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The Hauser Report: James Earl Jones and More

A word of remembrance about James Earl Jones who died on September 9 at age 93.
Born in Mississippi during the height of segregation, raised by his grandmother after being abandoned by his parents, and plagued by a stutter so severe that he often refused to speak when he was young, Jones became one of the great actors of modern times. During a storied career on stage, in movies, and on television, he was honored with an Oscar, a Tony, and an Emmy. He was the voice of Darth Vader in Star Wars and Mufasa in The Lion King and known the world over for his iconic intonation “This is CNN.”
“Audiences,” Robert McFadden wrote, “were mesmerized by the voice. It was Lear’s roaring crash into madness, Othello’s sweet balm for Desdemona, Oberon’s last rapture for Titania. He liked to portray kings and generals, garbage men and bricklayers.”
Jones was recognized in theatrical circles as an extraordinary talent for years. But boxing propelled him to mainstream stardom.
In 1968, The Great White Hope opened on Broadway with Jones (6-feet-2-inches tall, 200 pounds) in the role of Jack Jefferson – a character modeled on Jack Johnson. Jones didn’t like boxing. “I’m not and never have been a fan of boxing,” he told me years later. “I had an unfortunate experience at a fight I went to long ago in Spain. A Nigerian fighter was killed in front of my eyes.”
But Jones played the role of Jack Jefferson to perfection and, two years later, reprised the role in the film adaptation. I had the honor of interviewing him when I was researching Muhammad Ali: His Life and Times.
“I met Muhammad Ali for the first time backstage after a performance of The Great White Hope, “Jones reminisced. “Ali was still not allowed to fight, and meeting him was exciting, particularly given his response to the play he’d just seen. He said of Johnson, ‛That’s me. You take out the white woman, and that play is about me.’ Then he told me, ‘I want to go on stage and say those lines.’ He was referring to the scene where the Jack Johnson character is in exile in Europe. He’s been reduced to performances of Uncle Tom’s Cabin to earn a living, and the powers that be keep pursuing him, hoping to get him to agree to a title fight with a prearranged loss. Finally, they talk him into coming back to fight with the idea of turning the crown over to Jess Willard in Cuba. And the character says, ‘Come get me. Here I is!’
“We waited until the audience had left,” Jones continued. “Then Ali went out onto the stage and spoke to an empty theater. ‘Here I is! Here I is!’ He felt those lines expressed his life, and he spoke them with feeling.”
As for Ali’s own acting ability, Jones contemplated Muhammad’s extraordinary charisma and noted, “I wondered at the time, could he translate that into the craft of acting, which is using somebody else’s lines, which is the most difficult thing for any natural performer to do? I never saw him when he played in Buck White, because I was working somewhere else myself. I did see him on television much later in Freedom Road. And I played Malcolm X in two very short scenes in The Greatest, where Ali played himself but was essentially reading someone else’s lines. And what I found was, given his own words he was a great performer. But given somebody else’s words, there was a self-consciousness that he was unable to overcome. So he wasn’t a great craftsman in the art of acting, but that by no means takes away from his accomplishments. Ali represents America to me; power at its best, power well used, because real power is individual power. And each time we reconsider Ali, we realize there’s more to him and more value than we realized before.”
And there was a footnote to it all.
“Ali visited the set at Twentieth Century Fox when we were filming The Great White Hope,” Jones recalled. “We got in the ring together. We were both wearing boxing gloves. The photographers were busy flashing. Muhammad said, ‘Go ahead, hit me as hard as you can.’ Well, I’d played the Jack Johnson character since the play opened on Broadway. I‘d been put through my paces by real boxing trainers. So I gave Muhammad my best left hook. He blocked the blow. And in the process, quite accidentally, he broke my thumb. You know, when a fighter like Ali blocks a punch, the block is devastating in its own power. I felt the pain immediately.”
***
The main event at Madison Square Garden between Sandy Ryan and Mikaela Mayer didn’t start until Saturday morning at 12:45 AM. But it was worth the wait.
Ryan, age 31, came into the fight with a 7-1-1 (3 KOs) record. She won the WBO 147-pound title by decision over Maria Pier Houle last year, kept it on a draw against Jessica McCaskill, and stopped Terri Harper in four rounds this past March.
Mayer, age 34 (and now 20-2 with 5 KOs), once held the WBO 130-pound belt but lost a close decision in a title-unification bout against Alycia Baumgardner two years ago. She has since moved up to welterweight and was narrowly defeated by Natasha Jones in an IBF title fight in January of this year.
