From Al Jolson to Mark Wahlberg: Hollywood Heavyweights Invade the Boxing Game

Published

6 years ago

November 12, 2018

On Friday, Nov. 16, on ESPN, Alex Saucedo appears in his first world title fight, taking on WBO 130-pound champion Maurice Hooker. The match between the two unbeatens — Saucedo is 28-0; Hooker 24-0-3 – will play out in Saucedo’s hometown of Oklahoma City.

Hollywood heavyweights Peter Berg and Mark Wahlberg will be rooting hard for Saucedo. They are the cornerstones of Churchill Management, the boutique talent agency that signed up Saucedo and then gathered in 140-pound hotshot Regis Prograis. Berg and his partners also operate the Churchill Boxing Club in sunny Santa Monica, a gym formally called Wild Card West.

Peter Berg has worn many hats: producer, director, screenwriter, actor. He created the TV show “Friday Night Lights” from his film of the same name. Mark Wahlberg needs no introduction. In 2017 he was the world’s highest paid actor. He starred in four of Peter Berg’s movies and played Micky Ward in the award winning film “The Fighter.”

Berg and Wahlberg are merely the latest bigwigs from the world of Hollywood to invest in the future earnings of boxers. In fact, the relationship between boxing and the entertainment industry predates the advent of big Hollywood studios.

During the early years of the twentieth century, there was no bigger star on Broadway than the versatile and astoundingly prolific George M. Cohan. Theatrical producer Sam Harris was the primary backer of two-division world champion Terry McGovern, but Cohan had a piece of Terrible Terry too, as did ring announcer Joe Humphries. In age, Cohan and McGovern were only two years apart. In his free hours, the Yankee Doodle Boy was often seen in McGovern’s company.

Al Jolson made his mark on Broadway before lighting up the big screen in “The Jazz Singer,” Hollywood’s first feature-length talkie. During his heyday, say music historians Bruce Crowther and Mike Pinfold, Jolson “was the most popular all-round entertainer America (and probably the world) has ever known, captivating audiences in the theater and becoming an attraction on records, radio, and in films.”

Jolson was a big boxing fan. One night at LA’s Olympic Auditorium, he became infatuated with Henry Armstrong, a steadily improving fighter who had recently defeated two of Mexico’s best featherweights, Baby Arizmendi and Juan Zurita. Armstrong’s manager, Wirt Ross, was a gambler who periodically had the shorts. Jolson bought the fighter for $10,000. The deal was consummated on Aug. 21, 1936.

What Al Jolson got was a fighter with a 48-10-6 record who was largely unknown outside California. Other than two early fights near Pittsburgh, Armstrong had never fought east of Butte, Montana.

Jolson entrusted Armstrong to Eddie Mead, the manager/trainer of former bantamweight champion Joe Lynch (that’s Mead in the photo, flanked by Jolson and Armstrong) and Al then set about making Hammerin’ Hank a household name. As Armstrong recalled in a 1981 interview with LA Times boxing writer Richard Hoffer, Jolson and Mead hatched the idea of him winning three titles as the only way a black fighter could make headway as a box office attraction with the shadow of Joe Louis looming so large. Armstrong went on to win the featherweight, welterweight, and lightweight titles, in that order, in an 11-month span in New York rings.

In the history of boxing, no one ever “moved” a fighter as adroitly as Al Jolson (Bob Arum would be envious). Of course, it was Henry Armstrong who did the heavy lifting.

It would later come out that Jolson’s friend George Raft, a dancer turned movie actor, routinely cast as a gangster, was a silent partner in Armstrong’s ring affairs. Furthermore, it would be written that Raft was an early investor in the career of future light heavyweight champion Maxie Rosenbloom. In those days, the fight game was thick with underworld characters and Raft, who was pals with racketeer Owney Madden and others of this ilk, fit right in.

