Book Review

Literary Notes: “George Dixon” by Jason Winders

Published

3 years ago

July 11, 2021

Literary-Notes-George-Dixon-by-Jason-Winders

BOOK REVIEW by THOMAS HAUSER — George Dixon was boxing’s first Black world champion.

“For a decade leading into the twentieth century,” Jason Winders writes, “few Black men were as wealthy and none were more famous. To a Black culture cementing its first national heroes, Dixon was the single-most significant athlete of nineteenth-century America. He fought constantly as a professional – maybe against a thousand opponents in his lifetime. While most were exhibitions against rather faceless foes, a hundred or so of those bouts were chronicled by both Black and white presses. A half dozen came to define an era.”

In George Dixon: The Short Life of Boxing’s First Black World Champion, 1870-1908 (University of Arkansas Press), Winders gives readers a well-researched, well-written, entertaining account of this remarkable man.

Dixon was born on the outskirts of Halifax, Nova Scotia, on July 29, 1870. Quite possibly, one of his grandfathers was white. Sometime in the 1880s, the Dixon family moved to Boston.

Dixon fought his first fight at age sixteen. Writing about him one year later, Winder notes, “He was just a kid. Thin lead weights slid into his shoes between his bare feet and leather soles so he could climb above one hundred pounds and legally be allowed to compete. He had the body of a boy – thin, gangly, with arms slightly longer than his diminutive frame should have allowed. At first, he fought at 108 pounds. As the years went by, he developed into a genuine bantamweight and fought at 112 pounds. Then he went up to 116 pounds, then to 118, and then to 122, all apparently without suffering any loss of skill.”

There are few visual images of Dixon in combat. Contemporaneous written accounts suggest that, at his peak, he had remarkable defensive skills, excellent timing, superb footwork, an uncommon ability to judge distance, and an educated left hand. He was blessed with courage, patience, the ability to endure punishment, and an iron will. His training regimen was sophisticated for its time.

A handful of fights were of particular importance in Dixon’s storied ring career. On June 27, 1890, having journeyed across the Atlantic Ocean, he knocked out British bantamweight and featherweight champion Nunc Wallace in Soho, England. That raised his profile exponentially. Nine months later in upstate New York, Dixon knocked out Cal McCarthy in a rematch of an 1890 draw to claim to the American portion of the featherweight crown. Then, on July 28, 1891, in San Francisco, he knocked out Australian bantamweight champion Abe Willis.

“His bout against Willis,” Winders writes, “would solidify Dixon as the greatest fighter – not just Black fighter – of his division in the world. With this victory over Willis, George Dixon became the undisputed world bantamweight champion, the first Black man to earn a world boxing title. And it all happened before his twenty-first birthday.”

Then, for good measure, Dixon knocked out the newly-crowned British featherweight champion Fred Johnson in Brooklyn on June 27, 1892. That further solidified his kingdom.

These triumphs came at a time when boxing was becoming ingrained in America’s national consciousness. The Police Gazette, with a weekly circulation that ran as high as 400,000 copies, was America’s most popular tabloid magazine. Editor Richard K. Fox relied heavily on the sweet science to sell the publication. In 1889, roughly sixty percent of its headlines dealt with boxing. Now, with Dixon at his fighting peak, the Police Gazette called him “the greatest fighter – big or little – the prize ring has ever known.”

Winders puts the importance of those words in context: “Perhaps today we read over words like ‘slave’ and ‘master’ too easily. But the mindset that fueled centuries of this thinking did not die with the stroke of the Great Emancipator’s pen. It was deeply embedded in American culture. Just a generation before the Dixons arrived in the United States, the Black body was nothing more than a tool of labor, an expensive shovel or plow horse used and abused by a white master. Now a Black man was asserting his manhood by way of sport, beating white men with his near-bare hands, rising to heights higher than any man his size no matter what color. Dixon stood as champion, inspiration, among the wealthiest and best-known men in the country. More than a fighter, Dixon came to represent hope.”

That said; in truth, Dixon regarded his celebrity standing as belonging more to himself than to Black America. “In the ring,” Winders writes, “he was a hero to the Black man. But he lived in a white world rather contentedly.” Dixon’s manager, Tom O’Rourke (who took half of Dixon’s earnings) was white. Dixon was married to O’Rourke’s sister. Dixon was widely admired for his ring skills. But equally important to the narrative, he was not regarded as a threat. “Much of his widespread acceptance,” Winders notes, “hinged on his smaller-than-normal stature.” And despite being married to a white woman, he had always “known his place” in society. Tom O’Rourke, Winder recounts, was often “quick to make mention of that in the press.”

In all his research, Winders was able to find only one instance in which Dixon was reported as speaking publicly about his meaning to Black America.

