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How I Became a Boxing Writer

Jeffrey Freeman

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In 2010, I wanted to get back into boxing.

After enjoying the unforgettable 80’s and 90’s, my rooting interest in the cruelest sport waned in the wake of the 9/11 attack on America. When Lennox Lewis retired and the thrilling Gatti-Ward trilogy was history, I moved on. I didn’t watch much boxing in the first decade of the new millenium. I just wasn’t into the lumbering Klitschko brothers or the lighter-weight fighters.

That Christmas, my brother-in-law gifted me a subscription to The Ring Magazine, a print publication I had not enjoyed in many years. This awakened my interest in the Sweet Science. Soon I was commenting on boxing websites and dreaming of how to get more involved.

A childhood friend of mine from Brockton, Mass (the late Edwin Ayala) provided ultimate inspiration; getting hired a few years prior by Pedro Fernandez of “Ring Talk” to write up results from New England shows. Ayala, afflicted with a rare and incurable disease, inspired me. Soon, we were covering cards together and later, Ed left Pedro’s website to write and report for me.

Ayala, an Honorable Army Veteran, was 50 when he passed away on June 17, 2020. Ed suffered from a condition called Chorea-acanthocytosis. Despite this curse, my friend authored two short books, one a boxing fiction story entitled A Puncher’s Chance and the other an autobiography, Up Before The Count. He is survived by wife Loita and daughter Rosangela.

Rest in peace Ed.

HARD KNOCKS

I never went to journalism school.

My degree is in Criminal Justice from the University of Massachusetts. Later employed by Detective Joe Moura’s National Investigation Bureau (NIB) as a special investigator, I learned to gather hard to obtain facts and write detailed reports for clients. Some years after I left the field, Joe was hired by Arturo Gatti’s manager Pat Lynch to “prove” Gatti’s death was not a suicide.

In 2011, I was contacted by the administrator of a boxing website called Knockout Digest. A young Pinoy fellow named Bert Narvales asked me if I wanted to write articles and cover shows in New England. There was no pay but I jumped at the chance to live a dream, to find a way.

The first fight I was asked to cover was an HBO aired WBC welterweight title fight between Victor Ortiz and Andre Berto at Foxwoods Casino in Connecticut. This was my introduction to auxiliary media seating. Naive as I was, I expected to be sitting at ringside. Instead, Ed and I sat in the last row of the venue surrounded by loud and drunken fans. Ed was 5’7’’ while I’m 6’11’’.

My height helped me see the ring.

At an unforgettable post-fight presser, I questioned Ortiz about the close unanimous decision scores and whether he was certain of the victory. “In my mind and in my heart a fighter always knows if he won or if he lost or if it was close and I didn’t see it as close,” the beaming victor told me of beating Berto.

Theirs turned out to be the Fight of the Year.

DIGEST THIS

Bert’s boxing website wasn’t very well received. It was put together with press releases and other low-quality content. I wrote a few forgettable articles before figuring out I could do better myself. So, I left and created my own boxing blog. I used the experience and industry contacts I’d quickly picked up to join media conference calls, apply for press passes—and crash press row!

It was here (working at ringside) that I met Full Court Press publicist Bob Trieger. One of the few nice guys in boxing, Bob mentored me and shared his experiences with me. Though we don’t always see eye to eye, Bob remains a friend. I am grateful to him for showing me the ropes.

At an Edwin Rodriguez fight in 2012, Bob introduced me to Boston sports writer Ron Borges (pictured on my right) and later I got to work side-by-side with “KO JO” Jack Obermayer before Jack succumbed to liver cancer in 2016. Before he gave up the ghost, I carpooled with Obermayer (and fight writer Jeff Jowett) to cover the professional debut of Brandon “The Cannon” Berry in Skowhegan, Maine.

The media credentials piled up. My handheld tape recorder filled with boxing media content and fighter quotes. I wrote stories. I collaborated with two ringside photographers, Pattee Mak and Emily Harney. I became “an island of common sense in a sea of hysteria” or so said one reader.

