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From Al Jolson to Mark Wahlberg: Hollywood Heavyweights Invade the Boxing Game

Arne K. Lang

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On Friday, Nov. 16, on ESPN, Alex Saucedo appears in his first world title fight, taking on WBO 130-pound champion Maurice Hooker. The match between the two unbeatens — Saucedo is 28-0; Hooker 24-0-3 – will play out in Saucedo’s hometown of Oklahoma City.

Hollywood heavyweights Peter Berg and Mark Wahlberg will be rooting hard for Saucedo. They are the cornerstones of Churchill Management, the boutique talent agency that signed up Saucedo and then gathered in 140-pound hotshot Regis Prograis. Berg and his partners also operate the Churchill Boxing Club in sunny Santa Monica, a gym formally called Wild Card West.

Peter Berg has worn many hats: producer, director, screenwriter, actor. He created the TV show “Friday Night Lights” from his film of the same name. Mark Wahlberg needs no introduction. In 2017 he was the world’s highest paid actor. He starred in four of Peter Berg’s movies and played Micky Ward in the award winning film “The Fighter.”

Berg and Wahlberg are merely the latest bigwigs from the world of Hollywood to invest in the future earnings of boxers. In fact, the relationship between boxing and the entertainment industry predates the advent of big Hollywood studios.

During the early years of the twentieth century, there was no bigger star on Broadway than the versatile and astoundingly prolific George M. Cohan. Theatrical producer Sam Harris was the primary backer of two-division world champion Terry McGovern, but Cohan had a piece of Terrible Terry too, as did ring announcer Joe Humphries. In age, Cohan and McGovern were only two years apart. In his free hours, the Yankee Doodle Boy was often seen in McGovern’s company.

Al Jolson made his mark on Broadway before lighting up the big screen in “The Jazz Singer,” Hollywood’s first feature-length talkie. During his heyday, say music historians Bruce Crowther and Mike Pinfold, Jolson “was the most popular all-round entertainer America (and probably the world) has ever known, captivating audiences in the theater and becoming an attraction on records, radio, and in films.”

Jolson was a big boxing fan. One night at LA’s Olympic Auditorium, he became infatuated with Henry Armstrong, a steadily improving fighter who had recently defeated two of Mexico’s best featherweights, Baby Arizmendi and Juan Zurita. Armstrong’s manager, Wirt Ross, was a gambler who periodically had the shorts. Jolson bought the fighter for $10,000. The deal was consummated on Aug. 21, 1936.

What Al Jolson got was a fighter with a 48-10-6 record who was largely unknown outside California. Other than two early fights near Pittsburgh, Armstrong had never fought east of Butte, Montana.

Jolson entrusted Armstrong to Eddie Mead, the manager/trainer of former bantamweight champion Joe Lynch (that’s Mead in the photo, flanked by Jolson and Armstrong) and Al then set about making Hammerin’ Hank a household name. As Armstrong recalled in a 1981 interview with LA Times boxing writer Richard Hoffer, Jolson and Mead hatched the idea of him winning three titles as the only way a black fighter could make headway as a box office attraction with the shadow of Joe Louis looming so large. Armstrong went on to win the featherweight, welterweight, and lightweight titles, in that order, in an 11-month span in New York rings.

In the history of boxing, no one ever “moved” a fighter as adroitly as Al Jolson (Bob Arum would be envious). Of course, it was Henry Armstrong who did the heavy lifting.

It would later come out that Jolson’s friend George Raft, a dancer turned movie actor, routinely cast as a gangster, was a silent partner in Armstrong’s ring affairs. Furthermore, it would be written that Raft was an early investor in the career of future light heavyweight champion Maxie Rosenbloom. In those days, the fight game was thick with underworld characters and Raft, who was pals with racketeer Owney Madden and others of this ilk, fit right in.

In night clubs and concert halls, Al Jolson belted out his songs as he commanded the stage with his effusive body language. Eventually his fame was dwarfed by crooners whose style was more intimate; more laid-back. The giants of the genre were Bing Crosby and Frank Sinatra and, like Jolson, they were multi-media stars.

Crosby was a great sportsman. He co-founded the Del Mar thoroughbred track, near San Diego, which opened in 1937, and was the co-owner of the Pittsburgh Pirates baseball team from 1946 until his death in 1977. Less well known, he had a piece of middleweight Freddie Steele.

