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The Hauser Report: Crawford, Avanesyan, Spence, and BLK Prime

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On December 10, Terence Crawford knocked out David Avanesyan in the sixth round of a fight promoted in Crawford’s hometown of Omaha, Nebraska, by a virtually unknown company called BLK Prime. The promotion was destined from the start to lose millions of dollars and seemed to make no sense from a business point of view. The organizers have a track record of – shall we say – questionable business dealings. And the fight that fans wanted to see was Crawford vs. Errol Spence, not Crawford-Avanesyan.

Let’s dissect the mess.

Crawford is a complete fighter. He can box. He can punch. He transitions seamlessly from orthodox to southpaw and is equally effective from either stance. When he beat Julius Indongo at 140 pounds in 2017, he became the first champion to hold all four major sanctioning body belts in any weight class since 2006. He has been a fixture at or near the top of pound-for-pound lists for years. The only thing missing from his resume (which now shows 39 wins with 30 knockouts in 39 fights) is a signature win over another elite fighter.

Spence has long been the logical opponent for Crawford to fight. But the boxing business isn’t logical. As Carlos Acevedo wrote, “Boxing rarely yields to the wishes of the public. In the real world, fans would be the equivalent of consumers and no company in its right mind would ignore, much less insult, its customer base. Most companies are interested in developing a quality product and maintaining some kind of relationship with their clientele, who have purchasing power behind them. But promoters are impervious to market forces because market forces, for the most part, do not exist in boxing. It hardly matters if a ticket sells, a Nielsen point is produced, a pay-per-view is ordered. All a promoter needs to do is bend the ear of a network executive [or gullible investor], preferably one with little interest in quality control, and – voila! – he is flush. This is the business model to end all business models.”

Spence has consistently put a damper on prospects for Crawford-Spence. “Me and Terence Crawford are on different sides of the street,” Errol said in 2019. “He’s just signed with ESPN. I don’t fight for ESPN. I fight for Showtime or Fox. Terence Crawford has got to come across the street.”

“There’s no such thing as ‘across the street,” Crawford responded. “Back in the day, you never heard fighters say ‘across the street.’ What street? This is boxing. Everybody fights everybody.”

Then, this year, Crawford’s contract with Top Rank expired and he became a promotional free agent. It was an ugly parting with Terence suing Top Rank for alleged racial bias and breach of contract. The claim of racial bias seems unfounded and legally frivolous. Not having seen Crawford’s contract with Top Rank and a full accounting with regard to his fights, it’s impossible to voice an opinion with respect to the contract claim.

Regardless, the major impediment to making Crawford-Spence had been removed from the mix. Or so it seemed. The problem was that Premier Boxing Champions impresario Al Haymon [Spence’s de facto manager) continued to take negotiating positions that worked against making the fight.

More specifically, Haymon wanted Crawford to fight Spence on a percentage basis with no minimum guarantee. And according to Crawford, PBC refused to insert a clause in Terence’s contract that would have required financial transparency to ensure that he got an honest accounting.

Remarkably, Crawford was amenable to fighting without a guarantee. That’s how badly he wanted to fight Spence. But the lack of transparency was a sticking point.

“I never heard of a fighter ever taking zero guarantee in a fight,” Terence said in a November 1 Instagram Live session. “That is something that’s new to me, but that’s something that I was willing to do to make this fight happen. I told him, ‘All right, cool; I’ll take no guarantee. I’ll take the less end of the money. Whatever it is you want, I’ll take it because that’s how much confidence I got that I’m gonna beat that man. So even though I knew I was getting f*****, I just wanted a little transparency. I said, ‘Okay, if I’m gonna bet on myself, then I want a little transparency.’ I wanna know things that’s gonna affect my check. I wanna see if the numbers add up to what they tellin’ me. It’s just simple to me. To think that a person would go in a business with a person and this person would tell them, ‘Oh, well, I’m not gonna tell you how much we really made, but I’m gonna just give you this. You just gotta trust me.’ Come on, now. It don’t make no sense.”

Here one might note that asking a fighter of Crawford’s magnitude to fight with no guarantee and without full transparency sounds like Haymon was taking a play out of Don King’s old playbook.

