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'Hurricane' Carter's Death Still Brings No Closure
“Based on a true story.”
Hollywood packages many of its biographical movies in such a manner, but my experiences in covering the controversial aftermath of a 1999 flick, The Hurricane, about the life and times of incarcerated former middleweight contender Rubin “Hurricane” Carter, taught me that separating truth from fiction is frequently a matter of individual perception. For whatever reason, most people choose to believe what they want to believe. Maybe that’s because human beings are prone to react subjectively, on the basis of their own personal emotions and biases, rather than on a dispassionate review of factual matters.
As Norman Jewison, director of The Hurricane, said after a lawsuit brought by former middleweight champion Joey Giardello, whose winning defense of his title in a Dec. 14, 1964, bout against Carter in Philadelphia was severely distorted in the film (and on this point there can be no doubt), observed after Giardello’s suit was settled out of court, “The truth is a moving target, I found. When you make a film about real people, about something that really happened, you’ll never get it right because there’s always somebody who’s going to disagree with you.”
The announcement of Carter’s death on Easter Sunday, at age 76 and after a long bout with prostate cancer, brought back a flood of memories of how difficult it sometimes is to pronounce anything as the incontrovertible truth, because, as Mr. Jewison correctly noted, truth is almost always slippery to pin down to everyone’s satisfaction. And that’s especially the case when the movie people decide to take what is or what was real and twist it, like a pile of Silly Putty, into a story line that fits a particular director’s or screenwriter’s agenda.
All the news stories I’ve read about Carter’s death state, unequivocally, that he was a black man wrongfully convicted of the murder of three white patrons of a Paterson, N.J., bar in 1966. That verdict, arrived at by an all-white jury, resulted in Carter spending 22 years behind bars. But is “not guilty” the equivalent of “innocent”? There are still people familiar with the case who insist that a judge’s eventual overturning of Carter’s conviction was based on procedural matters –namely, prosecutorial errors – rather than on evidentiary ones. The only way anyone can say with any degree of certainty that Rubin Carter was or wasn’t a murderer was to have been in that bar the night those three people were killed, in which case the observer either would have wound up as another corpse or, had he or she survived, could have testified that it was or wasn’t someone other than the boxer who pulled the trigger.
It is not my intention to speculate about the larger and more prevalent theme of The Hurricane, which is the senseless killing of three people and one man’s possibly unjust two-decades-plus spent behind bars in retribution for those deaths. But there is a key three-minute sequence in Jewison’s otherwise well-made, well-received film that casts a dark shadow about the authenticity of the entire finished product, and how that depiction played fast and loose with something indisputably true. That sequence deals with Carter’s bout with Giardello (whose real name was Carmine Tilelli), an honest workman who was inducted into the International Boxing Hall of Fame in 1991.
In the movie, Giardello is shown taking a horrific beating from Carter in the 15th and final round. After a delay in the tabulation of the judges’ scorecards, the champion is proclaimed the winner by unanimous decision, an announcement greeted with boos and catcalls from the audience in the Philadelphia Civic Center. An unnamed blow-by-blow commentator for the telecast is also aghast at the injustice perpetrated against the challenger.
“I’ve seen a lot of things in my time, but it’s taken 35 minutes to tell us what this hometown crowd (Giardello, a native of Brooklyn, N.Y., trained in South Philly and was a longtime resident of the Philadelphia suburb of Cherry Hill, N.J.) already knows,” Jewison’s fictionalized broadcaster says in the film. “Joey Giardello is about to lose the crown to Rubin `Hurricane’ Carter.
“They (the judges) must have been watching a different fight, because the one we just saw, Hurricane Carter took the title,” the broadcaster says after the decision angers spectators whose allegiance had shifted over the course of the bout from Giardello to Carter.
Full disclosure: My wife and I took Giardello, who was 78 when he died on Sept. 4, 2008, and his wife, Rosalie, to see The Hurricane the week of its release for the purpose of me writing about their reaction to the fight sequence in question.
“I can’t believe what I’m seeing,” Rosalie Tilelli, who attended the actual fight, said to her husband as the fight scene played on the wide screen. “They made it seem like he beat the hell out of you. I never thought it would be like this. I thought they would make it, you know, a little bit controversial. But this is ridiculous. It’s so unfair.”
