Gay Talese, an Icon of the ‘New Journalism,’ Wrote Extensively About Boxing

Published

7 months ago

May 28, 2024

Rick Assad

Gay-Talese-an-Icon-of-the-New-Journalism-Wrote-Extensively-About-Boxing

Rejected by every college and university he applied to except one, Gay Talese is one of the most celebrated and decorated American writers over the last seven decades.

Beginning at Ocean City High in New Jersey where he wrote for the student newspaper and later the Ocean City Sentinel-Ledger, Talese, 92, went to the University of Alabama where he worked on the student newspaper, the Crimson White, and after a stint in the Army, wrote for The New York Times, Esquire, The New Yorker and numerous magazines.

Not wasting time, Talese has published more than a dozen books, including “The Kingdom And The Power” (1969), “Honor Thy Father,” (1971), “Thy Neighbor’s Wife” (1980), “Unto The Sons,” (1992) and “A Writer’s Life,” (2006).

Talese, who earned his bachelor’s degree in journalism, wrote what many consider the finest magazine profile ever published, his magnum opus for the April 1966 issue of Esquire, titled “Frank Sinatra Has A Cold,” which the magazine proclaimed its greatest feature during the magazine’s 70th anniversary.

In July 1966 and for the same publication, Talese wrote another classic, “The Silent Season Of A Hero,” about New York Yankees outfielder Joe DiMaggio in retirement.

Talese’s interests are many and so are his subjects, including profiles of three boxing luminaries, Muhammad Ali, Joe Louis and Floyd Patterson.

To say Talese writes with a light touch and a careful eye to detail is an understatement and his penchant for listening and simply hanging around have served him well and brought his subjects to life in what became known as New Journalism. (Practitioners of the New Journalism adapted the writing techniques of the novel to non-fiction storytelling, often immersing themselves in the narrative. Famous writers identified with the genre include Tom Wolfe, Truman Capote, Hunter S. Thompson, Norman Mailer, and Talese.)

In one of Talese’s most enduring boxing features, he shined the light on Ali. It ran in the September 1996 issue of Esquire, slightly less than two decades before Ali’s passing in June 2016 at age 74.

The title is “Ali In Havana,” and it captured the essence and luminosity of the three-time heavyweight champion after the lights dimmed.

This section by Talese comes early in the piece: “Although Muhammad Ali is now fifty-four and has been retired from boxing for more than fifteen years, he is still one of the most famous men in the world, being identifiable throughout five continents. As he walks through the lobby of the Hotel Nacional toward the bus, wearing a gray sharkskin suit and a white cotton shirt buttoned at the neck without a tie, several guests approach him and request his autograph. It takes him about thirty seconds to write ‘Muhammad Ali,’ so shaky are his hands from the effects of Parkinson’s syndrome; and though he walks without support, his movements are quite slow, and Howard Bingham and Ali’s fourth wife, Yolanda, are following nearby.”

Talese adds a short while later: “On the bus, as always, Ali is sitting alone, spread out across the two front seats in the left aisle directly behind the Cuban driver. Yolanda sits a few feet ahead of him to the right; she is adjacent to the driver and within inches of the windshield. The seats behind her are occupied by Teofilo Stevenson, Fraymari [Stevenson’s wife], and the photographer Bingham. Seated behind Ali, and also occupying two seats, is an American screenwriter named Greg Howard, who weighs more than 300 pounds. Although he has traveled with Ali for only a few months while researching a film on the fighter’s life, Greg Howard has firmly established himself as an intimate sidekick, and as such is among the very few on the trip who have heard Ali’s voice. Ali speaks so softly that it is impossible to hear him in a crowd, and as a result whatever public comments or sentiments he is expected to, or chooses to, express are verbalized by Yolanda, or Bingham, or Teofilo Stevenson, or even at times by this stout young screenwriter.”

