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“Cassius X: The Transformation of Muhammad Ali”
BOOK REVIEW by THOMAS HAUSER — Music was the lifeblood of cultural change in the 1950s and 1960s. Cassius X: The Transformation of Muhammad Ali by Stuart Cosgrove (published by Lawrence Hill Books, an imprint of Chicago Review Press) focuses on Cassius Clay’s involvement with the Nation of Islam in the years leading up to his 1964 triumph over Sonny Liston and the expanding reach of what Cosgrove calls “Black music” during that time.
Cassius X is divided into six chapters with a coda entitled “Requiem.” Each chapter is set in a particular city – Miami, Detroit, Philadelphia, New York, London, and Miami again – that was the site for one or more pivotal events in Clay’s life. In each instance, Cosgrove describes Clay’s life and the music scene in that city in depth.
For example, the first chapter (“Miami”) includes a graphic portrayal of racial injustice in the segregated American south as well as Clay’s early involvement with the Nation of Islam and the origins of his friendship with Sam Cooke (a pioneering singer and songwriter of that era). The second chapter (“Detroit”) contains an interesting recounting of a 1962 journey that Cassius, his brother, and Sam Saxon (who introduced Clay to the Nation of Islam) took to Detroit to attend a Nation of Islam rally overseen by Elijah Muhammad and Malcolm X. In “Philadelphia,” the racist underpinnings of Dick Clark’s enormously influential “American Bandstand” television show are explored.
Cosgrove is a Scottish author, journalist, television executive, and TV host with a scholarly interest in music. He’s passionate about his subject and puts words together well. His writing is infused with interesting nuggets of information such as the fact that three records recorded by Sonji Roi (Ali’s first wife) were released after their marriage fell apart. But there are problems with his work.
The biggest problem is that Cassius X is riddled with factual inaccuracies. The red flags begin to appear in the first chapter when Cosgrove writes that Tony Esperti (Clay’s third professional opponent) was “assassinated in a mob hit” in 1967 by a member of the Gambino crime family and adds, “The coroner described it as the perfect execution – a single lethal bullet to the brain.”
“That’s interesting,” I said to myself. I made a note to praise Cosgrove in this review for that bit of information. Then something in the back of my mind cautioned, “Wait a minute!”
Muhammad Ali fought fifty different opponents in his 61 professional fights. I keep a list of which opponents are still alive and the date of death for those who are no longer with us. Tony Esperti died in 2002. I have photographs of him that were taken in 1979. Yet Cassius X dramatically recounts his 1967 “execution” in a Miami steakhouse. In reality, Esperti was the perpetrator of the crime in question.
Unfortunately, there’s more.
Cosgrove writes that “more myths have congregated around Sonny Liston than any boxer before or since.”
I take issue with that. Let’s start with Joe Louis who (among other myths) inspired the allegorical tale of a black prisoner in the moments before his execution crying out “Save me, Joe Louis!” No one is said to have cried out, “Save me, Sonny Liston!”
Cosgrove also writes, “Liston won twenty-six consecutive bouts over five years, and his title-winning victory on September 25, 1962 [over Floyd Patterson] broke the record for consecutive heavyweight victories.”
But Rocky Marciano won 49 fights in a row and retired from boxing with an unblemished record. Joe Louis won 34 fights in a row after his 1936 loss to Max Schmeling. The last time I looked, 49 and 34 were more than 26.
Cosgrove writes that Angelo Dundee “panicked” after Henry Cooper dropped Cassius Clay with a left hook in round four of their 1963 fight. That’s not true. To the contrary, Dundee saw Clay through the crisis.
Similarly, the fatal 1962 encounter between Emile Griffith and Benny Paret is mis-told. After writing that Griffith was “the reigning welterweight champion” at the time (he wasn’t), Cosgrove states that Grffith “lost control” during the final sequence of punches and informs readers, “Referee Ruby Goldstein was tugging at Griffith from behind, pulling him off. As Emile, berserk, struggling passionately in Goldstein’s embrace, was dragged away, Paret, now obviously senseless, crumpled slowly and collapsed.”
