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The Hauser Report: The Script for Lamar Odom vs. Aaron Carter

The Hauser Report: The Script for Lamar Odom vs. Aaron Carter
The sweet science is being inundated by a wave of what one might call “trash boxing.” YouTube personalities, social media influencers, and long-past-their-prime ring greats are capitalizing on the confusion created by hundreds of “championship” belts and the void resulting from the failure of the boxing establishment to make entertaining match-ups with the best fighting the best.
There have always been circus-like sideshows in boxing. In the 1800s, John L. Sullivan fought all comers in tours around the country. Muhammad Ali squared off against Antonio Inoki and Lyle Alzado, while Chuck Wepner faced Andre the Giant. Mark Gastineau, Jose Canseco and others tried – or pretended to try – their hand at ring combat. The difference now is that the sideshows are becoming boxing’s main event. Trash boxing is how the sport is being portrayed to the general public with paydays ranging from minimal to millions of dollars.
On June 11, 2021, former NBA basketball player Lamar Odom squared off against rapper Aaron Carter in the main event of an Official Celebrity Boxing card at the Showboat Hotel in Atlantic City. The event was available on pay-per-view through FITE for $29.99. Bovada (an online sports betting site) listed Odom as a -400 favorite. The odds on Carter were +250.
The event was marketed to the public as a legitimate fight. Prior to it, Odom told TMZ, “I’m prepared. I don’t know who he’s sparring against, but I know my gym is full of guys that can fight and I’ve been sparring with and I have a really good trainer. He’s been talking sh**, but I’m gonna put him to sleep early. I asked his girlfriend yesterday, ‘Which round do you want to wake him up in.'”
Retired UFC star Chuck Liddell, who served as the referee, told TMZ, “I just wanna see how Odom is gonna fight Aaron. I’ll let them fight to some extent. Obviously, it’s a celebrity fight. I’m not gonna let him get too hurt. I’ll protect either one from either of them no matter who’s getting hurt. We don’t want them to get hurt, but you gotta let them fight. People are paying to watch you fight. You’re getting paid to fight. You wanna make some money, you gotta fight.”
But that was hype. In reality, the fight took place pursuant to a script that was submitted in advance to the New Jersey State Board of Athletic Control. In other words – despite the existence of a betting line and the manner in which the event was marketed to the public – the fight was “fixed.”
Odom-Carter was promoted by Damon Feldman, a former Philadelphia fighter who crafted a 9-and-0 record in a four-year career that ended in 1992. His first eight opponents had a composite ledger of 8 wins against 50 losses. His last opponent had lost 10 of 12 previous fights. Give Feldman credit for knowing what it means to be in a boxing ring.
In 2011, as reported by the Philadelphia Inquirer on March 8, 2011, Feldman was sentenced to two years probation after pleading no contest to charges that he had fixed fights and promoted fights without a license in Pennsylvania.
More trouble followed. According to an April 29, 2020, article by Jack McCaffery of 21st-Century Media, Feldman was incarcerated for thirteen months ending in December of 2017 after a plea deal tied to charges of domestic violence that had been lodged against him. As recounted in a May 22, 2018, article in Philadelphia Magazine, the charges stemmed from an incident that occurred at the home of a woman who Feldman had previously been romantically involved with. The woman, who was bleeding profusely, told police that he had punched her several times in the face. Feldman told police that there had been a physical altercation between them and that the woman was injured when he threw her off of his back, causing her to fall down the stairs. The physical evidence was inconsistent with Feldman’s statement.
Feldman promoted his first “celebrity boxing” event in 2008. Over the years, his promotions have featured the likes of Tonya Harding, Paula Jones, and Joey Buttafuoco. “My dream,” he has said, “is to do a fight with Sylvester Stallone. If I could make money promoting regular fights, I would. But I can’t, so I’m doing this.”
That brings us to the June 11 encounter between Lamar Odom and Aaron Carter.
Odom is 6-feet-10-inches tall. He played in the NBA for fourteen seasons, seven of them with the Los Angeles Lakers. From 2009 to 2016, he was married to Khloe Kardashian.
In October 2015, Odom was found unconscious in a Nevada brothel after ingesting a combination of cocaine, alcohol, and other drugs. As reported by the Los Angeles Times, he suffered six heart attacks and twelve strokes. He’s now 41 years old.
Carter, a 33-year-old rapper whose music career has been in decline in recent years, has struggled publicly with substance abuse and other issues.
Odom-Clark was scheduled for three ninety-second rounds with headgear. Paulie Malignaggi, Ice-T, and Coco provided the pay-per-view commentary. Multiple websites – many of them respected boxing and MMA outlets – reported on the encounter as though it was a real fight.
Sam Quinn of CBS Sports.com wrote, “On Friday night, we saw one of the most anticipated celebrity boxing matches of the year. On paper, the fight looked like a mismatch. The 6-0 Carter is almost a foot shorter than Odom, and the difference in their weight and reach is similar. Odom has physical gifts that the rest of us simply don’t and he showed it in knocking Carter out.”