In night clubs and concert halls, Al Jolson belted out his songs as he commanded the stage with his effusive body language. Eventually his fame was dwarfed by crooners whose style was more intimate; more laid-back. The giants of the genre were Bing Crosby and Frank Sinatra and, like Jolson, they were multi-media stars.

Crosby was a great sportsman. He co-founded the Del Mar thoroughbred track, near San Diego, which opened in 1937, and was the co-owner of the Pittsburgh Pirates baseball team from 1946 until his death in 1977. Less well known, he had a piece of middleweight Freddie Steele.

Crosby likely felt an affinity toward Steele because both were products of the Apple State. Steele hailed from Tacoma; Crosby, born in Tacoma, was raised in Spokane. Late in his career, Freddie Steele won the New York State version of the world middleweight title and successfully defended it five times.

In January of 1944, twenty-eight year old Frank Sinatra, flush with money after signing a seven-year extension with the RKO Studio, purchased the contract of beefy Bronx bartender Tami Mauriello. Mauriello, who began his pro career as a welterweight, had twice fought for the NYSAC light heavyweight title, falling short in two tilts with Gus Lesnevich. He would go on to fight Joe Louis before 38,000-plus at Yankee Stadium. The Brown Bomber knocked him out in the opening round.

Francis Albert Sinatra inherited his love of boxing from his father, a Sicilian immigrant who fought professionally under the name Marty O’Brien, compiling a 1-7 record according to research by Thomas Hauser. In 1956, Sinatra hooked up with another fighter, purchasing a 50 percent interest in Robert “Cisco” Andrade, the “Compton Comet.” Andrade went on to compete for the world lightweight title, losing a 15-round decision to title-holder Joe Brown.

In 1974, with his hit TV series “Sanford and Son” going great guns, comedian Redd Foxx launched the pro career of Fred Houpe who had caught his eye while competing in AAU tournaments. A small heavyweight, Houpe, who was given the nickname Young Sanford, was undefeated in 12 fights when he lost a 10-round decision to former amateur rival Duane Bobick. He left the sport two years later, made a brief comeback in the 1990s, and ended his undistinguished career with a record of 14-6. (Houpe may have been the second boxer to break Redd Foxx’s heart. In an interview with an Oakland reporter on the occasion of Houpe’s pro debut, the comedian claimed that as a young man in Chicago he had a piece of china-chinned heavyweight Bob Satterfield.)

As Redd Foxx could testify, were he still alive, sponsoring a young boxer, an aspiring champion, is an expensive proposition that more often than not doesn’t pay off. Forming a syndicate diminishes the risk by spreading out the jeopardy.

Lee Majors, Burt Reynolds, and Motown recording artist Marvin Gaye were part of a syndicate that backed welterweight Andy “The Hawk” Price. The Hawk was good enough to defeat Carlos Palomino and Pipino Cuevas, but no match for Sugar Ray Leonard who knocked him out in the opening round. Ryan O’Neill, Robert Goulet, and Bill Cosby had welterweight Hedgemon Lewis. Trained by the great Eddie Futch, Lewis was 2-3 in bouts billed as world title fights with both wins coming against Billy Backus on Backus’s turf in Syracuse, New York. These syndicates were forerunners of Churchill Management.

Sylvester Stallone did not form a syndicate when he became interested in Lee Canalito. The architect of the “Rocky” franchise wanted Canalito all to himself.

A great defensive lineman in high school (a Parade All-American) and at the University of Houston before his football career was derailed by a chronic knee injury, Canalito made his pro debut at the Fontainebleau Hotel in Miami Beach with Angelo Dundee in his corner. He had four fights under his belt when Stallone spied him on TV in a preliminary bout on a show that included the Spinks brothers. Stallone was then seeking an unknown actor to play his brother in a movie he had written and would star in, “Paradise Alley,” and when he saw Canalito (here flanked by Stallone and co-star Armand Assante) he found his man. Canalito, who bore some facial resemblance to Stallone, had the look that Sylvester was seeking.