Said Giardello: “They got the crowd booing me. How could they do that? Nobody booed. Those were my people there, from South Philly. They were happy I won. And I did win. I won, he lost. End of story.
“End of the fight, Carter congratulated me in the ring. He wasn’t complaining because he didn’t have anything to complain about. I was better than him. I know it, he knows it, everybody who was at the fight knows it. It’s just too bad all the people who see this movie won’t know it.”
Two people who knew what Giardello and his wife knew were Les Keiter, who called the fight for TV, and Ron Lipton, a New York-based referee who was a personal friend of Carter’s and had been asked by the moviemakers to do the choreography for the boxing sequences, a job he didn’t get because, he said, he refused to go along with Jewison’s instruction to portray the fight as a racially-motivated robbery.
It took me less than 10 minutes of calling around to track down Keiter, who was then living in Hawaii, for his take on how he – or the guy pretending to be him on-screen – was portrayed.
“The scene was absolutely, totally fictitious,” Keiter told me. “I never said any of that. Not even close.
“I have my call of the fight on tape. I played it for several of the sports writers here in Hawaii. Giardello, in my scoring, was the clear-cut winner. Now, it was a reasonably close fight. But the 15th round was just the reverse of what was shown. It was all Giardello, with his boxing and his counterpunching.”
Lipton has photos of himself with Muhammad Ali when they went to post bail for Carter in 1976. In an email he posted on the Cyber Boxing Zone message board after Carter’s death, he said “the photos of me standing with Carter with Ali speak for themselves.” It was Carter, in fact, who proposed to Jewison that his friend, Lipton, serve as the choreographer for the fight scenes for the movie.
So why didn’t Lipton get that gig, which would have paid him a nice chunk of money he admits he could have used? It was, he said, because he resisted the movie people’s suggestion to take liberties with what really happened that night.
“But Joey Giardello is still alive. It would hurt him to have the fight presented that way,” Lipton said he told the Hollywood people.
“No big deal. He’s just some old pug nobody cares about,” he said of the response he received.
When Giardello settled out of court – for a reported $350,000 – Lipton admitted to being happy that justice, to an extent, was served because, well, Lipton was a fan of all the good things Giardello represented as a fighter.
“I can never remember crying, except once,” he recalled when he read about the settlement. “That was when Joey Giardello left the ring after his second fight with Dick Tiger, the one in which he lost his title. Joey took a beating, but he refused to quit. There was no one I had ever seen in the ring who could be braver than Joey was that night.
“I’d rather be dead than to do anything to embarrass a great warrior like that.”
Interestingly, a big-time lawyer with a Washington, D.C., firm contacted my executive sports editor at the Philadelphia Daily News, demanding that the newspaper fire me or face a lawsuit because my stories had resulted in adverse publicity for the movie, possibly causing it to lose out on several potential Academy Awards. Denzel Washington, who did receive a Golden Globe Award for his portrayal of Carter, lost the Best Actor Oscar to Kevin Spacey for American Beauty. That picture also beat out The Hurricane for Best Picture.
“The controversy surrounding (The Hurricane) stems from the fact that some people think I shouldn’t be around. They think I should be dead,” Carter said at the time.
Thankfully, my boss told the attorney representing Beacon Communications Corp., which financed the movie, that the paper didn’t fire its reporters for writing what was true. The lawsuit against the Daily News and me was never filed, and as part of the settlement there were some tweaks of the DVD version of The Hurricane before it went on sale. The standard disclaimer – which states that certain events and characters “have been composited or invented, and a number of incidents fictionalized” – was moved from the closing credits to the beginning of the movie. And the epilogue, which shows the real-life Carter receiving a championship belt from the World Boxing Council in 1993, noted that the awarding of that belt was “in recognition of his 20-year fight for freedom.” The additional explanation is important, because it refutes any implication that the WBC was attempting to rectify an injustice tied to the decision for Giardello.
Armyan Bernstein, head of Beacon Communications, stopped short of an apology in his letter to Giardello, but he wrote that “we had no intention of taking away from your legacy as world middleweight champion, or of besmirching the other boxing accomplishments in which you, your friends and family take pride. Rubin Carter, who worked with us on The Hurricane, told me that you never ducked a fight.”