On May 22, 1891, Dixon was honored at the Full Moon Club in Boston’s West End, the center of the city’s Black community. Speaking to an audience of mostly young Black men, he declared, “I have always tried to do my duty. I have never yet entered the ring but that I was conscious that I was not only fighting the battle for myself alone, but also for the race. I felt that, if I won, not only credit would be given to me, but that my race would also rise in the estimation of the public.”

“This moment,” Winders observes, “among the thousands of mentions of Dixon in the press of the day, is an outlier. Never again in the reporting did he speak about a ‘duty’ to his race. Certainly, his actions in the years that followed were not in line with what Black America expected – or needed – from him. Never political or bombastic, rarely confrontational or rebel-rousing, Dixon never embraced his race duty more publicly than this moment.”

In September 1892, Dixon further solidified his importance when he participated in a historic three-day fight festival called The Carnival of Champions at The Olympic Club in New Orleans.

On September 5, Jack McAuliffe knocked out Billy Myer to retain the world lightweight crown. More famously, on September 7, James J. Corbett dethroned John L. Sullivan to claim the heavyweight championship of the world. In between these two fights – On September 6 – Dixon defended his world featherweight crown against Jack Skelly.

Prior to the Civil War, New Orleans had been the slave trading capital of the United States. Now, a Black man and a white man were exchanging blows there. And the battle was waged before spectators of both colors.

“Among the earliest arrivals for the Skelly-Dixon bout,” Winders writes, “were Black spectators for whom a large section on one of the upper general admissions stands had been set apart. It was a first for the club – an amazing sight in the heart of the former Confederacy. Among the crowd of two hundred Black men were prominent politicians and regular men lucky enough to snag a ticket. Five thousand people had filled the arena. City councilman Charles Dickson, a prominent member of the Olympic Club, welcomed Dixon into the ring and then warned the crowd that the upcoming contest was between a Black man and a white man in which fair play would govern and the best man win.”

Dixon knocked out Skelly in eight rounds. His fame and the adulation for him would never peak that high again.

The Carnival of Champions showcased Dixon in a way that he hadn’t been showcased before. “Until that moment in New Orleans in September 1892,” Winders observes, “Dixon was an insulated fighter. Then he landed in the middle of forces already in motion, forces still lingering from the after-effects of slavery and the Civil War. All of those forces would gain strength that summer and continue through Dixon’s lifetime as societal forces shifted to a more aggressive approach toward limiting Black opportunity. Shielded from those forces for years, Dixon would soon experience them head-on without the protection of the white world in which he inhabited. The Carnival of Champions was not a moment when George Dixon changed the world. It was the moment when Dixon left his sheltered existence and became part of it.”

“Immediately after the Dixon-Skelly bout,” Winders reports, “Olympic Club members regretted pairing the two.” Olympic Club president Charles Noel publicly stated, “The fight has shown one thing, however, that events in which colored men figure are distasteful to the membership of the club. After the fight, so many of the members took a stand against the admission of colored men into the ring as contestants against white pugilists that we have pretty well arrived at the conclusion not to give any more such battles. No, there will be no more colored men fighting before our club. That is a settled fact.”

In the same vein, following Dixon-Skelly, the New Orleans States editorialized that there was “inherent sinfulness” to interracial fights and complained that “thousands of vicious and ignorant negroes regard the victory of Dixon over Skelly as ample proof that the negro is equal and superior to the white man.”

Meanwhile, as the forces of repression were pushing back against gains made by Black Americans during the Reconstruction Era following the Civil War, Dixon’s ring skills were eroding. In addition to competing in official bouts, he was fighting in hundreds upon hundreds of exhibitions as part of traveling vaudeville shows.

“In advance of the troupe arriving in town,” Winders recounts, “a notice was posted that fifty dollars would be given to any person who could stand up before Dixon for four rounds. During these engagements, Dixon met all comers and often fought fifteen men irrespective of size in the same night – an immeasurable toll on his small frame.” A newspaper in West Virginia noted, “Dixon is meeting too many lads in his variety show act. His hands cannot certainly be kept in good condition with such work. He has used them so much in these four-round bouts that they are no longer the weapons they were.”

As for official fights, Winders reports, “Noticeable cracks in Dixon’s once spotless technique were developing. Dixon’s speed was waning. His punches were no longer beating his opponent’s attempts to block. His grunts were louder and more emphatic as blows that would once find empty space were now landing squarely on his face.”

Lifestyle issues were also becoming a problem. Again, Winders sets the scene:

“When it came to New York City at the turn of the twentieth century, Manhattan’s Black Bohemia embodied the newer and more daring phases of Negro life. On these streets, visitors found a lively mix of vice and vitality with clubs packed nightly with free-spending sporting and theatrical people, as well as those hoping to catch a glimpse of those famous patrons. The area had become a national symbol of urban depravity, noted mainly for its gambling houses, saloons, brothels, shady hotels, and dance halls that stayed open all night. And while few boxers of this period were residents of New York City, they all found their way to Black Bohemia. Dixon began to frequent Black Bohemia and, by the time he became a regular, he was bleeding money into the district’s many establishments. The ponies got some; George couldn’t resist craps; and then there was booze to be bought at high prices for everybody. And he drank. Dixon would tear off $5,000 as his share of a win and it would disappear, one way or another, in a few days.”

