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The Hauser Report: Filmmaker Eric Drath and More
Eric Drath is a very good filmmaker. The release of Macho: The Hector Camacho Story on Showtime this month demonstrates that yet again.
Drath (pictured) was born and raised in New York and interned at ABC News while attending college at Columbia. He moved to Atlanta after graduation to work for CNN. Next came a stint at a start-up network called Fox News Channel. The irony of that pairing is not lost on him. Then the sweet science entered his life.
“I wasn’t a big boxing fan,” Drath says. “But in the late-nineties, a friend invited me to go with him to some fights at Yonkers Raceway in the Bronx. We got there. There was a boxing ring and, around it, a world I’d never known. I said to myself, ‘This is so cool. I want to know more about this.'”
The promoter that night was Joe DeGuardia. In due course, Drath left Fox News to do publicity work for DeGuardia’s promotional company.
“That,” Eric recalls, “was when I learned that doing PR for a boxing promoter was, ‘Go get the van, pick up some fighters at the airport, take them to the athletic commission to get licensed, make sure they have their physicals, and send out a press release.”
Eventually, Drath started a company called RingLink which got video clips from promoters and charged the promoters a fee to transmit the clips by satellite to TV stations. Then he got a manager’s license and represented a few fringe fighters. After that, he founded a company called Live Star Entertainment that created satellite media tours for the music industry and produced TV fights for various promoters. Most notably, Live Star produced close to fifty Broadway Boxing shows for DiBella Entertainment between 2008 and 2016.
Meanwhile, Drath had begun the process of carving out a niche for himself as a documentary filmmaker. Over the years, he has worked on subjects as diverse as Theodore Bikel and Pete Rose. But it began with boxing.
In 2006, Drath met Luis Resto at the Morris Park Boxing Gym in the Bronx. Resto (a former journeyman fighter) had been a key player in one of boxing’s ugliest scandals. On June 16, 1983, he fought Billy Collins (an undefeated 21-year-old prospect) at Madison Square Garden. Before the bout, Panama Lewis (Resto’s trainer) removed some of the padding from his fighter’s gloves. Collins suffered permanent eye damage during the bout, was unable to fight again, and died in a car crash nine months later. Resto and Lewis were imprisoned for their wrongdoing. Lewis was widely seen as the more culpable of the two.
“I liked Resto’s story,” Drath recounts. “Nobody else thought it was a good idea. But I scraped together some money, put together a rough cut, and gave it to a friend who gave it to a friend while they were standing together on the sideline during their daughters’ high school lacrosse game.”
The second parent standing on the sideline was Rick Bernstein (then the executive producer for HBO Sports).
“After that, I got a phone call,” Drath remembers. “HBO made its own sports documentaries back then. But they liked it; they bought it; and they made some changes.”
Assault in the Ring aired on HBO in 2008 and won an Emmy for Outstanding Sports Documentary. Drath was credited as its co-writer, director, and narrator. Then he pitched a documentary about Renee Richards to the network. But HBO passed on the project so he sold it to ESPN which televised the documentary after it premiered at the Tribecca Film Festival in 2011. Once again, Drath was the co-writer, director, and narrator.
Two more boxing projects for ESPN followed: No Mas (2013), which focused on the second fight between Sugar Ray Leonard and Roberto Duran, and Robbed (2014), which told the tale of Ali-Norton III against the backdrop of violence occasioned by a New York City police job action.
That brings us to Macho: The Hector Camacho Story.
Initially, Drath conceived of Macho as an investigative report about Camacho’s murder in Bayamon, Puerto Rico. Hector, who was involved with cocaine for most of his life, was shot four times on November 20, 2012, and removed from life support four days later. He was fifty years old when he died.
Then Macho evolved into a more complete biographical documentary with an emphasis on Camacho’s ring career. The film would have been stronger with more exposition of what it meant – and still means – to be part of the underclass in Spanish Harlem where Camacho was raised and remains an icon. But it’s put together well and has the advantage of a charismatic main character who lights up the screen when he’s on camera.
