Naoya Inoue Was Sensational; Crawford and Spence Have a Tough Act to Follow

Imagine, if you can, three modern-day art critics being transported back in time to the early 16^th century and being afforded the privilege of watching Michelangelo paint the ceiling of the Sistine Chapel in Vatican City. That would be roughly the level of awe espoused by ESPN+’s blow-by-blow commentator Joe Tessitore and analysts Timothy Bradley Jr. and Mark Kriegel in unanimously critiquing the masterwork crafted by Japan’s miniature “Monster,” Naoya Inoue, who demolished previously undefeated WBC/WBO super bantamweight champion Stephen Fulton Tuesday in Tokyo’s Ariake Arena. From the opening bell for round one to his two-knockdown KO sequence of Fulton in the eighth stanza, Inoue treated the highly regarded, and naturally larger, Philadelphian almost as if he were some semi-anonymous sparring partner.

“We sometimes overuse the word `greatness’ in boxing, but not here, not now,” Tessitore said gushingly from Las Vegas, where he and his cohorts have a Top Rank show to cover on Friday on the eve of the welterweight unification megafight pitting unbeaten champions Errol Spence Jr. and Terence “Bud” Crawford at the T-Mobile Arena. “You are watching greatness (in the person of Inoue), in his absolute prime … That’s the best fighter in the world right now.”

Added Bradley: “I never thought that the boxing world would bring another Manny Pacquiao type of person. But when you look at Inoue, how he’s traveled up these distances (he’s now a four-division world champion, from 108 pounds to his current – for now — 122), I feel like he can travel up as many weight classes as he likes.”

And this, from Kriegel: “I don’t know what’s going to happen Saturday night, but I do know that right now there is a best fighter in the world, and it’s that man right there, Inoue. (Fulton was) an undefeated fighter, a master boxer, a versatile guy, and (Inoue) made him look ordinary.”

In an era where indisputably special matchups of elite fighters are all too rare, this was Christmas in July week for fight fans famished for the sort of pairings that brought, first, Inoue (now 25-0, 22 KOs) and Fulton (21-1, 8 KOs) together and, in a few days, IBF/WBA/WBC 147-pound champ Spence (28-0, 22 KOs) and WBO titlist Crawford (39-0, 30 KOs). But it is perhaps the bruised knuckle incurred by Inoue in training in May that not only made this diamond-tinged double-dip in the same five-day period possible, but considerably raised the stakes for the welterweight kingpins who now might feel obliged to try to match or even exceed the bravura performance turned in by the little Japanese dynamo. It can be argued that Inoue might already have vaulted past not only the winner of that fight, but fellow pound-for-pound aspirant Oleksandr Usyk (20-0, 13 KOs), who defends his IBF, WBA and WBO straps against Daniel Dubois (19-1, 18 KOs) on Aug. 26 in Wroclas, Poland.

Had Inoue squared off against Fulton in May and done precisely what he did Tuesday morning (in the Eastern time zone in America) or Tuesday night (10 p.m. start time in Tokyo), the passage of time might have somewhat lessened the impact of that bout. But now, the manner in which he accomplished that triumph has been elevated to a “Can you top this?” gauntlet flung at the feet of Spence and Crawford, both of whom have insisted that the winner of their much-anticipated showdown almost certainly will have to be anointed as the fight’s game’s unrivaled No. 1 guy.

“It’s the furthest thing from what either guy can be thinking, but how can Spence and Crawford top that?” Kriegel asked, rhetorically.

Well, maybe it would be too much to ask of either superstar welterweight to be more dominant on Saturday night than was Inoue, but nobody will care much if each at least tries to score a comparable grade in an effort to look especially impressive. Of such give-and-take matchups are great fights made, and, let’s face it, some of those pairings in the past have been closer to exercises in tedium than rip-roaring action-fests.

“I have so much admiration for Bud Crawford and Errol Spence. I think the world of those two guys,” Tessitore confessed. “But when I think of the pound-for-pound list … What this guy (Inoue) does for his size, I don’t care. That’s the best fighter in the world right there.

“In a week that is a fight fan’s dream, this is how it starts, with `The Monster,’ Naoya Inoue, making it look easy.  That’s what’s so mind-blowing. He goes up in weight against The Guy, the unified champion, and he made it look ridiculously easy.”

You’d never know it from the way he dispatched Fulton, but not every fight involving Inoue has seen him win in a romp. One distinguishing characteristic of the best of the best is the capacity to dig deep and find something within yourself that can turn a potential defeat into a display of inner strength that separates the merely talented from those who have a champion’s dogged refusal to yield to adversity. Just such an acid test was required of Inoue on Nov. 17, 2019, when he took on future Hall of Famer Nonito Donaire in the Fight of the Year, recognized as such by this publication, by The Ring magazine and by the Boxing Writers Association of America. Inoue won by unanimous decision, but in doing so he suffered a broken orbital bone and a broken nose.

It should be noted that in Inoue’s rematch with Donaire, on June 7, 2022, he had a much easier time of it in winning on a second-round stoppage, but “The Monster” having been pushed to the limit in their first fight caused Fulton’s fellow Philly fighter, Jaron “Boots” Ennis, to go with his homeboy on Tuesday because, hey, how impressive can it be for someone supposedly so dominant to squeak past a “45-year-old” guy, as Ennis said in disparaging Donaire, who was then 37.

The truest way of gauging ring greatness, Kriegel allowed, is when a great fighter meets and defeats another great fighter, and by most means of measurement inside the ropes Fulton belonged in that exclusive club. It certainly would seem that he is better than the WBA/IBF 122-pound titlist, Marlon Tapales of the Philippines, who appears to be next on Inoue’s dance card, possibly for the fully unified title, before the end of 2023. But Tapales (37-3, 19 KOs), who entered the ring to pose with Inoue for photos, not only has lost three times, but he has been knocked out twice. Figure him to be another way station on Inoue’s upward ascent to literally bigger and presumably better things.

Can the winner of Spence-Crawford do enough to supplant Inoue as boxing’s man of the moment, and of the foreseeable future? It’s entirely possible, but that fighter would have to be nearly flawless to make that deep of an impression. How could he be anything less to climb past someone whom Tessitore said has “a viper’s striking speed and nearly flawless punching technique,” someone hailed by Joe as “the most complete offensive fighter in the game today,” and mostly excellent on defense as well.

For what it’s worth, my personal scorecard had Inoue winning all seven completed rounds for a 70-63 edge going into the eighth, which he would have won by 10-7 had not referee Hector Afu stepped in after Fulton went down for the second time, after an elapsed time of just one minute and 14 seconds. So also check the box for finishing instincts as far as it applies to Inoue, who clearly knows what to do when he gets his man in trouble.

Like the ESPN+ broadcast crew said, it’s back to you, Errol and Bud. You have a tough act to follow.

Bernard Fernandez, named to the International Boxing Hall of Fame in the Observer category with the Class of 2020, was the recipient of numerous awards for writing excellence during his 28-year career as a sports writer for the Philadelphia Daily News. Fernandez’s first book, “Championship Rounds,” a compendium of previously published material, was released in May of last year. The sequel, “Championship Rounds, Round 2,” with a foreword by Jim Lampley, is currently out. His third boxing anthology, “Championship Rounds, Round 3,” is now out and available from Amazon and other book-selling outlets.

Photo  credit: Naomi Fukuda

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