“Dixon got rid of his money faster than any fighter I ever knew, except myself,” John L. Sullivan noted.

Dixon lost his featherweight title to Solly Smith in 1897 but regained it the following year. Then, on January 9, 1900, he fought Terry McGovern at the Broadway Athletic Club in New York. McGovern administered a brutal beating. The fight was stopped by Dixon’s corner in the eighth round.

“I was outfought by McGovern from the end of the third round,” Dixon acknowledged afterward. “The blows to my stomach and over my kidneys were harder than any I ever received. I entered the ring as confident as ever, but after going a short distance, I discovered that I was not the Dixon of old. My blows, although landing flush on my opponent, had no effect.”

After Dixon-McGovern, The Plaindealer (a Black newspaper in Topeka, Kansas) editorialized, ” The race has no gladiator now to represent it. We are in darkness, for Dixon’s light has been put out.”

On March 30, 1900, less than three months after losing to McGovern, Dixon opened a saloon called the White Elephant in the heart of the Tenderloin District. He was a poor business manager and his own best customer. Prior to fighting McGovern, he’d said that the McGovern fight would be his last. It wasn’t.

The White Elephant failed and Dixon kept fighting. Over the next six years, he engaged in 77 official bouts, the last of them on December 10, 1906. According to BoxRec.com, he won only thirteen of these encounters. Overall, BoxRec.com credits him with having participated in 155 recognized boxing matches with a final ring record of 68 wins, 30 losses, and 57 draws. In Dixon’s era, when a fight went the distance, there was often no declaration of a winner.

Meanwhile, Dixon began drinking more heavily. As Winders writes, “He increasingly celebrated his victories with or drowned his troubles in alcohol. That led to numerous confrontations with police. His personal demons were clashing with public sentiment toward Blacks in the wider society. His celebrity no longer shielded him. In public, he was prone to violent outbursts and fits of rage. In private, he was beholden to his own dark vices. Few Black men were as pitied, and none named more frequently from public square and pulpit as a cautionary tale of modern excesses.”

In due course, Joe Gans succeeded Dixon as the most famous and successful Black boxer in the world. After defeating Battling Nelson on September 3, 1906, Gans made a show of publicly offering Dixon a job as head bartender at a hotel that he owned in Baltimore. But the job never materialized.

“I never heard anything from Joe about going to Baltimore,” Dixon said later. “I guess he was advertising his show when he said that. But his hotel would sure look good to me right now”

“It isn’t what you used to be,” Dixon told an interviewer. “It’s what you are today. The men who followed me in the days of prosperity can’t see me when I am close enough to speak to them.”

On January 4, 1908, Dixon was admitted to Bellevue Hospital in New York.

“He was wasted and worn,” Winders writes. “To the doctors, he famously said he had ‘fought his last fight with John Barleycorn and had been beaten.’ His condition became worse and continued sinking. He died at 2 p.m. on January 6, 1908. He was thirty-seven years old. His funeral service in Boston was the largest funeral gathering for a Black man in the history of the city.”

Winders has done an admirable job of recounting George Dixon’s life. He places people and events within the context of their times and brings names in dusty old record books to life. He writes well, which is a prerequisite for any good book; does his best to separate fact from fiction; and is sensitive to the nuances of his subject. He also avoids the pitfall of describing fight after fight after fight, focusing instead on the ones that mattered most. Readers are transported back in time to the Olympic Club in New Orleans for the three-day Carnival of Champions in 1992. Dixon’s sad beating at the hands of Terry McGovern in New York in 1900 is particularly well told.

Winders also performs a service by stripping away the myth of Nat Fleischer as a reliable boxing historian.

“Much of Dixon’s story,” Winders writes, “has been left in the hands of Fleischer. Although he is an icon to many, not all are enamored by Fleischer’s ability to recount the past. His research and record keeping leave much to be desired. His biographies and record books are rife with errors.”

Winders then approvingly quotes historian Kevin R. Smith, who labeled Fleischer’s best-known writing about Black boxers (the five-volume Black Dynamite series) as “heavily flawed,” called some of his other offerings “downright ludicrous,” and declared that Fleischer was “unabashed in his use of poetic license, making up sources and fictionalizing events when unable to unearth the true facts.”