Mark Lelinwalla of DAZN News reported, “Despite giving up 10 inches in height, 64.5 pounds, and 11 inches in reach to Odom, Carter enjoyed early success with a barrage of lefts and rights that connected to his taller, larger opponent’s head in the opening round. However, Odom got his bearings, went to the outside, and placed a right jab-left hook combination which dropped Carter. The pop star of the 90s didn’t have his legs under him and wisely held on to survive the round. But he wouldn’t make it against Odom much longer. The second round had Odom spinning Carter around and around before delivering several unanswered lefts to drop the singer once again. Special guest referee Chuck Liddell began counting, as Carter indicated that he was no longer fit to continue.”
Nick Selbe of Sports Illustrated recounted, “The stoppage occurred in the second of the fight’s three, 90-second rounds, as Carter failed to put up much defense against Odom’s flurry of punches.”
One might ask, “Where was the New Jersey State Athletic Control Board in all of this?” After all, the NJSACB is charged with regulating combat sports in New Jersey. And as earlier noted, Odom-Carter was marketed to the public as a legitimate boxing match. Odds on the outcome were posted on gambling sites such as Bovada. Normally, this would place the event within the purview of the NJSACB.
The answer is that the New Jersey State Athletic Control Board didn’t have jurisdiction over the event because it wasn’t a “real” fight. It was scripted entertainment.
Celebrity Boxing (Feldman’s promotional company) represented to the NJSACB that Odom-Clark was “scripted,” not a combat sports competition. Thus, it was no more subject to regulation by the NJSACB than professional wrestling.
Further to that point, in advance of the event, the New Jersey State Athletic Control Board asked Celebrity Boxing to send it a copy of the script. On May 23, the promotion emailed the script to Deputy Attorney General Nick Lembo (who oversees legal matters for the NJSACB). Once the script was received, NJSACB commissioner Larry Hazzard was advised by the Attorney General’s office that he had no jurisdiction over the event.
In mid-June, this writer learned about the existence of the script. On June 30, pursuant to the New Jersey Open Public Records Act, I filed a request for documents from the Office of the Attorney General of the State of New Jersey. More specifically, I asked for “All documents relating to the June 11, 2021, boxing exhibition at the Showboat Hotel featuring Lamar Odom and Aaron Carter, including but not limited to any script for the main event.”
On July 2, my request for documents was denied in its entirety by the Custodian of Records for the Attorney General’s Office. Three grounds were listed for the denial:
(1) “The event referred to in your request was not subject to the regulatory purview of the State of New Jersey Athletic Control Board.”
However, the fact that the event was not subject to the regulatory purview of the NJSACB had no bearing on the existence of the documents.
(2) “Your request is overly broad and improper.”
I did not believe that to be the case. However, in response, I told the Custodian of Records that, for the time being, I would be satisfied with receiving “any script for the main event” pursuant to my request.
(3) “To the extent that any such script may exist, it would be the confidential and proprietary property of Celebrity Boxing.”
To support this claim, the Custodian of Records stated, “Celebrity Boxing Entertainment LLC (CBE), the organizer of the June 11, 2021, boxing exhibition, repeatedly marked information, documents, and correspondence to the SACB as confidential and proprietary business information [and] stated that the release of the requested information would cause irreparable harm to CBE, its shareholders, investors and participants.”
However, just because someone writes “confidential” and “proprietary” on a document and claims that the document is exempt from production doesn’t make it so. Also, since the scripted June 11 event had already occurred, there was no longer anything confidential about the script.
Following proper procedure, I asked the Custodian of Records to reconsider my request. Again, the request was denied. This time, the Custodian of Records abandoned her first two objections to production, restated her position that the documents were exempt from production because they contain confidential and proprietary information, and added a new excuse – that the documents “were obtained as part of SACB’s review of the event” and thus are exempt from release because they are “records concerning background investigations or evaluations for public employment, appointment to public office, or licensing, whether open, closed, or inactive.”
That was blatant nonsense. The “investigation” exemption under New Jersey law applies to instances where an individual has submitted an application for public employment, appointment to public office, or licensing by the State of New Jersey and an investigation of the applicant followed. There was no such application in this matter.
On July 21, I took things to the next level and filed a complaint with the New Jersey Government Records Council. In response, the Custodian of Records conceded that the script at issue exists and had been transmitted by email to Deputy Attorney General Nick Lembo on May 23, 2021. But the Custodian continues to claim that the script is exempt from production for the reasons stated above.
The Custodian has also refused to identify or produce relevant documents other than the script, claiming, “as Mr. Hauser failed to identify with specificity the records he sought, aside from requesting a copy of the script, it was not possible to determine the full universe of records that could be responsive.”