Crosby likely felt an affinity toward Steele because both were products of the Apple State. Steele hailed from Tacoma; Crosby, born in Tacoma, was raised in Spokane. Late in his career, Freddie Steele won the New York State version of the world middleweight title and successfully defended it five times.

In January of 1944, twenty-eight year old Frank Sinatra, flush with money after signing a seven-year extension with the RKO Studio, purchased the contract of beefy Bronx bartender Tami Mauriello. Mauriello, who began his pro career as a welterweight, had twice fought for the NYSAC light heavyweight title, falling short in two tilts with Gus Lesnevich. He would go on to fight Joe Louis before 38,000-plus at Yankee Stadium. The Brown Bomber knocked him out in the opening round.

Francis Albert Sinatra inherited his love of boxing from his father, a Sicilian immigrant who fought professionally under the name Marty O’Brien, compiling a 1-7 record according to research by Thomas Hauser. In 1956, Sinatra hooked up with another fighter, purchasing a 50 percent interest in Robert “Cisco” Andrade, the “Compton Comet.” Andrade went on to compete for the world lightweight title, losing a 15-round decision to title-holder Joe Brown.

In 1974, with his hit TV series “Sanford and Son” going great guns, comedian Redd Foxx launched the pro career of Fred Houpe who had caught his eye while competing in AAU tournaments. A small heavyweight, Houpe, who was given the nickname Young Sanford, was undefeated in 12 fights when he lost a 10-round decision to former amateur rival Duane Bobick. He left the sport two years later, made a brief comeback in the 1990s, and ended his undistinguished career with a record of 14-6. (Houpe may have been the second boxer to break Redd Foxx’s heart. In an interview with an Oakland reporter on the occasion of Houpe’s pro debut, the comedian claimed that as a young man in Chicago he had a piece of china-chinned heavyweight Bob Satterfield.)

As Redd Foxx could testify, were he still alive, sponsoring a young boxer, an aspiring champion, is an expensive proposition that more often than not doesn’t pay off. Forming a syndicate diminishes the risk by spreading out the jeopardy.

Lee Majors, Burt Reynolds, and Motown recording artist Marvin Gaye were part of a syndicate that backed welterweight Andy “The Hawk” Price. The Hawk was good enough to defeat Carlos Palomino and Pipino Cuevas, but no match for Sugar Ray Leonard who knocked him out in the opening round. Ryan O’Neill, Robert Goulet, and Bill Cosby had welterweight Hedgemon Lewis. Trained by the great Eddie Futch, Lewis was 2-3 in bouts billed as world title fights with both wins coming against Billy Backus on Backus’s turf in Syracuse, New York. These syndicates were forerunners of Churchill Management.

Sylvester Stallone did not form a syndicate when he became interested in Lee Canalito. The architect of the “Rocky” franchise wanted Canalito all to himself.

A great defensive lineman in high school (a Parade All-American) and at the University of Houston before his football career was derailed by a chronic knee injury, Canalito made his pro debut at the Fountainbleu Hotel in Miami Beach with Angelo Dundee in his corner. He had four fights under his belt when Stallone spied him on TV in a preliminary bout on a show that included the Spinks brothers. Stallone was then seeking an unknown actor to play his brother in a movie he had written and would star in, “Paradise Alley,” and when he saw Canalito (here flanked by Stallone and co-star Armand Assante) he found his man. Canalito, who bore some facial resemblance to Stallone, had the look that Sylvester was seeking.

Stallone eventually took over Canalito’s ring affairs. Canalito was 8-0 when Stallone purchased his contract. He installed the boxer in a guest house on the grounds of his spacious Pacific Palisades estate and the two often lifted weights and did roadwork together. The noted photographer Neil Leifer captured the scene in a five-page spread for Life magazine. Stallone’s hoped-for real-life Rocky, nicknamed the Italian Stallion, was a hot commodity before he ever touched gloves with an opponent who had the skill to give him a serious test.

Canalito, who customarily carried 250 pounds on a six-foot-five frame, never fought a top shelf, or even a mid-shelf, opponent. The well-coddled heavyweight was 21-0 with 19 knockouts when he lost interest in boxing and went home to Houston where he currently operates a fitness center, but only five of his victims had winning records when he fought them.