An element of bad blood was injected into the proceedings when trainer Kay Koroma (who had previously worked with Mayer) began working with Ryan, leaving Mayer in the hands of Kofi Jantuah. Then, as Team Ryan was leaving its hotel for Madison Square Garden on fight night, an attacker wearing a hoodie splashed Sandy with red paint and escaped in a waiting car with an accomplice.
Ryan was a slight betting favorite. The encounter shaped up as a competitive fight but turned out to be much more than that. It was an exceptionally good, non-stop action battle.
Ryan moved inexorably forward and Mayer couldn’t keep her off. But it wasn’t always effective aggression and Mikaela held her own on the inside. Each woman went effectively to the body which is a weapon often absent from the arsenal in women’s boxing. Both fighters were in good shape. Ryan was physically stronger.
It was a hard fight to score. According to CompuBox (which is an inexact science) Mayer landed 186 punches to Ryan’s 185. All three judges gave rounds eight and ten to Mayer. Those were the only rounds they scored alike.
I thought each woman clearly won three rounds with the other four up for grabs. The judges scored the bout 97-93, 96-94, 95-95 for a majority decision in Mayer’s favor.
A rematch is definitely in order.
***
Question: What do Hall of Fame promoter Bob Arum (who oversaw the fights that stretched from 6:40 on Friday evening till 1:20 on Saturday morning), Mae West, Bobby Fischer, and Barbra Streisand have in common?
Answer: They all went to Erasmus Hall High School in Brooklyn.
Erasmus was founded in 1786 as a private institution and became part of the New York City public school system in 1896. Arum graduated in 1949 and is one of the school’s many famous alumni.
Erasmus graduates who made a mark in the National Football League include Hall of Fame quarterback Sid Luckman, owner Al Davis, and coach Sam Rutigliano. Jerry Reinsdorf (who owns the Chicago Bulls and Chicago White Sox) and baseball hall of fame pitcher Waite Hoyt went to Erasmus, as did NBA all-star forward and championship coach Billy Cunningham.
Bobby Fischer (arguably the greatest chess player of all time) attended Erasmus. So did former New Jersey governor James Florio and author Mickey Spillane.
Then we come to the world of entertainment. Oscar winner Susan Hayward and opera diva Beverly Sills (whose original name was Belle Miriam Silverman) are on the list of Erasmus attendees. So is Mae West (the quintessential sex symbol of the 1920s and 1930s who at one point was the highest-paid woman in the United States and starred in films opposite Cary Grant).
“I never met Mae West,” Arum says. “But I enjoyed watching her movies; that’s for sure.”
Record company executive Clive Davis (who graduated from Erasmus and counts Bruce Springsteen, Janis Joplin, and Billy Joel among his signees) is a lifelong friend of Arum’s.
“Neil Diamond, I know because he wrote Sweet Caroline,” Arum adds, referencing another Erasmus alumnus. “That’s boxing’s new anthem, and my granddaughter’s name is Caroline.”
And finally – drumroll, please – there’s Barbra Streisand (Erasmus, Class of 1959). “I’ve met her,” Arum recounts. “But she wasn’t very friendly.”
***
The New York State Athletic Commission took a step in the right direction on Saturday when Matt Delaglio was named executive director.
Delagio served as director of boxing during the rocky tenure of Kim Sumbler who resigned as executive director in May of this year. He was then designated as acting executive director, but there were fears in boxing circles that he would be passed over for the job on a permanent basis in favor of a less qualified political appointee. Those fears have now been laid to rest.
The next thing Governor Kathy Hochul needs to do is upgrade the NYSAC at the commissioner level.
In theory, the NYSAC is overseen by five commissioners. Two of these positions are currently vacant. Too often, NYSAC commissioner appointments are made as trade-offs for political favors. The result is that, because of uninformed leadership, the NYSAC has been known to embarrass itself.
Delagio is a hard worker and conscientious public servant who understands the sport and business of boxing. It would be nice if Governor Hochul appointed two new commissioners who understand the sport and business of boxing as well as he does and have the same commitment to public service that he has.
PICTURED: James Earl Jones and Jane Alexander, his co-star in the Broadway and film versions of “The Great White Hope.”
Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1
In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.
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“Breadman” Edwards: An Unlikely Boxing Coach with a Panoramic View of the Sport

Stephen “Breadman” Edwards’ first fighter won a world title. That may be some sort of record.
