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Roman Gonzalez: The New Pound-for-Pound King

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Back when Roman Gonzalez was a twenty-two year old minimumweight with a slate of 25-0 rather than a twenty-eight year old flyweight with a slate of 43-0, I wrote an article speculating as to whether or not Roman Gonzalez would ever assume the dizzy heights of the pound-for-pound #1 slot.

“I think he can,” I wrote in conclusion, “time and talent are on his side.”

Upon the retirement of Floyd Mayweather in the wake of his anaemic victory over the under-qualified Andre Berto, Ring Magazine elevated Gonzalez to the #1 spot; after taking a single week to see if Floyd Mayweather would reverse his decision, TBRB (of which I am a member) followed suit. Mayweather was such a dominant and long-lived #1 that his withdrawal from the p4p list was always going to cause a shuffling of the pound-for-pound pack and the subjective nature of such an exercise means that no new ascendant to the throne was going to be universally agreed upon overnight, but the early votes, certainly, are in: Gonzalez is the best in the world.

The first time I ran the rule over Gonzalez he was a known quantity for all that he was one that flew beneath the radar but he was also a work in progress. In breaking down Gonzalez by category I was handicapped by Roman’s own lack of experience and in many areas I had to pose questions rather than give answers. Today, we know almost all we will know about the Nicaraguan who is at the absolute peak of his powers, has most of his major formative experiences behind him and who has several years in which to express his destructive powers to the fullest of his ability. It’s good to be Roman Gonzalez.

I’m going to revisit the categories I ran him through all those years ago. There will be very different results. Gonzalez is a monster. A machine. A killer. Any and every cliché you feel you would like to apply is valid. He is the antithesis of Floyd Mayweather; a destroyer who does not seek to hit and not be hit, but rather to hit, hit, hit.

He breaks people.

THE EARLY DAYS

“The step up in class went totally unnoticed by Roman Gonzalez.”

What most impressed me about Gonzalez in the first five year instalment of his career between 2005 and 2010 was that he deployed himself independent of the level of his opposition. Against early opponents he was as careful as he would be against world-class opposition; against world-class opposition he was as dominant and confident physically as he was against early opposition. What this meant in practical terms was that a strapholder like Yutaka Niida was dispatched with the same unruffled calm (TKO 4 2008) as a professional loser like Francisco Mezza (RTD 6, KO2, 2006). This was something of an absurdity and for all that it was artificially enhanced by the discipline he showed against the soft opposition he cut his teeth on, it still framed the pertinent question perfectly: how far can he take this?

We know the answer now: all the way to the top. His air of utter dominance may have evaporated in the face of the very best opposition but he is yet to be stretched to the extent of his ability by my eye. An often heard criticism of Floyd Mayweather was that his style and careful selection of opponents meant we never saw him reach his full potential. Gonzalez, too, may not have reached his absolute apex but it is assuredly not a matter of style. Gonzalez is there, right there with his adversary and now he has moved through 105lbs and 108lbs to 112lbs, he enjoys no meaningful advantages in height or reach. As for his selection of opponents, a harsher criticism, perhaps, of Mayweather was that the opposition he bested did not go on to achieve after his having beaten them. If this was true of Mayweather, and I do not say that it is, it is absolutely untrue of Gonzalez.

In 2009, having barely emerged into the world class, he posted his ugliest win over the much fleeter Katsunari Takayama, using aggression and pressure to out-point his much quicker opponent. When Gonzalez exited the division Takayama came again and briefly summited as the world’s best minimumweight before losing out to Francisco Rodriguez Jnr. in the fight of 2014. Rodriguez, too, was a former Gonzalez victim, stopped in seven in a rugged, one-sided encounter from 2013. Gonzalez left in his ruinous wake the men who would fight for the scraps he left behind, primed boxers capable of boxing for titles even after he battered them. His eventual legacy has been enhanced by the opposition he met in his formative years.

STYLE

“If Gonzalez is one day to reach the heights of pound-for-pound #1, he will likely need to hold multiple titles at a higher weight class, so these more careful boxing skills will be crucial.”

Gonzalez is a pressure-boxer with a serious punch (37 stoppages in 43 fights) but that is a little like saying a Beethoven’s Sixth is a piece of classical music. There are shades and variety in his destructive stylings borne, in the main, upon outstanding footwork and balance.

