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Literary Notes: “Grimmish” (Book Review by Thomas Hauser)

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Grimmish by Michael Winkler (Westbourne Books) is strange book. And an intriguing one. The book focuses on a one-year period in 1908-1909 when boxer Joe Grim toured Australia engaging in fights. Winkler describes his writing as “experimental non-fiction.” Experimental fiction with a factual underpinning would be more accurate.

Grim (ne Severio Giannone) was born in Italy in 1881. His family came to the United States when he was ten. Fighting was in his nature. He was famed in his day for the ability to endure punishment and being virtually impossible to knock out.

Boxrec.com credits Grim with 179 known bouts between 1899 and 1913 resulting in 17 wins, 33 losses, 6 draws, and scores of “newspaper” defeats. He entered the prize ring well over three hundred times and was battered by myriad opponents whose names have been lost to history and also by Bob Fitzsimmons, Joe Gans (twice), and Jack Johnson. During and after his ring career, he was committed to facilities for the treatment of mental health issues. He died in Philadelphia Hospital for Mental Diseases in 1939 at age 57.

Winkler views Grim through the eyes of a first-person narrator and a man who may or may not be the narrator’s much older uncle. The book opens with a pseudo-review by the author himself that functions as a preface, foreword, introduction – call it what you will.

In this opening, Winkler warns readers of “the question of authenticity and the impossibility that this presentation of Grim will bear much or any connection to the flesh-and-blood fighter Joe Grim. The inclusion of extracts from contemporary newspaper accounts,” he adds, “lends context, although less tenacious readers may find they impede progress. There is no narrative arc, close to zero love interest, skittish occasional action, incident rather than plot.”

All true. And I might add that there are passages in Grimmish involving a talking goat where I had no idea what Winkler was trying to accomplish.

That said; through a collection of fragments and vignettes, Winkler crafts a compelling impressionistic portrait of Grim.

“Joe Grim,” he writes, “reminds us of where the bounds of the normal are drawn, and stands conspicuously and spectacularly outside that compass. Without obstacle, without evasion, without contradiction.”

Other thoughts advanced by Winkler include:

*         “Grim’s philosophy in its entirety – or more than a philosophy, which implies a distance between self and thought however small; his tao, his raison d’etre, his self – was simply this: I can take more punishment than they can deliver.”

*         “Grim withstood hundreds of blows every fight. He was a one-off, the ultimate boxing outlier. But his metier was resilience rather than resistance. He absorbed and accepted. His contests changed in a profound sense, becoming not about winning or losing, but hinging on whether or not he could endure the punishment meted out. And on that score he invariably triumphed. Grim became a spectacle rather than a fighter, but he was popular and he made a living.”

*         “There was always a third person in the ring, but the role of the referee was neutered by Grim’s resilience. The crowd had paid, quite explicitly, to come and see if Grim could endure the beating, and no referee had the imprimatur to stop that fun.”

*         “Try picturing a baseball bat swung with great force into your exposed ribs, under the armpit. Try to conceive of a well-aimed mallet landing erratically just above your left ear, and you with no means to stop it. Imagine these things are happening to you in front of a crowd baying like starved dogs. Imagine a single vicious punch to your face, and then multiply it by many hundred, and then think of the cheering that each punch drags from thousands of jeering onlookers. Then we have some gesture towards understanding Grim.”

Winkler also recreates Grim’s voice:

*         “I think of myself as a travelling artiste. The crowds love me, and then they speak of me once I’ve gone, and that adds value to my days on the planet, somehow.”

*         “In that boxing time, I am outside of time. Six rounds, three minutes each, and in that span I belong to that span only. There is no connection to clock time, to earth time. And that is how I live, with and for those ripped out portions where time has no dominion. Six three-minute rounds, five one-minute breaks, twenty-three minutes that are as long as you need them to be, or they can be devoid of time altogether.”

*         “I stand in front of the hardest hitting men on the planet, and then the promoter still tries to f*** me sideways on fight payments as I make my way home. It is a pitiful racket and I have been in it too long, and I have no other path ahead, and that is that is that.”