It’s true. Edwards had never trained a fighter, amateur or pro, before taking on professional novice Julian “J Rock” Williams. On May 11, 2019, Williams wrested the IBF 154-pound world title from Jarrett Hurd. The bout, a lusty skirmish, was in Fairfax, Virginia, near Hurd’s hometown in Maryland, and the previously undefeated Hurd had the crowd in his corner.
In boxing, Stephen Edwards wears two hats. He has a growing reputation as a boxing coach, a hat he will wear on Saturday, May 31, at Mandalay Bay in Las Vegas when the two fighters that he currently trains, super middleweight Caleb Plant and middleweight Kyrone Davis, display their wares on a show that will air on Amazon Prime Video. Plant, who needs no introduction, figures to have little trouble with his foe in a match conceived as an appetizer to a showdown with Jermall Charlo. Davis, coming off his career-best win, an upset of previously undefeated Elijah Garcia, is in tough against fast-rising Cuban prospect Yoenli Hernandez, a former world amateur champion.
Edwards’ other hat is that of a journalist. His byline appears at “Boxing Scene” in a column where he answers questions from readers.
It’s an eclectic bag of questions that Breadman addresses, ranging from his thoughts on an upcoming fight to his thoughts on one of the legendary prizefighters of olden days. Boxing fans, more so than fans of any other sport, enjoy hashing over fantasy fights between great fighters of different eras. Breadman is very good at this, which isn’t to suggest that his opinions are gospel, merely that he always has something provocative to add to the discourse. Like all good historians, he recognizes that the best history is revisionist history.
“Fighters are constantly mislabled,” he says. “Everyone talks about Joe Louis’s right hand. But if you study him you see that his left hook is every bit as good as his right hand and it’s more sneaky in terms of shock value when it lands.”
Stephen “Breadman” Edwards was born and raised in Philadelphia. His father died when he was three. His maternal grandfather, a Korean War veteran, filled the void. The man was a big boxing fan and the two would watch the fights together on the family television.
Edwards’ nickname dates to his early teen years when he was one of the best basketball players in his neighborhood. The derivation is the 1975 movie “Cornbread, Earl and Me,” starring Laurence Fishburne in his big screen debut. Future NBA All-Star Jamaal Wilkes, fresh out of UCLA, plays Cornbread, a standout high school basketball player who is mistakenly murdered by the police.
Coming out of high school, Breadman had to choose between an academic scholarship at Temple or an athletic scholarship at nearby Lincoln University. He chose the former, intending to major in criminal justice, but didn’t stay in college long. What followed were a succession of jobs including a stint as a city bus driver. To stay fit, he took to working out at the James Shuler Memorial Gym where he sparred with some of the regulars, but he never boxed competitively.
Over the years, Philadelphia has harbored some great boxing coaches. Among those of recent vintage, the names George Benton, Bouie Fisher, Nazeem Richardson, and Bozy Ennis come quickly to mind. Breadman names Richardson and West Coast trainer Virgil Hunter as the men that have influenced him the most.
We are all a product of our times, so it’s no surprise that the best decade of boxing, in Breadman’s estimation, was the 1980s. This was the era of the “Four Kings” with Sugar Ray Leonard arguably standing tallest.
Breadman was a big fan of Leonard and of Leonard’s three-time rival Roberto Duran. “I once purchased a DVD that had all of Roberto Duran’s title defenses on it,” says Edwards. “This was a back before the days of YouTube.”
But Edwards’ interest in the sport goes back much deeper than the 1980s. He recently weighed in on the “Pittsburgh Windmill” Harry Greb whose legend has grown in recent years to the point that some have come to place him above Sugar Ray Robinson on the list of the greatest of all time.
“Greb was a great fighter with a terrific resume, of that there is no doubt,” says Breadman, “but there is no video of him and no one alive ever saw him fight, so where does this train of thought come from?”
Edwards notes that in Harry Greb’s heyday, he wasn’t talked about in the papers as the best pound-for-pound fighter in the sport. The boxing writers were partial to Benny Leonard who drew comparisons to the venerated Joe Gans.
Among active fighters, Breadman reserves his highest praise for Terence Crawford. “Body punching is a lost art,” he once wrote. “[Crawford] is a great body puncher who starts his knockouts with body punches, but those punches are so subtle they are not fully appreciated.”
If the opening line holds up, Crawford will enter the ring as the underdog when he opposes Canelo Alvarez in September. Crawford, who will enter the ring a few weeks shy of his 38th birthday, is actually the older fighter, older than Canelo by almost three full years (it doesn’t seem that way since the Mexican redhead has been in the public eye so much longer), and will theoretically be rusty as 13 months will have elapsed since his most recent fight.