On paper, Gonzalez was run close by the savage Francisco Rosas in October of 2010 although in reality, Gonzalez was a clear winner. Nevertheless, Rosas did become the first man to really ruffle Roman physically, employing rabbit-punches and aggression to force Gonzalez to focus on defence rather than offence for short stretches. Rosas perhaps earned the rematch the two fought around eighteen months later for one of the many straps issued by the perennially confused WBA at 108lbs. This is the fight that best illustrates the Gonzalez default style. He begins slowly behind a high guard, but that guard is not an invitation for the opponent to lead so much as a launching pad for his own punches. He remains loose, edging forwards and laterally with tight, small moves. All is economy; if he moves it is in order that he might bring himself into range where he is at his most destructive or to give the opponent a little too much space for his own punches whereupon he can land his own counters. Half way through the first he slips to the ground and when action resumes Rosas tries to bull into him whereupon Gonzalez eases into a new gear. Not quite planted, his stance primarily supports punches now, and he finds a blistering lead right and a three-punch combination that leads seamlessly into a two-piece.

He broke Rosas around a minute into the second; the combination which dropped him for the first knockdown was eight punches long. The combination for the second knockdown was eleven punches long. Rosas had never been stopped before, and has not been knocked out since.

The pressure is relentless, specialised, but there is little about it that is flashy, he doesn’t storm the barricades like Mike Tyson or invoke perpetual motion like Joe Frazier, nor, even, does he seek to decimate flesh like Marciano. His pressure is of an even more deadly kind because it is not an ending in and of itself. Tyson, Frazier and Marciano were more terrifying than Gonzalez in their pressure but that of Gonzalez is far more precise; it is distilled to the point where it functions purely to bring him into range for unerringly accurate punches. Marciano and Frazier lacked his precision and Tyson lacked his economy. In terms of types of pressure, denoted here by the great heavies, Gonzalez is most like Joe Louis but Louis is often criticised for his footwork. Gonzalez does not have that problem.

TEMPERAMENT AND MENTAL STRENGTH

“Such maturity in such a young fighter is rare.”

It is now mostly forgotten that Juan Francisco Estrada came from almost nowhere to give Gonzalez the sternest test of his career late in 2012. It was barely more than a year since he had dropped a decision to titlist Juan Carlos Sanchez and it had taken him nine rounds to dispatch German Meraz in his previous fight despite the fact that Meraz had twice been stopped in four rounds the year before. Since, Estrada has embraced the traditional path for the best Gonzalez victims, dominating a wide variety of world-class flyweights and even enshrining himself upon the TBRB pound-for-pound list. But, to say the least, on the night Estrada ran Gonzalez so close, it was something of a surprise.

This is important to note because it must have come as something of a surprise to Gonzalez himself. With a KO% of 86, it must come as something of a surprise every time an opponent goes the distance, but the taller, rangier Estrada didn’t just survive, he troubled Gonzalez, winning the first two rounds and showing a brilliance in moving just as Gonzalez begins to motor. Kept from his fluid best early, Gonzalez doesn’t freeze and nor, crucially, does he go looking for that single punch to change the fight but rather he accepts that he is going to have to take punishment and he adapts. In the second he throws a straight right lead to the body and as Estrada starts to move off he comes square and rockets in a southpaw jab up top. He finds new planes of attack to replace those Estrada is taking away with his mobility. Estrada finishes the third with swelling around the left eye and blood trickling from his nose.

Buying his way in with suffering and surges the antithesis of his normal balanced approach, by the fifth Gonzalez had happened upon the strategy that would win him the fight. He solved the bigger, faster, world class Estrada in the ring and he did it without even a single loss of control, without the merest hint of uncertainty. It is the only time in his career that there has been tension when the fight went to the scorecards but the officials uncovered the right winner; I suspect the world-class Estrada will get another shot at Gonzalez at some point in the future.

Early in his career, Gonzalez gave an indication that it might be the case but I think now it is fair to say that strategically, he is as adaptable as a fighter can be. Mentally, he seems something close to unbreakable.

FOOTWORK AND BALANCE

“Gonzalez excels at cutting off the ring and looks every inch the mobile destroyer.”

In essence, there is little to say about Gonzalez’s balance in 2015 that I didn’t say in 2010. He does indeed look every inch the “mobile destroyer” and as I also said at that time “[t]his is the area where Gonzalez has shown the most dramatic improvement.” He has continued to shorten his stance until he looks more like a standard-issue box-puncher and he has learned lessons about occasionally sacrificing his exquisite balance in favour of a sudden charge but this facet of his game was all but perfected by the time of his move in earnest up to 108lbs.