I earned the respect of fans and fighters. Don Halpin, a Lowell journeyman who shared a ring with a young Mike Tyson in 1985, told me I did a great job of “keeping faithful readers up on what’s next, what’s gone down, and embracing the spirit of a sport that has given so many young men and women the means to reach for a dream.”

It was a special time in my life.

(Interesting thing about Halpin: Tyson hit him with an awfully late punch, a vicious uppercut, when Don was already down. Halpin endured arguably the worst of Tyson’s many fouls. It encapsulated the reality of Tyson early on in his career and the many blind-eyes turned to his flagrant acts of violence. Don told me he bears no ill-will towards Tyson despite acknowledging that Iron Mike was “trying to end a man’s life in the ring” at that point and that he’s glad Tyson was not successful with him—but not for lack of trying.)

THE SWEET SCIENTIST

Through the unfolding decade, I was fortunate enough to speak with and directly question many Hall of Fame fighters on media conference calls. I talked to Mike Tyson on one of these calls. George Foreman on another. Sometimes promoters would get testy with tough questions and rebuke a reporter. I’m pretty sure I got “yelled at” at least once by Bob Arum or Lou DiBella.

On my first such conference call, I somehow spoke with Lennox Lewis and Vitali Klitschko, asking both champions to recollect on their bloody 2003 heavyweight title fight in Los Angeles.

Lewis was humble but it was Klitschko who really gave me something, confessing: “I never met an opponent as strong as Lennox. I never took so many punches. I never looked so horrible.”

“Lennox Lewis was the hardest fight of my career.”

By 2013, I had put together a small team of contributors to meet the growing demand of my new readers. I used social media to promote our work—and it worked. I’m forever grateful to the eager writers who joined me and helped to make our website what it was—a success. They were David McLeod, Joel Sebastianelli, Derek Bonnett, Mark Jones, and Terence Strawson.

David still writes boxing (for photographer Ed Diller) in NYC, Joel is an Indy Car pit reporter who interviewed World Heavyweight Champion Wladimir Klitschko for KO Digest in 2014, Derek is a Dad, Mark is still expert in the world of women’s boxing, and Terry went on to promote shows.

Around this time, I was made an offer by experienced beat writer Lem Satterfield. Lem had heard me on conference calls and occasionally used quotes from my exchanges in his stories.

Lem wanted to know if I’d be interested in joining his “Ask The Experts” panel on RingTV. This was a group of reporters and insiders who penned predictions for upcoming big fights. Those predictions were then made into an article by Lem and published on the magazine’s website.

I built a reputation for prognostication.

That lasted nearly four years. British boxing writer Anson Wainwright later took over the popular column when Lem left and it was retitled as Fight Picks. I continued to contribute until 2017 when I was told the column would now only feature Ring magazine staff. Regardless, I’m truly grateful for the opportunity I was given by Lem to grow as a writer and expand my readership.

Though I was still writing for free, I was proving to anyone who might have been reading that I could actually do this boxing writing thing if given half a chance. I’d been published in boxing programs (Lowell’s Finest) and on the pages of Beyond The Badge, a law enforcement print periodical. KO was climbing the ranks in the small but competitive world of boxing media.

One of my earliest goals was to obtain a media credential for a big fight at Madison Square Garden in New York City. In 2013, I applied to cover Fury-Cunnigham and “KO Digest” was approved. Unfortunately, I didn’t make it to MSG to cover Tyson’s dramatic comeback when the Boston Marathon bombing caused all Amtrak trains out of Massachusetts to be suspended.

Incredibly, the bomber was a local amateur boxer. Because I closely covered the 2012 Lowell Golden Gloves and made basement contacts there, I was one of the first people in the boxing media to make the connection and report on it. How? Gloveboy Ryan Lones messaged me during the manhunt with a photo of an old boutsheet bearing the name Tammy Tamlor.

Such was the misspelling of Tamerlan Tsarnaev.