Less than a year after Dixon died, Jack Johnson journeyed to Australia and dethroned Tommy Burns to become the first Black man universally recognized as heavyweight champion of the world. “Historians want to start with Johnson,” Winders writes, looking back on that moment. “But why not Dixon? By ignoring him, we have lost the point where the story of the modern Black athlete in America begins.”

One reason many chroniclers start with Johnson is that so little about Dixon is known. “Historians,” Winders acknowledges, “have placed Dixon at the forefront of boxing pioneers, but they often don’t seem to know why beyond a few lines related to his ring resume. Outside of some isolated examples, sport history – indeed, Black history – rarely celebrates his accomplishments. There is an odd silence in his isolation. Dixon sits tantalizingly, even frustratingly, close to us – just over a century ago. Surely, his life should be too recent to be lost to time.”

Winders has done his part – and then some – to save us from that loss. George Dixon: The Short Life of Boxing’s First Black World Champion, 1870-1908 is as good a biography of Dixon and portrait of boxing in that era as one is likely to find.

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His next book – Broken Dreams: Another Year Inside Boxing – will be published this autumn by the University of Arkansas Press. In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, he was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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Thomas Hauser

Thomas Hauser is the author of 52 books. In 2005, he was honored by the Boxing Writers Association of America, which bestowed the Nat Fleischer Award for career excellence in boxing journalism upon him. He was the first Internet writer ever to receive that award. In 2019, Hauser was chosen for boxing's highest honor: induction into the International Boxing Hall of Fame. Lennox Lewis has observed, “A hundred years from now, if people want to learn about boxing in this era, they’ll read Thomas Hauser.”

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Book Review

“The Knockout” and More from Thomas Hauser

Published

4 months ago

August 4, 2024

Thomas Hauser

The Knockout by Andy Clarke (published by Aurum) is a thoughtful book that encourages readers to think more deeply about boxing’s most violent spectacle, described by Clarke as, “The greatest finish in all of sport . . . Boxing’s money shot . . . Sport’s most decisive moment . . . The ultimate sporting cataclysm . . . A public sporting execution . . . The ultimate expression of sporting victory and defeat.”

Clarke focuses on two types of knockouts that he labels “type one” (the single-punch knockout) and “type two” (when a fighter has been beaten down over time to the point where he can no longer properly defend himself).

“Type one is spectacular,” Clarke writes. “The suddenness of it is shocking. It almost doesn’t seem right or fair that something that until so recently was so full of potential and possibility can just end like that, without warning, without consultation. But that’s boxing and that’s the knockout and you won’t find anything like it anywhere else in the world of sport. Type two is slow by comparison, gruelling, and, at least in theory, much more preventable. Torture. Breaking the will. That’s what a type-two knockout is about.”

“There is no response to a knockout,” Clarke continues. “There is no other moment in sport that can rival it for its utter finality. No opportunity to come back. It renders the clock irrelevant. Other sports can provide moments of great drama. But a last-second goal or basket on the buzzer to win the game requires whoever scores them to be within striking distance, to be close enough to their opponent’s score for that final act to be decisive.”

Clarke examines knockouts from multiple perspectives. He starts with fighters – both winners and losers – keying on conversations with Carl Froch, Ricky Hatton, Amir Khan, Matthew Macklin, Jamie Moore, David Haye, and Tony Bellew. Then he broadens his inquiry to consider the role played by third parties such as trainers and referees and the response of fans to a “traumatic physical event” that often redirects the trajectory of a fighter’s career and, for the loser, can change him physically and mentally for life.

Here, the thoughts of two trainers are instructive.

Joe Gallagher, talking about whether or not to stop a fight when his charge is taking a beating, told Clarke, “There’s a very fine line. You’ve got to understand what your fighter is capable of or not capable of. And if you’ve got to ask them to do something that he’s never done in his career before, never done in the gym, than why do you keep him in there? We’re beginning to get into a highlight-reel knockout situation and he shouldn’t be in there. It’s very hard.”

And Billy Graham opines, “Fighters might say they don’t want to hurt their opponent. But let me tell you, when you’re in there, you absolutely f***ing do. You want to knock them out. You want to keep hitting them until they drop so they’ll stop f***ing hitting you and you can get yourself out of that hellhole. Yeah, a few seconds later, when you’ve done it, when it’s over, you might start to think about if they’re okay. But whilst you’re in there, you just want to finish it, to knock them the f*** out.”

To Clarke’s credit, his book is not a tedious compendium of boxing’s greatest knockouts. But a little more historical perspective would have been welcome. The most celebrated one-punch (“type one”) knockout in boxing history was a left hook to the jaw delivered by Sugar Ray Robinson on May 1, 1957, in his second fight against Gene Fullmer. Rocky Marciano’s one-punch knockout of Jersey Joe Walcott to seize the heavyweight throne on September 23, 1952, runs a close second. More recently, on November 5, 1994, George Foreman solidified his place in boxing history with a one-punch knockout of Michael Moorer. It would have been nice had Clarke acknowledged those moments.