I didn’t buy that explanation then, and I don’t buy it now. It’s one thing for a screenwriter to script lines of dialogue for movies about, oh, Alexander the Great or some real person from hundreds of years ago. It’s another to do the same thing about a person and events that took place in the mid-20th century, with conversations and other materials that could have been easily documented.
“The movie was such a lie, such a contrived piece of (bleep),” Lipton wrote after Carter had passed away. “Not one thing in the movie is true.” He concluded that what lies ahead for the deceased fighter is now “between Carter and God.”
It could be 100 percent correct that Carter was railroaded. I’ve been around long enough to have personally witnessed many instances of racially-tinged injustices, an unfortunate byproduct of those turbulent times and one that has yet to be completely eradicated. Certainly, Carter was adamant in his steadfast refusal to conduct himself, even in prison, as someone who needed to pay for the heinous crime for which he was convicted.
“I wouldn’t give up,” he said in an interview on PBS in 2011. “No matter that they sentenced me to three life terms in prison. I wouldn’t give up. Just because a jury of 12 misinformed people … found me guilty does not make me guilty. And because I was not guilty, I refused to act like a guilty person.
“When I walked into prison, I refused to wear their stripes. I refused to eat their food. I refused to work their jobs, and I would have refused to breathe the prison’s air if I could have done so.”
I’m not as quick to give Jewison the benefit of the doubt, no matter how well-intentioned he might be or how skillful in the presentation of his art. More than a few of the acclaimed director’s films have dealt with societal themes and injustice, and before The Hurricane he examined racial tensions in In the Heat of the Night (1967), which won five Academy Awards, including Best Picture, and A Soldier’s Story (1984). In 2010 he received a lifetime achievement award from the Directors Guild of America. But The Hurricane, in striving to make a point, bent history to fit the director’s narrative, and that is where any movie “based on a true story” can go terribly wrong.
It fit Jewison’s vision to demean Joey Giardello, and it fit that vision to build up Rubin Carter as a fighter of near-mythical ability whose destiny to become one of the all-time great middleweight champions was diverted by a judge and jury that couldn’t see past the color of his skin. No one can deny that Carter was a devastating puncher with some career exclamation points, the most notable of which was his one-round stoppage of the great Emile Griffith, but his final professional record of 27-12-1, with 19 knockout victories, was hardly Hall of Fame-worthy. The movie suggests that Carter was still a top contender, only recently removed from his presumably unjust points loss to Giardello, when he was sent to prison. Not so; he was just 7-7-1 in his post-Giardello bouts and was no longer world-ranked.
After the settlement, Giardello and his attorney, George Bochetto, expressed satisfaction that their primary goal had been the preservation of Giardello’s deserved reputation as a tough fighter who never ducked anyone, which they felt was tarnished by the movie.
“For 19 years, I fought the greatest fighters around and I beat Carter fair and square,” Giardello said. “I just wanted to set the record straight, and I think it has been.”
Said Bochetto: “Joey’s reputation always was his primary concern. He wanted it restored. He put it on the line to make sure that it was.”
But The Hurricane has been televised multiple times since its release 14-plus years ago, and I caught bits and pieces of it on the tube only a few weeks ago, including the disputed fight sequence. It is still as blatantly false as ever, and the disclaimers which appear on the DVD version aren’t anywhere to be found unless you have that DVD as part of your video library.
In other words, the truth might have set Carter free, but, to those who aren’t aware of the real story of the fight in question, Joey Giardello’s legacy is still besmirched.
Like Norman Jewison said, the truth is a moving target and Hollywood, the ultimate land of make-believe, often misses the bulls-eye that it seldom aims at in any case.
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Floyd Schofield Wins a Banger and Gabriela Fundora Wins by KO
Floyd Schofield Wins a Banger and Gabriela Fundora Wins by KO
LAS VEGAS-Shades of Henry Armstrong and Baby Arizmendi. If you don’t know those names, look them up.
Floyd Schofield battled his way past Mexico’s super tough Rene Tellez Giron who walked through every blow the Texan could fire but lost by decision on Saturday.
It was a severe test and perfect matchmaking for Schofield who yearns for the big bouts against the lightweight giants roaming the world.
Schofield (18-0, 12 KOs) remains undefeated and won the war over thick-necked Mexican Tellez Giron (20-4, 13 KOs) who has never been knocked out and proved to be immune to big punches.