As to his footwork, the ultimate testimony to any fighter’s mobility is his excelling against opponents that move away from him. Traditionally, movers present the biggest difficulty for pressure-fighters – returning to our heavyweight analogy, think of the struggles inflicted upon Marciano and Louis by Jersey Joe Walcott. The exception is when a swarmer has the footwork to catch the runner. Think of Joe Frazier chasing down Muhammad Ali, or Tyson’s early-round attacks. Gonzalez has such speed of pressure. He struggled in 2009, as noted, against the world-class mover Takayama, or at least he struggled to pin him down for a serious lashing while winning a wide decision, but since then he has definitely improved, both in terms of knowing when to take a risk and push and in terms of technical execution. Gonzalez is one step ahead of his man, most of the time, and as a pressure-fighter with world-class mobility, he does his best boxing when an opponent gives ground voluntarily or when he is forced to do so by Gonzalez on the warpath.

This may be the key ingredient in Gonzalez’s success.

TECHNIQUE ON OFFENCE

“Just as Gonzalez shows great variety in terms of style, so he shows great variety in his offence.”

In September of last year, Roman Gonzalez became the lineal world champion at flyweight. He had already established himself as the best fighter in the world at 105lbs and done some damage at 108lbs, but 112lbs was to be the first division where his dominance would translate into history. His opponent was the Japanese Akira Yaegashi. Yaegashi was himself a monster of a flyweight who was on a tear up through the hottest division in the sport but has failed miserably to put his career back together behind the brutal beating that Gonzalez laid upon him. It was probably the pinnacle of Roman’s career so far as offence is concerned and that makes it one of the most brilliant displays of box-punching seen since the heyday of Manny Pacquiao.

The number of leads of which Gonzalez is capable is almost as long as the list of punches that exist in boxing. This tortures opponents who move because they expect to be placed under control by the left jab. Gonzalez has one, a good one, but he sees and knows openings for all the other punches too. Yaegashi, who has fast feet, spent the first forty seconds of their fight alive to the left, only to be drilled with a short right hand to the chest. At the fifty seconds elapsed Gonzalez lands with a jab to the body; after eighty seconds it’s the lead right again; at ninety seconds he leads with a left hook. After one-hundred seconds elapsed he leads with the right uppercut and then tries to stitch a one-two on behind it. With just less than two-minutes elapsed he leads with the left-uppercut and has deployed the set.

For Yaegashi, this is a nightmare. He now has to deal with virtual threats across his entire defensive front. This is the very definition of offence working as defence because there is no quarter from which Yaegashi can assume a lesser threat. Yaegashi is world class, but Gonzalez out-and-out favours the lead right hand against him. This is arguably his most exquisite punch, one that he throws in all forms, as a snipe, as a torque-fuelled knock-out blow, as a range-finder, and he throws it to body, head, chest. Worse, it is a punch without a sell and furthermore it is a punch that he can throw behind a left-handed feint; he can dip his left shoulder as though about to hook and then drive home the right. Still, others would disagree. The Gonzalez left-hook is as short a punch as exists in boxing today, a stack of hurt compacted into a blow that is driven through the knee and the hip. It’s superb technique that has left a dozen opponents and more broken on the canvas.

Gonzalez speaks of landing seven and eight punches in quick succession and he can be seen doing so on film, but his bread and butter are the two-piece combinations that act as the spear of the offence of most great fighters. But his one-twos are about more than the jab-right hand. Against Yaegashi, he graduated quickly to bunches, having successfully feinted him out of position and onto the ropes he throws a straight-right, a left hook, steps inside for a left uppercut, back out, jab, right-hand to the body which brings him inside for the wide left hook. Of these, he missed only the left uppercut and it is only the third round.

This type of fluidity on offence is rare. I’ll go a little further: it’s non-existent. Golovkin may be as dangerous, but he is also less elastic for all that he is more destructive. Kovalev, too, is comparable on offence, but he is more a traditional technician and has not yet proven a gift for adaptation or improvisation. Manny Pacquiao is, I think, now passed this level of brilliance and while Naoya Inoue may catch Roman, he’s not there yet.