That’s inaccurate. All Cosgrove had to do was go to YouTube and watch a video of the fatal round. If he had, he would have seen that Griffith stopped throwing punches and stepped back the moment that Goldstein intervened. Is simple fact-checking too much to ask of a seasoned professional like Cosgrove?
Errors like these make it difficult to know how much of Cosgrove’s factual recitation in other areas (such as music) can be trusted.
Here I might add that Cosgrove writes of a week that the writer Tom Wolfe spent with Clay in 1963 and states, “Wolfe sensed that his simplistic poetry and superficial boasting disguised a deep understanding of business and finance.”
I don’t know what Wolfe “sensed.” I do know that it’s ludicrous to suggest that Clay (or Muhammad Ali) had “a deep understanding of business and finance.”
That brings us to Cassius Clay and the world of music.
Cosgrove equates Muhammad Ali’s ultimate success with the rise of rhythm and blues and (ultimately) hip-hop to become “the preeminent form of popular music in the world.”
Reinterpretations of history are always welcome when solidly grounded. And there’s a lot of interesting information in Cassius X about Clay’s transformation to Muhammad Ali, the Nation of Islam, and the music of that era. But there are times when Cosgrove’s methodology of viewing Clay through the prism of music comes across as forced.
I’m not a scholar with regard to popular music from the 1950s and 1960s. But I know it pretty well, having lived through that time. Lloyd Price and Chubby Checker (acknowledged by Cosgrove to have been important figures during that era) have been guests for dinner in my home. My first real bond with Ali when I began spending time with him while researching Muhammad Ali: His Life and Times (published in 1991) was music.
Muhammad was four years older than I was, but we’d grown up with many of the same songs. We’d drive from the airport to his home in Berrien Springs or be in his car on the way to a restaurant. We’d pop a tape of songs sung by black recording artists into the cassette player and sing along.
“I can’t believe you know all the words,” Muhammad said to me one evening. “I never would have thought it.”
Cosgrove has an impressive resume. Among his many credits, he’s the author of a three-book study of soul music. That said; there are places where he falls victim to hyperbole in advancing his thesis. Twist and Shout, first recorded by the Top Notes and made famous by the Isley Brothers (two black vocal groups) was not “the song the Beatles had become synonymous with” when they came to the United States in 1964. A Christmas Gift for You featuring Darlene Love and the Ronettes was not “one of the greatest pop albums of the era.” It was a celebration of a certain style of music but a repetitive and formulaic compilation. Sam Cooke Live at the Harlem Square Club, 1963 is an excellent recording but not “universally acclaimed as one of the greatest live albums of all time.”
Cosgrove writes that sports columnist Jimmy Cannon “erupted when he learned about the Beatles meeting Cassius in Miami” in 1964 and that Cannon wrote, “Clay is part of the Beatle movement. He fits in with the famous singers no one can hear and the punks riding motorcycles with iron crosses pinned to their leather jackets and Batman and the boys with their long dirty hair and the girls with the unwashed look and the college kids dancing naked at secret proms held in apartments and the revolt of students who get a check from dad every first of the month and the painters who copy the labels off soup cans and the surf bums who refuse to work and the whole pampered style-making cult of the bored young.”
That’s a dramatic quote. But Cosgrove puts it in a misleading context. Cannon wrote those words in 1966 after Ali was reclassified 1-A by his draft board and uttered the words, “I ain’t got no quarrel with them Vietcong.” That was more than two years after Clay met the Beatles.
And Cosgrove writes about Clay’s dalliance with singer Dee Dee Sharp as a serious relationship before characterizing it more accurately as a “brief affair” and then exaggerating its gravitas again.
There’s also some sloppy copy-editing. By way of example, Cassius X states that Sonny Liston refused to allow Liston-Clay I to be shown on closed circuit in theaters in New Orleans “if the seating in New Orleans was not segregated.” I assume that Cosgrove meant “integrated.”
These flaws are disappointing because Cosgrove has a lot to say that’s of interest. At its best, Cassius X contains some very good – even enlightening – material on the evolution of music in the 1950s and 1960s and Cassius Clay’s sojourn through that time.