Also, “type one” knockouts come from body punches as well as head shots. Clarke largely ignores that phenomenon.

That said; The Knockout is a good book.

“Boxing,” Clarke observes, “is as old as sport gets.” He reminds us that, “In boxing, the ability to survive is the cornerstone around which everything else can be built.” And he cautions, “The ultimate aim for all boxers is to leave the sport having taken more from boxing than boxing has taken from them. It’s a straightforward ambition but one that few achieve.”

****

One of the sad things about the craziness that enveloped Mike Tyson for much of his ring career is that it obscures what a remarkable fighter he was when he was young. Consider this one statistic.

Tyson knocked out Trevor Berbick on November 22, 1986, to claim the WBC heavyweight crown. He was undefeated in THIRTEEN fights that year. Some of his opponents were easy outs. But others – like James Tillis and Mitch Green – posed credible challenges.

Compare Tyson to his brethren.

Larry Holmes fought three times in the twelve months before he defeated Ken Norton for the heavyweight crown. Evander Holyfield had two fights in the year prior to his beating Buster Douglas. Lennox Lewis, two before beating Tony Tucker. Riddick Bowe, four before beating Holyfield.

What about “throwback fighters”?

Rocky Marciano had five fights in the year before he dethroned Jersey Joe Walcott. Joe Louis had seven fights in the year before beating James Braddock. Gene Tunney, three before toppling Dempsey. Dempsey, ten before beating Jess Willard. Jack Johnson had one win the year before he beat Tommy Burns.

And recent heavyweight champions?

Oleksandr Usyk had one fight during the year before he dethroned Anthony Joshua . . . Joshua, four before beating Charles Martin . . . Tyson Fury, two before beating Wladimir Klitschko . . . Deontay Wilder, two before beating Bermane Stiverne.

So to repeat the number: Mike Tyson’s knockout of Trevor Berbick to claim the WBC heavyweight title was his THIRTEENTH fight of 1986. That’s a lot of fights.

****

At the kick-off press conference at the Hunt and Fish Club in New York for his largely-ignored August 24 rematch against John Gotti III, Floyd Mayweather bragged, “Last time I checked, I’ve beat more fighters that are in the Hall of Fame than any fighter in history.”

Floyd should check again.

Floyd beat Diego Corrales, Arturo Gatti, Oscar De La Hoya, Ricky Hatton, Juan Manuel Marquez, Shane Mosley, and Miguel Cotto. That’s victories over seven Hall of Fame opponents. And let’s assume that Manny Pacquaio will be inducted into the Hall of Fame some day which will give Floyd eight (although the number now stands at seven).

Now let’s look at two men who Mayweather often compares himself to.

Pacquiao defeated eight opponents who are now in the Hall of Fame: Marco Antonio Barrera, Juan Manuel Marquez, Eric Morales, Oscar De La Hoya, Ricky Hatton, Miguel Cotto, Shane Mosley, and Tim Bradley.

And Sugar Ray Robinson defeated eleven: Henry Armstrong, Kid Gavilan, Carmen Basilio, Jake LaMotta, Rocky Graziano, Gene Fullmer, Fritzie Zivic, Randy Turpin, Bobo Olson, Joey Giardello, and Sammy Angott.

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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Book Review

Literary Notes from Thomas Hauser

Published

4 months ago

July 19, 2024

Thomas Hauser

Literary Notes from Thomas Hauser

Bernard Fernandez has written thousands of articles during his 55-year career as a sports journalist. Championship Rounds: Round 5 is the fifth (and Bernard says, the last) collection of his articles to be published in book form.

Fernandez has a way with words. He also has an ear for quotes as evidenced by the following thoughts from Championship Rounds: Round 5:

Alex Rodriguez (speaking about his brother, Francisco, who died after being knocked out by Teon Kennedy at the Blue Horizon in Philadelphia): “My brother had a perfect heart, perfect lungs, perfect kidneys, perfect pancreas. Because of him, other people will have a chance for better health, more birthdays, the fulfillment of their own dreams. Paco is going to continue walking through this world through them.”

Johnny Tapia (after Don King completely dominated the final prefight press conference for his fight against Nana Yaw Konadu in Atlantic City): “I don’t understand this. I mean, I’m the one who’s fighting, right?”

Archie Moore: “A legend is something between fact and fable. Some people might say that that is an accurate description of me.”

George Foreman (on Roy Jones): “The better he is at his craft, the less people understand it.”

Mike Tyson (on Sonny Liston’s gift for weakening opponents through intimidation): “He was a menacing force. Sonny could pull it off. I could pull it off. Not a lot of people could pull it off.”

Bert Sugar (reflecting on some of the unsavory characters who have been inducted into the International Boxing Hall of Fame): “You can always make a case for someone’s exclusion. It depends on how moralistic you want to be. But remember, this is boxing we’re talking about.”