This is a ridiculous assertion. It’s impossible for me to “identify with specificity” the records sought because I don’t know with specificity what these records are. I do know that the universe of documents responsive to my request is small and easily reviewable. Indeed, in one of its responses, the Custodian states, “the organizer of the June 11, 2021, boxing exhibition repeatedly marked information, documents, and correspondence to the SACB as confidential and proprietary business information.” So obviously, the Custodian has already reviewed the documents.
That’s where things stand at the moment. My request for documents is still before the Government Records Council. Conceivably, the Custodian of Records will force the matter to full-blown litigation.
There are serious issues involved here. If Odom-Carter was in fact “scripted” (which now appears to be conceded, given the acknowledgment that there was a script), then the NJSACB was correct in not exercising jurisdiction over it. However, if Odom-Carter was scripted, it was marketed in misleading fashion to the public. Pursuant to this marketing, at least some consumers were deluded into paying money for on-site tickets and pay-per-view buys. And more troubling, legal gaming companies posted odds and took bets on a “fixed” match.
On the other hand, if the event was not “scripted,” then the New Jersey State Athletic Control Board should have exercised jurisdiction over it.
The New Jersey Open Public Records Act was enacted to protect the public through the free flow of information. Hiding the truth of this matter through a disingenuous response to a valid Open Public Records Act request is a disservice to the public and also a violation of the act. I’d like to think that the denial of my request was an inadvertent error by a well-intentioned public servant and not an act designed to cover up possible wrongdoing by a well-connected private entity.
Meanwhile, according to TMZ and the Celebrity Boxing website, Odom has signed a contract to fight 54-year-old, former heavyweight champion Riddick Bowe in Florida on October 2. The bout is slated to be contested with 23-ounce gloves and will consist of three two-minute rounds. It’s not clear at the present time whether headgear will be worn.
Bowe hit rock bottom on February 25, 1998, when he kidnapped his estranged wife and their five children in a frightening irrational attempt to reunite his family. After lengthy pre-trail maneuvering, he pled guilty to criminal charges and was imprisoned for seventeen months. In conjunction with Bowe’s plea bargain and sentencing, his attorneys submitted evidence to the court stating that Riddick’s conduct resulted from brain damage sustained as a consequence of boxing. More specifically, Dr. Neil Blumberg interviewed Bowe at length, studied the results of an MRI and various cognitive tests, and testified that, as a consequence of multiple blows to the head, Bowe suffered from a brain impairment known as frontal lobe syndrome. Blumberg further testified that this condition was “not curable.”
One has to wonder how many of the other fights that boxing fans have seen in recent months have been scripted? One should also note that boxing is a dangerous game. Eventually, a YouTuber or old-timer will be seriously hurt. What then?
Thomas Hauser’s email address is thomashauserwriter@gmail.com. His next book – Broken Dreams: Another Year Inside Boxing – will be published this autumn University of Arkansas Press. In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, he was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.
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U.K. Boxing Montage: Conlan KOed; Wood Regains Title; Billam-Smith Upsets Okolie

British fight fabs had plenty of options last night. Important events were staged in Manchester, in Bournemouth, and in Belfast, Northern Ireland. The locals were delighted in Manchester and Bournemouth, but fans in Belfast were left crestfallen when their hometown hero Michael Conlan, the former two-time Olympian, was on the wrong end of a vicious KO.
Conlan, who was 18-1 heading in, had a four-inch height advantage and three-inch reach advantage over Mexican spoiler Luis Alberto Lopez. The Irishman attracted late money and went to post a small favorite. But Lopez (28-2, 16 KOs) emerged victorious, successfully defending his IBF world featherweight title which he won in British soil over Josh Warrington.
Although Conlan had a rough patch in the second round, he was seemingly in a good position heading into round five when the Mexican invader brought a swift conclusion to the contest, discombobulating Conlan (pictured) with a right uppercut that prompted his trainer Adam Booth to throw in the towel. It was the second time that Conlan came up short in a bid for a world title. He challenged for the WBA version of this belt in March of last year, losing on a spectacular last round knockout to Leigh Wood in a fight that he was winning until the final 90 seconds.
Also…
In a scheduled 12-rounder for a WBC featherweight trinket, five-foot-three Liverpool buzzsaw Nick “Wrecking” Ball advanced to 18-0, (11 KOs) with a 12th-round stoppage of South Africa’s previously undefeated Ludumo Lamati (21-1-1, 11 KOs). Lamati’s corner tossed in the towel after Ball landed a series of hard punches in the final frame.
Lamati was on his feet when the bout was stopped but was in dire straits and was removed from the ring on a stretcher. There was no update on his condition as this story was going to press.
In a companion 12-rounder, Belfast’s Anthony “Apache” Cacace (21-1, 7 KOs) successfully defended his fringe 130-pound title with a wide decision over Damian Wrzesinski (26-3-2). The judges had 118-111, 117-111, and 116-112.