*         “I worry that I am outside the scope of nature. I am not just at the edge of my species, but over the margin. I do not belong. I worry that one day my fighting might end, and that without the pain I will have no map to find myself.”

Pain – “the rich realm of pain,” Winkler calls it – is a recurring theme throughout Grimmish. At the beginning of the narrative, he concedes, “The sustained depiction of physical violence is likely to alienate some, while others may weary of the defiant wallowing in the sludge of masculinity. [But] there is likely to be a readership, however small, that finds within these covers something sincere and worthwhile.”

This pain isn’t confined to the prize ring. There are tales in Grimmish of men mutilating each other with hot poker irons in tests of will and the ability to endure pain. Other fragments include:

*         ” What is the thing we call pain? It is something that captures the attention of the sufferer but otherwise has no meaning. It makes no sound, has no colour or smell, occupies no physical space. And yet at its most extreme, pain becomes the only thing of which the sufferer is aware, bigger for the victim in that instant than any object in the universe.”

*         “Some might think that the glory of pain is that it teaches you things. And I say as one who might know, if there is enough of it then pain is just pain. A lot of pain is a lot of pain, and it is not a friend and not a teacher and not a guide and not a redemption. It is just pain.”

*         “My audience wants to travel with me on a pain journey, so I give them as much as they need. And for the rest, I block blows, I absorb the force of punches through my neck and spine, I stall and distract, I allow myself to be knocked down in order to intensify the spectacle and to wear some extra seconds off the clock. It is a show, and my body is the stage and the instrument, and that is why they pay, and that is how I get to eat well and put money in my name into the bank.”

And some parting thoughts from Grimmish:

*         “Interesting what humans will pay for, what we actually like. When James Corbett went to England, they wanted to entertain him and their idea was to take him to a rat pit and have a champion bulldog kill a thousand rats in a thousand seconds.”

*         “Anybody can learn to box. But to fight, it is different.”

*         “There’s a trick to life. I think you’ll find it, even if you have to wait until you’re very old. Just keep looking. You’ll probably get there in the end.”

If you’re intrigued and want more, read Grimmish.

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – Broken Dreams: Another Year Inside Boxing – was published by the University of Arkansas Press. In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, he was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

Check out more boxing news on video at the Boxing Channel

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Thomas Hauser is the author of 52 books. In 2005, he was honored by the Boxing Writers Association of America, which bestowed the Nat Fleischer Award for career excellence in boxing journalism upon him. He was the first Internet writer ever to receive that award. In 2019, Hauser was chosen for boxing's highest honor: induction into the International Boxing Hall of Fame. Lennox Lewis has observed, “A hundred years from now, if people want to learn about boxing in this era, they’ll read Thomas Hauser.”

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A Paean to the Great Sportswriter Jimmy Cannon Who Passed Away 50 Years Ago This Week

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“Of all his assignments,” said the renowned sportswriter Dave Anderson, “[Jimmy] Cannon appeared to enjoy boxing the most.”

Cannon would have sheepishly concurred. He dated his infatuation with boxing to 1919 when he stood outside a saloon listening to a man with a megaphone relay bulletins from the Dempsey-Willard fight in faraway Toledo. His father followed boxing as did all the Irishmen in his neighborhood. For him, an interest in the sport of boxing, he once wrote, was like a family heirloom. But it became a love-hate relationship. It was Jimmy Cannon, after all, who coined the phrase “boxing is the red light district of sports.”

This week marks the 50th anniversary of Jimmy Cannon’s death. He passed away at age 63 on Dec. 5, 1973, in his room at the residential hotel in mid-Manhattan where he made his home. In the realm of American sportswriters, there has never been a voice quite like him. He was “the hardest-boiled of the hard-drinking, hard-boiled school of sports writing,” wrote Darrell Simmons of the Atlanta Journal. One finds a glint of this in his summary of Sonny Liston’s first-round demolition of Albert Westphal in 1961: “Sonny Liston hit Albert Westphal like he was a cop.”

