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Brin-Jonathan Butler Reflects on Cuban Boxers, Mike Tyson, Roy Jones Jr and More

Brin-Jonathan Butler Reflects on Cuban Boxers, Mike Tyson, Roy Jones Jr and More
In the truest sense of the word multimedia, Brin-Jonathan Butler more than holds his own.
An author, freelance journalist, documentary filmmaker, Amazon interviewer, and host of the podcast “Tourist Information,” Butler’s works have appeared in Harper’s, ESPN The Magazine, The Paris Review, The Daily Beast, SB Nation, Salon.com and the Huffington Post, among others. He also has a keen interest in boxing manifested in two acclaimed books that he wrote: “A Cuban Boxer’s Journey: Guillermo Rigondeaux, From Castro’s Traitor To American Champion” and “The Domino Diaries: My Decade Boxing With Olympic Champions And Chasing Hemingway’s Ghost In The Last Days Of Castro’s Cuba.”
A native of Vancouver, British Columbia, Butler’s fascination with the island nation began when he was quite young. “Very early on in my life, my father told me stories about how the closest the world had ever come to nuclear oblivion was during the Cuban Missile Crisis in October of 1962. He told me terrifying stories about being a child in school learning procedures, along with his classmates, of how to hide under his school desk if the United States and Soviet Union escalated their standoff.”
“Growing up, the way Cuba was presented to me in Canada through American media with such intensity, made Cuba seem both radioactive and utterly fascinating. The iconography of Cuba and Fidel Castro was mesmerizing, deeply troubling, and also very confusing.”
Butler draws a parallel with the movie Rocky IV which came out when he was six years old.
“Sylvester Stallone’s Ivan Drago is basically a Frankenstein-like monster created by a robotic, diabolical system. Drago shows no sign of humanity after killing Apollo Creed. He takes steroids. He’s miserable. Drago’s country appears to live in a suffocating, year-round, utterly depressing winter. Rocky Balboa and everything he represents to [Ronald] Reagan’s America is the exact opposite.”
Butler, who is now a New York City resident, went on: “So I suppose Rocky IV pro wrestling-style, jingoistic propaganda just made meeting Cuban athletes that much more shocking for me. Not only was I unprepared, but I was also very much programmed to see them a certain way that did not line up in almost any way with what I encountered.”
“In 1992, Cuba basically rolled over the world in boxing. How could this happen? And then they were even more dominant around the globe with baseball!…I didn’t understand why I only saw Cuban athletes during amateur athletic competitions when they clearly had the ability to not just compete at the professional level but dominate. Then I learned about many of the greatest Cuban athletes refusing to leave Cuba and turn professional citing that they competed for something more important than money.”
Butler never had a doubt about making his way to Cuba and interviewing some of its greatest athletes. “I dreamed very early on of having the opportunity to meet the most famous boxers who rejected millions to leave Cuba, especially Teofilo Stevenson and Felix Savon turning down the opportunities to face Muhammad Ali and Mike Tyson for profound sums of money,” he said. “It still seems beyond surreal that I had an opportunity to walk into the houses of both Stevenson and Savon in Havana to have a conversation about their legacies.”
Butler spent a fair amount of time around Tyson and found it illuminating and instructional. “Tyson probably had the greatest emotional intelligence in terms of reading other people that I’ve ever encountered,” he said.
“My feeling from meeting Tyson was that he created the artifice of being the most intimidating person in the world to cover up the fact that he always felt like one of the most sensitive and intimidated people in the world,” he offered. “From one extreme he created the other.”
Tyson was mercilessly picked on and abused throughout his childhood and was always far too timid to ever fight back,” he continued. “He felt shame, embarrassment, humiliation, and ridicule about nearly all aspects of his identity and circumstances during that time. I think 999 out of a 1000 people in the milieu he grew up in would have imploded and it’s a miracle he survived adolescence. I think his feelings of worthlessness and acute sense of cowardice drove him to be incredibly disciplined with boxing early on. He told me when I first met him, ‘Everyone that’s great has the same thing in common. We all feel worthless. Why else would anyone strive? Contented people don’t have to.’ ”
“Like so many boxers, the ring probably felt like the safest place on earth for Tyson. Every fight he participated in wasn’t just an audition for his place in boxing or even boxing history, it was an audition to be accepted outside the ring.”
