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A Look Back at Mayweather-Alvarez: Part Two
Once Floyd Mayweather vs. Canelo Alvarez was signed, the marketing began with an eleven-city, nine-day kick-off media tour. Promoter Richard Schaefer proclaimed that the tour was “like Beatlemania.” Independent media reports noted that the crowds at many of the tour stops were smaller than the numbers inserted in press releases and later repeated by trusting writers.
Tickets were priced at $2,000, $1,500, $1,000, $600 and $350. Golden Boy announced that they had sold out within hours of going on sale. Left unsaid was the fact that, pursuant to contract, virtually all of the tickets had been presold to casinos, Team Mayweather, and Golden Boy itself. Only a handful of seats were available at list price to the general public.
That created a blue-chip market for ticket scalping. David Greisman subsequently reported, “Five days after tickets went on sale and four days after they supposedly sold out, Ticketmaster’s resale website had 378 seats available that ranged from $995 for the farthest row up in the MGM Grand Garden Arena to $26,156 for a seat three rows back at ringside. Of course, if you wanted to settle for the row behind that one, that’s just $18,310. StubHub had 915 tickets available as of early Sunday evening, ranging from $1,098 for the final row of the arena to $29,999 for six rows back at ringside.”
Those numbers were an opening gambit, a concerted effort to set and maintain high ticket-resale prices for the thousands of tickets that would later enter the resale market. But as time went by, it became clear Mayweather-Alvarez was catching on. More resources were being poured into marketing “The One” (as the promotion was styled) than had been poured into any fight ever.
“Mayweather-Alvarez is being pushed like a blockbuster movie,” Tim Smith wrote. “The only thing missing is the action figures that come with a Happy Meal.”
“The purpose of the spectacle is saturation,” Bart Barry added. “Flashing images that say nothing so profoundly as, ‘This is important because everyone is watching it because it is important enough for everyone to watch.’”
The build-up had many of the characteristics of the lead-in to a national political convention. The fact that Mayweather was listed as one of the “executive producers” for Showtime’s All Access. promotional series was a pretty good clue as to the objectivity of its editorial content. But as in politics, the powers that be in boxing can’t always get out the vote on the day that matters most. The unanswered marketing question was how many people would buy the pay-per-view on fight night at a price of $64.95 ($74.95 for HDTV).
Fight week began with an unexpected twist. Oscar De La Hoya (president of Golden Boy Promotions) announced that he would not be attending the bout because he had voluntarily admitted himself to a treatment facility after suffering a relapse in his ongoing battle with substance abuse problems.
De La Hoya’s difficulties were common knowledge in boxing. Indeed, in September 2011, after Oscar had called for a rematch between Mayweather and Victor Ortiz, Leonard Ellerbe told Ben Thompson of FightHype.com, “Oscar must be having a relapse, and Victor must still be sloppy drunk from when I saw him last Sunday night in the lobby of the MGM Grand. They sound stupid, and it’s embarrassing to boxing that they would hold a conference call and look like a bunch of morons. It’s no secret that Oscar is insanely jealous of Floyd’s success. Floyd don’t have no drinking problem. Floyd don’t have no drug problem. Floyd don’t wear fishnets. And Floyd don’t have a number of kids out there that he doesn’t claim.”
Oscar’s decision to go into rehab for the second time in twenty-eight months was a sound one. But there was a school of thought that it had been timed to avoid his having to be in Las Vegas to witness Mayweather’s week of glory.
There was a time when people hung on De La Hoya’s every word. No more. His eyes are sad these days. It seems to tear at his gut that he was the most important building block in catapulting Floyd to superstardom. He dislikes Mayweather, has talked openly about wanting him to lose, and more often than not, predicts that Floyd’s opponent will beat him.
Insofar as Mayweather-Alvarez was concerned, Oscar had been largely reduced to a promotional prop. Mayweather was openly disdainful toward him.
“You might as well call me the Golden Boy,” Floyd said during the kick-off press tour for Mayweather-Alvarez. At the last tour stop, with Schaefer and De La Hoya sitting with him on the dais, Mayweather turned toward Richard and declared, “I’ve been working hand-in-hand with this man. I can’t really speak about Oscar. But one thing I can tell you, Richard Schaefer is Golden Boy.”