In his best columns, Jimmy Cannon was less a sportswriter than an urban poet. Here’s what he wrote about Archie Moore in 1955 after Moore trounced Bobo Olson to set up a match with Rocky Marciano: “Someone should write a song about Archie Moore who in the Polo Grounds knocked out Bobo Olson in three rounds…It should be a song that comes out of the backrooms of sloughed saloons on night-drowned streets in morning-worried parts of bad towns. The guy who writes this one must be a piano player who can be dignified when he picks a quarter out of the marsh of a sawdust floor.”

Prior to fighting in Madison Square Garden the previous year – his first appearance in that iconic boxing arena – Moore had roamed the globe in search of fights in a career that began in the Great Depression. Cannon was partial to boxers like Archie Moore, great ring artisans who toiled in obscurity, fighting for small purses –“moving-around money” in Cannon’s words —  until the establishment could no longer ignore them.

Jimmy Cannon was born in Lower Manhattan. He left high school after one year to become a copy boy for the New York Daily News. In 1936, at age 26, the News sent him to cover the biggest news story of the day, the Lindbergh Baby kidnapping trial. While there he met Damon Runyon who would become a lifelong friend. At Runyon’s suggestion, he applied for a job as a sportswriter at the New York American, a Hearst paper, and was hired.

During World War II, he was a war correspondent in Europe embedded in Gen. George S. Patton’s Third Army. When he returned from the war, he joined the New York Post and then, in 1959, the Journal-American which made him America’s highest-paid sportswriter at a purported salary of $1000 a week. His articles were syndicated and appeared in dozens of papers.

Cannon was very close to Joe Louis. He was the only reporter that Louis allowed in his hotel room on the morning of the Brown Bomber’s rematch with Max Schmeling. Louis, he wrote, “was a credit to his race, the human race.” It was his most-frequently-quoted line.

In an early story, Cannon named Sam Langford the best pound-for-pound fighter of all time. Later he joined with his colleagues on Press Row in naming Sugar Ray Robinson the greatest of the greats. As for the fellow who anointed himself “The Greatest,” Muhammad Ali, Cannon profoundly disliked him. He persisted in calling him Cassius Clay long after Ali had adopted his Muslim name.

It troubled Cannon that Ali was afforded an opportunity to fight for the title after only 19 pro fights. Ali’s poetry, he thought, was infantile. He abhorred Ali’s political views. And, truth be told, he didn’t like Ali because certain segments of society adored him. Cannon didn’t like non-conformists – hippies and anti-war protesters and such. When queried about his boyhood in Greenwich Village, he was quick to note that he lived there “when it was a decent neighborhood, before it became freaky.”

Cannon’s animus toward Ali spilled over into his opinion of Ali’s foil, the bombastic sportscaster Howard Cosell. “If Howard Cosell were a sport,” he wrote,” it would be roller derby.”

Cannon frequently filled his column with a series of one-liners published under the heading “Nobody Asked Me, But…” His wonderfully acerbic put-down of Cosell appeared in one of these columns. But one can’t read these columns today without cringing at some of his ruminations. He once wrote, “Any man is in trouble if he falls in love with a woman he can’t knock down with one punch.” If a newspaperman wrote those words today, he would be out of a job so fast it would make his head spin.

Similarly, his famous line about Joe Louis being a credit to the human race no longer resonates in the way that it once did. There is in its benevolence an air of racial prejudice.

Jimmy Cannon was a lifelong bachelor but in his younger days before he quit drinking cold turkey in 1948, he was quite the ladies man, often seen promenading showgirls around town. Like his pal Damon Runyon, he was a night owl. As the years passed, however, he became somewhat reclusive. The world passed him by when rock n’ roll came in, pushing aside the Tin Pan Alley crooners and torch singers that had kept him company at his favorite late-night haunts.

Cannon’s end days were tough. He suffered a stroke in 1971 as he was packing to go to the Kentucky Derby and spent most of his waking hours in his last two-plus years in a wheelchair. Fortunately, he could afford to hire a full-time attendant. In 2002, he was posthumously elected to the International Boxing Hall of Fame in the Observer category.