Breadman discounts those variables. “Terence is older,” he says, “but has less wear and tear and never looks rusty after a long layoff.” That Crawford will win he has no doubt, an opinion he tweaked after Canelo’s performance against William Scull: “Canelo’s legs are not the same. Bud may even stop him now.”
Edwards has been with Caleb Plant for Plant’s last three fights. Their first collaboration produced a Knockout of the Year candidate. With one ferocious left hook, Plant sent Anthony Dirrell to dreamland. What followed were a 12-round setback to David Benavidez and a ninth-round stoppage of Trevor McCumby.
Breadman keeps a hectic schedule. From Monday through Friday, he’s at the DLX Gym in Las Vegas coaching Caleb Plant and Kyrone Davis. On weekends, he’s back in Philadelphia, checking in on his investment properties and, of greater importance, watching his kids play sports. His 14-year-old daughter and 12-year-old son are standout all-around athletes.
On those long flights, he has plenty of time to turn on his laptop and stream old fights or perhaps work on his next article. That’s assuming he can stay awake.
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Arne’s Almanac: The Good, the Bad, and the (Mostly) Ugly; a Weekend Boxing Recap and More

Arne’s Almanac: The Good, the Bad, and the (Mostly) Ugly; a Weekend Boxing Recap and More
It’s old news now, but on back-to-back nights on the first weekend of May, there were three fights that finished in the top six snoozefests ever as measured by punch activity. That’s according to CompuBox which has been around for 40 years.
In Times Square, the boxing match between Devin Haney and Jose Carlos Ramirez had the fifth-fewest number of punches thrown, but the main event, Ryan Garcia vs. Rolly Romero, was even more of a snoozefest, landing in third place on this ignoble list.
Those standings would be revised the next night – knocked down a peg when Canelo Alvarez and William Scull combined to throw a historically low 445 punches in their match in Riyadh, Saudi Arabia, 152 by the victorious Canelo who at least pressed the action, unlike Scull (pictured) whose effort reminded this reporter of “Cat on a Hot Tin Roof” – no, not the movie starring Paul Newman, just the title.
CompuBox numbers, it says here, are best understood as approximations, but no amount of rejiggering can alter the fact that these three fights were stinkers. Making matters worse, these were pay-per-views. If one had bundled the two events, rather than buying each separately, one would have been out $90 bucks.
****
Thankfully, the Sunday card on ESPN from Las Vegas was redemptive. It was just what the sport needed at this moment – entertaining fights to expunge some of the bad odor. In the main go, Naoya Inoue showed why he trails only Shohei Ohtani as the most revered athlete in Japan.
Throughout history, the baby-faced assassin has been a boxing promoter’s dream. It’s no coincidence that down through the ages the most common nickname for a fighter – and by an overwhelming margin — is “Kid.”
And that partly explains Naoya Inoue’s charisma. The guy is 32 years old, but here in America he could pass for 17.
Joey Archer
Joey Archer, who passed away last week at age 87 in Rensselaer, New York, was one of the last links to an era of boxing identified with the nationally televised Friday Night Fights at Madison Square Garden.

Joey Archer
Archer made his debut as an MSG headliner on Feb. 4, 1961, and had 12 more fights at the iconic mid-Manhattan sock palace over the next six years. The final two were world title fights with defending middleweight champion Emile Griffith.
Archer etched his name in the history books in November of 1965 in Pittsburgh where he won a comfortable 10-round decision over Sugar Ray Robinson, sending the greatest fighter of all time into retirement. (At age 45, Robinson was then far past his peak.)
Born and raised in the Bronx, Joey Archer was a cutie; a clever counter-puncher recognized for his defense and ultimately for his granite chin. His style was embedded in his DNA and reinforced by his mentors.
Early in his career, Archer was domiciled in Houston where he was handled by veteran trainer Bill Gore who was then working with world lightweight champion Joe Brown. Gore would ride into the Hall of Fame on the coattails of his most famous fighter, “Will-o’-the Wisp” Willie Pep. If Joey Archer had any thoughts of becoming a banger, Bill Gore would have disabused him of that notion.
In all honesty, Archer’s style would have been box office poison if he had been black. It helped immensely that he was a native New Yorker of Irish stock, albeit the Irish angle didn’t have as much pull as it had several decades earlier. But that observation may not be fair to Archer who was bypassed twice for world title fights after upsetting Hurricane Carter and Dick Tiger.
When he finally caught up with Emile Griffith, the former hat maker wasn’t quite the fighter he had been a few years earlier but Griffith, a two-time Fighter of the Year by The Ring magazine and the BWAA and a future first ballot Hall of Famer, was still a hard nut to crack.