De La Hoya was hardly missed during fight week. That in itself was sad. Explaining Oscar’s absence on Tuesday, Schaefer told the media, “He called me on Monday afternoon and sounded terrible. He told me he needed help, that he can’t go on. I put him in touch with the proper people, and they helped him get into a rehab facility for substance abuse. Obviously, the timing isn’t good. But when you have an illness, it’s not like you can choose the timing and say, ‘I’m not going to go today; I’m going to go next Monday.’ When you need help, you need help. And, of course, I’m supportive of that because health and life and family come before everything else.”
Had Schaefer known previously of Oscar’s relapse?
“I’m very busy,” Richard answered. “I’m nobody’s babysitter. It took me by surprise.”
There was a buzz in Las Vegas during fight week. The Money Team logo (TMT) was much in evidence.
Mayweather was forty minutes late for the final pre-fight press conference on Wednesday. One day later, he would blow off the Showtime fighter meeting without notice.
Alvarez is twenty-three years old and has been fighting professionally for eight years. At first glance, he gives the impression of someone who has not yet physically matured. He has red hair (hence the nickname, Canelo, which is Spanish for cinnamon) and a soft high-pitched voice. Walking through the casino during fight week, but for the entourage around him, he might have been mistaken for a bellhop or restaurant busboy.
Introducing Alvarez at the final pre-fight press conference, Schaefer declared, “Many can fight but few can inspire. Canelo inspires hope in millions of people.”
“I’ve visualized this fight for years,” Alvarez told the media. “I have my fans. I am their gamecock. Floyd has his fans. He is their gamecock.”
Among the thoughts that Mayweather offered were:
* “I’m the main man in boxing now. There’s only one man that counts and that’s Mayweather.”
* “Canelo is a main event fighter. I’m a pay-per-view fighter.”
* “He’s just another opponent to me; that’s all. He’s 42-and-0. He hasn’t faced forty-two Floyd Mayweathers or he’d be zero-and-42.”
* “This is not a fight. This is an event.”
Bottom line . . . Mayweather-Alvarez was catching on. The hype was translating into genuine excitement and financial reality. Events this big are rare in boxing.
In the six years since De La Hoya vs. Mayweather was contested, the number of homes in the United States addressable for pay-per-view has increased from sixty to ninety million. That meant the 2.45 million buy-mark set by Oscar and Floyd was not necessarily out of reach. By midweek, the projections were that Mayweather-Alvarez would generate in excess of two million pay-per-view buys. Schaefer was predicting a gross of $200,000,000: $140-to-160 million in domestic pay-per-view sales, a $20,000,000 live gate, $5-to-10 million in closed-circuit sales, $5-to-8 million in foreign sales, $5 million from sponsors, and low seven figures for merchandise.
Thursday brought more evidence that Mayweather-Alvarez had become a special promotion.
Even for the biggest fights, a lot of what happens in Las Vegas during fight week is cookie-cutter stuff. The press luncheon and final pre-fight press conference on Wednesday . . . Satellite-tour interviews and the undercard press conference on Thursday . . . The weigh-in on Friday. Very little is spontaneous or left to chance.
Normally, the MGM Grand Garden Arena is configured to accommodate 6,000 fans for a big-fight weigh-in. A platform is erected near one end of the arena facing the stands and the rest of the venue is blocked off by a black curtain.
The weigh-in for Mayweather-Alvarez was spectacularly different.
A huge stage with a giant backdrop was erected at one end of the arena, blocking off 4,000 seats. The other 12,000 seats were open to the public. That meant the promotion would, in effect, be setting up twice. After the weigh-in, the stage would be taken down and the arena reconfigured for the fight. There would be overtime costs for clean-up and reconstruction, not to mention audio-visual and other production expenses.
Schaefer estimated that the promotion spent close to $250,000 on the weigh-in.
“If you think big, big things will happen,” Richard said. “If you think little, little things will happen.”
The weigh-in was scheduled for 2:30 PM. By noon, all available seats were filled and the doors had been closed to the public. At the appointed hour, one Golden Boy fighter after another was announced to the crowd and brought to the stage.
Bernard Hopkins, Adrien Broner, Austin Trout, Abner Mares, Keith Thurman, Shane Mosley, Paulie Malignaggi, Leo Santa Cruz, Omar Figueroa, Alfredo Angulo, Peter Quillin, Devon Alexander, Amir Khan, Marcos Maidana, Cornelius Bundrage, Seth Mitchell, Danny Jacobs.
It was an impressive display of promotional might, not unlike the parading of ships in a military exercise. Despite the fact that Mayweather-Alvarez was a Showtime event, Andre Ward (who commentates for and fights on HBO) also appeared on the stage. That raised eyebrows, particularly since Ward isn’t promoted by Golden Boy at present.