Wrzesinski, a 38-year-old Pole, fought with a brace on his right knee. This was the first fight for “Apache” in his hometown in eight years. The win may have set him up for a match with Welshman Joe Cordina, the IBF junior lightweight title-holder, or Shavkat Rakhimov who lost a close decision to Cordina in a bruising tiff last month.
Manchester
Mauricio Lara didn’t bring his “A” game to England. That became apparent at the weigh-in when he failed to make weight, losing his WBA world featherweight title on the scales. By rule, only Leigh Wood could win it or it would become vacant.
Thus was a rematch. (26-3, 16 KOs). Fourteen weeks ago, Lara went into Wood’s backyard in Nottingham and stopped him in the seventh round. Lara was behind on the cards when he felled Wood with crunching left hook. Wood beat the count but his trainer Ben Davison tossed in the towel which struck many, especially Wood, as premature as less than 10 seconds remained in the round.
In a previous trip to England, Lara had broken hearts in Leeds, stopping native son Josh Warrington. The Mexican invader, younger than Leigh Wood by 10 years, was expected to win again, but Wood, 34, simply out-worked him. He knocked Lara down in the second round with an uppercut and methodically kept him at bay, winning by scores of 116-111 and 118-109 twice.
Co-Feature
In his first appearance since his controversial defeat to Josh Taylor in Glasgow in February of last year, Jack Catterall improved to 27-1 (15) with a wide over Irish-Australian southpaw Darragh Foley (22-5-1).
The Sportsman called the Catterall-Taylor fight, a split decision win for Taylor, the most controversial fight in British boxing history and Catterall became a more sympathetic figure when Taylor, after several postponements, reneged on his promise to give Catterall a rematch, opting instead for a date with Teofimo Lopez/
Although Foley was in action 10 weeks ago, scoring his signature win with a third-round stoppage of favored Robbie Davies Jr., and Catterall was making his first start in 15 months, this was a one-sided fray in Catterall’s favor. He had Foley on the canvas twice en route to winning by scores of 99-88, 98-89, and 97-90.
Eddie Hearn has expressed an interest in matching Catterall with Regis Prograis assuming that Prograis gets past Arnold Barboza on June 17.
Also
England’s Terri Harper (14-1-1), who jumped up three weight classes last year, successfully defended her WBA 154-pound diadem with a unanimous but unimpressive 10-round decision over perennial title challenger Ivana Habazin. The judges had it 98-92 and 99=93 twice.
Harper was slated to fight former pound-for-pound queen Cecilia Braekhus last Saturday in the co-feature to Taylor vs. Cameron in Dublin, but hat match fell out when Braekhus came down with a bad cold following the weight-in.
Harper is seeking a unification fight with countrywoman Natasha Jonas. Habazin, a 33-year-old Croat, fell to 21-5.
Bournemouth
In his fourth defense of his WBO world cruiserweight title, previously undefeated Lawrence Okolie was soundly defeated by former sparring partner Chris Billam. The match was contested in Billam-Smith’s hometown before a raucous crowd at sold-out Vitality Stadium.
A 3/1 underdog, Billam-Smith who was 17-1 heading in, proved clearly superior He knocked Okolie down in the fourth round and again in rounds 10 and 11 en route to winning by scores of 116-107, 115-108, and 112-112.
About that curious 112-112 card. It Was turned in by U.S. judge Benjamin Rodriguez who had been working the Illinois-Wisconsin circuit. On social media, his tally is being called the worst scorecard of all time.
Did Billam-Smith’s fans leave happy? The correspondent for British Boxing News called the event “a night of breathtaking boxing action that will never be forgotten.”
The six-foot-five Okolie may have made his last start as a cruiserweight. He aspires to fight Oleksandr Usyk.
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‘How To Box’ by Joe Louis: Part 6 of a 6-Part Series – Putting It All Together

‘How To Box’ by Joe Louis: Part 6 of a 6-Part Series – Putting It All Together
“You got to be a killer, otherwise I’m getting too old to waste time on you.”—Jack Blackburn
Much has been said concerning the Joe Louis duels with Max Schmeling. It was proof that Louis was vulnerable to right hands. It was proof that Louis wasn’t vulnerable to right hands. It was a victory for America over the Nazis. But Schmeling wasn’t a Nazi. It was boxing’s biggest fight. But it wasn’t about boxing. It was what made Louis a hero. But he was already a hero.
One of Abraham Lincoln’s most successful biographers, Roy Basler, wrote that “to know the truth of history is to realize its ultimate myth and its inevitable ambiguity.” Is there a more telling example of this truth in sports than Louis-Schmeling II? Sometimes the tale can obscure the truth. To put it another way: when was the last time you just wondered at it? Wondered at what Joe Louis did to Max Schmeling on a night when, admittedly, the world was on the brink of war and the African-American was on the road to reclaiming himself from the white power structure in the USA? When was the last time you ignored all those very important things and just marvelled at that fight, the recording of which reporter Henry McLemore called “the most faithful recording ever made of human savagery”?