In the opening rounds, the Texas fighter came out firing rapid combinations from the southpaw and orthodox stances. Meanwhile the shorter Tellez Giron studied and fired back an occasional counter for two rounds.
Tellez Giron had seen enough and took his stand in the third stanza. Both unleashed blazing bombs with Schofield turning his back to the Mexican. At that moment referee Tom Taylor could have waved the fight over.
You never turn your back.
The fight resumed and Schofield was damaged. He tried to open up with even more deadly fire but was rebuked by the strong chin of Tellez Giron who fired back in the mad frenzy.
For the remainder of the fight Schofield tried every trick in his arsenal to inflict damage on the thick-necked Mexican. He could not be wobbled. In the 11th round both opened up with serious swing-from-the-heels combinations and suddenly Schofield was looking up. He beat the count easily and the two remained slugging it out.
“He hit me with a good shot,” Schofield said of the knockdown. “I just had to get up. I’m not going to quit.”
In the final round Schofield moved around looking for the proper moment to engage. The Mexican looked like a cat ready to pounce and the two fired furious blows. Neither was hit with the big bombs in the last seconds.
There was Tellez Giron standing defiantly like Baby Arizmendi must have stood in those five ferocious meetings against the incomparable Henry Armstrong. Three of their wars took place in Los Angeles, two at the Olympic Auditorium in the late 1930s as the U.S. was emerging from the Great Depression.
In this fight, Schofield took the win by unanimous decision by scores 118-109 twice and 116-111. It was well-deserved.
“I tried to bang it out,” said Schofield. “Today I learned you can’t always get the knockout.”
Fundora
IBF flyweight titlist Gabriela Fundora needed seven rounds to figure out the darting style of Argentina’s Gabriela Alaniz before firing a laser left cross down the middle to end the battle and become the undisputed flyweight world champion.
Fundora now holds all four titles including the WBO, WBA and WBC titles that Alaniz brought in the ring.
Fundora knocked down Alaniz midway through the seventh round. She complained it was due to a tangle of the legs. Several seconds later Fundora blasted the Argentine to the floor again with a single left blast. This time there was no doubt. Her corner wisely waved a white towel to stop the fight at 1:40 of the seventh round.
No one argued the stoppage.
Other Bouts
Bektemir Melikuziev (15-1, 10 KOs) didn’t make weight in a title bout but managed to out-fight David Stevens (14-2, 10 KOs) in a super middleweight fight held at 12 rounds.
Melikuziev used his movement and southpaw stance to keep Pennsylvania’s Stevens from being able to connect with combinations. But Stevens did show he could handle “The Bully’s” punching power over the 12-round fight.
After 12 rounds one judge favored Stevens 116-112, while two others saw Melikuziev the winner by split decision 118-110 and 117-111.
Super middleweight WBA titlist Darius Fulghum (13-0, 11 KOs) pummeled his way to a technical knockout win over southpaw veteran Chris Pearson (17-5-1, 12 KOs) who attempted the rope-a-dope strategy to no avail.
Fulghum floored Pearson in the first round with a four-punch combination and after that just belted Pearson who covered up and fired an occasional blow. Referee Mike Perez stopped the fight at 1:02 of the third round when Pearson did not fire back after a blazing combination.
Young welterweight prospect Joel Iriarte (5-0, 5 KOs) blasted away at the three-inch shorter Xavier Madrid (5-6, 2 KOs) who hung tough for as long as possible. At 2:50 of the first round a one-two delivered Madrid to the floor and referee Thomas Taylor called off the beating.
Iriarte, from Bakersfield, Calif., could not miss with left uppercuts and short rights as New Mexico’s Madrid absorbed every blow but would not quit. It was just too much firepower from Iriarte that forced the stoppage.
Photos credit: Cris Esqueda / Golden Boy
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Results and Recaps from Turning Stone where O’Shaquie Foster Nipped Robson Conceicao
Top Rank was at the Turning Stone casino-resort in Verona, New York, tonight with an 8-bout card topped by a rematch between Robson Conceicao and O’Shaquie Foster with the victor retaining or recapturing his IBF world junior lightweight title. When the smoke cleared, the operative word was “recapturing” as Foster became a two-time title-holder, avenging his controversial setback to the Brazilian in Newark on July 6.