There is a reason Roman Gonzalez is the pound-for-pound number one and this is it: he is the best in the world at hitting people.

TECHNIQUE ON DEFENCE

“Gonzalez can take it when he has to.”

Roman’s engine and chin were proven beyond all hope of contradiction against Estrada. He was forced to adopt a risky strategy to get the win which meant he had to take hard punches throughout, but come bell he was still throwing and still marching grimly forwards. It was the last piece of the jigsaw in terms of his raw ability and he is now confirmed.

Technically, Gonzalez still abandons his guard occasionally when he throws right handed, his left hand given to wandering. This makes me wonder if he might not prove especially vulnerable to a southpaw with fast hands and why he is proven vulnerable to anyone brave enough to lead with a right hand to the body (stand up Rocky Fuentes). He also abandons the shifty defensive movement he employs at the beginning of the fight when he goes late, another reason a concrete chin is such a boon.

On the plus side, he shows good head movement early, is generally disciplined where his defensive guard is concerned and has some parrying skills. Just as he is a factor of ten ahead of Floyd Mayweather on offence, he is a factor of ten behind him on defence, but he is only Rocky Marciano when he chooses to be, when it is necessary, and for most of the rest of the time he is reasonably difficult to hit clean.

RING GENERALSHIP

“In essence, Gonzalez’s style solves a lot of generalship problems almost by default.”

What I meant by the above remark is that Gonzalez’s dual ability to box his way in or storm his way in provides him with two distinct opportunities at solving any given opponent. When the first fails, as was the case versus Takayama, the second present a default alternative. Now, he has proven the existence of a Defcom Three against Estrada. More than this, the enormous value of his intrinsic abilities means he rarely finds himself in a fight he actually needs to change – whether he is boxing inside, outside, against a fleeing opponent or one who wants to match him, he always comes out on top of the majority of battles and without exception, of the war.

That being said, he has demonstrated a superb ability to force his opponent into the fight he himself wants to be in. Whether he is drawing the fleet-footed Juan Purisima inside or forcing the savage Francisco Rodriguez to give ground, Gonzalez is, at 43-0, a past-master in what Sam Langford surmised as stopping the other man from doing what he wants to do.

SPEED AND POWER

“He may find himself out-sped in fights, but this is unlikely to be the cause of his downfall.”

Re-reading the above line, I’m struck by its brashness. Being out-sped is as likely to lead to a fighter’s downfall as any other single differential. Gonzalez rewarded my confidence however, proving that he can overcome a speed differential.

Gonzalez has come from 105lbs; he’s fast, and although there are faster fighters at 112lbs and below I think he has closed that gap slightly between this and the last time I wrote about him. Thomas Hauser wrote recently in an article about drug use in professional sport that fighters don’t get older, faster and bigger all at the same time but there is a caveat here. It’s true that a fighter’s handspeed shouldn’t increase but a fighter can absolutely get better at landing the second punch in a combination and if he has the type of coordination Gonzalez does, he can get better at landing the third. As his grasp of his own body-mechanics improves a fighter can indeed give the impression of punching more quickly. I think this is the case with Gonzalez and I think this is why faster fighters cannot overcome him.

His feet, too, are quick rather than lightning fast, but he doesn’t waste a single step. This makes cornering quicker fighters simply a matter of persistence; the flyweights are the fastest and there is no flyweight, light-flyweight or minimumweight who has shared the ring with Gonzalez who hasn’t felt the panic at his back hitting the ring-post.

In terms of power, Gonzalez is not among the very elite but he is on the cusp. He has stopped numerous fighters at 112lbs and above and this is his third weight division. Yes, many of these stoppages are a matter of accumulation but one has only to look at the reaction of the veteran Edgar Sosa to the punches thrown at him by Roman Gonzalez during his two-round debut on HBO this year to understand that Gonzalez, if not quite uncovering dynamite, comes to the ring heavily armed.

THE FUTURE

While Mayweather was anointed pound-for-pound extremely early in his career and broke into the Ring list in just his third year as a professional, the same year he won his first strap, Gonzalez was ranked a lowly #9 by Ring as late as November last year by which time he had held straps in three weight divisions – a rather hasty re-appraisal has been ordered in the light of both his HBO debut and the high regard Gonzalez is held in by the wider boxing world. Whatever the detail, both TBRB and Ring have him at number one now, and number one is assuredly where he belongs.

But what’s next?