I’m going to invite you here, please, to wonder at it again.
In one moment.
First, we must take a look at Joe’s best performance.
Buddy Baer
The bigger, less celebrated of the Baer brothers had his own rematch with Joe Louis at the beginning of 1942. The first fight had ended in the controversy of a DQ win for Louis and, as he always did when there was the merest hint of scepticism after a title fight, Joe arranged to meet the Giant Californian once again.
A huge man in any era, Buddy tipped the scales at 250 and scraped the ceiling at a little more than 6’6. As noted by the St.Petersburg Times, “a fellow of Baer’s size in good condition, and equipped with the usual quota of arms, legs and eyes must be conceded a chance in any bout, particularly if he has courage and a punch.”
Buddy had both in abundance, but he was not a natural fighter. “We have the feeling he would rather be out picking violets,” is how the Times chose to illustrate the point. While this is a bit much we all know what he means. Louis, who would famously be fighting for free that night in support of the Navy Relief Fund, was a natural gladiator. Buddy Baer was not.
If Max Schmeling is clearly the tougher of the two opponents and Louis wreaked similar havoc on each of them, what is it that makes this Joe’s greatest performance? Baer’s size? Might it be suggested that herein lies the key to arguing Louis the master of all modern super-heavies as he destroys one in this encounter? It’s a reasonable point, but no, it is not that. It was my own favourite line from How to Box by Joe Louis that brought me to this conclusion.
“There are two basic methods of attack,” the1948 manual tells us, “either by force or by skill. The attack by force is used only by the slugger who depends only upon hitting power. The attack by skill is used by the boxer who relies upon his cleverness in feinting, correct leading, drawing and in-fighting.”
This is a fine division, at once elegant and incomplete, of the boxer’s physical abilities versus his technical ability, his gifts as an athlete as weighed against his skill as a boxer. While Joe’s destruction of Schmeling is his most devastating display, he relies often in that short fight upon his natural gifts, his speed, his power. Joe fights ugly for short, vicious stretches against Baer, too, but not before he has demonstrated for us the height of his art.
Louis and his ghostwriter, Edward J. Mallory, describe the various feints Louis employed in his championship years and most interesting among them is the left jab to the body, the lie, and then the right uppercut to the head, the truth. It is a difficult move from a technical perspective, calling upon the weight to be transferred from the left foot to the right and for the fighter to move from long distance to the inside, downstairs to up, all without getting caught. Louis pulls this move off against a fresh Baer, twenty-five seconds into the fight.
Baer came out aggressively and Louis was momentarily crowded out of the fight, driven and harried back to his own corner first by Baer’s length, then his size. Buddy’s physical advantages overcame Joe’s technical superiority, for just a moment. They circle, and Louis takes a short step back, employing the draw, before throwing a nothing left hook. Louis notices that the challenger’s tactic upon being jabbed are to dip, then make a grab and try to tie the champion up on the inside, allowing him to use his size and weight to bear down on him. A fine plan for a big man, but in fact the fight is now lost.
A few seconds later Louis is shuffling back and away from Baer once more and as Baer moves forwards Louis throws another jab. Again, Baer dips and tries to crowd but Louis has no intention of landing the jab. Instead, he holsters his left, takes a step to the outside with his left foot and even as Baer draws himself into his shell and prepares his grab, Louis uncorks his right uppercut, slipping his weight across his body as a part of the natural movement of the punch, the absolute perfection of this skill. The punch is not a finisher but note Baer’s reaction when Louis jabs at him once more, moments later. Instead of trying to menace the champion with his size or a counter, he backs up directly; shy of the uppercut that the jab disguised last time around. This is the ultimate realisation of the feint—to imbue in the jab, a hammer blow at the best of times the virtual attributes of the uppercut. Baer has now to abandon his pre-fight plan for Joe’s most important punch, that jab.
Skill has determined that his superior size is now worthless.
Paraffin to the wound seconds later as Louis pulls the trick off once more, this time after following through on the jab. A right-handed uppercut to the jaw—the hardest punch to land from a technical perspective—turns the trick again and now Baer is hurt. Louis plants a left hook behind the glove just above the ear and then he is ready to unleash the combinations that made him famous.
People say Joe Louis has slow feet. There is something to this, although hopefully it has been explained in the proper context in Part 1—The Foundation of Skill. Even then, however, we discuss his speed relative to those opponents who run. Well footwork is not merely a byword for a foot race. I defy anyone who takes the time to pay close enough attention to the speed at which Louis adjusts his feet now as Baer retreats across the ring to name him slow.