Thomas Hauser’s email address is thomashauserwriter@gmail.com. His next book – Staredown: Another Year Inside Boxing – will be published by the University of Arkansas Press this autumn. In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, he was selected for induction into the International Boxing Hall of Fame.
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Usyk Outpoints Fury and Itauma has the “Wow Factor” in Riyadh
Usyk Outpoints Fury and Itauma has the “Wow Factor” in Riyadh
Oleksandr Usyk left no doubt that he is the best heavyweight of his generation and one of the greatest boxers of all time with a unanimous decision over Tyson Fury tonight at Kingdom Arena in Riyadh, Saudi Arabia. But although the Ukrainian won eight rounds on all three scorecards, this was no runaway. To pirate a line from one of the DAZN talking heads, Fury had his moments in every round but Usyk had more moments.
The early rounds were fought at a faster pace than the first meeting back in May. At the mid-point, the fight was even. The next three rounds – the next five to some observers – were all Usyk who threw more punches and landed the cleaner shots.
Fury won the final round in the eyes of this reporter scoring at home, but by then he needed a knockout to pull the match out of the fire.
The last round was an outstanding climax to an entertaining chess match during which both fighters took turns being the pursuer and the pursued.
An Olympic gold medalist and a unified world champion at cruiserweight and heavyweight, the amazing Usyk improved his ledger to 23-0 (14). His next fight, more than likely, will come against the winner of the Feb. 22 match in Ridayh between Daniel Dubois and Joseph Parker which will share the bill with the rematch between Artur Beterbiev and Dmitry Bivol.
Fury (34-2-1) may fight Anthony Joshua next. Regardless, no one wants a piece of Moses Itauma right now although the kid is only 19 years old.
Moses Itauma
Raised in London by a Nigerian father and a Slovakian mother, Itauma turned heads once again with another “wow” performance. None of his last seven opponents lasted beyond the second round.
His opponent tonight, 34-year-old Australian Demsey McKean, lasted less than two minutes. Itauma, a southpaw with blazing fast hands, had the Aussie on the deck twice during the 117-second skirmish. The first knockdown was the result of a cuffing punch that landed high on the head; the second knockdown was produced by an overhand left. McKean went down hard as his chief cornerman bounded on to the ring apron to halt the massacre.
Itauma (12-0, 10 KOs after going 20-0 as an amateur) is the real deal. It was the second straight loss for McKean (22-2) who lasted into the 10th round against Filip Hrgovic in his last start.
Bohachuk-Davis
In a fight billed as the co-main although it preceded Itauma-McKean, Serhii Bohachuk, an LA-based Ukrainian, stopped Ishmael Davis whose corner pulled him out after six frames.
Both fighters were coming off a loss in fights that were close on the scorecards, Bohachuk falling to Vergil Ortiz Jr in a Las Vegas barnburner and Davis losing to Josh Kelly.
Davis, who took the fight on short notice, subbing for Ismail Madrimov, declined to 13-2. He landed a few good shots but was on the canvas in the second round, compliments of a short left hook, and the relentless Bohachuk (25-2, 24 KOs) eventually wore him down.
Fisher-Allen
In a messy, 10-round bar brawl masquerading as a boxing match, Johnny Fisher, the Romford Bull, won a split decision over British countryman David Allen. Two judges favored Fisher by 95-94 tallies with the dissenter favoring Allen 96-93. When the scores were announced, there was a chorus of boos and those watching at home were outraged.
Allen was a step up in class for Fisher. The Doncaster man had a decent record (23-5-2 heading in) and had been routinely matched tough (his former opponents included Dillian Whyte, Luis “King Kong” Ortiz and three former Olympians). But Allen was fairly considered no more than a journeyman and Fisher (12-0 with 11 KOs, eight in the opening round) was a huge favorite.
In round five, Allen had Fisher on the canvas twice although only one was ruled a true knockdown. From that point, he landed the harder shots and, at the final bell, he fell to canvas shedding tears of joy, convinced that he had won.