“I was waiting for Mike Tyson to walk out next,” Schaefer joked. Then he added, “The weigh-in was about energizing the fans and promoting the pay-per-view. But it was also about sending a message. It was for the fighters to say ‘I am part of this group’ and for other fighters to say ‘I want to be part of this group.’”
Alvarez weighed in at the contract weight of 152 pounds; Mayweather at 150.5.
Meanwhile, the odds (which had opened at 5-to-2 in Mayweather’s favor) had remained constant throughout the build-up to the fight.
If Alvarez won, it would vault him to iconic status in Mexico. But that seemed unlikely. The case for a Canelo victory was based on speculation and hope. The case for a Mayweather triumph was based on past performances and cold hard facts.
Jimmy Tobin wrote, “Recognizing the danger Alvarez represents is easier than blueprinting how that danger produces a Mayweather loss. If Mayweather chooses you as an opponent, then he has determined you cannot beat him. He could be wrong, and the possibility of a misstep increases as he ages. But when Alvarez’s prospects are largely dependent on Mayweather turning in a career-worst performance, it is hard to anticipate a cliff-hanger. We are getting exactly what we asked for. But what we asked for doesn’t appear particularly competitive.”
Having an adoring fan base is different from having the skills necessary to win a particular fight. Indeed, it was not unreasonable to suggest that Mayweather had chosen to confront Alvarez now, not because he wanted to fight the 23-year-old challenger before Canelo peaked, but because he wanted to fight him before someone else removed the “O” from Canelo’s record. A loss would mean that Mayweather-Alvarez was no longer a mega-fight.
EPSN has a ten-man panel that ranks fighters periodically on a pound-for-pound basis. Each panelist lists his top ten P4P choices. Mayweather has been a runaway choice for the top slot for some time now. Alvarez has yet to receive a single top-ten vote.
Mayweather has better skills than Alvarez. He’s also more physically gifted. Contrasting their records three days before the fight, Floyd proclaimed, “I fought Ricky Hatton. I didn’t fight Hatton’s brother. I fought Miguel Cotto. I didn’t fight Cotto’s brother.”
Floyd Mayweather Sr was happy to be back in his son’s camp as head trainer for the second fight in a row after what he calls “my exile from my son.”
“Saturday is going to be a sad night in Mexicali,” Floyd Sr said.
That thought was echoed by Bernard Hopkins.
“To have any chance against Floyd,” Bernard explained one day before the fight, “you have to forget circling, moving, and counterpunching, and fight with him. In any fight, you want to take away from your opponent what the opponent does best. The first thing you have to take away from Floyd is his confidence. Whatever it costs, you have to find a way to hit him hard early and then do it again.”
“Every fighter has a shot to win,” Hopkins continued. “But some fighters’ shots are more realistic than others. Canelo’s shot isn’t very good. When you’re as good as Floyd is right now and you’re in that zone and you believe in yourself and you train as hard as you can, it’s hard to beat you. It’s Floyd’s fight to win or lose.”
On Saturday afternoon, the MGM Grand was a mob scene. People without tickets or the money to buy them were there simply to feel the action and perhaps catch a glimpse of a celebrity. It was hard to navigate through the hotel lobby, where the crush of humanity included more than a hundred people standing on line to get into a makeshift concession stand to buy T-shirts and other memorabilia.
The arena filled up earlier than it usually does for a big pay-per-view fight. Fans wanted to see the semi-final bout between Danny Garcia and Lucas Matthysse.
Mayweather makes his home in Las Vegas. This was his tenth fight in a row in Sin City. But when it was time for the main event, the crowd was overwhelmingly pro-Alvarez. They cheered wildly as Canelo entered the ring; then booed vociferously as Floyd was escorted through the ropes by Justin Bieber (who looked like a lapdog) and rapper Lil Wayne (shirtless with gray pants that fell below his lavender underwear). The operative words of Lil Wayne’s entrance music were difficult to discern but sounded like “Money Team” and “m——–r.”
Shortly after 9:30 PM, the millions of dollars in publicity, the eleven-city media tour, the endless promotional spots on multiple media platforms, and the stream of visitors to Las Vegas who would drop tens of millions of dollars at the gaming tables came together on a small square of powder-blue canvas that had been stretched taut across a platform of metal beams and wood boards.
Mayweather makes a show of his sports betting habit. But in the ring, he gambles as little as possible. One can, and should, appreciate the masterful nature of his performance against Alvarez. That said, Canelo looked ordinary and the bout was one-sided to the point where it lacked drama.