Talese slides this nugget into the feature:

“Stevenson did not actually explain that it had been merely another photo opportunity, one in which they sparred open-handed in the ring, wearing their street clothes and barely touching each other’s bodies and faces; but then Stevenson had climbed out of the ring, leaving Ali to the more taxing test of withstanding two abbreviated rounds against one and then another young bully of grade-school age who clearly had not come to participate in a kiddie show. They had come to floor the champ. Their bellicose little bodies and hot-gloved hands and helmeted hell-bent heads were consumed with fury and ambition; and as they charged ahead, swinging wildly and swaggering to the roars of their teenaged friends and relatives at ringside, one could imagine their future boastings to their grandchildren: On one fine day back in the winter of ’96, I whacked Muhammad Ali. Except, in truth, on this particular day, Ali was still too fast for them. He backpedaled and shifted and swayed, stood on the toes of his black woven-leather pointed shoes, and showed that his body was made for motion – his Parkinson’s problems were lost in his shuffle, in the thrusts of his butterfly sting what whistled two feet above the heads of his aspiring assailants, in the dazzling dips of his rope-a-dope that had confounded George Foreman in Zaire, in his ever-memorable style, which in this Cuban gym moistened the eyes of his ever-observant photographer friend and provided the overweight screenwriter to cry out in a voice that few in this noisy Spanish crowd could understand, ‘Ali’s on a high! Ali’s on a high!’ ”

Talese penned a touching and poignant portrait of Louis, the “Brown Bomber” in the June 1962 issue of Esquire. The title is “Joe Louis: The King As A Middle-Aged Man.”

Early in the profile, Talese wrote this of the beloved former champion: “Though his tax difficulties have eradicated all his assets – including two trust funds he had set up for his children – Joe Louis is still a man of great pride. He refused the money that hundreds of citizens sent him to help with his government debt, although he still owes the government thousands and could have used the cash. Last year Joe Louis earned less than $10,000, most of it from refereeing wrestling matches (he earns between $750 to $1,000 a night), and from endorsements or appearances. The last big money he made was the $100,000-a-year guarantee he got in 1956 for wrestling. He won all his matches – except those in which he was disqualified for using his fists – but his career ended not long afterward when the 300-pound cowboy Rocky Lee accidentally stepped on Louis’s chest one night, cracked one of his ribs, and damaged some of his heart muscles.”

A little later in the feature, Talese penned this: “And on and on it went, as Louis walked down Broadway: Cab drivers waved at him, bus drivers honked at him, and dozens of men stopped him and recalled how they once traveled 130 miles to get to one of his fights, and how they’d put their heads down to light a cigarette in the first round, then before they could look up, Louis had flattened his opponent and they had missed everything: or how they’d had guests at the house that night to hear the fight, and while they were struggling in the kitchen to get the ice out, somebody came in from the living room and said, ‘It’s all over! Louis knocked ‘im out with the first punch.’ “

In the March 1964 issue of Esquire, Talese, who wrote thirty-seven stories on Patterson, the onetime youngest heavyweight king, authored a gem titled, “The Loser.”

Midway through the feature, Talese wrote, “One hour later Floyd Patterson was jogging his way back down the dirt path toward the white house, the towel over his head absorbing the sweat from his brow. He lives alone in a two-room apartment in the rear of the house and has remained there in almost complete seclusion since getting knocked out a second time by Sonny Liston.

“In the smaller room is a large bed he makes up himself, several record albums he rarely plays, a telephone that seldom rings. The larger room has a kitchen on one side and, on the other, adjacent to a sofa, is a fireplace from which are hung boxing trunks and T-shirts to dry, and a photograph of him when he was the champion, and also a television set. The set is usually on except when Patterson is sleeping, or when he is sparring across the road inside the clubhouse (the ring is rigged over what was once the dance floor), or when, in a rare moment of painful honesty, he reveals to a visitor what it is like to be a loser.”

A short while later, Talese adds: “Now, walking slowly around the room, his black silk robe over his sweat clothes, Patterson said, ‘You must wonder what makes a man do things like this. Well, I wonder too. And the answer is, I don’t know … but I think that within me, within every human being, there is a certain weakness. It is a weakness that exposes itself more when you’re alone. And I have figured out that part of the reason I do the things I do, and cannot seem to conquer that one word – myself – is because … is because … I am a coward.’ He stopped. He stood very still in the middle of the room, thinking about what he had just said, probably wondering whether he should have said it.”