“Tyson is the most interesting boxer I’ve been around. Andre Ward was probably the most complex. If boxing operates as a kind of casino, most of the great boxers have been gamblers who thought they could beat the house again and again despite all the odds against them,” he stated. “Ward was the only boxer I’ve met who wanted to work in the casino as a dealer rather than gamble. He’s the only boxer I’ve ever met who bragged about the money he’d saved rather than spent.”
Another world-class boxer struck Butler’s fancy.
“The boxer I found the most fascinating to spend time with was Roy Jones Jr. For anyone who saw Jones and Floyd Mayweather Jr. in their respective primes, I have not met a single person who ranked Mayweather higher,” he says.
“Jones was a sublime talent. But I couldn’t stand his personality. After he mocked opponents and seemed to revel in humiliating them, I swore if he stuck around the sport too long and somebody beat him, I’d never feel sorry for him. And then in 2004 Antonio Tarver knocked him out cold. And, despite my best intentions, I felt horrible for Jones. Spending a week with Jones in Pensacola, Florida, for a profile, talking for several hours with his wife and kids and extended family, I adored everybody he introduced me to. And Jones is impossible to spend any time with in private and not have him grow on you. He’s extremely intelligent, sensitive, and one of the most decent people I’ve ever met.
“Unexpectedly he took me to meet his dad. They hadn’t spoken to each other in years, and it was one of the most-tense family meetings I’ve ever witnessed. It lasted for about eight seconds before Jones drove off and left me alone with his dad. Jones was willing to offer a backstage pass to his life that I don’t think the public had ever been aware of. It was one of the most unsettling profiles I’ve ever written, and I heard from some people high up at HBO that when he came into the office everyone was pretty scared to ask him directly if what had been written was true. Finally, someone did approach him to ask, and Roy didn’t say anything beyond nodding that it was true.”
Being a member of the media allows one to be close to the action without being a participant.
“Boxing has stakes that are just so incredibly frightening and intoxicating to witness,” Butler said. “The dominance and fragility of winners and losers. Life. The demonstration and performance of willpower and the risk that at any moment a human being could be rendered helpless and separated from their consciousness or even their life. I think the sport brings out a lot of the best and worst qualities from writers.”
Why then are so many boxers willing to tell their stories even if it’s sometimes unsavory?
“I think the isolation and humility at the heart of the experience of being a fighter creates that,” Butler said. “There are exceptions, but boxers I’ve encountered over the years have routinely been some of the most kind, decent, and gentle people I’ve ever met. I suspect a reason is that they’ve had to look at who they are through boxing a lot more deeply than most other people are required to in their lives and work. Greatness in boxing is almost always sharpened by fear. Very few people in the sport didn’t enter it at the outset on the basis of some kind of damage or trauma also.”
Butler said he respects and admires what boxers bring to the grandest stages.
“I think I’d just say that I love almost all boxers I’ve met and have become ever more conflicted about the sport and how it treats the individuals risking their lives,” he said. “I still think more than any other sport and occasionally more than any art form, boxing can reveal the watermark in a human soul more powerfully than anything else we have. And sometimes those characters boxing reveals also illuminate a great deal about the society and time in which they fight.”
Butler continued: “In terms of social status, you could argue the seating arrangement on the Titanic was the most important seating arrangement of the 20th century. In the 21st Century, crazily enough, the same might be said for 2015’s Mayweather-[Manny] Pacquiao fight seating arrangement: $370,000 for one chair? Think of who was there and think what assembly of colorful characters equals it from all walks of entertainment, finance, sports, politics, whatever? Nothing comes close. Why is boxing the accident through which that group gathered to watch a terrible fight that earned two guys a quarter-billion to basically play tag across 12 rounds? I have no idea. But a commodity’s value is dependent on our desire for it. That desire for what boxing can offer, in extremely rare moments, remains undimmed.”
This alone is what makes boxing different from every other form of athletic competition and entertainment.
Photo: Brin-Jonathan Butler with Guillermo Rigondeaux
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A Paean to the Great Sportswriter Jimmy Cannon Who Passed Away 50 Years Ago This Week

“Of all his assignments,” said the renowned sportswriter Dave Anderson, “[Jimmy] Cannon appeared to enjoy boxing the most.”