Ferdie Pacheco (after watching 47-year-old Roberto Duran get knocked out by William Joppy in three rounds): “What happened tonight happens too often in boxing. How often do we need to see Joe Louis knocked out by Rocky Marciano, Muhammad Ali beaten to a pulp by Larry Holmes, Sugar Ray Robinson losing to everybody? How much longer do we need to see these legends take beatings like this? This wasn’t a boxing match. It was a licensed execution. I hope it’s the end of the line for Roberto. It should have been the end of the line ten years ago.”

Seth Abraham (reflecting on having signed Roy Jones to a multi-bout contract with insufficient quality control regarding opponents): “In retrospect, I wish I had taken a harder line with him. He wanted to make the most money. That’s fine. He wanted to take the fewest risks. That’s not fine if you want the most money.”

Matthew Saad Muhammad (on his hyper-aggressive ring style and growing older): “You can’t fight the way I did unless you got something to back it up. I couldn’t back it up anymore.”

Archie Moore. “Boxing is magnificent. It’s beautiful to know. But you’ve got to marry it. And so I did. Boxing was my lover. It was my lady.”

Earnie Shavers (on knocking Larry Holmes down and near-senseless with an overhand right. Miraculously, Holmes rose from the canvas and, four rounds later, knocked Shavers out): “I was the heavyweight champion of the world. All my troubles were finally over. It was the greatest feeling I’d ever had. And it lasted for five whole seconds.”

Dan Goossen (on Michael Nunn leaving him for a new manager): “Am I hurt that he decided to leave me? Of course. It’s kind of like being married to a beautiful woman. Guys are going to whistle at her, try to pick her up. It’s up to her to do the right thing and come home. Same thing with Michael. People are going to constantly hit on him. This time, he didn’t come home.”

* * *

Women’s boxing peaked with Katie Taylor vs. Amanda Serrano at Madison Square Garden on April 30, 2022. It was a superb fight between two skilled fighters in an atmosphere that was electric. In Malissa Smith’s words, that night “set the stage for a new era of elite female boxing” and “legitimized” women’s boxing.

Six months later, Claressa Shields and Savannah Marshall squared off at the O2 Arena in London with Mikaela Mayer vs. Alycia Baumgardner on the undercard. Like Taylor-Serrano, the fights in London were a platform for women’s boxing to build on.

Smith’s new book – The Promise of Women’s Boxing (Rowman & Littlefield) – focuses on women’s boxing from the 2012 Olympics to date and is a sequel to her first book – A History of Women’s Boxing (published a decade ago).

Smith has put a huge amount of research into her work. But she recites the details of fight after fight after fight. After a while, the fights tend to blur together and reading about them feels like reading a 224-page encyclopedia article.

Also, when Smith’s writing isn’t too dry, it tends toward hyperbole. Words like “great” and “spectacular” are overused . . . Amanda Serrano is a very good boxer. She is not “one of the hardest-hitting fighters in boxing, male or female.” (Amanda’s last seven opponents have gone the distance against her) . . . And as good a fight as Taylor-Serrano was, it was not “one of the greatest boxing matches in the history of the sport.”

Here, the thoughts of promoter Lou DiBella are instructive. As recounted by Smith, DiBella cautions that fans should “stop comparing women’s boxing contests to men’s and start appreciating them on their own terms.”

* * *

Every fighter has a story. And every fighter’s story is interesting. But some fighters’ stories are more interesting and more artfully told than others.

Land of Hope and Glory by Maurice Hope with Ron Shillingford (Pitch Publishing) has some worthwhile moments but falls short of the mark.

Hope (30-4-1, 24 KOs, 2 KOs by) fought professionally from 1973 through 1982. The high point of his career came in 1979 when he stopped Italian-born Rocky Mattioli in San Remo to claim the WBC 154-pound title. Two years later, he lost his belt to Wilfred Benitez.

The loss to Benitez ended with a frightening highlight-reel knockout that left Hope unconscious on the canvas for an extended period of time. In an ugly coda, when Wilfred was told that Maurice had lost two teeth in the battle, Wilfred responded, “He can put the teeth under his pillow.”

There are some entertaining passages in Land of Hope and Glory. Recounting the prelude to his championship-winning fight against Mattioli, Hope recalls, “Walking to the ring was frightening. Shady figures in the crowd in dark suits and sunglasses were walking around with hands on their breast pockets. Whether there was just a handkerchief there or a loaded gun, the impact had the desired effect – intimidation. I pretended not to see them but it was hard to stay focused and calm. Gangsters with bandages around their hands seemed to be everywhere. It seemed like the Mafia had taken over the whole venue.”