My notes from ringside read as follows:
Round 1: Tactical fight with little action . . . Works to Mayweather’s advantage.
Round 2: Canelo can’t hit Floyd and he’s applying zero pressure . . . Floyd is too quick and fast for him.
Round 3: Canelo can’t get off. He’s a workman. Floyd is a craftsman . . . This is target practice for Mayweather.
Round 4: More exchanges than before, but Floyd getting the better of them . . . This fight is over. Floyd has won the first four rounds. No way Canelo is winning six of the next eight or knocking Floyd out.
Round 5: Floyd doing exactly what he wants to do. Deciding when they will and won’t engage . . . Canelo looks befuddled and discouraged . . . Give Floyd credit. He’s a great fighter.
Round 6: Floyd in total control. His punches are coming in harder now . . . Canelo has the crowd on his side but not much else going for him.
Round 7: Total domination by Floyd . . . The crowd has been reduced to cheering when Canelo throws a big punch that comes within six inches of landing.
Round 8: Canelo’s best round so far. Doing some good body work. Floyd comes back harder up top, but at least Canelo hit him.
Round 9: Floyd running the table. He’s not a big puncher, but he’s a sharp puncher. Canelo totally ineffective.
Round 10: More of the same. Canelo has a mouse under his left eye and some other swelling on his face . . . This fight could have been at 160 pounds and it wouldn’t have made a difference.
Round 11: Floyd landing some nasty rights. If ever he were to go for a knockout to burnish his image, this would be the time.
Round 12: Floyd taking the round off. Playing total defense . . . This has been less sport than spectacle.
I scored the last round even. Floyd could have won it if he’d made an effort to. That made my score 120-109. Then Jimmy Lennon stunned the crowd with the announcement, “We have a majority decision.”
C.J. Ross’s scorecard was read first. 114-114, a draw. Suffice it to say that Ms. Ross should never judge again. Three days after the fight, she informed the Nevada State Athletic Commission that she was “taking some time off from boxing” and would not be available to judge fights in the near future. One hopes that she will be unavailable to judge fights in the longterm future as well.
Judges Dave Moretti (116-112) and Craig Metcalfe (117-111) restored some semblance of sanity to the proceedings by giving the nod to Mayweather. But their scorecards were closer than circumstances warranted.
Bobby Hunter of Fight Score Collector polled eighty-six members of the media after the fight. All eighty-six scored the bout for Mayweather with the average score being 119-109. That was consistent with the final CompuBox numbers that had Mayweather outlanding Alvarez in eleven of the twelve rounds with one round even for a 232-to-117 margin.
So what does it all mean for boxing?
For starters, let’s agree that a sport that generates $200,000,000 from a single fight-card is not a dying sport. But let’s also agree that trickle-down economics won’t make boxing healthy again anymore than it will support a robust national economy. Not enough money trickles down.
Showtime rolled the dice on Mayweather-Alvarez and won. But just as it was wrong to deride the economics of Showtime’s deal with Mayweather based on the first fight in the package (Mayweather-Guerrero), it would be wrong to say that the six-fight contract will be an unqualified success for the network.
Mayweather says that he plans to fight twice in 2014, with his next bout in May. Amir Khan has been prominently mentioned as an opponent. The assumption has been that Golden Boy would love it if Khan beat Devon Alexander in their tentatively-scheduled December 7th match-up at Barclays Center in Brooklyn. The problem with that thinking is that Khan has looked vulnerable in recent outings and might not make it past Alexander. It wouldn’t be surprising if Khan-Alexander were cancelled and Golden Boy goes right to Mayweather-Khan at Wembley Stadium. The Brits won’t travel to Las Vegas in large numbers for Khan the way they did for Ricky Hatton. But they will travel to London.
Danny Garcia is a possible opponent. Now that Sergio Martinez’s body is failing him, Floyd might finally accept that challenge. If Manny Pacquiao looks exciting but vulnerable in his November 23rd outing against Brandon Rios, it’s not beyond the realm of possibility that we’ll see Mayweather-Pacquiao.
But boxing fans can be certain that Floyd won’t fight Gennady Golovkin at 154 pounds. Not even if HBO releases Golovkin from his obligation to the network in order to facilitate the fight.
“Boxing, unlike saner, better organized sports,” Hamilton Nolan notes, “is prone to leaving its fans wishing for matchups that never take place.”