Eric directed and narrated Macho. The film’s most compelling moments deal with its subject’s post-boxing life and include poignant footage of an unrecognizably fat Camacho as he neared age fifty.
Drath is one of the few directors who has made documentaries for HBO, Showtime, and ESPN. That leads to the question of how the experiences compared with one another.
“HBO was a tight organization that didn’t want outside interference,” Drath recalls. “They bought the film and in essense said, ‘Okay, kid; you can stand outside the edit room while we finish it, and we’ll show you what we’re doing from time to time.’ Showtime is the antithesis of that. They gave me notes but they also gave me the latitude to make the film I wanted to make. I loved the process. ESPN was somewhere in between. But it was an honor to work with all three of them.”
And which of his documentaries does Drath like the most?
“I don’t have a favorite,” he answers, “I love the human element in documentaries. Each one I’ve been fortunate to make so far marks a different period of my life. And each one has that human element.”
* * *
Adam Pollack is an Iowa attorney who has written biographies of the early gloved heavyweight champions from John L. Sullivan through Jack Johnson. Now he has chosen to skip Jess Willard and go straight to Jack Dempsey with Part One of a projected two-volume work published by Win by KO Publications.
Jack Dempsey: The Making of a Champion follows the familiar Pollack formula of relying heavily on contemporaneous newspaper accounts and other primary sources. It’s 559 pages long and chronicles Dempsey’s life through his 1919 conquest of Jess Willard to claim the heavyweight throne. In terms of content, it’s the most detailed of the Dempsey biographies to date.
Today’s interconnected digital world enables research to be conducted more thoroughly and more quickly than ever before. That’s particularly important for Pollack who relies heavily on documents that are a century old in reconstructing the lives of his subjects. He also benefits from a community of boxing historians and fans who forward information to him.
“Writing these books is a passion for me,” Adam says. “I spend some time on them every day. Right now, I’m having a lot of fun working on Part Two of Dempsey. Once he became champion, things really took off – for Dempsey and for boxing. There’s Dempsey-Firpo, Dempsey-Carpentier, the Dempsey-Tunney fights. But my real job is as a criminal defense attorney. That’s how I pay the bills.”
That leaves open the question of whether Pollack will ever go back and forge the missing link in his chain of books by writing a biography of Willard.
“I can’t say never,” Pollack answers. “But at this point, I don’t see myself doing Willard. These books take an enormous amount of time and effort, and I have to balance that against my personal interest in the fighter. Willard had two fights of historic importance – when he beat Jack Johnson and when he lost to Dempsey. I’ve written about these fights in depth in my Johnson and Dempsey books. And Arly Allen did a pretty good job in his biography of Willard. Maybe someday I’ll change my mind. But right now, I’m at peace with not writing a Willard book.”
* * *
A lot of players are losing a lot of money in boxing these days. FITE is one company that’s turning a profit.
FITE is a video-streaming and ordering platform with 2.6 million registered users. It has streamed more than 3,500 events during the past five years and was a key player in the financial success of the November 28 exhibition featuring Mike Tyson and Roy Jones. When FOX Pay-Per-View began having technological issues with the December 5 fight between Errol Spence and Danny Garcia, the promotion decided that sharing a larger pie would be preferable to keeping a small pie all for itself and turned to FITE.
FITE will work with any content provider as long as the content meets its standards. It knows who the fight fans are and how to reach them. It’s user friendly and has avoided many of the technological problems that plague similar services.
Many fans (including this one) look askance at an economic model that puts boxing’s biggest fights on pay-per-view. But where it’s available, FITE is a reliable way to order events – large and small – for those who want to.
* * *
WBC-IBF 147-pound champion Errol Spence raised his record to 27-0 (21 KOs) with a dominant 12-round performance against Danny Garcia on Saturday night. There were questions before the fight as to whether Spence had fully recovered from injuries sustained in an October 10, 2019, automobile accident. But one had to assume that a less formidable comeback opponent would have been chosen had there been doubts in Errol’s camp about his health or what a punch from Garcia might do to the bone and tissue structure beneath his face.