In his immediate future is a fighter who has himself flirted with a p4p ranking before the wheels were dramatically stricken off by the aforementioned Juan Francisco Estrada, Brian Viloria, “The Hawaiian Punch”. Assuming Gonzalez is victorious here, he has two basic choices. Firstly, he could step up to super-flyweight for a meeting with Naoya Inoue, tackling the man they fittingly call “The Monster” before he has a chance to season. The second is to remain at flyweight, which still has the bones of one of the best divisions in the sport, and clear it out. This, I believe is within his capabilities and is the path he should chose. The temptation of what would be a legitimate superfight with Inoue – these two men are stars in Japan for all that they are little known in the west – may be too much to resist. Win or lose, such a move would have consequences. I felt in 2005 that super-fly may be a bridge too far for Gonzalez and I stand by that.

Either way, boxing has a new pound-for-pound king and surely one it can be proud of. Gonzalez is not just the antithesis of Floyd Mayweather in terms of style but in terms of personality, also. He is humble, gracious and bereft of the more unfortunate appetites that beset Mayweather – a fighter I admired enormously but a man with considerable shortcomings in his life away from the ring.

Gonzalez is not like that. Obviously, sadly, cross-over appeal is limited for a flyweight but those that know fights and fighters have been consistent in embracing him. Long may it continue.

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The Challenge of Playing Muhammad Ali

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There have been countless dramatizations of Muhammad Ali’s life and more will follow in the years ahead. The most heavily marketed of these so far have been the 1977 movie titled The Greatest starring Ali himself and the 2001 biopic Ali starring Will Smith.

 The Greatest was fictionalized. Its saving grace apart from Ali’s presence on screen was the song “The Greatest Love of All” which was written for the film and later popularized by Whitney Houston. Beyond that, the movie was mediocre. “Of all our sports heroes,” Frank Deford wrote, “Ali needs least to be sanitized. But The Greatest is just a big vapid valentine. It took a dive.”

The 2001 film was equally bland but without the saving grace of Ali on camera. “I hated that film,” Spike Lee said. “It wasn’t Ali.” Jerry Izenberg was in accord, complaining, “Will Smith playing Ali was an impersonation, not a performance.”

The latest entry in the Ali registry is a play running this week off-Broadway at the AMT Theater (354 West 45th Street) in Manhattan.

The One: The Life of Muhammad Ali was written by David Serero, who has produced and directed the show in addition to playing the role of Angelo Dundee in the three-man drama. Serero, age 43, was born in Paris, is of Moroccan-French-Jewish heritage, and has excelled professionally as an opera singer (baritone) and actor (stage and screen).

Let’s get the negatives out of the way first. The play is flawed. There are glaring factual inaccuracies in the script that add nothing to the dramatic arc and detract from its credibility.

On the plus side; Zack Bazile (pictured) is exceptionally good as Ali. And Serero (wearing his director’s hat) brings the most out of him.

Growing up, Bazile (now 28) excelled in multiple sports. In 2018, while attending Ohio State, he won the NCAA Long Jump Championship and was named Big Ten Field Athlete of the Year. He also dabbled in boxing, competed in two amateur fights in 2022, and won both by knockout. He began acting three years ago.

Serero received roughly one thousand resumes when he published notices for a casting call in search of an actor to play Ali. One-hundred-twenty respondents were invited to audition.

“I had people who looked like Ali and were accomplished actors,” Serero recalls. “But when they were in the room, I didn’t feel Ali in front of me. You have to remember; we’re dealing with someone who really existed and there’s video of him, so it’s not like asking someone to play George Washington.”

And Ali was Ali. That’s a hard act to follow.

Bazile is a near-perfect fit. At 6-feet-2-inches tall, 195 pounds, he conveys Ali’s physicality. His body is sculpted in the manner of the young Ali. He moves like an athlete because he is an athlete. His face resembles Ali’s and his expressions are very much on the mark in the way he transmits emotion to the audience. He uses his voice the way Ali did. He moves his eyes the way Ali did. He has THE LOOK.

Zack was born the year that Ali lit the Olympic flame in Atlanta, so he has no first-hand memory of the young Ali who set the world ablaze. “But as an actor,” he says, “I’m representing Ali. That’s a responsibility I take very seriously. Everyone has an essence about them. I had to find the right balance – not too over the top – and capture that.”

