Muhammad and Malcolm X. In “Philadelphia,” the racist underpinnings of Dick Clark’s enormously influential “American Bandstand” television show are explored.

Cosgrove is a Scottish author, journalist, television executive, and TV host with a scholarly interest in music. He’s passionate about his subject and puts words together well. His writing is infused with interesting nuggets of information such as the fact that three records recorded by Sonji Roi (Ali’s first wife) were released after their marriage fell apart. But there are problems with his work.

The biggest problem is that Cassius X is riddled with factual inaccuracies. The red flags begin to appear in the first chapter when Cosgrove writes that Tony Esperti (Clay’s third professional opponent) was “assassinated in a mob hit” in 1967 by a member of the Gambino crime family and adds, “The coroner described it as the perfect execution – a single lethal bullet to the brain.”

“That’s interesting,” I said to myself. I made a note to praise Cosgrove in this review for that bit of information. Then something in the back of my mind cautioned, “Wait a minute!”

Muhammad Ali fought fifty different opponents in his 61 professional fights. I keep a list of which opponents are still alive and the date of death for those who are no longer with us. Tony Esperti died in 2002. I have photographs of him that were taken in 1979. Yet Cassius X dramatically recounts his 1967 “execution” in a Miami steakhouse. In reality, Esperti was the perpetrator of the crime in question.

Unfortunately, there’s more.

Cosgrove writes that “more myths have congregated around Sonny Liston than any boxer before or since.”

I take issue with that. Let’s start with Joe Louis who (among other myths) inspired the allegorical tale of a black prisoner in the moments before his execution crying out “Save me, Joe Louis!” No one is said to have cried out, “Save me, Sonny Liston!”

Cosgrove also writes, “Liston won twenty-six consecutive bouts over five years, and his title-winning victory on September 25, 1962 [over Floyd Patterson] broke the record for consecutive heavyweight victories.”

But Rocky Marciano won 49 fights in a row and retired from boxing with an unblemished record. Joe Louis won 34 fights in a row after his 1936 loss to Max Schmeling. The last time I looked, 49 and 34 were more than 26.

Cosgrove writes that Angelo Dundee “panicked” after Henry Cooper dropped Cassius Clay with a left hook in round four of their 1963 fight. That’s not true. To the contrary, Dundee saw Clay through the crisis.

Similarly, the fatal 1962 encounter between Emile Griffith and Benny Paret is mis-told. After writing that Griffith was “the reigning welterweight champion” at the time (he wasn’t), Cosgrove states that Grffith “lost control” during the final sequence of punches and informs readers, “Referee Ruby Goldstein was tugging at Griffith from behind, pulling him off. As Emile, berserk, struggling passionately in Goldstein’s embrace, was dragged away, Paret, now obviously senseless, crumpled slowly and collapsed.”

That’s inaccurate. All Cosgrove had to do was go to YouTube and watch a video of the fatal round. If he had, he would have seen that Griffith stopped throwing punches and stepped back the moment that Goldstein intervened. Is simple fact-checking too much to ask of a seasoned professional like Cosgrove?

Errors like these make it difficult to know how much of Cosgrove’s factual recitation in other areas (such as music) can be trusted.

Here I might add that Cosgrove writes of a week that the writer Tom Wolfe spent with Clay in 1963 and states, “Wolfe sensed that his simplistic poetry and superficial boasting disguised a deep understanding of business and finance.”

I don’t know what Wolfe “sensed.” I do know that it’s ludicrous to suggest that Clay (or Muhammad Ali) had “a deep understanding of business and finance.”

That brings us to Cassius Clay and the world of music.

Cosgrove equates Muhammad Ali’s ultimate success with the rise of rhythm and blues and (ultimately) hip-hop to become “the preeminent form of popular music in the world.”

Reinterpretations of history are always welcome when solidly grounded. And there’s a lot of interesting information in Cassius X about Clay’s transformation to Muhammad Ali, the Nation of Islam, and the music of that era. But there are times when Cosgrove’s methodology of viewing Clay through the prism of music comes across as forced.

I’m not a scholar with regard to popular music from the 1950s and 1960s. But I know it pretty well, having lived through that time. Lloyd Price and Chubby Checker (acknowledged by Cosgrove to have been important figures during that era) have been guests for dinner in my home. My first real bond with Ali when I began spending time with him while researching Muhammad Ali: His Life and Times (published in 1991) was music.