Jimmy Cannon once said that he resented it when someone told him that his stuff was too good to be in a newspaper. It was demeaning to newspapers and he never wanted to be anything but a newspaperman. He didn’t always bring his “A” game and some of his stuff wouldn’t hold up well, but the man could write like blazes and the sportswriting profession lost a giant when he drew his last breath.

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Arne K. Lang is a recognized authority on the history of prizefighting and the history of American sports gambling. His latest book, titled Clash of the Little Giants: George Dixon, Terry McGovern, and the Culture of Boxing in America, 1890-1910, was released by McFarland in September, 2022.

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Ryan “KingRy” Garcia Returns With a Bang; KOs Oscar Duarte

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It was a different Ryan “KingRy” Garcia the world saw in defeating Mexico’s rugged Oscar Duarte, but it was that same deadly left hook counter that got the job done by knockout on Saturday.

Only the quick survive.

Garcia (24-1, 20 KOs) used a variety of stances before luring knockout artist Duarte (26-1-1, 21 KOs) into his favorite punch before a sold-out crowd at Toyota Arena in Houston, Texas. That punch should be patented in gold.

It was somewhat advertised as knockout artist versus matinee idol, but those who know the sport knew that Garcia was a real puncher. But could he rebound from his loss earlier this year?

The answer was yes.

Garcia used a variety of styles beginning with a jab at a prescribed distance via his new trainer Derrick James. It allowed both Garcia and Duarte to gain footing and knock the cobwebs out of their reflexes. Garcia’s jab scored most of the early points during the first three rounds. He also snapped off some left hooks and rights.

“He was a strong fighter, took a strong punch,” said Garcia. “I hit him with some hard punches and he kept coming.”

Duarte, an ultra-pale Mexican from Durango, was cautious, knowing full well how many Garcia foes had underestimated the power behind his blows.

Slowly the muscular Mexican fighter began closing in with body shots and soon both fighters were locked in an inside battle. Garcia used a tucked-in shoulder style while Duarte pounded the body, back of the head and in the back causing the referee to warn for the illegal punches twice.

Still, Duarte had finally managed to punch Garcia with multiple shots for several rounds.

Around the sixth round Garcia was advised by his new trainer to begin jabbing and moving. It forced Duarte out of his rhythm as he was unable to punch without planting his feet. Suddenly, the momentum had reversed again and Duarte looked less dangerous.

“I had to slow his momentum down. That softened him up,” said Garcia about using that change in style to change Duarte’s pressure attack. “Shout out to Derrick James.”

Boos began cascading from the crowd but Garcia was on a roll and had definitely regained the advantage. A quick five-punch combination rocked Duarte though not all landed. The danger made the Mexican pause.

In the eighth round Duarte knew he had to take back the momentum and charged even harder. In one lickety-split second a near invisible counter left hook connected on Duarte’s temple and he stumbled like a drunken soldier on liberty in Honolulu. Garcia quickly followed up with rights and uppercuts as Duarte had a look of terror as his legs failed to maintain stability. Down he went for the count.

Duarte was counted out by referee James Green at 2:51 of the eighth round as Garcia watched from the other side of the ring.

“I started opening up my legs a little bit to open up the shot,” explained Garcia. “When I hurt somebody that hard, I just keep cracking them. I hurt him with a counter left hook.”

The weapon of champions.

Garcia’s victory returns him back to the forefront as one of boxing’s biggest gate attractions. A list of potential foes is his to dissect and choose.

“I’m just ready to continue to my ascent to be a champion at 140,” Garcia said.

It was a tranquil end after such a tumultuous last three days.

Other Bouts

Floyd Schofield (16-0, 12 KOs) blitzed Mexico’s Ricardo “Not Finito” Lopez (17-8-3) with a four knockdown blowout that left fans mesmerized and pleased with the fighter from Austin, Texas.

Schofield immediately shot out quick jabs and then a lightning four-punch combination that delivered Lopez to the canvas wondering what had happened. He got up. Then Scholfield moved in with a jab and crisp left hook and down went Lopez like a dunked basketball bouncing.