In all three features, Talese steers clear of mythologizing and allows the reader to decide the merit and quality of each man.

They were all supremely gifted in the ring, but each had their foibles and flaws outside the squared circle. That is, they, like everyone, were merely human.

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Rick Assad

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The Ortiz-Bohachuk Thriller has been named the TSS 2024 Fight of The Year

Published

23 hours ago

December 25, 2024

Arne K. Lang

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The Aug. 10 match in Las Vegas between Knockout artists Vergil Ortiz Jr and Serhii Bohachuk seemingly had scant chance of lasting the 12-round distance. Ortiz, the pride of Grand Prairie, Texas, was undefeated in 21 fights with 20 KOs. Bohachuk, the LA-based Ukrainian, brought a 24-1 record with 23 knockouts.

In a surprise, the fight went the full 12. And it was a doozy.

The first round, conventionally a feeling-out round, was anything but. “From the opening bell, [they] clobbered each other like those circus piledriver hammer displays,” wrote TSS ringside reporter David A. Avila.

In this opening frame, Bohachuk, the underdog in the betting, put Ortiz on the canvas with a counter left hook. Of the nature of a flash knockdown, it was initially ruled a slip by referee Harvey Dock. With the benefit of instant replay, the Nevada State Athletic Commission overruled Dock and after four rounds had elapsed, the round was retroactively scored 10-8.

Bohachuk had Ortiz on the canvas again in round eight, put there by another left hook. Ortiz was up in a jiff, but there was no arguing it was a legitimate knockdown and it was plain that Ortiz now trailed on the scorecards.

Aware of the situation, the Texan, a protégé of the noted trainer Robert Garcia, dug deep to sweep the last four rounds. But these rounds were fused with drama. “Every time it seemed the Ukrainian was about to fall,” wrote Avila, “Bohachuk would connect with one of those long right crosses.”

In the end, Ortiz eked out a majority decision. The scores were 114-112 x2 and 113-113.

Citing the constant adjustments and incredible recuperative powers of both contestants, CBS sports combat journalist Brian Campbell called the fight an instant classic. He might have also mentioned the unflagging vigor exhibited by both. According to CompuBox, Ortiz and Bohachuk threw 1579 punches combined, landing 490, numbers that were significantly higher than the early favorite for Fight of the Year, the March 2 rip-snorter at Verona, New York between featherweights Raymond Ford and Otabek Kholmatov (a win for Ford who pulled the fight out of the fire in the final minute).

Photo credit: Al Applerose

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Women’s Prizefighting Year End Review: The Best of the Best in 2024

Published

2 days ago

December 24, 2024

David A. Avila

Women’s Prizefighting Year End Review: The Best of the Best in 2024

It’s the end of the year.

Here are our awards for the best in women’s boxing. But first, a rundown on the state of the sport.

Maybe its my imagination but it seems that fewer female fights of magnitude took place in 2024 than in previous years.

A few promoters like 360 Promotions increased their involvement in women’s boxing while others such as Matchroom Boxing and Golden Boy Promotions seem stagnant. They are still staging female bouts but are not signing new additions.

American-based promotion company Top Rank, actually lost 50 percent of their female fighter roster when Seniesa Estrada, the undisputed minimumweight champion, retired recently. They still have Mikaela Mayer.

A promotion company making headlines and creating sparks in the boxing world is Most Valuable Promotions led by Jake Paul and Nakisa Bidarian. They signed Amanda Serrano and have invested in staging other female fights

This year, the top streaming company Netflix gambled on sponsoring Jake Paul versus Mike Tyson, along with Amanda Serrano versus Katie Taylor and hit a monster home run. According to Netflix metrics an estimated 74 million viewers watched the event that took place on Nov. 16 at Arlington, Texas.