Stallone eventually took over Canalito’s ring affairs. Canalito was 8-0 when Stallone purchased his contract. He installed the boxer in a guest house on the grounds of his spacious Pacific Palisades estate and the two often lifted weights and did roadwork together. The noted photographer Neil Leifer captured the scene in a five-page spread for Life magazine. Stallone’s hoped-for real-life Rocky, nicknamed the Italian Stallion, was a hot commodity before he ever touched gloves with an opponent who had the skill to give him a serious test.

Canalito, who customarily carried 250 pounds on a six-foot-five frame, never fought a top shelf, or even a mid-shelf, opponent. The well-coddled heavyweight was 21-0 with 19 knockouts when he lost interest in boxing and went home to Houston where he currently operates a fitness center, but only five of his victims had winning records when he fought them.

Stallone, far more so than predecessors like Al Jolson, could see that a boxer’s potential earnings weren’t limited to his purses. Churchill Management has taken it a step further. In its prospectus, the company says, “Churchill Management is the first of its kind, a promotional and commercial agency that represents an innovative approach to assist professional boxers with branding, marketing and public relations.” One surmises they will be adding more boxers to their stable in the near future.

Thus far, Alex Saucedo and Regis Prograis have done their part to justify Berg and Wahlberg’s faith in them. Saucedo’s last fight, against Lenny Zappavigna, was a humdinger and Saucedo walked through fire before stopping the Aussie in the seventh frame. The torrid fourth round between Saucedo and Lenny Z was one for the ages.

Who knows if Churchill Management will still exist in a few years? Their clients must keep winning to manifest the company’s vision for them and, to borrow an old Larry Merchant line, boxing is the theater of the unexpected. Regardless, it’s a safe bet that down the road we will see more Hollywood heavyweights dipping their toes into the business side of the boxing game.

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Arne K. Lang

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Philly’s Jesse Hart Continues His Quest plus Thoughts on Tyson-Paul and ‘Boots’ Ennis

Published

7 hours ago

November 21, 2024

Luis A. Cortes III

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Jesse Hart (31-3, 25 KOs) returns to the ring tomorrow night (Friday, Nov. 22) on a Teflon Promotions card at the Liacouras Center on the campus of Temple University. During a recent media workout for the show, which will feature five other local fighters in separate bouts, Hart was adamant that fighting for the second time this year at home will only help in his continuing quest to push towards a second chance at a world championship. “Fighting at home is always great and it just makes sense from a business standpoint since I already have a name in the sport and in the city,” said Hart (pictured with his friend and training partner Joey Dawejko).

Hart’s view of where his career currently resides in relation to the landscape in the light heavyweight division leads you to believe that, at the age of 35, Hart is realistic about how far he can go before his career is over.

“Make good fights, win those fights, fight as much as I can and stay busy, that’s the way the light heavyweight division won’t be able to ignore me,” he says. Aside from two losses back in 2017 and 2018 to current unified cruiserweight champion Gilberto Ramirez at super middleweight, Hart’s only other defeat was to Joe Smith during Smith’s most successful portion of his career.

When attempts to make fights with (at the time) up-and-coming prospects like Edgar Berlanga and David Benavidez were denied with Hart being viewed as the typical high risk-low reward opponent, it was time to find another way. So, Hart decided to stay local after splitting with Top Rank Promotions post-surgery to repair his longtime right-hand issues and hooked up with Teflon Promotions, an upstart company that is the latest to take on the noble endeavor of trying to return North Broad Street and Atlantic City to boxing prominence.

In essence, it is a calculated move that is potentially a win-win situation for all parties. Continued success for Hart along with some of the titles at light heavyweight eventually being released from Artur Beterbiev’s grasp due to outside politics, and Jesse Hart just may lift up Teflon Promotions into a major player on the regional scene.

Tickets for Friday’s show are available on Ticketmaster platforms.