Crawford also maintained that, at one point in the negotiations, two hedge funds offered to pay guaranteed purses of $25 million each to him and Spence but that, in his words, “Al told me straight up, ‘I’m not letting anybody touch this fight.'”

Maybe the hedge fund money was real. Maybe not. If it had been put in escrow, that wouldn’t have been Crawford and Spence’s problem. Then again, if the money had been put in escrow, Crawford and Spence would have had transparency. They would have known exactly how much money was there to be divided between them.

Bottom line . . . It appears as though Crawford wanted the fight and Team Spence didn’t. “I believe in my abilities and I believe in myself,” Terence said. “Errol Spence, he can’t say the same.”

Then the earth shifted. Attorney John Hornewer had been negotiating Crawford-Spence with Haymon and Showtime Sports president Stephen Espinoza on Crawford’s behalf. On October 20, Hornewer got a telephone call from Team Crawford telling him to stop. Later that day, Hornewer learned from news reports that Crawford and David Avanesyan had signed contracts to fight each other on December 10 at CHI Health Center in Omaha.

Avanesyan (Russian-born and now living in England) has beaten some good fighters but not any very good ones. One of his losses came by stoppage at the hands of Egidijus Kavaliauskas (who Crawford knocked out).

Crawford-Avanesyan was funded and streamed by a little-known subscription video-on-demand service called BLK Prime and was also available on traditional outlets. It was publicly stated that Crawford’s contract called for him to receive a $10 million purse with half of that amount having been placed in escrow as of October 20. This could have been an accurate number. More likely, it was an exaggeration for the sake of publicity and ego.

How did the deal come about?

“These people [BLK Prime] came out of the woodwork,” Frank Warren (Avanesyan’s promoter) told this writer. “I have no idea who they are. They contacted us through the fighter. George [Warren’s son and CEO of Queensberry Promotions] and [Queensberry event manager] Andy Ayling put the deal together. And I can assure you; there’s no way in the world that David would be going to the United States unless his money was safeguarded.”

“It is what it is,” Crawford said after the deal was announced. “I’m moving forward with my career. I agreed to everything that I needed to agree to get that fight [Crawford-Spence] made. But there’s only so much I can do. Al told me, ‘Well, you take this fight or you got nothing.’ I don’t know like the type of caliber of people that he been dealing with. Like, what do you really expect? You expect me to be disrespected, ran over, stepped on, and just sit there and just take it. We’re gonna turn up with BLK Prime. We gonna do our thing. They turnin’ boxing around, man. All the biggest fights going through them. They the new wave. You wanna fight this guy, you wanna fight this guy. They gonna make it happen.”

Okay . . . So what is BLK Prime? As noted above, it’s a video-on-demand service. As of this writing, it charges $3.99 per month for content exclusive of pay-per-view events. It’s hard to think of a promotional company about which so little is known that appeared on the boxing scene in conjunction with a fight of similar magnitude.

The driving force behind BLK Prime appears to be Desmond Gumbs, who has been on the fringe of the entertainment business for years and is alleged in various internet postings to have left a trail of unpaid creditors in his wake.

Gumbs is also listed as the athletic director and head football coach at Lincoln University – a private school in Oakland. According to Wikipedia, Lincoln is on the U.S. Department of Education’s Federal Student Aid (FSA) List of Institutions on Heightened Cash Monitoring.

“Heightened Cash Monitoring,” Wikipedia explains, “is a step that FSA can take with institutions to provide additional oversight for a number of financial or federal compliance issues, some of which may be serious and others that may be less troublesome. The list notes ‘severe findings’ for Lincoln University.”

In addition, a November 1, 2018, report from an online publication called Record Searchlight ties Gumbs to a motel called Market Street Manor which the Shasta County (California) District Attorney’s office said was purchased in April 2017 by Desmond and Chandler Gumbs through a company called Earl Freddy Invest C LLC.

In a news release, District Attorney Stephanie Bridgett declared, “The Market Street Manor has become a hub of crime and violence in our community and it is a public nuisance. I cannot permit this business to continue violating the law without consequences.” The news release also referenced “deplorable living conditions” in the motel including the allegation that some rooms were “infested with rats, mice and bedbugs” and Bridgett’s claim that “the Gumbses’ ownership is putting a strain on law enforcement and affecting neighboring businesses.”