Thus, the words of Richard Schaefer: “Floyd Mayweather is never going to run out of options and alternatives because, frankly, he can fight Joe Schmo and it’s going to be a big event.”
The “0” on Mayweather’s record is important to Floyd. If he retires undefeated, he can join Sven Ottke, Joe Calzaghe, and Rocky Marciano, none of whom are on history’s short list of boxing’s greatest fighters. Floyd would have been competitive with the best in any era. Whether he would have beaten the best is open to question.
Part One of “A Look Back at Mayweather-Alvarez” was previously posted at this link on The Sweet Science.
Thomas Hauser can be reached by email at thauser@rcn.com. His most recent book (Straight Writes and Jabs: An Inside Look at Another Year in Boxing) has just been published by the University of Arkansas Press.
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Avila Perspective, Chap. 311: Jim Lampley Adds Class to the Benavidez-Morrell Rumble
Avila Perspective, Chap. 311: Jim Lampley Adds Class to the Benavidez-Morrell Rumble
Boxing is the oldest sport.
For at least the last 100 years or so, a person with a microphone sitting ringside as an observer has spewed details in machine gun fashion to a radio or television audience of hand-to-hand combat taking place in a boxing ring.
There have been many excellent orators of the sweet science, too many to name, but one who stands out is Jim Lampley. He is the Cicero of boxing journalism.
Through showers of blood, saliva and sometimes body parts, Lampley gave oratory of boxing matches taking place from the days of Sugar Ray Leonard to the emergence of women’s boxing.
Lampley and his merry men of boxing journalism return to Las Vegas for the light heavyweight clash between David Benavidez (29-0, 24 KOs) and David Morrell (11-0, 9 KOs) on Saturday Feb. 1, at T-Mobile Arena. PPV.Com will stream the fight card among other media outlets.
“People want to see the stars. They want to see the biggest stars,” says Lampley (pictured on the right with Morrell) about today’s boxing platforms. “We’ve gone from mass distribution to point to point distribution…it’s a product of the current digital world and how that operates.”
No other journalist rivals Lampley when it comes to prizefighting. No other can match the style and grace he describes a sport that brings unexpected intensity and sometimes shocking results.
Think Juan Manuel Marquez knocking out the great Manny Pacquiao in their fourth and final meeting in 2012.
Boxing’s Voice
Lampley has few rivals in broadcast journalism unless you compare other sports like baseball where the late Dodger announcer Vin Scully carved his legend. Or perhaps Chick Hearn the originator of pop culture basketball terminology like “it’s in the refrigerator.”
Boxing has Lampley and since his childhood, the sport has captivated his interest. He recalls after his father passed away his mother sat him in front of a small television set at age six to watch Sugar Ray Robinson fight Carl “Bobo” Olson in their second fight. Boxing was his babysitter.
“I’ve had boxing in my heart and in my head ever since,” Lampley said.
During his youth, after his widowed mother moved their family to Miami, Florida, the young Lampley saved car washing and lawn-mowing money to buy a ticket to watch Cassius Clay versus Sonny Liston.
“My mother took me and dropped me off with my individual ticket to go in and watch the fight. That was the night I saw my very first prize fight,” described Lampley about one of the most important boxing events that took place in 1964. “So, boxing has always been big in my background and in my sports fan experience.”
Eventually Lampley worked with ABC Sports covering college football, Wide World of Sports, and Olympic coverage. The only sport he did not cover in 13 years was boxing because Howard Cosell had a vice grip hold on boxing coverage for ABC. But when new leadership arrived it was decided to insert Lampley to cover boxing as a means of punishment.
“He immediately sized up that I was culturally allergic to boxing,” said Lampley of the new ABC leadership. “He assumed that I would be such a bad fit in boxing that it would bring an end to my broadcasting career and kick me out of his division.”
Ironically the event Lampley was forced to cover was Mike Tyson against Jesse Ferguson in Troy, New York on February 1986.
“This was an astonishing opportunity,” Lampley said. “Maybe this was meant to be,”
After a year or two more with ABC, Lampley moved to CBS and HBO to be part of their boxing programming and blazed a course for that program and himself as the preeminent voice of boxing broadcasting.
From Duran to Mayweather
Among those epic fights HBO covered featured Roberto Duran, Boom Boom Mancini, Marvin Halger, Roy Jones Jr., Oscar De La Hoya, Lennox Lewis, James Toney, Bernard Hopkins and Floyd Mayweather to name some.
When it was announced that new ownership for HBO decided to cancel its boxing programming, the boxing world was aghast.