Sitting in the audience watching Bazile, I felt at times as though it was Ali onstage in front of me. Zack has the pre-exile Ali down perfectly. The magic dissipates a bit as the stage Ali grows older. Bazile still has to add the weight of aging to his craft. But I couldn’t help but think, “Muhammad would have loved watching Zack play him.”

****

Twenty-four hours after the premiere of The One, David Serero left the stage for a night to shine brightly in a real boxing ring., The occasion was the tenth fight card that Larry Goldberg has promoted at Sony Hall in New York, a run that began with Goldberg’s first pro show ever on October 13, 2022.

Most of the fights on the six-bout card played out as expected. But two were tougher for the favorites than anticipated. Jacob Riley Solis was held to a draw by Daniel Jefferson. And Andy Dominguez was knocked down hard by Angel Meza in round three before rallying to claim a one-point split-decision triumph.

Serero sang the national anthem between the second and third fights and stilled the crowd with a virtuoso performance. Fans at sports events are usually restless during the singing of the anthem. This time, the crowd was captivated. Serero turned a flat ritual into an inspirational moment. People were turning to each other and saying “Wow!”

****

The unexpected happened in Tijuana last Saturday night when 25-to-1 underdog Bruno Surace climbed off the canvas after a second-round knockdown to score a shocking, one-punch, sixth-round stoppage of Jaime Munguia. There has been a lot of commentary since then about what happened that night. The best explanation I’ve heard came from a fan named John who wrote, “The fight was not over in the second round although Munguia thought it was because, if he caught him once, he would naturally catch him again. Plus he looked at this little four KO guy [Surace had scored 4 knockouts in 27 fights] the way all the fans did, like he had no punch. That is what a fan can afford to do. But a fighter should know better. The ref reminds you, ‘Protect yourself at all times.’ Somebody forgot that.”

photo (c) David Serero

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at Amazon.com. https://www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

            In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

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L.A.’s Rudy Hernandez is the 2024 TSS Trainer of the Year

If asked to name a prominent boxing trainer who operates out of a gym in Los Angeles, the name Freddie Roach would jump immediately to mind. Best known for his work with Manny Pacquaio, Roach has been named the Trainer of the Year by the Boxing Writers Association of America a record seven times.

A mere seven miles from Roach’s iconic Wild Card Gym is the gym that Rudy Hernandez now calls home. Situated in the Little Tokyo neighborhood in downtown Los Angeles, the L.A. Boxing Gym – a relatively new addition to the SoCal boxing landscape — is as nondescript as its name. From the outside, one would not guess that two reigning world champions, Junto Nakatani and Anthony Olascuaga, were forged there.

As Freddie Roach will be forever linked with Manny Pacquiao, so will Rudy Hernandez be linked with Nakatani. The Japanese boxer was only 15 years old when his parents packed him off to the United States to be tutored by Hernandez. With Hernandez in his corner, the lanky southpaw won titles at 112 and 115 and currently holds the WBO bantamweight (118) belt. In his last start, he knocked out his Thai opponent, a 77-fight veteran who had never been stopped, advancing his record to 29-0 (22 KOs).

Nakatani’s name now appears on several pound-for-pound lists. A match with Japanese superstar Naoya Inoue is brewing. When that match comes to fruition, it will be the grandest domestic showdown in Japanese boxing history.

“Junto Nakatani is the greatest fighter I’ve ever trained. It’s easy to work with him because even when he came to me at age 15, his focus was only on boxing. It was to be a champion one day and nothing interfered with that dream,” Hernandez told sports journalist Manouk Akopyan writing for Boxing Scene.

Akin to Nakatani, Rudy Hernandez built Anthony Olascuaga from scratch. The LA native was rucked out of obscurity in April of 2023 when Jonathan Gonzalez contracted pneumonia and was forced to withdraw from his date in Tokyo with lineal light flyweight champion Kenshiro Teraji. Olascuaga, with only five pro fights under his belt, filled the breach on 10 days’ notice and although he lost (TKO by 9), he earned kudos for his gritty performance against the man recognized as the best fighter in his weight class.

Two fights later, back in Tokyo, Olascuaga copped the WBO world flyweight title with a third-round stoppage of Riku Kano. His first defense came in October, again in Japan, and Olascuaga retained his belt with a first-round stoppage of the aforementioned Gonzalez. (This bout was originally ruled a no-contest as it ended after Gonzalez suffered a cut from an accidental clash of heads. But the referee ruled that Gonzalez was fit to continue before the Puerto Rican said “no mas,” alleging his vision was impaired, and the WBO upheld a protest from the Olascuaga camp and changed the result to a TKO. Regardless, Rudy Hernandez’s fighter would have kept his title.)