Out of position for a left hook as Baer is going away slightly outside his right foot, Louis shimmies—there is no other word for it—a quick step forwards, channelling all his power through his left leg and hips. This allows him to land that deadly, rare, straight right and behind it, even though he each time has to shimmy and hop forwards, he lands a left hook and then that rolling right cross. With each punch he is covering ground and with each punch he touches down long enough to get the torque through his hips and crack home hard punches, knockout punches. Perhaps the most startling thing about this sequence is that if you press pause at the moment these blows are landing, they look as though Louis were punching from a stationary position. His balance is perfect, his rushing attack is in no way affecting the value of his punches, yet he takes literally no time to get set. He is a cobra packing a shotgun.
“Use the weight of the body in every punch,” (my italics) advises How to Box and it is a tenet Louis is married to. My expectation upon placing it under the microscope was that I would have to issue a warning similar to the one I described when analysing Joe’s straight right hand—that it bore sweet fruit when it worked but that it was to detail-specific to be really viable in the ring, and that countermeasures must be employed. To my astonishment I found that Louis threw power punches (if not always his jab) in this fashion without compromising his balance on offense. It is my suspicion that this is a unique skillset above 200 lbs. and that you would have to work to find fighters who can fight like this in even the smallest divisions.
Though the fight is only a minute old, referee Frank Fullam takes his first close look at Baer as he wobbles back to Joe’s short rope behind a left-right combination to the jaw and a right to the body that Louis lands after ducking into a clinch as Baer tried to throw his first punches in some seconds. Louis is made to miss in turn as Baer bores him back and away from the ropes, missing first with the right uppercut and then the left hook. These are the most difficult punches to remain composed behind, but Louis does so, remaining in punching position.
Head-to-head in a maul, Louis appears the loser as he slowly gives ground during an exchange of meaningless shots, but a split second later, he has moved out of the maul that Baer remains bowed solemnly into, and Louis begins the assault again. A bobbing top caught in two opposing tides—his, and the punches Joe is driving home—Baer’s size is now nothing less than a handicap in the face of the genius of Joe’s box-punching.
For the first knockdown Louis slips the non-existent jab he expects when he is on his way in, jabs to the stomach and bombs a right cross over his defence. Watch carefully and you will see Baer’s high guard rappelled right and down by the famous Louis follow-through before snapping back into place as Baer collapses in an enormous heap on the canvas, forty-pound weight advantage and all, the first time he has looked big since that first uppercut landed.
It’s hard to admire a man shooting fish in a barrel but take a moment to appreciate the blinds being drawn and the man Leroy Simerly (Herald-Journal) called “strictly a sixteen-inch gunner” in full flow.
Baer was magnanimous in defeat clutching Joe’s head in his oversized paws, almost comically huge next to the man labelled in newspapers the following morning as “the most destructive puncher the fight game has ever seen.”
Baer figured Louis to be champion for some time to come.
“Maybe my next child will be a son and I can raise him up to do the job.”
Three days later, Louis would pass his army physical. He would never reach the heights of the Buddy Baer fight again. It is a frightening thought, but it is possible that boxing never saw the very best of its greatest champion.
Max Schmeling
“Ain’t no sense foolin’ around like I did last time.”
Louis said more than once in the run up to the fight that he would end Max Schmeling in a single round. For the most part this was dismissed as hyperbole by a press which did not break ranks to predict anything earlier than a third-round knockout. Hyperbole was the furthest thing from the minds of Louis and Blackburn, however. This was a plan with its foundation built firmly upon the scientific reasoning that Schmeling had become so famous for.
When Joe Louis attended the welterweight title fight between Henry Armstrong and Barney Ross, it was not as a fan, although he was one, but as a disciple. It is possible that Armstrong was the only man in the history of the fight game capable of teaching Louis about controlled destructive violence in the ring, but the story goes that he did—and that along with handler Eddie Mead, he convinced Louis and Blackburn that a direct, rushing assault was the best strategy.
And the story had more than just a hint of truth to it. First Joe was seen at Henry’s training camp and then Henry was seen at Joe’s. Louis did not speak of it directly, but Blackburn was less equivocal:
“Last time Chappie fought just the way Schmeling wanted him to. This time it’ll be different. Chappie’s going to learn from Armstrong. He’s going to set a fast pace right from the start.”
Max Machon, trainer to Schmeling, did not see the danger, encouraging Louis to do just that:
“He would be as awkward as a school girl on her first pair of ice skates!”
Schmeling, meanwhile, wasn’t paying attention or had seen a bluff where there was none:
“I think in the first round we will just feel each other out.”
According to the World Telegram, “Schmeling will make no mistake in strategy. Louis doesn’t know what the word means.” This was the prevailing attitude at the time, but in fact a reversal of this equation was happening right under the noses of the dismissive newspapermen. Even those that sniffed out a possible tactical dimension to the Louis battle plan were disdainful of it. Perhaps they were right, and perhaps Blackburn and Mead were the masterminds behind the directness of the violence about to erupt in Yankee Stadium. But the fact is that Louis had been obsessively watching the first Schmeling fight, originally with a journalist (who could not believe that Blackburn had never shown it to the champion and had in fact discouraged him from seeing it), then with his trainer and finally alone.