Muhammad was four years older than I was, but we’d grown up with many of the same songs. We’d drive from the airport to his home in Berrien Springs or be in his car on the way to a restaurant. We’d pop a tape of songs sung by black recording artists into the cassette player and sing along.

“I can’t believe you know all the words,” Muhammad said to me one evening. “I never would have thought it.”

Cosgrove has an impressive resume. Among his many credits, he’s the author of a three-book study of soul music. That said; there are places where he falls victim to hyperbole in advancing his thesis. Twist and Shout, first recorded by the Top Notes and made famous by the Isley Brothers (two black vocal groups) was not “the song the Beatles had become synonymous with” when they came to the United States in 1964. A Christmas Gift for You featuring Darlene Love and the Ronettes was not “one of the greatest pop albums of the era.” It was a celebration of a certain style of music but a repetitive and formulaic compilation. Sam Cooke Live at the Harlem Square Club, 1963 is an excellent recording but not “universally acclaimed as one of the greatest live albums of all time.”

Cosgrove writes that sports columnist Jimmy Cannon “erupted when he learned about the Beatles meeting Cassius in Miami” in 1964 and that Cannon wrote, “Clay is part of the Beatle movement. He fits in with the famous singers no one can hear and the punks riding motorcycles with iron crosses pinned to their leather jackets and Batman and the boys with their long dirty hair and the girls with the unwashed look and the college kids dancing naked at secret proms held in apartments and the revolt of students who get a check from dad every first of the month and the painters who copy the labels off soup cans and the surf bums who refuse to work and the whole pampered style-making cult of the bored young.”

That’s a dramatic quote. But Cosgrove puts it in a misleading context. Cannon wrote those words in 1966 after Ali was reclassified 1-A by his draft board and uttered the words, “I ain’t got no quarrel with them Vietcong.” That was more than two years after Clay met the Beatles.

And Cosgrove writes about Clay’s dalliance with singer Dee Dee Sharp as a serious relationship before characterizing it more accurately as a “brief affair” and then exaggerating its gravitas again.

There’s also some sloppy copy-editing. By way of example, Cassius X states that Sonny Liston refused to allow Liston-Clay I to be shown on closed circuit in theaters in New Orleans “if the seating in New Orleans was not segregated.” I assume that Cosgrove meant “integrated.”

These flaws are disappointing because Cosgrove has a lot to say that’s of interest. At its best, Cassius X contains some very good – even enlightening – material on the evolution of music in the 1950s and 1960s and Cassius Clay’s sojourn through that time.

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His next book – Staredown: Another Year Inside Boxing – will be published by the University of Arkansas Press this autumn. In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, he was selected for induction into the International Boxing Hall of Fame.

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Thomas Hauser

Thomas Hauser is the author of 52 books. In 2005, he was honored by the Boxing Writers Association of America, which bestowed the Nat Fleischer Award for career excellence in boxing journalism upon him. He was the first Internet writer ever to receive that award. In 2019, Hauser was chosen for boxing's highest honor: induction into the International Boxing Hall of Fame. Lennox Lewis has observed, “A hundred years from now, if people want to learn about boxing in this era, they’ll read Thomas Hauser.”

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Fast-Rising Omar Trinidad KOs Slavinskyi at the Commerce Casino

Published

5 hours ago

July 26, 2024

David A. Avila

Fast-Rising-Omar-Trinidad-KOs-Slavinskyi-at-the-Commerce-Casino

East L.A.’s Omar Trinidad knocked out Ukraine’s Viktor Slavinskyi to retain the WBC Continental America’s featherweight title on Friday in a strategic but entertaining contest.

Fighting in front of frenzied crowd of supporters Trinidad (16-0-1, 13 KOs) defeated southpaw Slavinskyi (15-3-1, 7 KOs) with a measured and careful attack at the Commerce Casino in Commerce, Calif.

Fans familiar with Trinidad (pictured over the right shoulder of promoter Tom Loeffler) are familiar with his aggressive pressure fighting style, but the Boyle Heights pugilist took a careful approach against Slavinskyi. Instead of a pounding assault Trinidad kept the fight at a distance and used his reach advantage to perfection.