Garcia (now 36-3, 21 KOs) is a tough out. But at the highest levels of competition, he’s an out. Spence gave Danny next to nothing to work with and had enough hurt on his punches to keep Garcia from challenging his narrative for the flow of the fight. Errol’s jab was effective as an offensive weapon and defensive shield. Danny’s left hook – normally the most potent punch in his arsenal – seemed to have been packed in mothballs for the night.
The judges favored Spence by a 117-111, 116-112, 116-112 margin (which was kind to Garcia, who is now 0-and-3 in fights against Spence, Keith Thurman, and Shawn Porter).
If there’s a criticism of Spence’s performance on Saturday night, it’s that (as was the case when he fought Mikey Garcia twenty months ago) he never put the pedal to the metal in an effort to finish with a knockout.
There are two prospective fights for Spence that matter now. The first would be a 147-pound title unification bout against WBO welterweight champion Terence Crawford. The second would be a move up to 154 pounds to challenge Jermell Charlo for supremacy in the junior-middleweight ranks. Ray Leonard sought out challenges like that.
Photo credit: Zoom / Doug Doyle
Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – Staredown: Another Year in Boxing– was published by the University of Arkansas Press. In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for induction into the International Boxing Hall of Fame.
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Boxing Trainer Bob Santos Paid his Dues and is Reaping the Rewards
Bob Santos, the 2022 Sports Illustrated and The Ring magazine Trainer of the Year, is a busy fellow. On Feb. 1, fighters under his tutelage will open and close the show on the four-bout main portion of the Prime Video PPV event at the T-Mobile Arena in Las Vegas. Jeison Rosario continues his comeback in the lid-lifter, opposing Jesus Ramos. In the finale, former Cuban amateur standout David Morrell will attempt to saddle David Benavidez with his first defeat. Both combatants in the main event have been chasing 168-pound kingpin Canelo Alvarez, but this bout will be contested for a piece of the light heavyweight title.
When the show is over, Santos will barely have time to exhale. Before the month is over, one will likely find him working the corner of Dainier Pero, Brian Mendoza, Elijah Garcia, and perhaps others.
Benavidez (29-0, 24 KOs) turned 28 last month. He is in the prime of his career. However, a lot of folk rate Morrell (11-0, 9 KOs) a very live dog. At last look, Benavidez was a consensus 7/4 (minus-175) favorite, a price that betokens a very competitive fight.
Bob Santos, needless to say, is confident that his guy can upset the odds. “I have worked with both,” he says. “It’s a tough fight for David Morrell, but he has more ways to victory because he’s less one-dimensional. He can go forward or fight going back and his foot speed is superior.”
Benavidez’s big edge, in the eyes of many, is his greater experience. He captured the vacant WBC 168-pound title at age 20, becoming the youngest super middleweight champion in history. As a pro, Benavidez has answered the bell for 148 rounds compared with only 54 for Morrell, but Bob Santos thinks this angle is largely irrelevant.
“Sure, I’d rather have pro experience than amateur experience,” he says, “but if you look at Benavidez’s record, he fought a lot of soft opponents when he was climbing the ladder.”
True. Benavidez, who turned pro at age 16, had his first seven fights in Mexico against a motley assortment of opponents. His first bout on U.S. soil occurred in his native Pheonix against an opponent with a 1-6-2 record.
While it’s certainly true that Morrell, 26, has yet to fight an opponent the caliber of Caleb Plant, he took up boxing at roughly the same tender age as Benavidez and earned his spurs in the vaunted Cuban amateur system, eventually defeating elite amateurs in international tournaments.
“If you look at his [pro] record, you will notice that [Morrell] has hardly lost a round,” says Santos of the fighter who captured an interim title in only his third professional bout with a 12-round decision over Guyanese veteran Lennox Allen.
Bob Santos is something of a late bloomer. He was around boxing for a long time, assisting such notables as Joe Goossen, Emanuel Steward, and Ronnie Shields before becoming recognized as one of the sport’s top trainers.
A native of San Jose, he grew up in a Hispanic neighborhood but not in a household where Spanish was spoken. “I know enough now to get by,” he says modestly. He attended James Lick High School whose most famous alumnus is Heisman winning and Super Bowl winning quarterback Jim Plunkett. “We worked in the same apricot orchard when we were kids,” says Santos. “Not at the same time, but in the same field.”