Over and over again.
“I know how to fight Max now.”
Louis was to fight Schmeling in the opposite style, as far as How to Box is concerned, to the one he would use to destroy Buddy Baer. There, he fought by skill, here it was to be by force—speed, power.
Louis doesn’t stalk or attempt to draw a lead from Schmeling. At the first bell, he is after him straight away and when Schmeling tries to move, Joe moves with him, still in the small steps and still behind that ramrod jab but with more urgency than is normal. The hard jab and a closet left hook are landed before Max moves out of range, but the leaping left hook he uses to drive Max before him is a new flavor of Louis, especially against an unharmed world-class opponent. Louis had reportedly shadowboxed for forty to fifty minutes before emerging from his dressing room wearing two gowns to keep his body warm. Now he was making both Schmeling and Machon foolish in their pre-fight predictions. Not only was Louis wasting absolutely no time in feeling Schmeling out, but he also bore very little resemblance to a schoolgirl on ice skates. He looked more like coiled galvanized steel brought miraculously and terrifyingly to life.
Referee Arthur Donovan would later claim that this left hook caused Max’s face to swell and changed his pallor to a “faint bluish green.”
The hook also carried him inside, but rather than moving for space Louis dug his heels in and pushed against Schmeling, denying him room, landing three hard uppercuts, pulling out and then stabbing back in with the one-two. When Schmeling puts his left glove over Joe’s right, cupping his own body protectively with his free arm, Louis reverted to his old habits, making room for himself as he punched, adjusting tactically to Schmeling’s increasingly desperate defensive manoeuvres.
After the German lands his only significant punch of the fight—a right hand as the champion moved away—Louis stalked a rattled Schmeling to the far rope and drew the inevitable pressure lead, before going to work with both hands to the midsection and switching upstairs. When Schmeling tries to hide up close after another one-two, Louis pushes him back and away, giving himself room for his aggressive rushes. Here, then, was the culmination of the tactical switch as he drove Schmeling back with the uppercut then invoked the most famous fistic assault between Dempsey and Tyson, hammering Schmeling back with both fists, the German catapulting away but seemingly caught in the Bomber’s horrifying gravity as he catches the rope for support with his right gloves and catapults himself right back into the kill zone. Louis is swarming all over him and Schmeling, now half turned away, is nothing more than a slab of meat and one that the champion goes to work upon in earnest, a butcher wielding two cleavers, finally landing perhaps his most famous punch, a right hand just above the kidney that fractured the transverse process of the third and fourth lumbar vertebrae, tearing the muscles surrounding it in the process. The scream that erupted from Schmeling was “half animal, half human” and according to David Margolick author of Beyond Glory: Max Schmeling and Joe Louis was so bloodcurdling that many patrons on that side of the ring reached for their hats as though compelled to retreat. If it occurred, this was a primal reaction but Louis, for me, was not giving the primal showing of legend.
“He is a jungle man,” wrote journalist Henry McLenmore. “As completely primitive as any savage out to destroy the thing he hates. He fought instinctively and not by any man-made pattern.”
This is not true. Louis had re-armed himself with some new tools for this fight and had shown a strategic surety the German came nowhere near matching—Schmeling was outthought for all that he was also slaughtered. When necessary, Louis switched between pure aggression and his drawing, counterpunching style with seamless ease and although he used his physical rather than his technical brilliance to master Schmeling, I would argue that “the hand of man” is more apparent in this performance than any other one of his fights.
“I thought in my mind, “How’s that Mr. Super-race? I was glad he was hurt,” said Louis in response to questions about his thoughts on the punch that had broken Schmeling’s back. Now he did cut loose, battering Max like he was a heavy bag and indeed from this point on the challenger put up about as much resistance. The final punch, when it came, had the same affect upon Schmeling’s face as a baseball bat would an apple, according to the Herald Tribune. The fight ended in confusion and uproar as first the towel, then Max Machon himself stormed the ring but Schmeling was as knocked out as any fighter had ever been. Louis had wiped the floor with him.
His reward, outside of the $400,000 he had just banked, was to be compared in the next few days in the press to every dangerous animal that walked the earth. Lions, tigers, bears, snakes, hawks and most of all panthers were what the champion was like and the racial climate in which he fought makes us look back and shake our heads at the casual racism. Martin Luther King Jr., Malcolm X and John F. Kennedy were all in America’s glittering future. But I do not think it was a matter of race—or not only of race.
It is a fact, however, that some of the pressmen that talked about Louis in these terms were black.
Louis himself, by virtue of his skill in the ring would take a hand in steering his race toward calmer waters.
It’s us.
We all look at Louis and see something primal because there is something primal within all of us. He speaks to it.