“It was painful, sad, I was bereft,” said Lampley of the last HBO boxing card at the StubHub Center in Carson, Calif. “We had no idea why the brand new owners at HBO, a bunch of cell phone salesmen from Dallas, did not see boxing as an important part of the franchise.”
That night on Dec. 8, 2018, women’s boxing was featured for the first and only time on HBO. Lampley was aided by Max Kellerman and Roy Jones Jr. It was a cold night as usual at the outdoor arena known for its gladiator-like results such as the first meeting between Israel Vazquez and Rafael Marquez, the first of their two bloody clashes. (Photo insert: Lampley’s last HBO hurrah; photo by Al Applerose)
Among the women who fought that evening were Cecilia Braekhus and Claressa Shields. Ironically, seven months earlier, Braekhus fought Kali Reis at the same venue. Reis would go on to earn an Emmy nomination for an HBO series for her portrayal in the True Detective series.
Six years ago was HBO and Lampley’s final bow together.
“Still to this day I have no idea why they thought that was better for the long term,” Lampley said of HBO’s boxing abortion.
PPV.COM
Though HBO Championship Boxing no longer exists, Lampley’s undisputed talent for describing the art of boxing has brought him back. Now he represents PPV.COM an outfit wise enough to recognize the appeal of boxing’s greatest broadcast journalist from 1988 to December 2018. They reeled him back and with a new format that includes texting with fans during the actual fights.
“I help introduce the audience to the new communication phenomenon which I’m involved,” said Lampley who is partnered with journalist Dan Canobbio and Chris Algieri for this event. “It puts me back in touch with all my old friends in the media room where I spend the whole week leading up to the fight.”
Lampley recalls his first broadcast with PPV.COM 15 months ago already saw debates regarding undefeated David Benavidez possibly accepting a challenge from David Morrell.
“As style fights go, its potentially a great one,” said Lampley. “Its two punchers with legitimate punching power in an extremely fan friendly fight. The winner is regarded as logical upcoming opponent for Canelo Alvarez the number one money attraction in the world.”
On Saturday night when Benavidez and Morrell lead a talented fight card, be sure to select PPV.COM as your choice to listen to Lampley’s undeniable talent for describing boxing action.
Take advantage boxing fans.
One last note, Lampley’s book “It Happened” will be coming soon on April 15.
Fights to Watch
Sat. PPV.COM 3 p.m. David Benavidez (29-0) vs David Morrell (11-0); Brandon Figueroa (25-1-1) vs Stephen Fulton (22-1); Isaac Cruz (26-3-1) vs Angel Fierro (23-2-2).
Sun. DAZN 4:30 p.m. Claressa Shields (15-0) vs Danielle Perkins (5-0).
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Hall of Fame Boxing Writer Michael Katz (1939-2025) Could Wield His Pen like a Stiletto
One of the last of the breed – a full-time boxing writer for the print edition of a major metropolitan daily – left us this week. Hall of Fame boxing writer Michael Katz was 85 when he drew his last breath at an assisted living facility in Brooklyn on Monday, Jan. 27.
Born in the Bronx, Katz earned his spurs writing for the school newspaper “The Campus” at the City College of New York. He was living in Paris and working for the international edition of the New York Times when he covered his first fight, the 15-round contest between Floyd Patterson and Jimmy Ellis at Stockholm in 1968. He eventually became the Times boxing writer, serving in that capacity for almost nine years before bolting for the New York Daily News in 1985 where he was reunited with the late Vic Ziegel, his former CCNY classmate and cohort at the campus newspaper.
From a legacy standpoint, leaving America’s “paper of record” for a tabloid would seem to be a step down. Before the digital age, the Times was one of only a handful of papers that could be found on microfilm in every college library. Tabloids like the Daily News were evanescent. Yesterday’s paper, said the cynics, was only good for wrapping fish.
But at the Daily News, Michael Katz was less fettered, less of a straight reporter and more of a columnist, freer to air his opinions which tended toward the snarky. Regarding the promoter Don King, Katz wrote, “On the way to the gallows, Don King would try to pick the pocket of the executioner.”
With his metaphoric inkwell steeped in bile, Katz made many enemies. “Bob Arum would sell tickets to a Joey Buttafuoco lecture on morals and be convinced it was for a noble cause,” wrote Katz in 1993. Arum had had enough when Katz took him to task for promoting a fight on the night of Yom Kippur and sued Katz for libel.