“Breaking records like this is exactly what MVP was built to do – bring the biggest, most electrifying events to fans worldwide,” said Nakisa Bidarian co-founder of MVP.

History was made in viewership and at the gate where more than 70,000 fans packed AT&T Stadium for a record-setting $17.8 million in ticket sales outside of Las Vegas. It was the grand finale moment of the year.

Here are the major contributors to women’s boxing in 2024.

Fighter of the Year: Amanda Serrano

Other candidates: Katie Taylor, Claressa Shields, Franchon Crews, Dina Thorslund, and Yesica Nery Plata.

Amanda Serrano was chosen for not only taking part in the most viewed female title fight in history, but also for willingly sacrificing the health of her eye after suffering a massive cut during her brutal war with Taylor. She could have quit, walked away with tons of money and be given the technical decision after four rounds. She was ahead on the scorecards at that moment.

Instead, Serrano took more punches, more head butts and slugged her way through 10 magnificent and brilliant rounds against the great Taylor. Fans worldwide were captivated by their performance. Many women who had never watched a female fight were mesmerized and inspired.

Serrano once again proved that she would die in the ring rather than quit. Women and men were awed by her performance and grit. It was a moment blazed in the memories of millions.

Amanda Serrano is the Fighter of the Year.

Best Fight of the Year – Amanda Serrano versus Katie Taylor 2

Their first fight that took place two years ago in Madison Square Garden was the greatest female fight I had ever witnessed. The second fight surpassed it.

When you have two of the best warriors in the world willing to showcase their talent for entertainment regardless of the outcome, it’s like rubbing two sticks of dynamite together.

Serrano jumped on Taylor immediately and for about 20 seconds it looked like the Irish fighter would not make the end of the first round. Not quite. Taylor rallied behind her stubborn determination and pulled out every tool in her possession: elbows, head butts, low blows, whatever was needed to survive, Taylor used.

It reminded me of an old world title fight in 2005 between Jose Luis Castillo a master of fighting dirty and Julio Diaz. I asked about the dirty tactics by Castillo and Diaz simply said, “It’s a fight. It’s not chess. You do what you have to do.”

Taylor did what she had to do to win and the world saw a magnificent fight.

Other candidates: Seniesa Estrada versus Yokasta Valle, Mikaela Mayer versus Sandy Ryan, and Ginny Fuchs vs Adelaida Ruiz.

KO of the Year – Lauren Price KO3 Bexcy Mateus.

Dec. 14, in Liverpool, England.

The IBO welterweight titlist lowered the boom on Bexcy Mateus sending her to the floor thrice. She ended the fight with a one-two combination that left Mateus frozen while standing along the ropes. Another left cross rocket blasted her to the ground. Devastating.

Other candidates: Claressa Shields KO of Vanessa LePage-Joanisse, Gabriela Fundora KO of Gabriela Alaniz, Dina Thorslund vs Mary Romero, Amanda Serrano KO of Stevie Morgan.

Pro’s Pro Award – Jessica Camara

Jessica Camara defeated Hyun Mi Choi in South Korea to win the WBA gold title on April 27, 2024. The match took place in Suwon where Canada’s Camara defeated Choi by split decision after 10 rounds.

Camara, who is managed by Brian Cohen, has fought numerous champions including Kali Reis, Heather Hardy and Melissa St. Vil. She has become a pro fighter that you know will be involved in a good and entertaining fight and is always in search of elite competition. She eagerly accepted the fight in South Korea against Choi. Few fighters are willing to do that.

Next up for Camara is WBC titlist Caroline Dubois set for Jan. 11, in Sheffield, England.

Electric Fighters Club

These are women who never fail to provide excitement and drama when they step in the prize ring. When you only have two-minute rounds there’s no time to run around the boxing ring.

Here are some of the fighters that take advantage of every second and they do it with skill:

Gabriela Fundora, Mizuki Hiruta, Ellie Scotney, Lauren Price, Clara Lescurat, Adelaida Ruiz, Ginny Fuchs, Mikaela Mayer, Yokasta Valle, Sandy Ryan, Chantelle Cameron, Ebanie Bridges, Tsunami Tenkai, Dina Thorslund, Evelin Bermudez, Gabriela Alaniz, Caroline Dubois, Beatriz Ferreira, and LeAnna Cruz.