As we entered November, a glance at the boxing schedule made me wonder if it was possible for the sport to have a memorable month — one that could shine a light forward in boxing’s ongoing quest to regain relevance in today’s sports landscape. Having consecutive weekends with events that could spark interest in the pugilistic artform and its wonderful characters was what I was hoping for, but what we got instead was more evidence that boxing isn’t immune to modern business practices landing a one-two punch on the action both inside and outside of the ring.

Jaron “Boots” Ennis was expected to make a statement in his rematch with Karen Chukhadzian on Nov. 9, a statement to put the elite level champions around his weight class on notice. What we witnessed, however, was more evidence of how current champions in their prime can be hampered by having to navigate a business that functions through the cooperation of independent contractors. Ennis got the job done – he won – but it was a lackluster performance.

It’s time for Ennis to fight the fighters we already thought we would have seen him fight by now and I do believe there is some truth to Ennis rising to the occasion if there was a more noteworthy name across the ring.

—

Some positives emerged from the Mike Tyson-Jake Paul event the following week. Amanda Serrano, Katie Taylor, and women’s boxing are finally getting the public recognition they deserve. Mario Barrios’s draw against the tough Abel Ramos, also on the Netflix broadcast, was an action-packed firefight. So, mainstream America and beyond got to witness actual fights before being subjected to Paul’s latest circus.

Unfortunately for fans, but fortunately for Paul, the lone true boxing star in the main event dimmed out from an athletic standpoint decades ago. In this instance modern business practices allowed for a social media influencer to stage his largest money grab from a completely unnuanced public.

As Paul rose to the ring apron from the steps and looked around “Jerry’s World,” taking in the moment, it reminded me of an actual fighter when they’re about to enter the ring taking in the atmosphere before they risk their lives after a lifetime of dedication to try and realize a childhood dream. In this case though, this was a natural-born hustler realizing as he made it to the ring apron that his hustle was likely having its moment of glory.

In boxing circles, Jake Paul is viewed as a “necessary evil.” What occurs in his fights are merely an afterthought to the spectacle that is at the core of the social media realm that birthed him. Hopefully the public learned from the atrocity that occurred once the exhibition started that smoke and mirrors last for only so long. Hopefully Paul’s moment of being a boxing performer and acting like a true fighter comes to its conclusion. But he isn’t going away anytime soon, especially since his promotional company is now in bed with Netflix.

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Boxing Odds and Ends: Oscar Collazo, Reimagining ‘The Ring’ Magazine and More

Published

2 days ago

November 19, 2024

Arne K. Lang

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With little boxing activity over the next two weekends, there’s no reason to hold off anointing Oscar Collazo the Fighter of the Month for November. In his eleventh pro fight, Collazo turned heads with a masterful performance against previously undefeated Thammanoon Niyamtrong, grabbing a second piece of the title in boxing’s smallest weight class while ending the reign of the sport’s longest-reigning world title-holder. The match was on the undercard of the Nov. 16 “Latino Night” show in Riyadh, Saudi Arabia headlined by the cruiserweight tiff between Mexico’s Zurdo Ramirez and England’s Chris Billam-Smith.

Collazo was a solid favorite, but no one expected the fight would be as one-sided. Collazo put on a clinic, as the saying goes. He took the starch out of Niyamtrong with wicked body punches before ending matters in the seventh. A left uppercut sent the Thai to the canvas for the third time and the referee immediately stepped in and stopped it.

Collazo, wrote Tris Dixon, “dissected and destroyed a very good fighter.” Indeed. A former Muay Thai champion, Niyamtrong (aka Knockout CP Freshmart) brought a 25-0 record and was making the thirteenth defense of his WBA strap.

A Puerto Rican born in Newark, Jersey, Oscar Collazo turned pro after winning a gold medal in the 2019 Pan American games in Lima, Peru. He was reportedly named after Oscar De La Hoya (we will take that info with a grain of salt), names Hall of Famer Ivan Calderon as a mentor and is co-promoted by Hall of Famer Miguel Cotto.