A company in the United Kingdom called BLK Prime Limited is registered as a property management business and lists Desmond Gumbs as a director. BLK Prime G LLC is listed by Bizapedia as a California limited-liability entertainment company whose filing status has been “suspended” by the Franchise Tax Board for failure to meet state tax requirements.

These are not good credentials.

Crawford, as noted above, said that his purse for fighting Avanesyan would be $10 million. That was far above market value and considerably more than Terence received for recent fights against Jose Benavidez Jr ($3.5 million), Amir Khan ($4.8 million), Egidijus Kavaliauskas ($4 million), Kell Brook ($3.5 million), and Shawn Porter ($6 million).

“I already got half of my money,” Crawford told Brian Custer several weeks before the bout. “And I’mma get the other half before I even step in the ring, like a week before or so. That way, I don’t have to worry about if they have the money or they don’t or have to go through all those hoops on getting paid. My money is already secured.”

Avanesyan’s purse was $550,000 with no option clause should he win. The contract also called for him to receive partial payment had the fight fallen through due to no fault on his part. Avanesyan’s purse was held in escrow by attorney Leon Margules. The final payment to the escrow fund was due on December 5 and was received by Margules on December 9.

Expenses for the promotion, if Crawford had in fact contracted for $10 million, were expected to total close to $12 million. Where would the revenue to cover these costs (or even a $5 million purse for Crawford) come from?

Tickets for the event were priced from $500 down to $50. In a best-case scenario, the promotion could hope for a live gate of $1 million to $2 million. The other substantial revenue stream would come from pay-per-view buys. But Crawford has never been a pay-per-view draw. “His marketability,” Bob Arum has observed, “didn’t measure up to his ability. Terence’s numbers on PPV have always been dreadful.”

Crawford vs. Shawn Porter generated a dismal 135,000 pay-per-view buys. And that was with two talented “name fighters” competing against one another and ESPN’s marketing muscle behind the promotion. BLK Prime had no marketing platform to build on.

By way of comparison, ESPN’s main Instagram page has 24.2 million followers. BLK Prime’s main Instagram page is credited with 47,000.

Moreover, Crawford-Avanesyan would be airing opposite the Heisman Trophy presentation followed by a Top Rank card featuring Teofimo Lopez on ESPN. Best estimates were that Crawford-Avanesyan would generate well under 50,000 buys.

On November 28, 2022, BLK announced that Crawford-Avanesyan would be distributed on pay-per-view through traditional cable and satellite outlets by Integrated Sports and streamed by BLK Prime and PPV.com for $39.95. Protocol Sports Marketing was chosen to market and distribute worldwide media rights (excluding the United States and Canada).

In an effort to bolster the promotion, 37-year-old Cris Cyborg was added to the card in a four-round lightweight boxing match against Gabrielle Holloway (another MMA fighter who engaged in two boxing matches six years ago and lost both of them).

Todd Grisham was brought onboard to handle the blow-by-blow commentary with Paulie Malignaggi and Antonio Tarver beside him.

On the afternoon of the fight, it was announced that Adrian Broner will face off against Ivan Redkach on BLK Prime in Atlanta on February 18, 2023, with Tevin Farmer vs. Mickey Bey on the undercard. This assumes that Broner isn’t in jail, can make weight (a dubious proposition), and shows up for the fight.

BLK Prime doesn’t have options on Crawford. The widespread assumption is that it lost millions of dollars on Crawford-Avanesyan and would lose millions more on a Broner venture.

And for what? Crawford-Avansyan did next to nothing in terms of getting the BLK Prime app off the ground. Nor did it establish the company as a significant player in boxing. What is the long-term business plan?

CHI Health Center seats 17,000 for boxing. The announced crowd for Crawford-Avanesyan was 14,630. The undercard was undistinguished. The television production suffered from a lack of multiple camera angles. Crawford (a 12-to-1 betting favorite) knocked Avanesyan unconscious with a highlight-reel left-uppercut-right-hook combination in the sixth round.

And a thought in closing . . .