“It was out of my hands, HBO picked the date,” said Arum of the 1997 bout between Buster Douglas and John Ruiz that never did come off after Douglas suffered a hand injury in training. (Arum would subsequently drop the suit, saying it wasn’t worth the hassle.)
At press luncheons in Las Vegas, the PR people always made certain to seat Katz with his pals Ed Schuyler, the Associated Press boxing writer, and Pat Putnam, the Sports Illustrated guy. They reveled in each other’s company. But Katz also made enemies with some of his peers on press row, in some cases fracturing longstanding friendships.
“I like Hauser,” wrote Katz in a review of Thomas Hauser’s award-winning biography of Muhammad Ali, “and was afraid that after Tom put in those thousands of hours with Ali, somehow the book couldn’t be as good as I wanted. With relief, I can report it’s better than I had hoped.”
The two later had a falling-out.
Katz’s most celebrated run-in with a colleague happened in June of 2004 when he scuffled with Boston Globe boxing writer Ron Borges in the media room at the MGM Grand during the pre-fight press conference for the fight between Oscar De La Hoya and Felix Sturm. During the fracas, Katz, Borges, Arum, and Arum’s publicist Lee Samuels toppled to the floor. The cantankerous Katz, who initiated the fracas by attacking Borges verbally, then wore a neck brace and carried a cane.
“I had my ups and downs with him,” wrote Borges on social media upon learning of Katz’s death, “but we traveled the world together for nearly 50 years and I long admired his talent, his willingness to stand up for fighters and to call out the b.s. of boxing and its promoters and broadcast entities who worked diligently to try and destroy a noble sport.”
A little-known fact about Michael Katz is that he played a role in getting one of the best boxing books, George Kimball’s vaunted “Four Kings,” to its publishing house. Kimball, who passed away in 2011, an esophageal cancer victim at age 67, was hospitalized and too ill to finish the proofing and editing of the manuscript and enlisted the aid of Katz and an old friend from Boston, Tom Frail, an editor at the Smithsonian magazine, to complete the finishing touches. “If there are any mistakes in the book,” wisecracked Kimball, “blame them.”
Katz was one of the first sportswriters to hop on the internet bandwagon, moving his tack to HouseofBoxing.com which became MaxBoxing.com. That didn’t work out so well for him. Some of his last published pieces ran in the Memphis Commercial Appeal and in the Las Vegas weekly Gaming Today.
A widower for much of his adult life, Katz was predeceased by his only child, his beloved daughter Moorea, a cancer sufferer who passed away in 2021. Her death took all the spirit out of him, noted matchmaker and freelance boxing writer Eric Bottjer in a moving tribute.
During a moment in Atlantic City, Bottjer had been privy to a different side of the irascible curmudgeon, “a beautiful soul when open and vulnerable.” The best way to honor Katz’s memory, he writes, is to reach out to a long lost friend. Pass it on.
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Boxing Odds and Ends: Ernesto Mercado, Marcel Cerdan and More
The TSS Fighter of the Month for January is super lightweight Ernesto “Tito” Mercado who scored his sixth straight knockout, advancing his record to 17-0 (16 KOs) with a fourth-round stoppage of Jose Pedraza on the undercard of Diego Pacheco vs. Steven Nelson at the Cosmopolitan Hotel in Las Vegas.
Mercado was expected to win. At age 35, Pedraza’s best days were behind him. But the Puerto Rican “Sniper” wasn’t chopped liver. A 2008 Beijing Olympian, he was a former two-division title-holder. In a previous fight in Las Vegas, in June of 2021, Pedraza proved too savvy for Julian Rodriguez (currently 23-1) whose corner pulled him out after eight rounds. So, although Mercado knew that he was the “A-side,” he also knew, presumably, that it was important to bring his “A” game.
Mercado edged each of the first three frames in what was shaping up as a tactical fight. In round four, he followed a short left hand with an overhand right that landed flush on Pedraza’s temple. “It was a discombobulating punch,” said one of DAZN’s talking heads. Indeed, the way that Pedraza fell was awkward. “[He] crushed colorfully backward and struck the back of his head on the canvas before rising on badly wobbled legs,” wrote ringside reporter Lance Pugmire.
He beat the count, but referee Robert Hoyle wisely waived it off.
Now 23 years old, Ernesto “Tito” Mercado was reportedly 58-5 as an amateur. At the December 2019 U.S. Olympic Trials in Lake Charles, Louisiana, he advanced to the finals in the lightweight division but then took sick and was medically disqualified from competing in the championship round. His opponent, Keyshawn Davis, won in a walkover and went on to win a silver medal at the Tokyo Games.