Stallone, far more so than predecessors like Al Jolson, could see that a boxer’s potential earnings weren’t limited to his purses. Churchill Management has taken it a step further. In its prospectus, the company says, “Churchill Management is the first of its kind, a promotional and commercial agency that represents an innovative approach to assist professional boxers with branding, marketing and public relations.” One surmises they will be adding more boxers to their stable in the near future.

Thus far, Alex Saucedo and Regis Prograis have done their part to justify Berg and Wahlberg’s faith in them. Saucedo’s last fight, against Lenny Zappavigna, was a humdinger and Saucedo walked through fire before stopping the Aussie in the seventh frame. The torrid fourth round between Saucedo and Lenny Z was one for the ages.

Who knows if Churchill Management will still exist in a few years? Their clients must keep winning to manifest the company’s vision for them and, to borrow an old Larry Merchant line, boxing is the theater of the unexpected. Regardless, it’s a safe bet that down the road we will see more Hollywood heavyweights dipping their toes into the business side of the boxing game.

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A Fistful of Murder: The Fights and Crimes of Carlos Monzon

Thomas Hauser

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Book Review by Thomas Hauser — Carlos Monzon was born into extreme poverty in Argentina on August 7, 1942. He was mean, violent, surly, brutal, arrogant, occasionally charming, handsome with a smoldering sensuality, and remorseless. His life was marked by street fighting, drunken behavior, domestic violence, and more than forty arrests. In the midst of it all, he found boxing.

Monzon’s story is told by Don Stradley in A Fistful of Murder: The Fights and Crimes of Carlos Monzon. It’s the latest in a series of short books from Hamilcar Publications published under the imprint Hamilcar Noir that deal with boxers whose lives were marked and often terminated by violent crime. Told in 128 pages, the story moves at a brisk pace.

Monzon had one hundred professional fights in a career that began in 1962. He reigned as middleweight champion from 1970 until his retirement in 1977 and was honored as the 1972 “Fighter of the Year” by the Boxing Writers Association of America. All told, he compiled an 87-3-9 (59 KOs) record with 1 no contest. The three losses came during the first two years of his career when he was a novice.

Monzon was a big, strong, tough fighter with a good chin and a basic skill set: stand tall, throw a sharp jab, and follow with a hard right behind it. Mark Kram described him as “a perfectly shaped middleweight, tall with long arms and with style running through every sinew up to his dramatic Belmondo face.”

By contrast, British boxing commentator Reg Gutteridge described Monzon as having “little ring grace” and added “he clubs as if wearing a Roman cestus on his fist.”

Those who question Monzon’s greatness point to the fact that the best of the fighters he beat were past their prime (e.g. Nino Benvenuti) or past their prime and naturally smaller men (e.g. Emile Griffith and Jose Napoles). Monzon was also held to a draw by Benny Briscoe before besting Briscoe on a close decision in a rematch. And he only narrowly defeated Rodrigo Valdez in the last two fights of his ring career.

But as Stradley writes, “A strange thing happened to Monzon in retirement. He became a better fighter. The boxer who had often been dismissed as a classless thug was now revered as an all-time great. During the next decade when lists were made of the top middleweights or of great championship reigns, Monzon’s name would always be near the top.”

How good was Monzon?

Hall of Fame matchmaker Bruce Trampler says that he would have been competitive with any middleweight in any era. More significantly, in 2007, I had a conversation with Bernard Hopkins in which I asked Bernard to speculate as to how he would have fared in the ring against Sugar Ray Robinson, Marvin Hagler, and Monzon. Hopkins’ answer is instructive:

“Sugar Ray Robinson at 147 pounds was close to perfect,” Bernard said. “But at middleweight, he was beatable. I would have fought Ray Robinson in close and not given him room to do his thing. He’d make me pay a physical price. But at middleweight, I think I’d wear him down and win. Me and Marvin Hagler would have been a war. We’d both be in the hospital afterward with straws in our mouth. We’d destroy each other. My game-plan would be, rough him up, box, rough him up, box. You wouldn’t use judges for that fight. You’d go by the doctors’ reports. Carlos Monzon? I could lose that fight. Monzon was tall, rangy, did everything right. I see myself losing that fight more than winning it.”