After graduation, he followed his father’s footsteps into construction work, but boxing was always beckoning. A cousin, the late Luis Molina, represented the U.S. as a lightweight in the 1956 Melbourne Summer Olympics, and was good enough as a pro to appear in a main event at Madison Square Garden where he lost a narrow decision to the notorious Puerto Rican hothead Frankie Narvaez, a future world title challenger.
Santos’ cousin was a big draw in San Jose in an era when the San Jose / Sacramento territory was the bailiwick of Don Chargin. “Don was a beautiful man and his wife Lorraine was even nicer,” says Santos of the husband/wife promotion team who are enshrined in the International Boxing Hall of Fame. Don Chargin was inducted in 2001 and Lorraine posthumously in 2018.
Chargin promoted Fresno-based featherweight Hector Lizarraga who captured the IBF title in 1997. Lizarraga turned his career around after a 5-7-3 start when he hooked up with San Jose gym operator Miguel Jara. It was one of the most successful reclamation projects in boxing history and Bob Santos played a part in it.
Bob hopes to accomplish the same turnaround with Jeison Rosario whose career was on the skids when Santos got involved. In his most recent start, Rosario held heavily favored Jarrett Hurd to a draw in a battle between former IBF 154-pound champions on a ProBox card in Florida.
“I consider that one of my greatest achievements,” says Santos, noting that Rosario was stopped four times and effectively out of action for two years before resuming his career and is now on the cusp of earning another title shot.
The boxer with whom Santos is most closely identified is former four-division world title-holder Robert “The Ghost” Guerrero. The slick southpaw, the pride of Gilroy, California, the self-proclaimed “Garlic Capital of the World,” retired following a bad loss to Omar Figueroa Jr, but had second thoughts and is currently riding a six-fight winning streak. “I’ve known him since he was 15 years old,” notes Santos.
Years from now, Santos may be more closely identified with the Pero brothers, Dainier and Lenier, who aspire to be the Cuban-American version of the Klitschko brothers.
Santos describes Dainier, one of the youngest members of Cuba’s Olympic Team in Tokyo, as a bigger version of Oleksandr Usyk. That may be stretching it, but Dainier (10-0, 8 KOs as a pro), certainly hits harder.
This reporter was a fly on the wall as Santos put Dainier Pero through his paces on Tuesday (Jan. 14) at Bones Adams gym in Las Vegas. Santos held tight to a punch shield, in the boxing vernacular a donut, as the Cuban practiced his punches. On several occasions the trainer was knocked off-balance and the expression on his face as his body absorbed some of the after-shocks, plainly said, “My goodness, what the hell am I doing here? There has to be an easier way to make a living.” It was an assignment that Santos would have undoubtedly preferred handing off to his young assistant, his son Joe Santos, but Joe was preoccupied coordinating David Morrell’s camp.
Dainer’s brother Lenier is also an ex-Olympian, and like Dainier was a super heavyweight by trade as an amateur. With an 11-0 (8 KOs) record, Lenier Pero’s pro career was on a parallel path until stalled by a managerial dispute. Lenier last fought in March of last year and Santos says he will soon join his brother in Las Vegas.
There’s little to choose between the Pero brothers, but Dainier is considered to have the bigger upside because at age 25 he is the younger sibling by seven years.
Bob Santos was in the running again this year for The Ring magazine’s Trainer of the Year, one of six nominees for the honor that was bestowed upon his good friend Robert Garcia. Considering the way that Santos’ career is going, it’s a safe bet that he will be showered with many more accolades in the years to come.
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Bygone Days: The Largest Crowd Ever at Madison Square Garden Sees Zivic TKO Armstrong
Bygone Days: The Largest Crowd Ever at Madison Square Garden Sees Zivic TKO Armstrong
There’s not much happening on the boxing front this month. That’s consistent with the historical pattern.