As a pro, only one of Mercado’s opponents, South African campaigner Xolisani Ndongeni, heard the final bell. Mercado won nine of the 10 rounds. The stubborn Ndongeni had previously gone 10 rounds with Devin Haney and would subsequently go 10 rounds with Raymond Muratalla.
The Ndongeni fight, in July of 2023, was staged in Nicaragua, the homeland of Mercado’s parents. Tito was born in Upland in Southern California’s Inland Empire and currently resides in Pomona.
Pomona has spawned two world champions, the late Richie Sandoval and Sugar Shane Mosley. Mercado is well on his way to becoming the third.
Marcel Cerdan Jr
Born in Casablanca, Marcel Cerdan Jr was four years old when his dad ripped the world middleweight title from Tony Zale. A good fighter in his own right, albeit nowhere near the level of his ill-fated father, the younger Cerdan passed away last week at age 81.
Fighting mostly as a welterweight, Cerdan Jr scored 56 wins in 64 professional bouts against carefully selected opponents. He came up short in his lone appearance in a U.S. ring where he was matched tough against Canadian champion Donato Paduano, losing a 10-round decision on May 11, 1970 at Madison Square Garden. This was a hard, bloody fight in which both men suffered cuts from accidental head butts.
Cerdan Jr and Paduano both trained for the match at the Concord Hotel in the Catskills. In the U.S. papers, Cerdan Jr’s record was listed as 47-0-1. The record conveniently omitted the loss that he had suffered in his third pro bout.
Eight years after his final fight, Cerdan Jr acquired his highest measure of fame for his role in the movie Edith et Marcel. He portrayed his father who famously died at age 33 in a plane crash in the Azores as he was returning to the United States for a rematch with Jake LaMotta who had taken away his title.
Edith et Marcel, directed by Claude Lelouch, focused on the love affair between Cerdan and his mistress Edith Piaf, the former street performer turned cabaret star who remains today the most revered of all the French song stylists.
Released in 1983, twenty years after the troubled Piaf passed away at age 47, the film, which opened to the greatest advertising blitz in French cinematic history, caused a sensation in France, spawning five new books and hundreds of magazine and newspaper articles. Cerdan Jr’s performance was “surprisingly proficient” said the Associated Press about the ex-boxer making his big screen debut.
The French language film occasionally turns up on Turner Classic Movies. Although it got mixed reviews, the film is a feast for the ears for fans of Edith Piaf. The musical score is comprised of Piaf’s original songs in her distinctive voice.
Marcel Cerdan Jr’s death was attributed to pneumonia complicated by Alzheimer’s. May he rest in peace.
Claressa Shields
Speaking of movies, the Claressa Shields biopic, The Fire Inside, released on Christmas day, garnered favorable reviews from some of America’s most respected film critics with Esquire’s Max Cea calling it the year’s best biopic. First-time director Rachel Morrison, screenwriter Barry Jenkins, and Ryan Destiny, who portrays Claressa, were singled out for their excellent work.
The movie highlights Shields’ preparation for the 2012 London Olympics and concludes with her training for the Rio Games where, as we know, she would win a second gold medal. In some respects, the movie is reminiscent of The Fighter, the 2010 film starring Mark Wahlberg as Irish Micky Ward where the filmmakers managed to manufacture a great movie without touching on Ward’s famous trilogy with Arturo Gatti.
The view from here is that screenwriter Jenkins was smart to end the movie where he did. In boxing, and especially in women’s boxing, titles are tossed around like confetti. Had Jenkins delved into Claressa’s pro career, a very sensitive, nuanced biopic, could have easily devolved into something hokey. And that’s certainly no knock on Claressa Shields. The self-described GWOAT, she is dedicated to her craft and a very special talent.
Shields hopes that the buzz from the movie will translate into a full house for her homecoming fight this coming Sunday, Feb. 2, at the Dort Financial Center in Flint, Michigan. A bevy of heavyweight-division straps will be at stake when Shields, who turns 30 in March, takes on 42-year-old Brooklynite Danielle Perkins.
At bookmaking establishments, Claressa is as high as a 25/1 favorite. That informs us that the oddsmakers believe that Perkins is marginally better than Claressa’s last opponent, Vanessa Lepage-Joanisse. That’s damning Perkins with faint praise.
Shields vs. Perkins plus selected undercard bouts will air worldwide on DAZN at 8 pm ET / 5 pm PT.
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