It was reminiscent of long-armed fighters of the past like the late great Mando Ramos of the late 1960s who could punch or box. Pick your poison.

Trinidad employed a constant jab and well-placed counter shots. The right hand, in particular, was especially effective.

“I couldn’t miss with the right,” said Trinidad

For seven rounds Trinidad dominated with counter-punching. Then, Slavinskyi increased the pressure and forced the East L.A. fighter to come along. He did.

“If I could get a knockout I’d put him in the blender,” Trinidad said.

From the eighth round until the end Trinidad engaged in his usual fast and furious style and was especially effective with uppercuts in ninth round. Slavinskyi walked into a right uppercut that sent him across the ring and into the ropes. Referee Ray Corona ruled it a knockdown.

In the final round Trinidad wasted no time in looking to unload with an uppercut and Slavinskyi walked into a right hand version. There was no escape as he was ruled unable to continue by Corona at 2:31 of the 10^th and final round.

Trinidad keeps the title.

“The left hook and right uppercut was the money shot,” said Trinidad. “It was well-timed and it was a money shot.”

Welterweights

A fight between buddies from the same Armenian amateur team saw Aram Amirkhanyun (16-0-1, 4 KOs) defeat Gor Yeritsyan (18-1, 14 KOs) by split decision after 10 hard-fought rounds in a welterweight fight for a regional title.

The judges scored it 96-94 Yeritsyan and 96-94 twice for Amirkhanyun. No knockdowns were scored.

Iyana “Right Hook Roxy” Verduzco (2-0) proved that adapting into a pro style was not a problem in soundly defeating Pittsburgh’s Colleen Davis (3-2-1) after six featherweight rounds. Her best weapon was accuracy.

Verduzco, who is trained by her mother Gloria Alvarado, had been one of the most decorated amateur boxers for many years. In just her second pro fight the tell-tale signs of the amateur style were gone.

While the taller Davis circled rapidly to the left, Verduzco calmly waited for the openings and blasted away with pinpoint shots to the body and head. Her right hook was deadly accurate and the left found openings whenever they appeared.

Davis was able to land rights but just not enough to offset the incoming fire from the Southern California fighter. After six rounds all three judges scored it 60-54 for Verduzco.

In a firefight, Abel Mejia (5-0, 4 KOs) barely survived a second round knockdown against Tijuana’s rugged Jose Correa (6-10, 4 KOs) and rallied to remain relevant in the super featherweight match. In the fourth and final round Mejia beat Correa to the punch with a left hook that knocked out the tough Mexican challenger at 55 seconds as referee Ray Corona stopped the fight.

A super featherweight fight saw Hawaii’s Jaybrio Pe Benito (5-0, 4 KOs) power past Texan Michael Land (1-5-1) for a knockout win at 1:30 of the second round. Benito was too powerful and busy for Land who tried but was unable to slow down the assault.

Photo credit: Lina Baker

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Avila Perspective, Chap. 289: East LA, Claressa Shields and More

Published

2 days ago

July 25, 2024

David A. Avila

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Avila Perspective, Chap. 289: East LA, Claressa Shields and More

East Los Angeles has long been a haven for some of the best fighters around if you can keep them out of trouble. For every Oscar De La Hoya or Seniesa Estrada there are thousands derailed by crime, drugs or drinking.

Boxing has always been a favorite sport of East L.A. Every family has an uncle or two who boxes.

On Friday, 360 Promotions’ Omar Trinidad (15-0-1) fights Viktor Slavinskyi (15-2-1) in the main event at Commerce Casino, in Commerce, CA. UFC Fight Pass will stream the fight card.

The City of Commerce used to be part of East L.A. until 1960 when it incorporated. It’s still considered to be part of East Los Angeles, but informally.

Plenty of fighters come out of East L.A. but few make it all the way like De La Hoya and Estrada. Will Trinidad be the one?

The first world champion from East L.A. or “East Los” as some call it, was Solly Garcia Smith back in the late 1800s. Others were Richie Lemos, Art Frias and Joey Olivo. There is also 1984 Olympic gold medalist Paul Gonzalez.

Once again 360 Promotions brings its popular brand of fights to the area. On this fight card includes two female bouts. One features Roxy Verduzco (1-0) the former amateur star fighting Colleen Davis (3-1-1) in a featherweight fight.

All that action takes place on Friday.