This was a somewhat better fight than their initial encounter and once again the verdict was split. Foster prevailed by 115-113 on two of the cards with the dissenting judge favoring Conceicao by the same margin. Conceicao seemingly had the edge after nine frames, but Foster, a 4/1 favorite, landed the harder shots in the championship rounds.
It was the thirteenth victory in the last 14 starts for Foster who fights out of Houston. A two-time Olympian and 2016 gold medalist, the 36-year-old Conceicao is 19-3-1 overall and 1-3-1 in world title fights.
Semi-wind-up
SoCal lightweight Raymond Muratalla (22-0, 17 KOs) made a big jump in public esteem and moved one step closer to a world title fight with a second-round blast-out of Jose Antonio Perez who was on the canvas twice but on his feet when the fight was stopped at the 1:24 mark of round two. Muratalla, a product of Robert Garcia’s boxing academy, is ranked #2 by the WBC and WBO. A Tijuana native, Perez (25-6) earned this assignment with an upset of former Olympian and former 130-pound world titlist Jojo Diaz,
Other Bouts
Syracuse junior welterweight Bryce Mills, a high-pressure fighter with a strong local following, stopped scrawny Mike O’Han Jr whose trainer Mark DeLuca pulled him out after five one-sided rounds. Mills improved to 17-1 (6 KOs). It was another rough day at the office for Massachusetts house painting contractor O’’Han (19-4) who had the misfortune of meeting Abdullah Mason in his previous bout.
In a junior lightweight fight that didn’t heat up until late in the final round, Albany’s Abraham Nova (23-3-1) and Tijuana native Humberto Galindo (14-3-3) fought to a 10-round draw. It was another close-but-no- cigar for the likeable Nova who at least stemmed a two-fight losing streak. The judges had it 97-93 (Galindo), 96-94 (Nova) and 95-95.
Twenty-one-year-old Long Island middleweight Jahi Tucker advanced to 13-1-1 (6 KOs) with an eighth-round stoppage of Stockton’s teak-tough but outclassed Quilisto Madera (14-6). Madera was on a short leash after five rounds, but almost took it to the final bell with the referee intervening with barely a minute remaining in the contest. Madera was on his feet when the match was halted. Earlier in the round, Tucker had a point deducted for hitting on the break.
Danbury, Connecticut heavyweight Ali Feliz, one of two fighting sons of journeyman heavyweight Fernely Feliz, improved to 4-0 (3) with a second-round stoppage of beefy Rashad Coulter (5-5). Feliz had Coulter pinned against the ropes and was flailing away when the bout was halted at the 1:34 mark. The 42-year-old Coulter, a competitor in all manner of combat sports, hadn’t previously been stopped when competing as a boxer.
Featherweight Yan Santana dominated and stopped Mexico’s Eduardo Baez who was rescued by referee Charlie Fitch at the 1:57 mark of round four. It was the 12th knockout in 13 starts for Santana, a 24-year-old Dominican father of three A former world title challenger, Mexicali’s Baez declines to 23-7-2 but has lost six of his last eight.
In his most impressive showing to date, Damian Knyba, a six-foot-seven Pole, knocked out paunchy Richard Lartey at the 2:10 mark of round three. A right-left combination knocked Lartey into dreamland, but it was the right did the damage and this was of the nature of a one-punch knockout. Referee Ricky Gonzalez waived the fight off without starting a count.
Knyba, 28, improved to 14-0 (8 KOs). A native of Ghana coming off his career-best win, a fourth-round stoppage of Polish veteran Andrzej Wawrzyk, Lartey declined to 16-7 with his sixth loss inside the distance.
Photo credit: Mikey Williams / Top Rank
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Avila Perspective, Chap. 303: Spotlights on Lightweights and More
Those lightweights.
Whether junior lights, super lights or lightweights, it’s the 130-140 divisions where most of boxing’s young stars are found now or in the past.
Think Oscar De La Hoya, Sugar Shane Mosley and Floyd Mayweather.
Floyd Schofield (17-0, 12 KOs) a Texas product, hungers to be a star and takes on Mexico’s Rene Tellez Giron (20-3, 13 KOs) in a 12-round lightweight bout on Saturday, Nov. 2, at the Virgin Hotels Las Vegas in Las Vegas, Nevada.