Stradley’s recounting of Monzon’s ring career is largely pro forma. The more compelling portions of the book lie in the portrait he paints of Monzon’s personal life.

Monzon had virtually no formal education and was close to illiterate. At age 19, he married 15-year-old Mercedes Beatriz Garcia. The newly-wed couple lived with her family in a two-room shack where they slept on a mattress on the floor.

“In many ways,” Stradley writes, “Monzon was the typical wife abuser. He was obsessed with control; he had an evil temper; he drank too much.” In 1973, Mercedes shot her husband in the arm and shoulder after a quarrel between them.

Monzon’s pattern of physically abusing women, assaulting people in public, reckless driving, and other anti-social acts was a constant in his life before, during, and after his championship reign. But as his fame grew, so did his following.

“Monzon,” Stradley notes, “didn’t look like other fighters of the day. He was photographed to look like a stylish Latin pop star, usually in a long leather coat, with plenty of gold jewelry. Argentina’s El Grafico [a popular magazine] treated Monzon like a model, featuring him in regular photo spreads.”

In 1974, while married to Mercedes, Monzon met Susana Gimenez (a popular actress and talk show host). Soon, they were involved in a torrid affair that lasted for four years. At one point, Mercedes complained to her husband about Susana and he punched her in the face, breaking the superciliary arch above her eye. Monzon was arrested and avoided a prison term by pleading temporary insanity. A divorce followed.

Susana’s film credits included adult-oriented comedies. In Stradley’s words, “Monzon had abandoned the mother of his children for a slutty clown. It didn’t help that her sartorial sense ran towards pink denim.”

Even so, Stradley recounts, “Monzon and Susana were now the most photographed twosome in Argentina. Journalist Alfredo Serra estimated they appeared on more than three hundred magazine covers, describing the pair as combining ‘the strength, beauty, fame and glamour of the world in a single couple.'”

During his championship reign, Monzon parleyed his fame as a fighter into several film roles. Then he retired; his relationship with Susana ended; and he met Alicia Muniz Calatayud.

Alicia had worked as a model and belly dancer in addition to once managing a hair salon. She and Monzon married in Miami because his divorce from Mercedes wasn’t recognized under Argentine law. They lived together from May 1979 through August 1986 and again during a brief reconciliation in 1987. On several occasions, Alicia filed complaints with the police alleging that Monzon had beaten her.

By 1988, Stradley writes, “Monzon was still famous but no longer important. Most of the time he was drunk.”

On February 14, 1988, during a weekend they were spending together, Monzon murdered his estranged wife.

“Here’s what probably happened,” Stradley posits. “When Alicia came for the weekend, she reminded him that he was late with his monthly payments [for child support]. They returned from their night out, a night where they’d been unfriendly to each other and a witness had seen Monzon hitting Alicia. At some point before 6 a.m., she said something that made the dynamite in his head go off.”

Monzon told conflicting stories after Alicia’s death, all of which centered on the claim that she’d accidentally fallen over a balcony railing during an argument between them. Then an autopsy report revealed that Alicia had been strangled to death.

“Medical examiners,” Stradley recounts, “estimated thirty-five pounds of pressure or more had been applied to Alicia’s throat. Strangling only requires eleven pounds. They estimated it had been done with a two-fingered grip, probably thumb and forefinger in a kind of one-handed death clamp. It takes only twenty seconds or so to strangle someone into unconsciousness. The damage to Alicia’s throat would take much longer. It wasn’t done by accident or in the heat of the moment. It took a few minutes of full-on rage. Alicia had been strangled long after she had passed out. It’s also rare that a strangling victim has visible marks on the neck or throat. The imprints on Alicia were clear and deep, as if someone had tried to squeeze her head off at the neck. He dumped her body over the balcony to make it look like she’d fallen.”

Monzon was charged with murder. The trial was broadcast live on radio throughout Argentina. Monzon testified that he and Alicia had argued about money and admitted that he had slapped her. “I have hit women on other occasions and nothing happened to any of them,” he told the court. “I hit all of my women except one. My mother.”

A three-judge panel found Monzon guilty of murder. He was sentenced to eleven years in prison with the possibility of time off for good behavior.

By 1993, Monzon was allowed to spend daytime hours and weekends outside of prison. On Sunday, January 8, 1995, after attending a barbeque, he was behind the wheel of a car, probably drunk and definitely speeding.