Elite Boxing

The next day, also in East L.A., Elite Boxing stages another boxing card at Salesian High School located at 960 S. Soto Street in the Boyle Heights area of East Los Angeles.

Elite Boxing has promoted several successful boxing cards at the Catholic high school grounds. The area is saturated by many of the best eateries in Los Angeles. Don’t take my word for it. Check it out yourself and grab some of that delicious food.

Boxing has long been a favorite sport of anyone who lives in East L.A. It’s a fight town equal to Philadelphia, Brooklyn or Detroit. There’s something different about the area. For more than 100 years some of the best fighters continue to come out of its boxing gyms. Some will be performing on these club shows.

For tickets or information go to www.eliteboxingusa.com

Claressa Shields in Detroit

Speaking of fight towns, pound-for-pound best Claressa Shields who won two Olympic Gold Medals in boxing, moves up another weight division to tackle the WBC heavyweight world champion Vanessa Lepage-Joanisse on Saturday, July 27, at Little Caesars Arena in Detroit, Michigan.

DAZN will stream the heavy-duty fight card.

Shields (14-0) cleaned out the super welterweight, middleweight and super middleweight divisions and now wants to add the big girls to her conquests. She will be facing Canada’s Lepage-Joanisse (7-1) who holds the WBC belt.

The last time Shields gloved up was more than a year ago when she fought Maricela Cornejo. Don’t blame Shields. She loves to fight. She loves to win. The last time Shields lost a fight was in the amateurs and that was three presidential administrations ago.

Shields doesn’t lose.

I wonder if Las Vegas even takes bets on her fights?

The only fight she may have been an underdog was against Savannah Marshall who was the last opponent to defeat her. And that was in 2012 in China. When they met as pros two years ago, Shields avenged her loss with a blistering attack.

Don’t get Shields mad.

Perhaps her toughest foe as a pro was in her pro debut when she clashed with Franchon Crews-Dezurn in Las Vegas. It was four rounds of fists and fury as the two pounded each other on the undercard of Andre Ward and Sergey Kovalev in November 2016.

That was a ferocious debut for both female pugilists.

Assisting Shields on this fight card will be several intriguing male bouts. One guy you should pay special attention is Tito Mercado (15-0, 14 KOs) a super lightweight prospect from Pomona, California.

Many excellent fighters have come out of Pomona including Sugar Shane Mosley, Shane Mosley Jr., Alberto Davila and Richie Sandoval who just passed away this week.

Sandoval was best known for his 15-round war with Philadelphia’s Jeff Chandler for the bantamweight world title in 1984. Read the story by Arne K. Lang on this link: https://tss.ib.tv/boxing/featured-boxing-articles-boxing-news-videos-rankings-and-results/81467-former-world-bantamweight-champion-richie-sandoval-passes-away-at-age-63 .

Fights to Watch

Fri. UFC Fight Pass 7 p.m. Omar Trinidad (15-0-1) vs Viktor Slavinskyi (15-2-1).

Sat. ESPN+ 12:30 p.m. Joe Joyce (16-2) vs Derek Chisora (34-13).

Sat. DAZN 3 p.m. Claressa Shields (14-0) vs Vanessa Lepage-Joanisse (7-1), Michel Rivera (25-1) vs Hugo Roldan (22-2-1); Tito Mercado (15-0) vs Hector Sarmiento (21-2).

Omar Trinidad photo by Lina Baker

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Arne’s Almanac: Jake Paul and Women’s Boxing, a Curmudgeon’s Take

Published

3 days ago

July 24, 2024

Arne K. Lang

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Jake Paul can fight more than a little. The view from here is that he would make it interesting against any fringe contender in the cruiserweight division. However, Jake’s boxing acumen pales when paired against his skill as a flim-flam artist.

Jake brought a 9-1 record into last weekend’s bout with Mike Perry. As noted by boxing writer Paul Magno, Jake’s previous opponents consisted of “a You Tuber, a retired NBA star, five retired MMA stars, a part-time boxer/reality TV star, and two undersized and inactive fall-guy boxers.”