DAZN will stream the Golden Boy Promotion card that includes a female undisputed flyweight championship match pitting Argentina’s Gabriela Alaniz and Gabriela Fundora.
Like a young lion looking to flex, Schofield (pictured on the left) is eager to meet all the other young lions and prove they’re not equal.
“I’ve been in the room with Shakur, Tank. I want to give everyone a good fight. I feel like my preparation is getting better, I work hard, I’ve dedicated my whole life to this sport,” said Schofield naming fellow lightweights Shakur Stevenson and Gervonta “Tank” Davis.
Now he meets Mexico’s Tellez who has never been stopped.
“I’m willing to do whatever it takes,” said Tellez.
Even in Las Vegas.
Verona, New York
Meanwhile, in upstate New York, a WBC junior lightweight title rematch finds Robson Conceicao (19-2-1, 9 KOs) looking to prove superior to former titlist O’Shaquie Foster (22-3, 12 KOs) on Saturday, Nov. 2, at the Turning Stone Resort and Casino in Verona, N.Y. ESPN+ will stream the Top Rank fight card.
Last July, Conceicao and Foster clashed and after 12 rounds the title changed hands from Foster to the Brazilian by split decision.
“I feel that a champion is a fighter who goes out there and doesn’t run around, who looks for the fight, who tries to win, and doesn’t just throw one or two punches and then moves away,” said Conceicao.
Foster disagrees.
“I hope he knows the name of the game is to hit and not get hit. That’s the name of the game,” said Foster.
Also on the same card is lightweight contender Raymond Muratalla (21-0, 16 KOs) who fights Mexico’s Jesus Perez Campos (25-5, 18 KOs).
Perez recently defeated former world champion Jojo Diaz last February in California.
“We’re made for challenges. I like challenges,” said Perez.
Muratalla likes challenges too.
“I think these fights are the types of fights I need to show my skills and to prove I deserve those title fights,” said Fontana’s Muratalla.
Female Undisputed Flyweight Championship
WBA, WBC and WBO flyweight titlist Gabriela “La Chucky” Alaniz (15-1, 6 KOs meets IBF titlist Gabriela Fundora (14-0, 6 KOs) on Saturday Nov. 2, at the Virgin Hotels Las Vegas in Las Vegas, Nevada. DAZN will stream the clash for the undisputed flyweight championship.
Argentina’s Alaniz clashed twice against former WBA, WBC champ Marlen Esparza with their first encounter ending in a dubious win for the Texas fighter. In fact, three of Esparza’s last title fights were scored controversially.
But against Alaniz, though they fought on equal terms, Esparza was given a 99-91 score by one of the judges though the world saw a much closer contest. So, they fought again, but the rematch took place in California. Two judges deemed Alaniz the winner and one Esparza for a split-decision win.
“I’m really happy to be here representing Argentina. We are ready to fight. Nothing about this fight has to do with Marlen. So, I hope she (Fundora) is ready. I am ready to prepare myself for the great fight of my life,” said Alaniz.
In the case of Fundora, the extremely tall American fighter at 5’9” in height defeated decent competition including Maria Santizo. She was awarded a match with IBF flyweight titlist Arely Mucino who opted for the tall youngster over the dangerous Kenia Enriquez of Mexico.
Bad choice for Mucino.
Fundora pummeled the champion incessantly for five rounds at the Inglewood Forum a year ago. Twice she battered her down and the fight was mercifully stopped. Fundora’s arm was raised as the new champion.
Since that win Fundora has defeated Christina Cruz and Chile’s Daniela Asenjo in defense of the IBF title. In an interesting side bit: Asenjo was ranked as a flyweight contender though she had not fought in that weight class for seven years.
Still, Fundora used her reach and power to easily handle the rugged fighter from Chile.
Immediately after the fight she clamored for a chance to become undisputed.
“It doesn’t get better than this, especially being in Las Vegas. This is the greatest opportunity that we can have,” said Fundora.
It should be exciting.
Fights to Watch
Sat. ESPN+ 2:50 p.m. Robson Conceicao (19-2-1) vs O’Shaquie Foster (22-3).
Sat. DAZN 5 p.m. Floyd Schofield (17-0) vs Rene Tellez Giron (20-3); Gabriela Alaniz (15-1) vs Gabriela Fundora (14-0).
Photo credit: Cris Esqueda / Golden Boy
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