Fight promoters of yesteryear tended to pull back after the Christmas and New Year holidays on the assumption that fight fans had less discretionary income at their disposal. Weather was a contributing factor. In olden days, more boxing cards were staged outdoors and the most attractive match-ups tended to be summertime events.
There were exceptions, of course. On Jan. 17, 1941, an SRO crowd of 23,180 filled Madison Square Garden to the rafters to witness the welterweight title fight between Fritzie Zivic and Henry Armstrong. (This was the third Madison Square Garden, situated at 50th Street and Eighth Avenue, roughly 17 blocks north of the current Garden which sits atop Pennsylvania Station. The first two arenas to take this name were situated farther south adjacent to Madison Square Park).
This was a rematch. They had fought here in October of the previous year. In a shocker, Zivic won a 15-round decision. The fight was close on the scorecards. Referee Arthur Donovan and one of the judges had it even after 14 rounds, but Zivic had won his rounds more decisively and he punctuated his well-earned triumph by knocking Armstrong face-first to the canvas as the final bell sounded.
This was a huge upset.
Armstrong had a rocky beginning to his pro career, but he came on like gangbusters after trainer/manager Eddie Mead acquired his contract with backing from Broadway and Hollywood star Al Jolson. Heading into his first match with Zivic – the nineteenth defense of the title he won from Barney Ross – Hammerin’ Henry had suffered only one defeat in his previous 60 fights, that coming in his second meeting with Lou Ambers, a controversial decision.
Shirley Povich, the nationally-known sports columnist for the Washington Post, conducted an informal survey of boxing insiders and found only person who gave Zivic a chance. The dissident was Chris Dundee (then far more well-known than his younger brother Angelo). “Zivic knows all the tricks,” said Dundee. “He’ll butt Armstrong with his head, gouge him with his thumbs and hit him just as low as Armstrong [who had five points deducted for low blows in his bout with Ambers].”
Indeed, Pittsburgh’s Ferdinand “Fritzie” Zivic, the youngest and best of five fighting sons of a Croatian immigrant steelworker (Fritzie’s two oldest brothers represented the U.S. at the 1920 Antwerp Olympics) would attract a cult following because of his facility for bending the rules. It would be said that no one was more adept at using his thumbs to blind an opponent or using the laces of his gloves as an anti-coagulant, undoing the work of a fighter’s cut man.
Although it was generally understood that at age 28 his best days were behind him, Henry Armstrong was chalked the favorite in the rematch (albeit a very short favorite) a tribute to his body of work. Although he had mastered Armstrong in their first encounter, most boxing insiders considered Fritzie little more than a high-class journeyman and he hadn’t looked sharp in his most recent fight, a 10-round non-title affair with lightweight champion Lew Jenkins who had the best of it in the eyes of most observers although the match was declared a draw.
The Jan. 17 rematch was a one-sided affair. Veteran New York Times scribe James P. Dawson gave Armstrong only two rounds before referee Donovan pulled the plug at the 52-second mark of the twelfth round. Armstrong, boxing’s great perpetual motion machine, a world title-holder in three weight classes, repaired to his dressing room bleeding from his nose and his mouth and with both eyes swollen nearly shut. But his effort could not have been more courageous.
At the conclusion of the 10th frame, Donovan went to Armstrong’s corner and said something to the effect, “you will have to show me something, Henry, or I will have to stop it.” What followed was Armstrong’s best round.
“[Armstrong] pulled the crowd to its feet in as glorious a rally as this observer has seen in twenty-five years of attendance at these ring battles,” wrote Dawson. But Armstrong, who had been stopped only once previously, that coming in his pro debut, had punched himself out and had nothing left.
Armstrong retired after this fight, siting his worsening eyesight, but he returned in the summer of the following year, soldiering on for 46 more fights, winning 37 to finish 149-21-10. During this run, he was reacquainted with Fritzie Zivic. Their third encounter was fought in San Francisco before a near-capacity crowd of 8,000 at the Civic Auditorium and Armstrong got his revenge, setting the pace and working the body effectively to win a 10-round decision. By then the welterweight title had passed into the hands of Freddie Cochran.