I continued to work hard. I improved as a writer. I grew as a journalist. Every day was something new to write and report about. Articles, ratings, interviews, predictions, live shows. KO Digest was running regularly scheduled features. Keeping up with all that was a full-time job for me.

One that still didn’t pay. (To Be Continued…)

Part 2: Pressrow at Madison Square Garden, Breaking Heavyweight News, Hired by The Sweet Science, Auxiliary Acceptance by the Boxing Writers Association of America, On The Beat in Boston, Winning My First Bernie, Boxing Writers Breakfast of Champions.

Boxing Writer Jeffrey Freeman grew up in the City of Champions, Brockton, Massachusetts from 1973 to 1987, during the Marvelous career of Marvin Hagler. JFree then lived in Lowell, Mass during the best years of Irish Micky Ward’s illustrious career. A new member of the Boxing Writers Association of America and a Bernie Award Winner in the Category of Feature Under 1500 Words, Freeman covers boxing for The Sweet Science in New England.

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Avila Perspective, Chap. 121: Prizefighting in 2021

David A. Avila

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Prizefighting actually dipped underground for the past nine months with professional boxers training illegally in darkened gyms behind shuttered windows and locked doors.

It still remains an underground sport.

The slow death cloud of the coronavirus led to government restrictions forbidding large gatherings especially in enclosed facilities. Boxers still train.

It was a primary reason that prizefighting among the elite was never more bare.

When Tyson Fury and Deontay Wilder met at the MGM Grand in Las Vegas for their rematch, a crowd of more than 15,000 fans witnessed the heavyweight spectacle. That took place on February 22, and it was the last hurrah in 2020.

A new year begins but the old ways of doing things are no longer in place. Those large purses are unattainable without fans, but it’s difficult to convince the prizefighters. All they know is they want to get paid with pre-2020 checks.

Very few of the top male prizefighters took to the prize ring.

One leading American matchmaker, who did not wish to go on record, said fighters do not understand that ticket sales are an important aspect of the fight game. Many prizefighters feel they are underpaid and being cheated when offered purses that fall under their pre-2020 monies.

No fans, no money.

Television or streaming app revenue is not enough without the clicking of the turnstile.

Fans are the reason that fighters get paid and without fans prizefighting does not exist.

Reality in 2021

Before the advent of television, prizefighters were paid strictly on the basis of ticket sales. The more fans a fighter could attract, the bigger the purse. When television arrived it drastically changed the landscape.

Television networks who delve into boxing bring their own budgets and cable networks like HBO and Showtime drastically changed the landscape. Instead of thousands, millions were being paid to the stars. Mike Tyson, Oscar De La Hoya and Floyd Mayweather were the prizefighters leading the way past $20 and $30 million dollar purses. MMA still hasn’t reached those figures. Not even close, unless they are fighting against a boxer as Conor McGregor did several years ago.

During the past three years new players arrived with streaming apps like ESPN+ and DAZN entering the boxing world. One primary advantage has been its worldwide ability to transmit boxing events. However, because not all of the world has access to high tech, those streaming apps are still in the pioneering phase when it comes to building a fan base. At the moment, television still holds the upper hand but the gap is closing quickly.

Lately, DAZN has taken to inserting sponsors logos into their live programming without skipping a beat. It was only a matter of time before they realized the capabilities of inserting commercials digitally. It’s not a new idea; it was explored decades ago by our own BoxingChannel.tv.

Still, as long as the pandemic exists and fans are unable to attend boxing cards the mega fights that drive prizefighting will not take place. The arrival of various vaccines for the coronavirus are a big plus for the sport emerging out of the underground state of boxing. But the fighters need to fight.

Tyson Fury needs to meet Anthony Joshua in a battle for the heavyweight championship and Errol Spence Jr. must fight Terence Crawford this year. Others like Teofimo Lopez are doing their part to open the eyes of fans to the new breed of prizefighters who can fight, talk and excite with their electrifying skills.

Potential stars like Serhii Bohachuk, Vergil Ortiz Jr. and Charles Conwell are catching the eye of fans and all are basically around the same weight classes. They took advantage of the openings for television and streaming spots.