There are also poignant recountings of the death of Hope’s son in a car accident and Maurice visiting a horribly disabled Wilfred Benitez in Puerto Rico long after Wilfred had descended into a hellish dementia.

But sixty pages pass before Land of Hope and Glory gets to a boxing gym. Hope doesn’t turn pro until page 93. And overall, the treatment of boxing is superficial. The book doesn’t explain with nuance or in depth what’s involved in being a fighter or what the business of boxing is about.

There are too many factual errors. For example, Las Vegas is described as being “in the middle of the Arizona desert.” And there’s some fuzzy math. Hope complains about an 80-79 decision that he lost to Mickey Flynn, writing, “The 80-79 decision meant Flynn won two rounds and the other six were draws.” That leads to two thoughts; (1) It’s more likely that Flynn won one round with seven rounds being called even; and (2) Since Maurice was the A-side fighter in that bout and Flynn had thirteen losses on his record, one might speculate that referee Benny Caplan (who was the sole judge) leaned over backward in Maurice’s favor and marked his scorecard “10-10” for rounds that Flynn should have won.

To his credit, Hope got out of boxing at the right time. After losing to Benitez and in his next fight to Luigi Minchillo, he retired from the ring at age thirty. He understood the risks of the trade he had chosen and now writes, “In my mind, boxing is the hardest sport out there. Once you get in the ring, you know your head’s going to hurt.”

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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Book Review

Thomas Hauser’s Literary Notes: Dave Kindred and Robert Seltzer

Published

6 months ago

May 12, 2024

Thomas Hauser

Midway through reading Dave Kindred’s most recent book – My Home Team (published by Public Affairs) – I said to myself, “Kindred is such a good writer.”

Kindred, now 83 years old, has won virtually every sports journalism award worth winning. My Home Team is a memoir that weaves together three love stories – Kindred and Cheryl Liesman (his high school sweetheart and wife for more than fifty years) . . . Kindred and sports journalism . . . And late in life, Kindred’s immersion in a high school girls basketball team (the Lady Potters of Morton, Illinois).

The book is divided into two parts. The first (“Act One) details Dave’s career as a sports journalist and his personal life from early childhood through his retirement from big-time journalism. “Act Two” deals with the Lady Potters and the tragic stroke that ravaged Cheryl, leaving her bedridden and unable to control her environment or speak more than a few words in her final years. A short coda puts the final pieces in place.

Kindred wrote more than six thousand columns during his years at the Louisville Courier-Journal, Washington Post, and Atlanta Journal-Constitution. As his reputation grew, he covered virtually every major sporting event in the way he chose to cover it.

“Newspapers were never better nor did they matter more than in those days when they were rich with cash and ambition,” Dave writes. “Before the Internet, before Facebook, Twitter, and Instagram, newspapers were important in ways that social media could never be – as trusted messengers of the day’s news.”

“I was not a fan of a team, a coach, a player,” Kindred continues. “That relationship could only end badly. I was a fan of reporting and writing. Journalists root for stories. Whatever happens, good or bad, just make it something we can write. Sometimes we get lucky and the best story is the one we want to write.”

I met Kindred in 1989 when I was researching a biography of Muhammad Ali. Dave had just written a remarkable piece of investigative journalism about a lawyer named Richard Hirschfeld who was exploiting Ali and imitating Muhammad’s voice in telephone calls to members of Congress. It was a notable example of the ways in which Ali was being used by hustlers to advance their own economic interests. Kindred pieced the story together brilliantly. In later years, I got to know him better as a writer and a person.

Dave was with the young Ali in Louisville when he was king of the world, the old Ali in Las Vegas when he was brutalized by Larry Holmes, and each incarnation of Ali in between. He wrote that Ali in his prime was “as near to living flame as a man can get” and added thoughts like:

* “You could spend twenty years studying Ali and still not know what he is or who he is. He’s a wise man and he’s a child. I’ve never seen anyone who was so giving and, at the same time, so self-centered. He’s either the most complex guy that I’ve ever been around or the most simple. And I still can’t figure out which it is. We were sure who Ali was only when he danced before us in the dazzle of the ring lights. Then he could hide nothing.”

* “I never thought of Ali as a saint. He was a rogue and a rebel, a guy with good qualities and flaws who stood for something. He was right on some things and wrong on others, but the challenge was always there.”

* “Rainbows are born of thunderstorms. Muhammad Ali is both.”

In 2010, when Kindred’s sportswriting days on the national stage came to an end, he and Cheryl moved back to their roots in rural Illinois. They bought a house on a big plot of land and envisioned a comfortable old age surrounded by family and friends.

Then, in December 2010, Dave went to a Lady Potters basketball game to see the daughter of friends play.

Three years earlier, Kindred recalls, “Carly Jean Crocker [had been] thirteen years old, blonde and blue-eyed, tall and trim in blue jeans, stylish in a denim jacket and red canvas sneakers.”