Collazo, 27, won the WBO version of the 105-pound title in his seventh pro fight with a seven-round beatdown of Melvin Jerusalem. He won a world title faster than any Puerto Rican boxer before him.

His goal now, he says, is to become a unified champion. He would be the first from the island in the modern era. Although Puerto Rico has a distinguished boxing history – twelve Boricua boxers are enshrined in the International Boxing Hall of Fame — there hasn’t been a fully unified champion from Puerto Rico since the WBO came along in 1988.

The other belt-holders at 105 are the aforementioned Jerusalem (WBC) and his Filipino countryman Melvin Taduran (IBF). Both won their belts in Japan with upsets of the Shigeoka brothers, respectively Yudai (Jerusalem) and Ginjiro (Taduran). Collazo would be a massive favorite over either.

A far more attractive fight would pit Collazo against two-time Olympic gold medalist Hasanboy Dusmatov. In theory, this would be an easy fight to make as the undefeated Uzbek trains in Indio, California, a frequent stomping ground of Collazo’s co-promoter Oscar De La Hoya who had a piece of the action when Dusmatov made his pro debut in Mexico. However, it’s doubtful that Dusmatov’s influential advisor Vadim Kornilov would let him take such a treacherous fight until the match-up had been properly “marinated,” by which time they both may be competing in a higher weight class. The Puerto Rican, who began his pro career at 110, is big for the 105-pound division notes the noted boxing historian Matt McGrain who is partial to the little guys.

—

Outside the ropes, the big news in boxing in November was the news that The Ring magazine had been sold to Turki Alalshikh. The self-acclaimed Bible of Boxing, which celebrated its 100^th anniversary in 2022, was previously owned by a subsidiary of Oscar De La Hoya’s company, Golden Boy Enterprises, which acquired the venerable publication in 2007. Alalshikh purportedly paid $10 million dollars.

Alalshikh, the head of Saudi Arabia’s General Entertainment Authority, confirmed the sale on social media on Monday, Nov. 11.

“Earlier this week, I finalized a deal to acquire 100% of The Ring Magazine, and I want to make a few things clear,” he said. “The print version of the magazine will return immediately after a two year hiatus and it will be available in the US and UK markets. The magazine will be fully independent, with brilliant writers and focusing on every aspect in the sport of boxing. We will continue to raise the prestige of The Ring Titles, and plans are already underway to have a yearly extravagant awards ceremony to celebrate the very best in the boxing industry.”

Alalshikh, blessed with an apparently unlimited budget, is already the most powerful man in the sport and more than a few concerns have been raised about his latest venture, especially in light of an incident involving prominent British scribe Oliver Brown.

Brown, the chief sports writer for the Telegraph who had previously covered three of Tyson Fury’s fights in Saudi Arabia, had his credential pulled for the Joshua-Dubois show at Wembley Stadium after calling the event “a grisly conduit for glorifying the Saudi regime.”

“I frankly do not trust Alalshikh to keep his personal aims from influencing the publication’s content,” says boxing writer Patrick Stumberg. One thing is certain: So long as the publication remains in the hands of the Saudis, the word “sportswashing” will never appear in the pages of The Ring magazine.

The Ring is the second major online boxing magazine to change hands this year. In February, Boxing Scene, one of the most heavily-trafficked sites in the ecosystem, was sold to Canadian-American entrepreneur Garry Jonas, best known as the founder of ProBox, a promotional entity headquartered in Plant City, Florida.

—

Mike Tyson’s showing against Jake Paul was mindful of something that Jimmy Cannon once wrote: “…the flesh was corrupted by time. The mind operated as if it was in another man’s head…the talent has been contaminated by age.”

Cannon was describing Joe Louis in Louis’s farewell fight against Rocky Marciano.