Prizefighters everywhere need to understand this pandemic may last longer than you think. God forbid, but there could be another looming around the corner. It’s time to go for broke and get back in the prize ring. Time is not on your side.

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Remembering Young Stribling on the Centennial of his First Pro Fight

Arne K. Lang

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This coming Sunday, Jan. 17, marks the 100th anniversary of the pro debut of one of boxing’s most interesting characters. On this date in 1921, Young Stribling, carrying 118 pounds, won a 4-round decision over Kid Dombe in the opening bout of a 4-bout card at the auditorium (it had no name) in Atlanta, Georgia. Stribling would go on to fight for the world heavyweight title and would leave the sport as boxing’s all-time knockout king, a distinction that commands an asterisk.

Stribling’s effort against Dombe, who was billed as Georgia’s newsboy champion, made a strong impression on the ringside reporter for the Atlanta Constitution. “A young gentleman,” he wrote, “is destined to become mighty popular in the squared circle. He is Young Stribling of Macon, and a classier bit of boxing machinery hasn’t been uncovered in these parts in a good many years.” Stribling failed to stop his opponent, but left him “badly mussed-up.”

Young Stribling, born William Lawrence Stribling, bubbled into a great regional attraction. Name a place in Georgia – Albany, Americus, Augustus, Bainbridge, Rome, Savannah, Thomasville, etc. – and Stribling fought there. As the star forward on his high school basketball team, one of the best teams in the country, he never ventured far from home for a boxing match until he was deep into his career.

Many of Stribling’s fights were held in conjunction with fairs and carnivals and some others were staged in vaudeville houses. Stribling was the son of professional acrobats. As a young boy, he and his younger brother Herbert performed alongside their parents in a novelty act, a mock prizefight done up in slapstick.

Stribling attracted national attention in 1923 when he opposed veteran Mike McTigue, the reigning light heavyweight champion. The bout was held in a 20,000-seat wooden arena in Columbus, Georgia.

A New Yorker, but an Irishman by birth, McTigue brought his own referee, which wasn’t uncommon in those days. The arbiter was Harry Ertle, a City Marshal in Jersey City, famed as the third man in the ring for Jack Dempsey’s fight with Georges Carpentier, the first fight with a million-dollar gate.

“The road is a treacherous place,” a wizened old fight manager was overheard saying at New York’s fabled Stillman Gym. And Columbus, Georgia, a town situated on the banks of the Chattahoochee River and purportedly a Ku Klux Klan stronghold, was certainly a treacherous place for Team McTigue on that balmy October afternoon.

After 10 rather pedestrian rounds, Ertle called the fight a draw. But he was in such a hurry to exit the ring that he did not make his verdict clear. Rather than call the combatants to the center of the ring and raise both their arms, he merely pointed at both corners, “spreading his hands as a baseball umpire calling a baserunner safe after a slide.”

Ertle didn’t get far. He was immediately accosted by the head of the local organizing committee who upon confirming that Ertle had scored the bout a draw, ordered the referee back into the ring. “You will never get out of here (if you don’t give the fight to Stribling),” he said. “We have all the railroad stations covered.”

Ertle went back into the ring, awarded the fight to Stribling, and then three hours later in the safety of a private residence, he signed a statement saying that his original decision should stand. The incident made all the papers and made Stribling a household name in houses where folks read the sports pages.

When Stribling fought McTigue, he was only 18 years old. And he was fast growing into his body, tipping the scales for the fight at 165 pounds.

Stribling and McTigue renewed acquaintances five months later in Newark, New Jersey. In a shocker, the “Georgia Schoolboy” dominated the Irishman. Stribling won all 12 rounds in the estimation of one ringside reporter. He had McTigue almost out in the 11th and again in the 12th but reverted to clowning and let him off the hook. “It was a bad habit,” said a reporter, “that the kid picked up working the country fair circuit.”

Because New Jersey was then a “no-decision” state, McTigue was allowed to keep his title. Stribling would get another chance at the belt in June of 1926 when he met McTigue’s conqueror Paul Berlenbach at Yankee Stadium.