And that’s fine. Boxing needs its violence every bit as much as it needs its heroes. If this series of articles was about anything it was about stripping away that projection, that stardust, that lie and looking at the fighter underneath, because that is a beautiful thing that all too often is overlooked. Louis had one of the best jabs, one of the best skillsets, was one of the best counterpunchers, one of the best boxers at any weight, ever—and I hope I have shown that his supposed tactical rigidity and strategic naivety is something we have projected onto this “animal” this “killer” this “bomber,” too, for all that these were not his greatest strengths. He had help and Blackburn was an important part of arguably the greatest story our sport has ever known but as Joe Louis said, “Once that bell rings, you are on your own.
“It’s just you and the other guy.”
And I sure wouldn’t want to be the other guy.
For those of you who have taken the considerable time to read these articles on Joe Louis from the first word to the last—thank you.
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Featured Articles
Action Galore in the U.K. on Saturday — Title Fights at Three Separate Venues

Action Galore in the U.K. on Saturday — Title Fights at Three Separate Venues
England’s premier promoters – Eddie Hearn (Matchroom), Frank Warren (Queensberry), and the new kid on the block, Ben Shalom (BOXXER) — have competing shows this Saturday. The headline attractions shape up as competitive fights, especially the battle in Belfast where hometown hero Michael Conlan (18-1, 9 KOs) is a very slight favorite over Mexican spoiler Luis Alberto Lopez.
Belfast, Northern Ireland (ESPN+}
This fight is expected to kick off first with the ring walks at 9 pm local time (4 pm ET). At stake is the IBF world featherweight title which Lopez (27-2, 15 KOs) won with a well-earned majority decision over Josh Warrington in hostile Leeds. It was Lopez’s 10th straight triumph. The Mexicali campaigner has been training in Las Vegas under Kay Koroma.
Conlan, the two-time Olympian, fought for the WBA version of this title in March of last year in Nottingham.
His war with Leigh Wood was the sort of fight that shortens a fighter’s career, but Conlan has shown no ill-effects. His lopsided decision over Miguel Marriaga in his last start followed a first-round blast-out of Karim Guerfi.
Also…
In a fight slated for 12, Liverpool’s Nick Ball (17-0, 10 KOs) squares off against South Africa’s Ludumo Lamati (21-0-1, 11 KOs). The five-foot-four “Wrecking” Ball, with his buzzsaw style, has been called Britain’s most exciting fighter. In a companion 12-rounder, Belfast’s Anthony “Apache” Cacace (20-1, 7 KOs) meets Damian Wrzesinski (26-2-2), a 38-year-old Pole. Cacace has been a road warrior. This is his first fight in his hometown in eight years.
Manchester (DAZN)
In a rematch for the WBA world featherweight title, Mexico City’s Mauricio Lara (26-2-1 (19 KOs) squares off against Leigh Wood (26-3, 16 KOs).
Fourteen weeks ago, Lara went into Wood’s backyard in Nottingham and stopped him in the seventh round. Lara was behind on the cards when he felled Wood with crunching left hook. Wood beat the count but his trainer Ben Davison tossed in the towel which struck many, especially Wood, as premature as less than 10 seconds remained in the round. In a previous trip to England, Lara stopped Josh Warrington in Leeds.
At last glance, Mauricio Lara, the younger man by 10 years, was a 3/1 favorite to take the measure of Wood once again.
Co-Feature
In his first appearance since his controversial defeat to Josh Taylor in Glasgow in February of last year, Jack Catterall (26-1,15 KOs) opposes Irish southpaw Darragh Foley (22-4-1, 16 KOs). The Sportsman called the Catterall-Taylor fight, a split decision win for Taylor, the most controversial fight in British boxing history.
Unlike Catterall, who may have some ring rust, Foley was in action 10 weeks ago, scoring his signature win with a third-round stoppage of favored Robbie Davies Jr.
Also
Adding spice to the card – assuming a suitable opponent can be found – is Terri Harper who was slated to fight Cecilia Braekhus last Saturday in the co-feature to Taylor vs. Cameron in Dublin. That match fell out when Braekhus developed flu-like symptoms following the weight-in.
The 26-year-old Harper (13-1-1, 6 KOs) owns the WBA 154-pound world title after previously holding the WBC belt at 130 pounds.
Bournemouth
Lawrence Okolie (19-0, 14 KOs) makes the fourth defense of his WBO world cruiserweight title against Chris Billam-Smith (17-1, 12 KOs).
Okolie, who blows hot and cold in terms of delivering a fan-family fight, returns to the ring two months after winning a snoozer in a mandatory defense against New Zealand’s David Light.
These two are well-acquainted, having sparred hundreds of rounds when both were trained by Shane McGuigan. Okolie has since abandoned McGuigan in favor of SugarHill Steward. Billam-Smith is on a nice roll – he’s won eight straight – and he will have home field advantage at Vitality Stadium where extra seats have been added in expectation of a sellout, but Lawrence Okolie, at last glance, was a 4/1 favorite.
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