True, Jake Paul is no Rocky Marciano. To include their names in the same sentence borders on sacrilege. But the fabled Brown Bomber was 37 years old when he was rucked into retirement by Marciano on that October night at Madison Square Garden. At age 58, Mike Tyson was old enough to be Joe Louis’s father and yet human lemmings by the thousands couldn’t resist betting on him.

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The Hauser Report: Some Thoughts on Mike Tyson vs. Jake Paul

Published

4 days ago

November 17, 2024

Thomas Hauser

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Jake Paul boxed his way to a unanimous decision over Mike Tyson at AT&T Stadium in Arlington, Texas, on Friday night. The bout, streamed live on Netflix, was one of the most-watched fights of all time and, in terms of the level of competition, boxing’s least-consequential mega-fight ever.

We’re living in a golden age for spectator sports. Sports generate massive amounts of money from engaged fan bases and are more popular now than ever before. Today’s athletes are more physically gifted, better conditioned, and more skilled than their predecessors. Their prowess is appreciated and understood by tens of millions of fans.

Not so for boxing. For the sweet science, this is an era of “fools’ gold.” Yes, fighters like Oleksandr Usyk, Canelo Alvarez, Terence Crawford, and Naoya Inoue bring honor to the sport. But boxing’s fan base has dwindled to the point where most people have no idea who the heavyweight champion of the world is. The sport’s dominant promoter has a business model that runs hundreds of millions of dollars a year in the red. And most fights of note are contested behind a paywall that shrinks the fan base even more. Few sports fans understand what good boxing is.

Mike Tyson is 58 years old. Once upon a time, he was the most destructive boxer in the world and “the baddest man on the planet.” Prior to last Friday night, he hadn’t fought in nineteen years and hadn’t won a fight since 2003.

Jake Paul is a 27-year-old social media personality who wasn’t born when Tyson lost his aura of invincibility at the hands of Buster Douglas. Paul began boxing professionally three years ago and, before fighting Tyson, had compiled a 10-1 (7 KOs) record against carefully chosen opponents.

Netflix has roughly 283 million subscribers globally, 84 million of them in North America. Recently, it made the decision to move into live sports. On December 25, it will stream the National Football League’s two Christmas games on an exclusive basis.

Netflix took note of the fact that Tyson’s 2020 exhibition against Roy Jones drew 1.6 million pay-per-view buys and concluded that Tyson-Paul had the potential to be the most-viewed fight of all time. It purchased rights to the fight as an attention grabber and subscription seller for (a best-estimate) $40 million.

Tyson-Paul was originally scheduled for July 20. A compliant Texas Department of Licensing and Regulations sanctioned the bout as an official fight, not an exhibition. In deference to Tyson’s age, the fighters agreed that the match would be contested over eight two-minute rounds (women’s rules) with 14-ounce gloves (heavyweight gloves normally weigh ten ounces).

But on May 26, Tyson became nauseous and dizzy while on a flight from Miami to Los Angeles and needed medical assistance for what was later described as a bleeding ulcer. The fight was rescheduled for November 15. Later, Tyson described the incident on the plane as follows: “I was in the bathroom throwing up blood. I had, like, eight blood transfusions. The doctor said I lost half my blood. I almost died. I lost 25 pounds in eleven days. Couldn’t eat. Only liquids. Every time I went to the bathroom, it smelled like tar. Didn’t even smell like shit anymore. It was disgusting.”

Does that sound like a 58-year-old man who should be fighting?

As Eliot Worsell noted, Tyson-Paul contained all the elements of a successful reality show. “There are for a start,” he wrote, “celebrities involved, two of them. One is ‘old famous’ and the other ‘new famous’ and both bring large audiences with them. They need only tap something on their phone to guarantee the entire world pays attention. And that, in this day and age, is all you really need to green light a project like this.”