Hammerin’ Henry (aka Homicide Hank) Armstrong was named to the International Boxing Hall of Fame with the inaugural class of 1990. Fritzie Zivic followed him into the Hall three years later.
Active from 1931 to 1949, Zivic lost 65 of his 231 fights – the most of anyone in the Hall of Fame, a dubious distinction – but there was yet little controversy when he was named to the Canastota shrine because one would be hard-pressed to find anyone who had fought a tougher schedule. Aside from Armstrong and Jenkins, he had four fights with Jake LaMotta, four with Kid Azteca, three with Charley Burley, two with Sugar Ray Robinson, two with Beau Jack, and singles with the likes of Billy Conn, Lou Ambers, and Bob Montgomery. Of the aforementioned, only Azteca, in their final meeting in Mexico City, and Sugar Ray, in their second encounter, were able to win inside the distance.
By the way, it has been written that no event of any kind at any of the four Madison Square Gardens ever drew a larger crowd than the crowd that turned out on Jan. 17, 1941, to see the rematch between Fritzie Zivic and Henry Armstrong. Needless to say, prizefighting was big in those days.
A recognized authority on the history of prizefighting and the history of American sports gambling, TSS editor-in-chief Arne K. Lang is the author of five books including “Prizefighting: An American History,” released by McFarland in 2008 and re-released in a paperback edition in 2020.
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Jai Opetaia Brutally KOs David Nyika, Cementing his Status as the World’s Top Cruiserweight
In his fifth title defense, lineal cruiserweight champion Jai Opetaia (27-0, 21 KOs) successfully defended his belt with a brutal fourth-round stoppage of former sparring partner David Nyika. The bout was contested in Broadbeach, Queensland, Australia where Opetaia won the IBF title in 2022 with a hard-earned decision over Maris Briedis with Nyika on the undercard. Both fighters reside in the general area although Nyika, a former Olympic bronze medalist, hails from New Zealand.
The six-foot-six Nyika, who was undefeated in 10 pro fights with nine KOs, wasn’t afraid to mix it up with Opetaia although had never fought beyond five rounds and took the fight on three weeks’ notice when obscure German campaigner Huseyin Cinkara suffered an ankle injury in training and had to pull out. He wobbled Opetaia in the second round in a fight that was an entertaining slugfest for as long as it lasted.
In round four, the champion but Nyika on the canvas with his patented right uppercut and then finished matters moments later with a combination climaxed with an explosive left hand. Nyika was unconscious before he hit the mat.
Opetaia’s promoter Eddie Hearn wants Opetaia to unify the title and then pursue a match with Oleksandr Usyk. Gilberto “Zurdo” Ramirez, a Golden Boy Promotions fighter, holds the WBA and WBO versions of the title and is expected to be Opetaia’s next opponent. The WBC diadem is in the hands of grizzled Badou Jack.
Other Fights of Note
Brisbane heavyweight Justis Huni (12-0, 7 KOs) wacked out overmatched South African import Shaun Potgieter (10-2), ending the contest at the 33-second mark of the second round. The 25-year-old, six-foot-four Huni turned pro in 2020 after losing a 3-round decision to two-time Olympic gold medalist Bakhodir Jalolov. There’s talk of matching him with England’s 20-year-old sensation Moses Itauma which would be a delicious pairing.
Eddie Hearn’s newest signee Teremoana Junior won his match even quicker, needing less than a minute to dismiss Osasu Otobo, a German heavyweight of Nigerian descent.
The six-foot-six Teremoana, who akin to Huni hails from Brisbane and turned pro after losing to the formidable Jalolov, has won all six of his pro fights by knockout while answering the bell for only eight rounds. He has an interesting lineage; his father is from the Cook Islands.
Rising 20-year-old Max “Money” McIntyre, a six-foot-three super middleweight, scored three knockdowns en route to a sixth-round stoppage of Abdulselam Saman, advancing his record to 7-0 (6 KOs). As one can surmise, McIntyre is a big fan of Floyd Mayweather.
The Opetaia-Nyika fight card aired on DAZN pay-per-view (39.99) in the Antipodes and just plain DAZN elsewhere.
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