Four decades ago, a man named Ross Fields (who adopted the alias “Harold Smith”) formed a company called Muhammad Ali Professional Sports and, with Ali’s consent, began promoting fights. Smith paid outlandish purses to fighters and MAPS hemorrhaged money until it was revealed that the source of his funding was $21 million ($73 million in today’s dollars) that had been embezzled from the Wells Fargo Bank of California.

BLK Prime’s boxing venture might be on the up-and-up. But it’s worth remembering what Bob Arum said about Harold Smith’s promotional activities way back when.

“I am totally bewildered,” Arum stated, “why anybody would go into boxing ventures for the purpose of losing substantial sums of money. They are paying double and triple what other promoters could afford to pay and remain solvent. How they do it and why is a mystery. Where does the money come from?”

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – In the Inner Sanctum: Behind the Scenes at Big Fights – was published by the University of Arkansas Press. In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, he was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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Thomas Hauser is the author of 52 books. In 2005, he was honored by the Boxing Writers Association of America, which bestowed the Nat Fleischer Award for career excellence in boxing journalism upon him. He was the first Internet writer ever to receive that award. In 2019, Hauser was chosen for boxing's highest honor: induction into the International Boxing Hall of Fame. Lennox Lewis has observed, “A hundred years from now, if people want to learn about boxing in this era, they’ll read Thomas Hauser.”

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Ebanie Bridges Poised to Defend Her Title and Boost Her Brand in SanFran This Weekend

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Ebanie Bridges opposes late sub Miyo Yoshida on the undercard of Saturday’s Matchroom card in San Francisco featuring the WBC lightweight title fight between Regis Prograis and Devin Haney. It’s doubtful that Bridges vs. Yoshida will steal the show (Prograis vs Haney is a compelling match-up), but it’s a stone-cold lock that Bridges vs. Yoshida will steal the weigh-in. It goes at 1 pm Friday at the Chase Center and is open to the public.

This is all Bridges’ doing. She can fight more than a little, as Damon Runyon would have phrased it, but is best known for turning up at weigh-ins in lingerie so sexy that Matchroom honcho Eddie Hearn averts his eyes to keep from blushing. Others can’t keep their eyes off the 37-year-old, well-endowed Australian and on Friday the paparazzi will crash the scene to capture images that will be all over the internet within hours.

This doesn’t sit well with a lot of people. Former opponent Shannon Courtenay, who saddled Bridges (9-1, 4 KOs) with her only defeat, chastised her for selling their fight for the wrong reasons and disrespecting the sport. Her most recent opponent, Shannon O’Connell, called her a skank and other terms of derision unfit for a family newspaper.

Bridges stopped her in the eighth round in what is her most gratifying win to date. “She made it personal,” says Ebanie. “It felt good to make her eat her words.”

Bridges, who set a withering pace, was making the first defense of the IBF bantamweight title she won with a comprehensive 10-round decision over Argentina’s long-reigning Maria Cecilia Roman. Shannon O’Connell, a fellow Aussie, entered that bout on an 8-fight winning streak that included hard-earned decisions over Australian standouts Taylah Robertson and Cherneka Johnson.

So, although Bridges vs O’Connell was contested in Leeds, England, it was something of the culmination of an Australian round-robin tournament, and it would be Ebanie Bridges that emerged as the Queen Bee.

Bridges has a platform on Only Fans. Known for its “adult” content, the web site is also a place where B-list celebrities go to monetize their fan base by promising a closer look into their personal lives. For attractive female celebs, that usually means displaying more skin that can be found in generic publicity photos, but well short of hard-core. Current Only Fans performers include recording artist Cardi B, actress Denise Richards, the former spouse of Charlie Sheen, actress Drea de Matteo, best known for portraying Adriana on “The Sopranos,” former “Baywatch” sex symbol Carmen Electra, boxer Mikaela Mayer, and former Miss USA Shanna Moakler who shares a daughter with Oscar de la Hoya.

Women that profit from cheesecake, to use an old word for racy photos, aren’t known for having the brightest bulbs between their ears but Bridges, despite embracing her nickname, the Blonde Bomber, doesn’t fit the stereotype. She’s no bimbo.

Ms. Bridges has two college degrees, an undergraduate degree in math and a master’s in secondary education. In her spare time, she finds solace in playing the piano and in drawing, a skill that she inherited from her father, a painter and commercial artist.