But Worsell added a word of caution, observing, “This has been the story of Jake Paul’s pro boxing career to date; one of smoke and mirrors, one of sycophants telling him only what he wants to hear. He has been fed a lie just as Mike Tyson is now being fed a lie, and on November 15 they will both play dress-up and be watched by millions. They will wear gloves like boxers and they will move like boxers – one hampered in this quest by old age and the other by sheer incompetence – and they will together make ungodly sums of money.”

There was early talk that 90,000 fans would jam AT&T Stadium on fight night. Initially, ticket prices ranged from $381 to $7,956. And those prices were dwarfed by four tiers of VIP packages topped by a two-million-dollar “MVP Owner’s Experience” that included special ringside seating at the fight for six people, luxury hotel accommodations, weigh-in and locker room photo ops, boxing gloves signed by Tyson and Paul, and other amenities.

But by Monday of fight week, ticket prices had dropped to as little as $36. Ringside seats were available for $900. And the press release announcing the eventual MVP Owner’s Experience sale backtracked a bit, saying the package was “valued at $2 million” – not that the actual sale price was $2 million. It also appeared that the purchase price included advertising for the law firm that purchased the package since the release proclaimed, “Just as every fighter in the ring stands to represent resilience, grit, and the pursuit of victory, TorkLaw stands in the corner of the people, fighting for justice and empowering those who need it most.”

That said, the fight drew 72,300 fans (inclusive of giveaway tickets) to AT&T Stadium. And the live gate surpassed $18 million making it the largest onsite gate ever in the United States for a fight card outside of Las Vegas. More than 60 million households watched the event live around the world.

The undercard featured a spirited fight between Mario Barrios and Abel Ramos that ended in a draw. Then came the second dramatic showdown between Katie Taylor and Amanda Serrano.

Taylor-Serrano II was for all four major sanctioning body 140-pound belts. Two years ago, Katie and Amanda did battle at Madison Square Garden on a historic night that saw Taylor emerge with a controversial split-decision win. Katie is now 38 years old and her age is showing. Amanda is 36. Taylor was an early 6-to-5 betting favorite in the rematch but the odds flipped late in Serrano’s favor.

Amanda began Taylor-Serrano II in dominating fashion and wobbled Katie just before the bell ending round one. That set the pattern for the early rounds. Serrano looked like she could hurt Taylor, and Taylor didn’t look like she could hurt Serrano.

Then in round four, Serrano got hurt. A headbutt opened a gruesome gash on her right eyelid. As the bout progressed, the cut became more dangerous. From an armchair perspective, it looked as though the fight should have been stopped and the result determined by the judges’ abbreviated scorecards. But the ring doctor who examined Serrano allowed it to continue even though the flow of blood seemed to handicap Amanda more and more with each passing round.

In round eight, referee Jon Schorle took a point away from Taylor after the fourth clash of heads that he thought Katie had initiated. By then, Serrano’s face resembled a gory Halloween mask and the bout had turned into a non-stop firefight. Each woman pushed herself as far as it seemed possible to go.

In the eyes of most observers, Serrano clearly won the fight. This writer scored the bout 96-93 in Amanda’s favor. Then the judges had their say. Each one favored Taylor by a 95-94 margin.

“My God!” blow-by-blow commentator Mauro Ranallo exclaimed after the verdict was announced. “How does one rob Amanda Serrano after a performance like that?”

In keeping with the hyperbole of the promotion, one might say that it was the most-watched ring robbery (although not the worst) in boxing history.

CompuBox is an inexact tabulation. But there’s a point at which the numbers can’t be ignored. According to CompuBox, Serrano outlanded Taylor in nine of ten rounds with an overall 324-to-217 advantage in punches landed.

From a boxing standpoint, Taylor-Serrano II made the evening special. Casual fans who don’t know much about the sweet science saw a very good fight. But they also saw how bad judging undermines boxing.

Meanwhile, as good as Taylor-Serrano II was, that’s not what Netflix was selling to the public. Jake Paul’s most recent events had engendered disappointing viewer numbers. This one was a cultural touchstone because of Tyson.