This was long before Caitlin Clark set the basketball world ablaze.

A neighbor had asked, “Carly, are you going to be a cheerleader?”

“No,” Carly answered, “I’m going to be the one you cheer for.”

Now Carly was on the Lady Potters roster.

“I climbed three rows up at the Morton High School Gym,” Kindred recounts. “The game was the first sporting event for which I ever bought a ticket. Though I resisted saying the word, friends counted me as, quote, retired. With newspapers and magazines dying in the Digital Age, there was also the unhappy circumstance of nobody looking to coax geezers out of retirement. Without a press credential for the first time since I was seventeen, I was an official spectator.”

Before long, Dave was hooked. He began writing about the Lady Potters for the team website and Facebook. “I had no agenda,” he recalls. “It got me out of the house. It made me pay attention to something other than growing old.”

His pay?

Before each outing, the team gave him a box of Milk Duds to eat in the stands during the game.

“But I like Milk Duds,” Kindred notes.

Then tragedy struck.

Cheryl was the only girlfriend Dave ever had. Her place in his heart was sealed at their high school senior prom when the awkward young man confessed, “I’m a very bad dancer.”

“She took my hand and squeezed it,” Dave told me decades later. “And then she said, ‘Bad dancing is better than no dancing.'”

On December 6, 2015, Dave and Cheryl were at the movies. She was eating popcorn when a massive stroke hit.

“It’s like a bomb exploded in her brain,” one of her doctors said.

For the next five years, Cheryl lay in bed in a nursing facility – in Kindred’s words, “her spirit gone, her body smaller and smaller, life disappearing.” He made the 36-mile round-trip from their home to her bedside more than a thousand times.

“Some days, I don’t even think she knows who I am,” Dave told me after one of his visits. “But I hold her hand and talk to her. I hope it comforts her. And it makes me feel better to be there.”

Cheryl died on June 24, 2021.

Meanwhile, the Lady Potters had become a very good basketball team. During one five-year stretch, they won 164 games and lost only 13, leading Kindred to refer to them as “the Golden State Warriors, only with ponytails.” In 2015, 2016, 2017, and 2019, they won the Section 3A Illinois State Championship.

“Basketball is beautiful when people move the ball quickly and surely to places where it can be put in the basket easily,” Kindred writes in My Home Team as he looks back on his journey. “It is beautiful, too, when people play defense as if it is the most fun a teenage girl can have. A couple of years in, I understood my real reason for writing about the Lady Potters. No professional athlete ever introduced me to his parents or asked about my family’s well being. Slowly, I understood that I cared about the Lady Potters games in ways I had not cared about all those that came before. We met good people and shared good times. I loved the little gyms, loved the games. [And] writing was my life. Writing anything gave me a reason to stay alive.”

Kindred’s writing is as smooth as silk with some sharp barbs woven into the fabric. In that vein, I’ll close this review with an anecdote from My Home Team that Dave shares in chronicling his days as a national journalist.

Jenny Keller (a reporter for the New York Daily News) was assigned to cover the New York Jets and found herself in the team locker room confronted by a huge defensive lineman who held his male organ up for inspection and asked, “Do you know what this is?”

“Looks like a penis,” Jenny answered. “Only smaller.”

—

Ted Williams – arguably the greatest hitter of all time – had a Mexican-American mother. But he rarely talked about that part of his heritage. After retiring from baseball, Williams said of growing up in San Diego, “If I had my mother’s name, there is no doubt I would have run into problems in those days, the prejudices people had in Southern California.”

As Williams’s mythic career was winding down, a 17-year-old named Ritchie Valens from California’s San Fernando Valley recorded a love song called Donna – one of the most popular love songs of its time. One year later, his life was cut short when he died in a plane crash with Buddy Holly and J.P. Richardson. Valens’s real name was Richard Valenzuela. But he’d been told to anglicize it so his records would be more saleable to mainstream America.

This is the world that Robert Seltzer was thrown into at age ten when he moved with his parents from El Paso to Bakersfield, California. His mother was a Mexican woman from Chihuahua. His father was a “gringo,” originally from Cleveland, who preferred Mexican culture to his own and took the pen name “Amado Muro” for much of his writing.

Amado Muro and Me recounts Seltzer’s first year in Bakersfield when he experienced racism for the first time and was mercilessly picked on as the only Mexican-American in his fifth-grade class. Through the prism of that year, he explores his relationship with his father, wrestles with his own self-identity, and recreates the multi-cultural world that he came from.

Seltzer is known to boxing fans as a past recipient of the Nat Fleischer Award for Career Excellence in Boxing Journalism. There’s not much boxing in this book. But it’s a wonderful read with a particularly reprehensible bully. And it reinforces the view that families are families regardless of race, religion, or national origin.

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is an intensely personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

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