He did not win, but he exposed Johnny Fisher as a fighter too slow to compete with elite heavyweights, a British version of the ponderous Russian-Canadian campaigner Arslanbek Makhmudov.
Other Bouts of Note
In a spirited 10-round featherweight match, Scotland’s Lee McGregor, a former European bantamweight champion and stablemate of former unified 140-pound title-holder Josh Taylor, advanced to 15-1-1 (11) with a unanimous decision over Isaac Lowe (25-3-3). The judges had it 96-92 and 97-91 twice.
A cousin and regular houseguest of Tyson Fury, Lowe fought most of the fight with cuts around both eyes and was twice deducted a point for losing his gumshield.
In a fight between super featherweights that could have gone either way, Liverpool southpaw Peter McGrail improved to 11-1 (6) with a 10-round unanimous decision over late sub Rhys Edwards. The judges had it 96-95 and 96-94 twice.
McGrail, a Tokyo Olympian and 2018 Commonwealth Games gold medalist, fought from the third round on with a cut above his right eye, the result of an accidental clash of heads. It was the first loss for Edwards (16-1), a 24-year-old Welshman who has another fight booked in three weeks.
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Fury-Usyk Reignited: Can the Gypsy King Avenge his Lone Defeat?
Fury-Usyk Reignited: Can the Gypsy King Avenge his Lone Defeat?
In professional boxing, the heavyweight division, going back to the days of John L. Sullivan, is the straw that stirs the drink. By this measure, the fight on May 18 of this year at Kingdom Arena in Riyadh, Saudi Arabia, was the biggest prizefight in decades. The winner would emerge as the first undisputed heavyweight champion since 1999 when Lennox Lewis out-pointed Evander Holyfield in their second meeting.
The match did not disappoint. It had several twists and turns.
Usyk did well in the early rounds, but the Gypsy King rattled Usyk with a harsh right hand in the fifth stanza and won rounds five through seven on all three cards. In the ninth, the match turned sharply in favor of the Ukrainian. Fury was saved by the bell after taking a barrage of unanswered punches, the last of which dictated a standing 8-count from referee Mark Nelson. But Fury weathered the storm and with his amazing powers of recuperation had a shade the best of it in the final stanza.
The decision was split: 115-112 and 114-113 for Usyk who became a unified champion in a second weight class; 114-113 for Fury.
That brings us to tomorrow (Saturday, Dec. 21) where Usyk and Fury will renew acquaintances in the same ring where they had their May 18 showdown.
The first fight was a near “pick-‘em” affair with Fury closing a very short favorite at most of the major bookmaking establishments. The Gypsy King would have been a somewhat higher favorite if not for the fact that he was coming off a poor showing against MMA star Francis Ngannou and had a worrisome propensity for getting cut. (A cut above Fury’s right eye in sparring pushed back the fight from its original Feb. 11 date.)
Tomorrow’s sequel, bearing the tagline “Reignited,” finds Usyk a consensus 7/5 favorite although those odds could shorten by post time. (There was no discernible activity after today’s weigh-in where Fury, fully clothed, topped the scales at 281, an increase of 19 pounds over their first meeting.)
Given the politics of boxing, anything “undisputed” is fragile. In June, Usyk abandoned his IBF belt and the organization anointed Daniel Dubois their heavyweight champion based upon Dubois’s eighth-round stoppage of Filip Hrgovic in a bout billed for the IBF interim title. The malodorous WBA, a festering boil on the backside of boxing, now recognizes 43-year-old Kubrat Pulev as its “regular” heavyweight champion.
Another difference between tomorrow’s fight card and the first installment is that the May 18 affair had a much stronger undercard. Two strong pairings were the rematch between cruiserweights Jai Opetaia and Maris Briedis (Opetaia UD 12) and the heavyweight contest between unbeatens Agit Kabayal and Frank Sanchez (Kabayel KO 7).