In her drawings, she is partial to British soccer coaches and athletes, in particular boxers. Some of her photos are embedded in her smart phone. These, I can attest, are very good. There was no mistaking her drawing of Sugar Ray Robinson. It ranked right up there with Stanley Weston whose illustrations adorned the covers of 57 issues of The Ring magazine.

Bridges is her own best publicist. It’s an attribute she shares with UFC superstar Conor McGregor.

It comes as no surprise to learn that they are well-acquainted. Bridges and McGregor sat together at the first fight between Katie Taylor and Chantelle Cameron. She is a spokesperson for the latest product that McGregor is pushing, Forged Irish Stout, a brand of beer that debuted at the Black Forge Inn, the Dublin pub that McGregor owns.

“I love Conor,” she says, “he’s lovely,” a rather odd adjective to apply to a man who once attacked a bus with a metal barricade at a UFC media event in Brooklyn, injuring three people.

“He’s great for my brand,” says Bridges of McGregor, “and I’m great for his brand.”

Like it or not, this is the new world order. This reporter is old enough to remember when colleges and universities had football teams. Now they have football franchises, which isn’t quite the same. A franchise requires a well-oiled marketing department to enhance the value of the brand.

Bridges got her first crack at a world title (the WBA version held by Shannon Courtenay) after only five pro fights against opponents who were collectively 12-25-5. Her opponent on Saturday, Miyo Yoshida, sports a 16-4 record and is coming off a loss.

This is fodder for critics of female boxing but, make no mistake, Bridges would be a tough out for any female bantamweight in the world and she has paid her dues. She had 30 amateur fights after previously training in karate, kickboxing, and Muay Thai. (In fairness to Matchroom’s matchmaker, he salvaged Saturday’s date for her, securing Yoshida after three previous opponents fell out.)

Looking ahead to 2024, Bridges envisions fighting England’s Nina Hughes, the WBA belt-holder, and then Denmark’s Dina Thorslund who owns the other two meaningful pieces of the bantamweight title. A match with Thorslund (currently 20-0, 8 KOs) with all four belts on the line would be a blockbuster and, by then, should it transpire, the Blonde Bombshell would undoubtedly be one of the most well-known boxers in the world.

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A Paean to the Great Sportswriter Jimmy Cannon Who Passed Away 50 Years Ago This Week

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“Of all his assignments,” said the renowned sportswriter Dave Anderson, “[Jimmy] Cannon appeared to enjoy boxing the most.”

Cannon would have sheepishly concurred. He dated his infatuation with boxing to 1919 when he stood outside a saloon listening to a man with a megaphone relay bulletins from the Dempsey-Willard fight in faraway Toledo. His father followed boxing as did all the Irishmen in his neighborhood. For him, an interest in the sport of boxing, he once wrote, was like a family heirloom. But it became a love-hate relationship. It was Jimmy Cannon, after all, who coined the phrase “boxing is the red light district of sports.”

This week marks the 50th anniversary of Jimmy Cannon’s death. He passed away at age 63 on Dec. 5, 1973, in his room at the residential hotel in mid-Manhattan where he made his home. In the realm of American sportswriters, there has never been a voice quite like him. He was “the hardest-boiled of the hard-drinking, hard-boiled school of sports writing,” wrote Darrell Simmons of the Atlanta Journal. One finds a glint of this in his summary of Sonny Liston’s first-round demolition of Albert Westphal in 1961: “Sonny Liston hit Albert Westphal like he was a cop.”

In his best columns, Jimmy Cannon was less a sportswriter than an urban poet. Here’s what he wrote about Archie Moore in 1955 after Moore trounced Bobo Olson to set up a match with Rocky Marciano: “Someone should write a song about Archie Moore who in the Polo Grounds knocked out Bobo Olson in three rounds…It should be a song that comes out of the backrooms of sloughed saloons on night-drowned streets in morning-worried parts of bad towns. The guy who writes this one must be a piano player who can be dignified when he picks a quarter out of the marsh of a sawdust floor.”

Prior to fighting in Madison Square Garden the previous year – his first appearance in that iconic boxing arena – Moore had roamed the globe in search of fights in a career that began in the Great Depression. Cannon was partial to boxers like Archie Moore, great ring artisans who toiled in obscurity, fighting for small purses –“moving-around money” in Cannon’s words —  until the establishment could no longer ignore them.