Claressa Shields Movie and More

A motion picture based on Claressa Shields titled “The Fire Inside” debuts on Wednesday, Dec. 25, nationwide. Most boxing fans know that Shields has world titles in various weight divisions. But they don’t know about her childhood and how she rose to fame.

Also, Shields (15-0, 3 KOs) will be fighting Danielle Perkins (5-0, 2 KOs) for the undisputed heavyweight world championship on Sunday Feb. 2, at Dort Financial Center in Flint, Michigan. DAZN will stream the Salita Promotions fight card.

“Claressa Shields is shining a spotlight on Flint – first on the big screen and then in the ring on Sunday, February 2,” said event promoter Dmitriy Salita, president of Salita Promotions. “Claressa leads by example. She is a trailblazer and has been an advocate for equality since she was a young lady. This event promises to be one of the most significant sporting and cultural events of the year. You don’t want to miss it, either live, in person or live on DAZN.”

Shields is only 29 years old and turns 30 next March. What more can she accomplish?

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Lucas Bahdi Forged the TSS 2024 Knockout of the Year

Published

3 days ago

December 23, 2024

Arne K. Lang

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A Knockout of the Year doesn’t have to be a one-punch knockout, but it must arrive with the suddenness of a thunderclap on a clear day and the punch or punches must be so harsh as to obviate the need for a “10-count.” And, if rendered by an underdog, that makes the KO resonate more loudly.

Within these parameters, Lucas Bahdi’s knockout of Ashton “H2O” Sylva still jumped off the page. The thunderclap happened on July 20 in Tampa, Florida, on a show promoted by Jake Paul with Paul and the great Amanda Serrano sharing the bill against soft opponents in the featured bouts.

The 30-year-old Bahdi (16-0, 14 KOs) and the 20-year-old Sylva (11-0, 9 KOs) were both undefeated, but Bahdi was accorded scant chance of defeating Jake Paul’s house fighter.

Sylva was 18 years old and had seven pro fights under his belt, winning all inside the distance, when he signed with Paul’s company, Most Valuable Promotions, in 2022. “We believe that Ashton has that talent, that flashiness, that style, that knockout power, that charisma to really be a massive, massive, superstar…” said the “Problem Child” when announcing that Sylva had signed with his company.

Jake Paul was so confident that his protege would accomplish big things that he matched Sylva with Floyd “Kid Austin” Schofield. Currently 18-0 and ranked #2 by the WBA, Schofield was further along than Sylva in the pantheon of hot lightweight prospects. But Schofield backed out, alleging an injury, opening the door to a substitute.

Enter Lucas Bahdi who despite his eye-catching record was a virtual unknown. This would be his first outing on U.S. soil. All of his previous bouts were staged in Mexico or in Canada, mostly in his native Ontario province. “My opponent may have changed,” said Sylva who hails from Long Beach, California, “but the result will be the same, I will get the W and continue my path to greatness.”

The first five rounds were all Sylva. The Canadian had no antidote for Sylva’s speed and quickness. He was outclassed.

Then, in round six, it all came unglued for the precocious California. Out of the blue, Bahdi stiffened him with a hard right hand. Another right quickly followed, knocking Sylva unconscious. A third punch, a sweeping left, was superfluous. Jake Paul’s phenom was already out cold.

Sylva landed face-first on the canvas. He lay still as his handlers and medics rushed to his aid. It was scarifying. “May God restore him,” said ring announcer Joe Martinez as he was being stretchered out of the ring.

The good news is that Ashton “H2O” Silva will be able to resume his career. He is expected back in the ring as early as February. As for Lucas Bahdi, architect of the Knockout of the Year, he has added one more win to his ledger, winning a 10-round decision on the undercard of the Paul vs Tyson spectacle, and we will presumably be hearing a lot more about him.

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