Cannon would have sheepishly concurred. He dated his infatuation with boxing to 1919 when he stood outside a saloon listening to a man with a megaphone relay bulletins from the Dempsey-Willard fight in faraway Toledo. His father followed boxing as did all the Irishmen in his neighborhood. For him, an interest in the sport of boxing, he once wrote, was like a family heirloom. But it became a love-hate relationship. It was Jimmy Cannon, after all, who coined the phrase “boxing is the red light district of sports.”
This week marks the 50th anniversary of Jimmy Cannon’s death. He passed away at age 63 on Dec. 5, 1973, in his room at the residential hotel in mid-Manhattan where he made his home. In the realm of American sportswriters, there has never been a voice quite like him. He was “the hardest-boiled of the hard-drinking, hard-boiled school of sports writing,” wrote Darrell Simmons of the Atlanta Journal. One finds a glint of this in his summary of Sonny Liston’s first-round demolition of Albert Westphal in 1961: “Sonny Liston hit Albert Westphal like he was a cop.”
In his best columns, Jimmy Cannon was less a sportswriter than an urban poet. Here’s what he wrote about Archie Moore in 1955 after Moore trounced Bobo Olson to set up a match with Rocky Marciano: “Someone should write a song about Archie Moore who in the Polo Grounds knocked out Bobo Olson in three rounds…It should be a song that comes out of the backrooms of sloughed saloons on night-drowned streets in morning-worried parts of bad towns. The guy who writes this one must be a piano player who can be dignified when he picks a quarter out of the marsh of a sawdust floor.”
Prior to fighting in Madison Square Garden the previous year – his first appearance in that iconic boxing arena – Moore had roamed the globe in search of fights in a career that began in the Great Depression. Cannon was partial to boxers like Archie Moore, great ring artisans who toiled in obscurity, fighting for small purses –“moving-around money” in Cannon’s words — until the establishment could no longer ignore them.
Jimmy Cannon was born in Lower Manhattan. He left high school after one year to become a copy boy for the New York Daily News. In 1936, at age 26, the News sent him to cover the biggest news story of the day, the Lindbergh Baby kidnapping trial. While there he met Damon Runyon who would become a lifelong friend. At Runyon’s suggestion, he applied for a job as a sportswriter at the New York American, a Hearst paper, and was hired.
During World War II, he was a war correspondent in Europe embedded in Gen. George S. Patton’s Third Army. When he returned from the war, he joined the New York Post and then, in 1959, the Journal-American which made him America’s highest-paid sportswriter at a purported salary of $1000 a week. His articles were syndicated and appeared in dozens of papers.
Cannon was very close to Joe Louis. He was the only reporter that Louis allowed in his hotel room on the morning of the Brown Bomber’s rematch with Max Schmeling. Louis, he wrote, “was a credit to his race, the human race.” It was his most-frequently-quoted line.
In an early story, Cannon named Sam Langford the best pound-for-pound fighter of all time. Later he joined with his colleagues on Press Row in naming Sugar Ray Robinson the greatest of the greats. As for the fellow who anointed himself “The Greatest,” Muhammad Ali, Cannon profoundly disliked him. He persisted in calling him Cassius Clay long after Ali had adopted his Muslim name.
It troubled Cannon that Ali was afforded an opportunity to fight for the title after only 19 pro fights. Ali’s poetry, he thought, was infantile. He abhorred Ali’s political views. And, truth be told, he didn’t like Ali because certain segments of society adored him. Cannon didn’t like non-conformists – hippies and anti-war protesters and such. When queried about his boyhood in Greenwich Village, he was quick to note that he lived there “when it was a decent neighborhood, before it became freaky.”
Cannon’s animus toward Ali spilled over into his opinion of Ali’s foil, the bombastic sportscaster Howard Cosell. “If Howard Cosell were a sport,” he wrote,” it would be roller derby.”
Cannon frequently filled his column with a series of one-liners published under the heading “Nobody Asked Me, But…” His wonderfully acerbic put-down of Cosell appeared in one of these columns. But one can’t read these columns today without cringing at some of his ruminations. He once wrote, “Any man is in trouble if he falls in love with a woman he can’t knock down with one punch.” If a newspaperman wrote those words today, he would be out of a job so fast it would make his head spin.
Similarly, his famous line about Joe Louis being a credit to the human race no longer resonates in the way that it once did. There is in its benevolence an air of racial prejudice.