Jimmy Cannon was born in Lower Manhattan. He left high school after one year to become a copy boy for the New York Daily News. In 1936, at age 26, the News sent him to cover the biggest news story of the day, the Lindbergh Baby kidnapping trial. While there he met Damon Runyon who would become a lifelong friend. At Runyon’s suggestion, he applied for a job as a sportswriter at the New York American, a Hearst paper, and was hired.

During World War II, he was a war correspondent in Europe embedded in Gen. George S. Patton’s Third Army. When he returned from the war, he joined the New York Post and then, in 1959, the Journal-American which made him America’s highest-paid sportswriter at a purported salary of $1000 a week. His articles were syndicated and appeared in dozens of papers.

Cannon was very close to Joe Louis. He was the only reporter that Louis allowed in his hotel room on the morning of the Brown Bomber’s rematch with Max Schmeling. Louis, he wrote, “was a credit to his race, the human race.” It was his most-frequently-quoted line.

In an early story, Cannon named Sam Langford the best pound-for-pound fighter of all time. Later he joined with his colleagues on Press Row in naming Sugar Ray Robinson the greatest of the greats. As for the fellow who anointed himself “The Greatest,” Muhammad Ali, Cannon profoundly disliked him. He persisted in calling him Cassius Clay long after Ali had adopted his Muslim name.

It troubled Cannon that Ali was afforded an opportunity to fight for the title after only 19 pro fights. Ali’s poetry, he thought, was infantile. He abhorred Ali’s political views. And, truth be told, he didn’t like Ali because certain segments of society adored him. Cannon didn’t like non-conformists – hippies and anti-war protesters and such. When queried about his boyhood in Greenwich Village, he was quick to note that he lived there “when it was a decent neighborhood, before it became freaky.”

Cannon’s animus toward Ali spilled over into his opinion of Ali’s foil, the bombastic sportscaster Howard Cosell. “If Howard Cosell were a sport,” he wrote,” it would be roller derby.”

Cannon frequently filled his column with a series of one-liners published under the heading “Nobody Asked Me, But…” His wonderfully acerbic put-down of Cosell appeared in one of these columns. But one can’t read these columns today without cringing at some of his ruminations. He once wrote, “Any man is in trouble if he falls in love with a woman he can’t knock down with one punch.” If a newspaperman wrote those words today, he would be out of a job so fast it would make his head spin.

Similarly, his famous line about Joe Louis being a credit to the human race no longer resonates in the way that it once did. There is in its benevolence an air of racial prejudice.

Jimmy Cannon was a lifelong bachelor but in his younger days before he quit drinking cold turkey in 1948, he was quite the ladies man, often seen promenading showgirls around town. Like his pal Damon Runyon, he was a night owl. As the years passed, however, he became somewhat reclusive. The world passed him by when rock n’ roll came in, pushing aside the Tin Pan Alley crooners and torch singers that had kept him company at his favorite late-night haunts.

Cannon’s end days were tough. He suffered a stroke in 1971 as he was packing to go to the Kentucky Derby and spent most of his waking hours in his last two-plus years in a wheelchair. Fortunately, he could afford to hire a full-time attendant. In 2002, he was posthumously elected to the International Boxing Hall of Fame in the Observer category.

Jimmy Cannon once said that he resented it when someone told him that his stuff was too good to be in a newspaper. It was demeaning to newspapers and he never wanted to be anything but a newspaperman. He didn’t always bring his “A” game and some of his stuff wouldn’t hold up well, but the man could write like blazes and the sportswriting profession lost a giant when he drew his last breath.

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Arne K. Lang is a recognized authority on the history of prizefighting and the history of American sports gambling. His latest book, titled Clash of the Little Giants: George Dixon, Terry McGovern, and the Culture of Boxing in America, 1890-1910, was released by McFarland in September, 2022.

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Ryan “KingRy” Garcia Returns With a Bang; KOs Oscar Duarte

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It was a different Ryan “KingRy” Garcia the world saw in defeating Mexico’s rugged Oscar Duarte, but it was that same deadly left hook counter that got the job done by knockout on Saturday.