Tomorrow’s semi-wind-up between Serhii Bohachuk and Ismail Madrimov lost luster when Madrimov came down with bronchitis and had to withdraw. The featherweight contest between Peter McGrail and Dennis McCann fell out when McCann’s VADA test returned an adverse finding. Bohachuk and McGrail remain on the card but against late-sub opponents in matches that are less intriguing.
The focal points of tomorrow’s undercard are the bouts involving undefeated British heavyweights Moses Itauma (10-0, 8 KOs) and Johnny Fisher (12-0, 11 KOs). Both are heavy favorites over their respective opponents but bear watching because they represent the next generation of heavyweight standouts. Fury and Usyk are getting long in the tooth. The Gypsy King is 36; Usyk turns 38 next month.
Bob Arum once said that nobody purchases a pay-per-view for the undercard and, years from now, no one will remember which sanctioning bodies had their fingers in the pie. So, Fury-Usyk II remains a very big deal, although a wee bit less compelling than their first go-around.
Will Tyson Fury avenge his lone defeat? Turki Alalshikh, the Chairman of Saudi Arabia’s General Entertainment Authority and the unofficial czar of “major league” boxing, certainly hopes so. His Excellency has made known that he stands poised to manufacture a rubber match if Tyson prevails.
We could have already figured this out, but Alalshikh violated one of the protocols of boxing when he came flat out and said so. He effectively made Tyson Fury the “A-side,” no small potatoes considering that the most relevant variable on the checklist when handicapping a fight is, “Who does the promoter need?”
The Uzyk-Fury II fight card will air on DAZN with a suggested list price of $39.99 for U.S. fight fans. The main event is expected to start about 5:45 pm ET / 2:45 pm PT.
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Unheralded Bruno Surace went to Tijuana and Forged the TSS 2024 Upset of the Year
Unheralded Bruno Surace went to Tijuana and Forged the TSS 2024 Upset of the Year
The Dec. 14 fight at Tijuana between Jaime Munguia and Bruno Surace was conceived as a stay-busy fight for Munguia. The scuttlebutt was that Munguia’s promoters, Zanfer and Top Rank, wanted him to have another fight under his belt before thrusting him against Christian Mbilli in a WBC eliminator with the prize for the winner (in theory) a date with Canelo Alvarez.
Munguia came to the fore in May of 2018 at Verona, New York, when he demolished former U.S. Olympian Sadam Ali, conqueror of Miguel Cotto. That earned him the WBO super welterweight title which he successfully defended five times.
Munguia kept winning as he moved up in weight to middleweight and then super middleweight and brought a 43-0 (34) record into his Cinco de Mayo 2024 match with Canelo.
Jaime went the distance with Alvarez and had a few good moments while losing a unanimous decision. He rebounded with a 10th-round stoppage of Canada’s previously undefeated Erik Bazinyan.
There was little reason to think that Munguia would overlook Surace as the Mexican would be fighting in his hometown for the first time since February of 2022 and would want to send the home folks home happy. Moreover, even if Munguia had an off-night, there was no reason to think that the obscure Surace could capitalize. A Frenchman who had never fought outside France, Surace brought a 25-0-2 record and a 22-fight winning streak, but he had only four knockouts to his credit and only eight of his wins had come against opponents with winning records.
It appeared that Munguia would close the show early when he sent the Frenchman to the canvas in the second round with a big left hook. From that point on, Surace fought mostly off his back foot, throwing punches in spurts, whereas the busier Munguia concentrated on chopping him down with body punches. But Surace absorbed those punches well and at the midway point of the fight, behind on the cards but nonplussed, it now looked as if the bout would go the full 10 rounds with Munguia winning a lopsided decision.
Then lightning struck. Out of the blue, Surace connected with an overhand right to the jaw. Munguia went down flat on his back. He rose a fraction-of-a second before the count reached “10,”, but stumbled as he pulled himself upright. His eyes were glazed and referee Juan Jose Ramirez, a local man, waived it off. There was no protest coming from Munguia or his cornermen. The official time was 2:36 of round six.
At major bookmaking establishments, Jaime Munguia was as high as a 35/1 favorite. No world title was at stake, yet this was an upset for the ages.
Photo credit: Mikey Williams / Top Rank
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