Paul has worked hard to become a boxer. In terms of skills, he’s now a club fighter (which is more than 99.9 percent of the population could realistically dream of being). So, what happens when a club fighter fights a 58-year-old man who used to be great?

Jack Johnson fought until the age of 53, losing four of his last six bouts. And the two he won were against opponents named Rough House Wilson (who was disqualified in what would be his only recorded professional fight) and Brad Simmons (who was barred from fighting again in Kansas because he was believed to have thrown the fight against Johnson).

Larry Holmes fought until age 52, knocking out 49-year-old Mike Weaver at age 51 and winning a unanimous decision over Eric Esch (aka Butterbean) in his final bout.

Paul was a 2-to-1 betting favorite. Serious PED testing for the fight was a murky issue but seems to have been minimal. Taylor and Serrano underwent VADA testing in advance of their bout. Tyson and Paul didn’t.

Tyson weighed in for the contest at 228.4 pounds; Paul at 227.2 (well over his previous high of 200). Following the weigh-in, Mike and Jake came face to face for the ritual staredown and Mike slapped Jake. But the incident was self-contained with no ripple effect and had the feel of a WWE confrontation.

That raised a question that was fogging the promotion: “Would Tyson vs. Paul be a ‘real’ fight or a pre-arranged sparring session (which was what Tyson vs. Roy Jones appeared to be)?”

That question was of particular note because sports betting is legal in 38 states and 31 of them were allowing wagers on the fight.

Nakisa Bidarian (co-founder of Paul’s promotional company) sought to lay that issue to rest, telling ESPN, “There’s no reason for us to create a federal fraud, a federal crime. These are pro fights that consumers are making legal bets on. We have never and we’ll never do anything that’s other than above board and one hundred percent a pro fight unless we come out clearly and say, ‘Hey, this is an exhibition fight that is a show.'”

Tyson looked old and worried during his ring walk and wore a sleeve on his right knee. The crowd was overwhelmingly in his favor. But it’s an often-repeated truism that the crowd can’t fight. And neither could Mike.

Once upon a time, Tyson scored nine first-minute knockouts in professional fights. Not first-round. First-minute.

Against Paul, “Iron Mike” came out for round one as hard as he could (which wasn’t very hard) while Jake kept a safe distance between them. Then Tyson tired and took all the air out of the fight. By round three, he was in survival mode with his head tucked safely behind his 14-ounce gloves. And Jake didn’t have the skills to hurt him.

The CompuBox numbers favored Paul by a 78-to-18 margin in punches landed. In other words, Tyson landed an average of two punches per round. The judges’ scores were 80-72, 79-73, 79-73 in Jake’s favor. It was a “real” fight but a bad one.

“I love Mike Tyson,” Terence Crawford posted on X afterward. “But they giving him too much credit. He looked like trash.”

Prior to the bout, Tris Dixon wrote, “Tyson-Paul is a weird event, and I can’t think of anything even remotely like it in terms of the level of fighters, celebrity, and their ages. The event is unique, and morally and ethically it is questionable. It is a cynical cash grab. I can’t see it being particularly entertaining as a high-level sporting event. But I’m sure once it starts you won’t be able to take your eyes off it.”

All true. But let’s remember that there was a time when Mike Tyson was universally recognized as the best fighter in the world. Not many people in history have been able to say that.

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Thomas Hauser’s email address is thomashauserwriter@gmail.com. His most recent book – MY MOTHER and me – is a personal memoir available at www.amazon.com/My-Mother-Me-Thomas-Hauser/dp/1955836191/ref=sr_1_1?crid=5C0TEN4M9ZAH&keywords=thomas+hauser&qid=1707662513&sprefix=thomas+hauser%2Caps%2C80&sr=8-1

In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. In 2019, Hauser was selected for boxing’s highest honor – induction into the International Boxing Hall of Fame.

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