Only the quick survive.

Garcia (24-1, 20 KOs) used a variety of stances before luring knockout artist Duarte (26-1-1, 21 KOs) into his favorite punch before a sold-out crowd at Toyota Arena in Houston, Texas. That punch should be patented in gold.

It was somewhat advertised as knockout artist versus matinee idol, but those who know the sport knew that Garcia was a real puncher. But could he rebound from his loss earlier this year?

The answer was yes.

Garcia used a variety of styles beginning with a jab at a prescribed distance via his new trainer Derrick James. It allowed both Garcia and Duarte to gain footing and knock the cobwebs out of their reflexes. Garcia’s jab scored most of the early points during the first three rounds. He also snapped off some left hooks and rights.

“He was a strong fighter, took a strong punch,” said Garcia. “I hit him with some hard punches and he kept coming.”

Duarte, an ultra-pale Mexican from Durango, was cautious, knowing full well how many Garcia foes had underestimated the power behind his blows.

Slowly the muscular Mexican fighter began closing in with body shots and soon both fighters were locked in an inside battle. Garcia used a tucked-in shoulder style while Duarte pounded the body, back of the head and in the back causing the referee to warn for the illegal punches twice.

Still, Duarte had finally managed to punch Garcia with multiple shots for several rounds.

Around the sixth round Garcia was advised by his new trainer to begin jabbing and moving. It forced Duarte out of his rhythm as he was unable to punch without planting his feet. Suddenly, the momentum had reversed again and Duarte looked less dangerous.

“I had to slow his momentum down. That softened him up,” said Garcia about using that change in style to change Duarte’s pressure attack. “Shout out to Derrick James.”

Boos began cascading from the crowd but Garcia was on a roll and had definitely regained the advantage. A quick five-punch combination rocked Duarte though not all landed. The danger made the Mexican pause.

In the eighth round Duarte knew he had to take back the momentum and charged even harder. In one lickety-split second a near invisible counter left hook connected on Duarte’s temple and he stumbled like a drunken soldier on liberty in Honolulu. Garcia quickly followed up with rights and uppercuts as Duarte had a look of terror as his legs failed to maintain stability. Down he went for the count.

Duarte was counted out by referee James Green at 2:51 of the eighth round as Garcia watched from the other side of the ring.

“I started opening up my legs a little bit to open up the shot,” explained Garcia. “When I hurt somebody that hard, I just keep cracking them. I hurt him with a counter left hook.”

The weapon of champions.

Garcia’s victory returns him back to the forefront as one of boxing’s biggest gate attractions. A list of potential foes is his to dissect and choose.

“I’m just ready to continue to my ascent to be a champion at 140,” Garcia said.

It was a tranquil end after such a tumultuous last three days.

Other Bouts

Floyd Schofield (16-0, 12 KOs) blitzed Mexico’s Ricardo “Not Finito” Lopez (17-8-3) with a four knockdown blowout that left fans mesmerized and pleased with the fighter from Austin, Texas.

Schofield immediately shot out quick jabs and then a lightning four-punch combination that delivered Lopez to the canvas wondering what had happened. He got up. Then Scholfield moved in with a jab and crisp left hook and down went Lopez like a dunked basketball bouncing.

At this point it seemed the fight might stop. But it proceeded and Schofield unleashed another quick combo that sent Lopez down though he did try to punch back. It was getting monotonous. Lopez got up and then was met with another rapid fire five- or six-punch combination. Lopez was down for the fourth time and the referee stopped the devastation.

“I appreciate him risking his life,” said Schofield of his victim.

In a middleweight clash Shane Mosley Jr. (21-4, 12 KOs) out-worked Joshua Conley (17-6-1, 11 KOs) for five rounds before stopping the San Bernardino fighter at 1:51 of the sixth round. It was Mosley’s second consecutive knockout and fourth straight win.

Mosley continues to improve in every fight and again moves up the middleweight rankings.

Super middleweight prospect Darius Fulghum (9-0, 9 KOs) of Houston remained undefeated and kept his knockout string intact with a second round pounding and stoppage over Pachino Hill (8-5-1) in 56 seconds of that round.

Photo credit: Golden Boy Promotions

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