Boxing writers fawned over Young Stribling who seldom appeared in public without his parents; his father was his chief cornerman. His parents’ names were “Ma” and “Pa,” or that’s what condescending East Coast writers always called them.

The Stribling-Berlenbach fight, wrote syndicated sportswriter Damon Runyon, “was the most widely advertised and most eagerly anticipated event of some years in New York.” The crowd, reportedly 56,000, “attracted more political bigwigs and social and sporting dignitaries than you could shake a stick at.” And the fight, marred by excessive clinching, was a dud. It went the full 15 rounds and Berlenbach, the Astoria Assassin, won decisively (the scores were not announced).

It was back to the drawing board for Young Stribling, which meant back to the life of a barnstormer. Over the next 33 months, he had 75 (!) documented fights and lost only once, that coming at the hands of clever Tommy Loughran in a 10-round bout at Ebbets Field in Brooklyn. That impressive run boosted him into a match with Jack Sharkey, an “eliminator” in which the winner would be one step removed from fighting for the world heavyweight title vacated by Gene Tunney.

Stribling vs. Sharkey was the last important bout arranged by Tex Rickard who died seven weeks before the bout materialized in an arena erected on a polo field in Miami Beach. It was North against South, and the crowd, nearly 35,000, was solidly against Sharkey, the Boston Gob. But Stribling came up short again in a rather disappointing, albeit closely contested 10-round affair. There was little dissension when the New York referee gave the fight to the Bostonian.

Later that year, Max Schmeling defeated Paulino Uzcudun at Yankee Stadium, setting the stage for a Sharkey-Schmeling fight for the vacant title. In the fourth round, Sharkey was disqualified after sending Schmeling to the canvas with a punch that was palpably low.

After his setback to Jack Sharkey, Young Stribling fought his way back into contention with wins over three ranked opponents after splitting a pair of suspicious fights with Primo Carnera in Europe. In fact, in a 1930 poll of 55 sportswriters by the New York Sun, Stribling was named the best heavyweight, out-polling both Sharkey and Schmeling. When the German picked Stribling for his first title defense, he was, in the eyes of many people, choosing his most worthy challenger.

Carnera vs. Stribling was the icebreaker event at Cleveland’s Municipal Stadium, the new home of the city’s baseball team, the Indians. The bout came to fruition on the eve of the Fourth of July in 1931, two days after the cavernous ballpark was formally dedicated in an elaborate ceremony.

Stribling started fast, but Schmeling ultimately proved too strong for him. In the 15th round, Schmeling knocked him to the canvas and then pummeled him into a helpless condition, forcing the referee to intervene and waive it off. This wasn’t a great fight, but it was a quite a spectacle, notwithstanding the fact that there were a lot of empty seats. The Ring magazine named it the Fight of the Year.

This would be Young Stribling’s last big-money fight. In his final ring appearance, he outpointed light heavyweight title-holder Maxie Rosenbloom in a 10-round non-title fight in Houston. According to BoxRec, he left the sport with a record of 224-13-14 with 129 knockouts, a record eventually broken by Archie Moore who would be credited with 131.

About those knockouts: It came to be understood that many were bogus, not fictional, but rather set-ups on the carnival circuit where he padded his record against someone with whom he was well-acquainted. But there are also some curious knockouts on Archie Moore’s ledger. On Moore’s list of KO victims one finds the names of Professor Roy Shire and Mike DiBiase, popular grunt-and-groan wrestlers.

As to Young Stribling’s fistic legacy, historians are all over the map. The biography of Stribling by Jaclyn Weldon White (Mercer University Press, 2011) is titled “The Greatest Champion that Never Was.” That’s a bit over the top. The reality is that when Stribling was matched against his strongest opponents, his Sunday punch was missing in action.