Mike Perry, a 32-year-old Floridian, was undefeated (6-0, 3 KOs) as a bare-knuckle boxer after forging a 14-8 record in UFC bouts. In pre-fight blurbs, Perry was billed as the baddest bare knuckle boxer of all time, but against Jake Paul he proved to have very unrefined skills as a conventional boxer which Team Paul undoubtedly knew all along. Perry lasted into the eighth round in a one-sided fight that could have been stopped a lot sooner.

Jake Paul is both a boxer and a promoter. As a promoter, he handles Amanda Serrano, one of the greatest female boxers in history. That makes him the person most responsible (because the buck stops with him) for the wretched mismatch in last Saturday’s co-feature, the bout between Serrano and Stevie Morgan.

Morgan, who took up boxing two years ago at age 33, brought a 14-1 record. Nicknamed the Sledgehammer, she had won 13 of her 14 wins by knockout, eight in the opening round. However, although she resides in Florida, all but one of those 13 knockouts happened in Colombia.

“We found that in Colombia there were just more opportunities for women’s boxing than in the United States,” she told a prominent boxing writer whose name we won’t mention.

The truth is that, for some folks, Colombia is the boxing equivalent of a feeder lot for livestock, a place where a boxer can go to fatten their record. The opportunities there were no greater than in Hot Springs, Arkansas, in 1995. It was there that Peter McNeeley prepped for his match with Mike Tyson with a 6-second knockout of professional punching bag Frankie Hines. (Six seconds? So it would be written although no one seems to have been there to witness it.)

Serrano vs Morgan was understood to be a stay-busy fight for Amanda whose rematch with Katie Taylor was postponed until November. Stevie Morgan, to her credit, answered the bell for the second round whereas others in her situation would have remained on the stool and invented an injury to rationalize it. Thirty-eight seconds later it was all over and Ms. Morgan was free to go home and use her sledgehammer to do some light dusting.

The Paul-Perry and Serrano-Morgan fights played out in a sold-out arena in Tampa before an estimated 17,000. Those without a DAZN subscription paid $64.95 for the livestream. Paul’s next promotion, where he will touch gloves with 58-year-old Mike Tyson (unless Iron Mike pulls a Joe Biden and pulls out; a capital idea) with Serrano-Taylor II the semi-main, will almost certainly rake in more money than any other boxing promotion this year.

Asked his opinion of so-called crossover boxing by a reporter for a college newspaper, the venerable boxing promoter Bob Arum said, “It’s not my bag but folks who don’t like it shouldn’t get too worked up over it because no one is stealing from anybody.” True enough, but for some of us, the phenomenon is distressing.

—

The next big women’s fight happens Saturday in Detroit where Claressa Shields seeks a world title in a third weight class against WBC heavyweight belt-holder Vanessa Lepage-Joanisse.

A two-time Olympic gold medalist, undefeated in 14 fights as a pro, Shields is very good, arguably the best female boxer of her generation which makes her, arguably, the best female boxer of all time. But turning away Lepage-Joanisse (7-1, 2 KOs) won’t elevate her stature in our eyes.

Purportedly 17-4 as an amateur, the Canadian won her title in her second crack at it. Back in August of 2017, she challenged Cancun’s Alejandra Jimenez in Cancun and was stopped in the third round. Entering the bout, Lepage-Joanisse was 3-0 as a pro and had never fought a match slated for more than four rounds.

Vanessa Lepage-Joanisse

True, on the women’s side, the heavyweight bracket is a very small pod. A sanctioning body has to make concessions to harness a sanctioning fee. Nonetheless, how absurd that a woman who had answered the bell for only 11 rounds would be deemed qualified to compete for a world title. (FYI: Alejandra Jimenez was purportedly born a man. She left the sport with a 12-0-1 record after her win over Franchon Crews Dazurn was changed to a no-contest when she tested positive for the banned steroid stanozolol.)

Following her defeat to Jimenez, Vanessa Lepage-Joanisse, now 29 years old, was out of action for six-and-a-half years. When she returned, she was still a heavyweight, but a much slender heavyweight. She carried 231 pounds for Jimenez. In her most recent bout where she captured the vacant WBC title with a split decision over Argentina’s Abril Argentina Vidal, she clocked in at 173 ¼. (On the distaff side, there’s no uniformity among the various sanctioning bodies as to what constitutes a heavyweight.)

Claressa Shields doesn’t need Vanessa Lepage-Joanisse to reinforce her credentials as a future Hall of Famer. She made the cut a long time ago.

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