Archer went 30 rounds with Griffith, losing two relatively tight decisions and then, although not quite 30 years old, called it quits. He finished 45-4 with 8 KOs and was reportedly never knocked down, yet alone stopped, while answering the bell for 365 rounds. In retirement, he ran two popular taverns with his older brother Jimmy Archer, a former boxer who was Joey’s trainer and manager late in Joey’s career.
May he rest in peace.
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Bombs Away in Las Vegas where Inoue and Espinoza Scored Smashing Triumphs

Japan’s Naoya “Monster” Inoue banged it out with Mexico’s Ramon Cardenas, survived an early knockdown and pounded out a stoppage win to retain the undisputed super bantamweight world championship on Sunday.
Japan and Mexico delivered for boxing fans again after American stars failed in back-to-back days.
“By watching tonight’s fight, everyone is well aware that I like to brawl,” Inoue said.
Inoue (30-0, 27 KOs), and Cardenas (26-2, 14 KOs) and his wicked left hook, showed the world and 8,474 fans at T-Mobile Arena in Las Vegas that prizefighting is about punching, not running.
After massive exposure for three days of fights that began in New York City, then moved to Riyadh, Saudi Arabia and then to Nevada, it was the casino capital of the world that delivered what most boxing fans appreciate- pure unadulterated action fights.
Monster Inoue immediately went to work as soon as the opening bell rang with a consistent attack on Cardenas, who very few people knew anything about.
One thing promised by Cardenas’ trainer Joel Diaz was that his fighter “can crack.”
Cardenas proved his trainer’s words truthful when he caught Inoue after a short violent exchange with a short left hook and down went the Japanese champion on his back. The crowd was shocked to its toes.
“I was very surprised,” said Inoue about getting dropped. ““In the first round, I felt I had good distance. It got loose in the second round. From then on, I made sure to not take that punch again.”
Inoue had no trouble getting up, but he did have trouble avoiding some of Cardenas massive blows delivered with evil intentions. Though Inoue did not go down again, a look of total astonishment blanketed his face.
A real fight was happening.
Cardenas, who resembles actor Andy Garcia, was never overly aggressive but kept that left hook of his cocked and ready to launch whenever he saw the moment. There were many moments against the hyper-aggressive Inoue.
Both fighters pack power and both looked to find the right moment. But after Inoue was knocked down by the left hook counter, he discovered a way to eliminate that weapon from Cardenas. Still, the Texas-based fighter had a strong right too.
In the sixth round Inoue opened up with one of his lightning combinations responsible for 10 consecutive knockout wins. Cardenas backed against the ropes and Inoue blasted away with blow after blow. Then suddenly, Cardenas turned Inoue around and had him on the ropes as the Mexican fighter unloaded nasty combinations to the body and head. Fans roared their approval.
“I dreamed about fighting in front of thousands of people in Las Vegas,” said Cardenas. “So, I came to give everything.”
Inoue looked a little surprised and had a slight Mona Lisa grin across his face. In the seventh round, the Japanese four-division world champion seemed ready to attack again full force and launched into the round guns blazing. Cardenas tried to catch Inoue again with counter left hooks but Inoue’s combos rained like deadly hail. Four consecutive rights by Inoue blasted Cardenas almost through the ropes. The referee Tom Taylor ruled it a knockdown. Cardenas beat the count and survived the round.
In the eighth round Inoue looked eager to attack and at the bell launched across the ring and unloaded more blows on Cardenas. A barrage of 14 unanswered blows forced the referee to stop the fight at 45 seconds of round eight for a technical knockout win.
“I knew he was tough,” said Inoue. “Boxing is not that easy.”
Espinoza Wins
WBO featherweight titlist Rafael Espinosa (27-0, 23 KOs) uppercut his way to a knockout win over Edward Vazquez (17-3, 4 KOs) in the seventh round.
“I wanted to fight a game fighter to show what I am capable,” said Espinoza.
Espinosa used the leverage of his six-foot, one-inch height to slice uppercuts under the guard of Vazquez. And when the tall Mexican from Guadalajara targeted the body, it was then that the Texas fighter began to wilt. But he never surrendered.
Though he connected against Espinoza in every round, he was not able to slow down the taller fighter and that allowed the Mexican fighter to unleash a 10-punch barrage including four consecutive uppercuts. The referee stopped the fight at 1:47 of the seventh round.
It was Espinoza’s third title defense.
Photo credit: Mikey Williams / Top Rank
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