Jimmy Cannon was a lifelong bachelor but in his younger days before he quit drinking cold turkey in 1948, he was quite the ladies man, often seen promenading showgirls around town. Like his pal Damon Runyon, he was a night owl. As the years passed, however, he became somewhat reclusive. The world passed him by when rock n’ roll came in, pushing aside the Tin Pan Alley crooners and torch singers that had kept him company at his favorite late-night haunts.
Cannon’s end days were tough. He suffered a stroke in 1971 as he was packing to go to the Kentucky Derby and spent most of his waking hours in his last two-plus years in a wheelchair. Fortunately, he could afford to hire a full-time attendant. In 2002, he was posthumously elected to the International Boxing Hall of Fame in the Observer category.
Jimmy Cannon once said that he resented it when someone told him that his stuff was too good to be in a newspaper. It was demeaning to newspapers and he never wanted to be anything but a newspaperman. He didn’t always bring his “A” game and some of his stuff wouldn’t hold up well, but the man could write like blazes and the sportswriting profession lost a giant when he drew his last breath.
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Arne K. Lang is a recognized authority on the history of prizefighting and the history of American sports gambling. His latest book, titled Clash of the Little Giants: George Dixon, Terry McGovern, and the Culture of Boxing in America, 1890-1910, was released by McFarland in September, 2022.
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Ryan “KingRy” Garcia Returns With a Bang; KOs Oscar Duarte

It was a different Ryan “KingRy” Garcia the world saw in defeating Mexico’s rugged Oscar Duarte, but it was that same deadly left hook counter that got the job done by knockout on Saturday.
Only the quick survive.
Garcia (24-1, 20 KOs) used a variety of stances before luring knockout artist Duarte (26-1-1, 21 KOs) into his favorite punch before a sold-out crowd at Toyota Arena in Houston, Texas. That punch should be patented in gold.
It was somewhat advertised as knockout artist versus matinee idol, but those who know the sport knew that Garcia was a real puncher. But could he rebound from his loss earlier this year?
The answer was yes.
Garcia used a variety of styles beginning with a jab at a prescribed distance via his new trainer Derrick James. It allowed both Garcia and Duarte to gain footing and knock the cobwebs out of their reflexes. Garcia’s jab scored most of the early points during the first three rounds. He also snapped off some left hooks and rights.
“He was a strong fighter, took a strong punch,” said Garcia. “I hit him with some hard punches and he kept coming.”
Duarte, an ultra-pale Mexican from Durango, was cautious, knowing full well how many Garcia foes had underestimated the power behind his blows.
Slowly the muscular Mexican fighter began closing in with body shots and soon both fighters were locked in an inside battle. Garcia used a tucked-in shoulder style while Duarte pounded the body, back of the head and in the back causing the referee to warn for the illegal punches twice.
Still, Duarte had finally managed to punch Garcia with multiple shots for several rounds.
Around the sixth round Garcia was advised by his new trainer to begin jabbing and moving. It forced Duarte out of his rhythm as he was unable to punch without planting his feet. Suddenly, the momentum had reversed again and Duarte looked less dangerous.
“I had to slow his momentum down. That softened him up,” said Garcia about using that change in style to change Duarte’s pressure attack. “Shout out to Derrick James.”
Boos began cascading from the crowd but Garcia was on a roll and had definitely regained the advantage. A quick five-punch combination rocked Duarte though not all landed. The danger made the Mexican pause.
In the eighth round Duarte knew he had to take back the momentum and charged even harder. In one lickety-split second a near invisible counter left hook connected on Duarte’s temple and he stumbled like a drunken soldier on liberty in Honolulu. Garcia quickly followed up with rights and uppercuts as Duarte had a look of terror as his legs failed to maintain stability. Down he went for the count.
Duarte was counted out by referee James Green at 2:51 of the eighth round as Garcia watched from the other side of the ring.
“I started opening up my legs a little bit to open up the shot,” explained Garcia. “When I hurt somebody that hard, I just keep cracking them. I hurt him with a counter left hook.”
The weapon of champions.
Garcia’s victory returns him back to the forefront as one of boxing’s biggest gate attractions. A list of potential foes is his to dissect and choose.
“I’m just ready to continue to my ascent to be a champion at 140,” Garcia said.
It was a tranquil end after such a tumultuous last three days.
Other Bouts
Floyd Schofield (16-0, 12 KOs) blitzed Mexico’s Ricardo “Not Finito” Lopez (17-8-3) with a four knockdown blowout that left fans mesmerized and pleased with the fighter from Austin, Texas.