You won’t find Stribling’s name on Matt McGrain’s 2014 list of the 100 Greatest Heavyweights of All Time. Stribling checks in at #23 on McGrain’s list of the all-time greatest light heavyweights and, with all due respect to McGrain, that also strikes us as a bit off-kilter, not giving Stribling enough credit. In more than 250 documented fights, he was stopped only once, that coming with 14 seconds remaining in the 15th and final round of his bout with Max Schmeling.

Regardless of where you choose to place him, Young Stribling was certainly colorful.

Young Stribling lived his life in the fast lane, and with him that isn’t a cliché. He loved to fly, and when he headed off somewhere in his six-seater, said a reporter, “he would take the plane off the ground in a shivering climb so steep veteran flyers gasped.” On the highways, his preferred mode of travel was a motorcycle.

Stribling married his high school sweetheart and they had three children. On Oct. 1, 1933, he left his home in Macon on his motorcycle and never returned. A head-on crash with an incoming car sent him to the hospital where he died the next day from internal injuries. Ma and Pa were there with him in his final hours, as was his wife who had given birth to a baby boy eight days earlier in this very same hospital.

William Lawrence “Young” Stribling was 28 years old when he drew his final breath. He packed a lot of living into those 28 years, including a whirlwind boxing career that took flight 100 years ago this coming Sunday.

Note: The photo is the cover photo from the October 1924 issue of The Ring magazine

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R.I.P. Boxing Promoter Mike Acri

Arne K. Lang

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Word arrived yesterday, Jan. 12, that boxing promoter Mike Acri died this past Sunday at age 63. The cause of death was pancreatic cancer.

Acri was from Erie, Pennsylvania, which also happens to be the hometown of Hall of Fame promoter Don Elbaum. The two often worked in tandem, most notably when they promoted the fight between Laila Ali and Jacqui Frazier-Lyde.

Acri promoted Ali; Frazier-Lyde was under contract to the venerable Elbaum. The bout between the daughters of the legendary pugilists, billed as Ali-Frazier IV, took place on June 8, 2001 at the Turning Stone Resort in Verona, New York, kicking off Hall of Fame Weekend at the boxing shrine in nearby Canastota.

Mike Acri birthed the tradition of holding pro fights at Turning Stone on the Eve of the Hall of Fame festivities. The first of these shows, in 1998, pitted Hector Camacho against West Virginia journeyman Tommy Small. Camacho TKOed Small in the sixth, recapturing some of the prestige he had lost in his pussycat showing against Oscar De La Hoya.

Acri was especially proud of the Turning Stone series. “At these events, you have memorabilia people, you have past inductees, and most important, boxing fanatics from everywhere… it’s the ultimate thrill to know that my fight cards are the center of attention for the biggest boxing weekend of the year,” he told prominent boxing writer Jake Donovan for a 2005 story that ran on this site.

Acri had his best run with Paul Spadafora, the trouble-plagued “Pittsburgh Kid” who went on to win the IBF lightweight title and left the sport with a record of 49-1-1.

Spadafora fought frequently – 15 fights in all — at the Mountaineer racino in Chester, West Virginia, where Acri was the matchmaker. The little town of Chester sits roughly 40 miles northwest of Pittsburgh and 40 miles south of Youngstown, Ohio, cities with rich boxing traditions.

Although Acri was with Spadafora when the “Kid” was just getting started, he was best known as a rejuvenator who latched hold of fighters with name value who were cascading into irrelevancy and restored some of their lost luster while maneuvering them into a few good late-career paydays. Exhibit A was Roberto Duran.

Acri was one of the prime movers of the lucrative rubber match between Duran and Sugar Ray Leonard. In his next outing, Duran was shockingly defeated by Pat Lawlor, a third-rater, and was written off as finished, but Acri extracted more mileage from the Panamanian legend, guiding him into two good-money fights with Vinny Pazienza and two with the aforementioned Camacho, interspersed with stay-busy fights that served to keep his name in the news.

Mike Acri’s last co-promotion, if that is the word, was the acclaimed Showtime documentary “Macho: The Hector Camacho Story,” for which he received an Executive Producer credit. We here at The Sweet Science send our condolences to his family and loved ones.

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