Hernandez, 62, is the brother of the late Genaro “Chicanito” Hernandez. A two-time world title-holder at 130 pounds who fought the likes of Azumah Nelson, Oscar De La Hoya and Floyd Mayweather Jr., Chicanito passed away in 2011, a cancer victim at age 45.

Genaro “Chicanito” Hernandez was one of the most popular fighters in the Hispanic communities of Southern California. Rudy Hernandez, a late bloomer of sorts – at least in terms of public recognition — has kept his brother’s flame alive with own achievements. He is a worthy honoree for the 2024 Trainer of the Year.

Note: This is the first in our series of annual awards. The others will arrive sporadically over the next two weeks.

Photo credit: Steve Kim

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A Shocker in Tijuana: Bruno Surace KOs Jaime Munguia !!

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It was a chilly night in Tijuana when Jaime Munguia entered the ring for his homecoming fight with Bruno Surace. The main event of a Zanfer/Top Rank co-promotion, Munguia vs. Surace was staged in the city’s 30,000-seat soccer stadium a stone’s throw from the U.S. border in the San Diego metroplex.

Surace, a Frenchman, brought a 25-0-2 record and a 22-fight winning streak, but a quick glance at his record showed that he had scant chance of holding his own with the house fighter. Only four of Surace’s 25 wins had come by stoppage and only eight of his wins had come against opponents with winning records. Munguia was making the first start in the city of his birth since February 2022. Surace had never fought outside Europe.

But hold the phone!

After losing every round heading into the sixth, Surace scored the Upset of the Year, ending the contest with a one-punch knockout.

It looked like a short and easy night for Munguia when he knocked Surace down with a left hook in the second stanza. From that point on, the Frenchman fought off his back foot, often with back to the ropes, throwing punches only in spurts. Munguia worked the body well and was seemingly on the way to wearing him down when he was struck by lightning in the form of an overhand right.

Down went Munguia, landing on his back. He struggled to get to his feet, but the referee waived it off a nano-second before reaching “10.” The official time was 2:36 of round six.

Munguia, who was 44-1 heading in with 35 KOs, was as high as a 35/1 favorite. In his only defeat, he had gone the distance with Canelo Alvarez. This was the biggest upset by a French fighter since Rene Jacquot outpointed Donald Curry in 1989 and Jacquot had the advantage of fighting in his homeland.

Co-Main

Mexico City’s Alan Picasso, ranked #1 by the WBC at 122 pounds, scored a third-round stoppage of last-minute sub Yehison Cuello in a scheduled 10-rounder contested at featherweight. Picaso (31-0-1, 17 KOs) is a solid technician. He ended the bout with a left to the rib cage, a punch that weaved around Cuello’s elbow and didn’t appear to be especially hard. The referee stopped his count at “nine” and waived the fight off.

A 29-year-old Colombian who reportedly had been training in Tijuana, the overmatched Cuello slumped to 13-3-1.

Other Bouts of Note

In a ho-hum affair, junior middleweight Jorge Garcia advanced to 32-4 (26) with a 10-round unanimous decision over Uzbekistan’s Kudratillo Abudukakhorov (20-4). The judges had it 97-92 and 99-90 twice. There were no knockdowns, but Garcia had a point deducted in round eight for low blows.

Garcia displayed none of the power that he showed in his most recent fight three months ago in Arizona and when he knocked out his German opponent in 46 seconds. Abudukakhorov, who has competed mostly as a welterweight, came in at 158 1/4 pounds and didn’t look in the best of shape. The Uzbek was purportedly 170-10 as an amateur (4-5 per boxrec).

Super bantamweight Sebastian Hernandez improved to 18-0 (17 KOs) with a seventh-round stoppage of Argentine import Sergio Martin (14-5). The end came at the 2:39 mark of round seven when Martin’s corner threw in the towel. Earlier in the round, Martin lost his mouthpiece and had a point deducted for holding.

Hernandez wasn’t all that impressive considering the high expectations born of his high knockout ratio, but appeared to have injured his right hand during the sixth round.

Photo credit: Mikey Williams / Top Rank

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