At this point it seemed the fight might stop. But it proceeded and Schofield unleashed another quick combo that sent Lopez down though he did try to punch back. It was getting monotonous. Lopez got up and then was met with another rapid fire five- or six-punch combination. Lopez was down for the fourth time and the referee stopped the devastation.

“I appreciate him risking his life,” said Schofield of his victim.

In a middleweight clash Shane Mosley Jr. (21-4, 12 KOs) out-worked Joshua Conley (17-6-1, 11 KOs) for five rounds before stopping the San Bernardino fighter at 1:51 of the sixth round. It was Mosley’s second consecutive knockout and fourth straight win.

Mosley continues to improve in every fight and again moves up the middleweight rankings.

Super middleweight prospect Darius Fulghum (9-0, 9 KOs) of Houston remained undefeated and kept his knockout string intact with a second round pounding and stoppage over Pachino Hill (8-5-1) in 56 seconds of that round.

Photo credit: Golden Boy Promotions

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Jordan Gill TKOs Michael Conlan Who May Have Reached the End of the Road

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Fighting on his home turf, two-time Olympian Michael Conlan was an 8/1 favorite over Jordan Gill tonight in Belfast, Northern Ireland. Had he won, Matchroom promoter Eddie Hearn was eyeing a rematch for Conlan with Leigh Wood. Their March 2022 rumble in Nottingham was a popular pick for the Fight of the Year. But the 29-year-old Gill, a Cambridgeshire man, rendered that discussion moot with a seventh-round stoppage. It was Conlan’s third loss inside the distance in the last 18 months and he would be wise to call it a day. His punch resistance is plainly not what it once was.

It was with considerable fanfare that Conlan cast his lot with Top Rank coming out of the amateur ranks. Tonight was his first assignment for Matchroom and his first fight at 130 pounds after coming up short in two world featherweight title fights. And he almost didn’t make it past the second round. Gill had him on the canvas in the opening minute of round two compliments of a left hook and stunned him late in the round with a right hand that left him on unsteady legs.

He survived the round and for a fleeting moment in the sixth frame it appeared that he had reversed Gill’s momentum. But Gill took charge again in the next stanza, trapping Conlan in the corner and unloading a fusillade of punches that forced referee Howard Foster to waive it off, much to the great dismay of the crowd. The official time was 1:09 of round seven.

Released by Top Rank, Conlan trained for this fight in Miami, Florida, under Pedro Diaz, best known for rejuvenating the career of Miguel Cotto. But the switch in trainer and in promoter made no difference as Conlan, who won his first amateur title at age 11, was damaged goods before he entered the ring. It was a career-defining victory for Jordan Gill (28-2-1, 9 KOs) who was not known as a big puncher and was returning to the ring after being stopped by Kiko Martinez 13 months ago in his previous start.

Semi-wind-up

In the “Battle of Belfast,” undefeated welterweight Lewis Crocker seized control in the opening round and went on to win a lopsided decision over intra-city rival Tyrone McKenna (23-4-1). Two of the judges gave Crocker every round and the other had it 98-92, but yet this was entertaining fight in spurts. McKenna had more fans in the building, but Crocker, seven years younger at age 26, went to post a 7/2 favorite and youth was served.

Other Bouts of Note

Belfast super welterweight Caoimhin Agyarko, who overcame a near-fatal mugging at age 20, advanced to 14-0 (7) with a 10-round split decision over Troy Williamson (20-2-1). The judges had it 98-92 and 97-93 for Agyarko with a dissenter submitting a curious 96-94 score for the 31-year-old Williamson who wasn’t able to exploit his advantages in height and reach.

Sean McComb, a 31-year-old Belfast southpaw, scored what was arguably the best win of his career with a 10-round beat-down of longtime sparring partner Sam Maxwell. Two of the judges gave McComb every round and the other had it 99-88. McComb, who has an interesting nickname, “The Public Nuisance, successfully defended his WBO European super welterweight strap while elevating his record to 18-1 (6). The fading, 35-year-old Maxwell, a former BBBofC British title-holder, lost for third time in his last four starts after winning his first 16 pro fights.

Photo credit: Mark Robinson / Matchroom

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