Schofield immediately shot out quick jabs and then a lightning four-punch combination that delivered Lopez to the canvas wondering what had happened. He got up. Then Scholfield moved in with a jab and crisp left hook and down went Lopez like a dunked basketball bouncing.
At this point it seemed the fight might stop. But it proceeded and Schofield unleashed another quick combo that sent Lopez down though he did try to punch back. It was getting monotonous. Lopez got up and then was met with another rapid fire five- or six-punch combination. Lopez was down for the fourth time and the referee stopped the devastation.
“I appreciate him risking his life,” said Schofield of his victim.
In a middleweight clash Shane Mosley Jr. (21-4, 12 KOs) out-worked Joshua Conley (17-6-1, 11 KOs) for five rounds before stopping the San Bernardino fighter at 1:51 of the sixth round. It was Mosley’s second consecutive knockout and fourth straight win.
Mosley continues to improve in every fight and again moves up the middleweight rankings.
Super middleweight prospect Darius Fulghum (9-0, 9 KOs) of Houston remained undefeated and kept his knockout string intact with a second round pounding and stoppage over Pachino Hill (8-5-1) in 56 seconds of that round.
Photo credit: Golden Boy Promotions
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Jordan Gill TKOs Michael Conlan Who May Have Reached the End of the Road

Fighting on his home turf, two-time Olympian Michael Conlan was an 8/1 favorite over Jordan Gill tonight in Belfast, Northern Ireland. Had he won, Matchroom promoter Eddie Hearn was eyeing a rematch for Conlan with Leigh Wood. Their March 2022 rumble in Nottingham was a popular pick for the Fight of the Year. But the 29-year-old Gill, a Cambridgeshire man, rendered that discussion moot with a seventh-round stoppage. It was Conlan’s third loss inside the distance in the last 18 months and he would be wise to call it a day. His punch resistance is plainly not what it once was.
It was with considerable fanfare that Conlan cast his lot with Top Rank coming out of the amateur ranks. Tonight was his first assignment for Matchroom and his first fight at 130 pounds after coming up short in two world featherweight title fights. And he almost didn’t make it past the second round. Gill had him on the canvas in the opening minute of round two compliments of a left hook and stunned him late in the round with a right hand that left him on unsteady legs.
He survived the round and for a fleeting moment in the sixth frame it appeared that he had reversed Gill’s momentum. But Gill took charge again in the next stanza, trapping Conlan in the corner and unloading a fusillade of punches that forced referee Howard Foster to waive it off, much to the great dismay of the crowd. The official time was 1:09 of round seven.
Released by Top Rank, Conlan trained for this fight in Miami, Florida, under Pedro Diaz, best known for rejuvenating the career of Miguel Cotto. But the switch in trainer and in promoter made no difference as Conlan, who won his first amateur title at age 11, was damaged goods before he entered the ring. It was a career-defining victory for Jordan Gill (28-2-1, 9 KOs) who was not known as a big puncher and was returning to the ring after being stopped by Kiko Martinez 13 months ago in his previous start.
Semi-wind-up
In the “Battle of Belfast,” undefeated welterweight Lewis Crocker seized control in the opening round and went on to win a lopsided decision over intra-city rival Tyrone McKenna (23-4-1). Two of the judges gave Crocker every round and the other had it 98-92, but yet this was entertaining fight in spurts. McKenna had more fans in the building, but Crocker, seven years younger at age 26, went to post a 7/2 favorite and youth was served.
Other Bouts of Note
Belfast super welterweight Caoimhin Agyarko, who overcame a near-fatal mugging at age 20, advanced to 14-0 (7) with a 10-round split decision over Troy Williamson (20-2-1). The judges had it 98-92 and 97-93 for Agyarko with a dissenter submitting a curious 96-94 score for the 31-year-old Williamson who wasn’t able to exploit his advantages in height and reach.
Sean McComb, a 31-year-old Belfast southpaw, scored what was arguably the best win of his career with a 10-round beat-down of longtime sparring partner Sam Maxwell. Two of the judges gave McComb every round and the other had it 99-88. McComb, who has an interesting nickname, “The Public Nuisance, successfully defended his WBO European super welterweight strap while elevating his record to 18-1 (6). The fading, 35-year-old Maxwell, a former BBBofC British title-holder, lost for third time in his last four starts after winning his first 16 pro fights.
Photo credit: Mark Robinson / Matchroom
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