“By the rules of his furlough agreement,” Stradley writes, “he had to be back at the Las Flores prison by 8 p.m. He didn’t want to risk being late. He only had a short time left to serve on his sentence and didn’t want any infractions on his record. So he drove fast. He’d always been a terrible driver. Being in prison hadn’t made him any better at it.”

While speeding back to the prison, Monzon lost control of the vehicle which turned over multiple times, killing him instantly. Two other passengers also died in the accident. He was 52 years old.

After Monzon’s death, his body lay in state at City Hall in his hometown of Santa Fe. An estimated ten thousand people filed past it. Twenty thousand more lined the route to the Municipal Cemetery while six thousand mourners waited at the cemetery entrance.

Argentine president Carlos Menem told the nation. “Remember Carlos Monzon as a champion, not as a man jailed for murder.” But Argentinian journalist and political commentator Bernardo Neustadt took a contrary view, declaring, “We are a macho society that idolizes a man who beats or violates a woman; a macho society that taught Monzon to dress up, to speak a bit better, but didn’t teach him to think; a macho society that wasn’t horrified when Monzon said he beat all his women.”

Thomas Hauser’s email address is thomashauserwriter@gmail.com. His next book – Staredown: Another Year Inside Boxing – will be published by the University of Arkansas Press this autumn. In 2004, the Boxing Writers Association of America honored Hauser with the Nat Fleischer Award for career excellence in boxing journalism. He will be inducted into the International Boxing Hall of Fame with the Class of 2020.

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Lipinets and Clayton Battle to a Draw at the Mohegan Sun

Arne K. Lang

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Tonight’s PBC show at Connecticut’s Mohegan Sun Casino, billed as a “Showtime Special Edition,” was to feature Sergey Lipinets against Kudratillo Abdukakhorov in the main event. That match-up would have pit fighters born in neighboring countries in Central Asia, the first major fight of its kind on American soil, but Uzbekistan’s Abdukakhorov had visa problems and a Canadian filled the breach.

Custio Clayton, whose 18-0 record was suspect because he had done all his fighting in Eastern Canada, proved to be more than just a worthy opponent. The 33-year-old ex-Olympian from Dartmouth, Nova Scotia held Lipinets (now 16-1-1) to a draw and the general feeling was that he had done just enough to edge it out. Don Trella scored the 12-round welterweight bout for him (115-113), but Trella’s counterparts Glen Feldman and Tom Schreck both had it even at 114 apiece.

Conspicuously bigger than Lipinets – to the eyes if not on the scale – Clayton did his best work in the late rounds. Lipinets, briefly the IBF world 140-pound title-holder (he lost the belt to Mikey Garcia; no shame there) is something of a one-dimensional fighter and as the rounds wore on he connected with fewer punches on the more multi-dimensional Canadian.

In theory, the winner would have been in line for a match with Errol Spence.

Martinez-Marrero

Prior to tonight, Sacramento junior lightweight Xavier Martinez had never fought beyond the eighth round and tonight it appeared that he wouldn’t see the ninth. He was on the deck twice in round eight and nearly didn’t make it to the bell. But he lasted the full 12 to win a well-earned unanimous decision over Claudio Marrero

Marrero, a 31-year-old southpaw from Santo Domingo, DR, was well behind on the scorecards when he caught Martinez with a big right hook shortly after the start of the eighth round. He pressed his advantage and knocked him down again with a flurry of punches. But Martinez recuperated and prevailed on scores of 115-111, 114-112, and 114-112 to keep his undefeated record intact, advancing to 16-0.

This was quite a departure from Martinez’s previous bout when he knocked out his opponent in 21 seconds. Marrero (24-5) lost for the fourth time in his last five outings. The match was billed as a WBA 130-pound title eliminator.

Matias-Hawkins

The TV opener was a 10-round junior lightweight contest between Malik Hawkins and Subriel Matias. Hawkins, a former National Golden Gloves champion from the same Baltimore gym that produced Gervonta Davis, came in undefeated (18-0). Puerto Rico’s Matias, who opened his career with 15 straight knockouts, was looking to rebound from his first defeat, having lost a 10-round decision to Petros Ananyan on the Wilder-Fury II undercard.

Matias’s bout with Ananyan was his first start since his match will ill-fated Maxim Dadashev. The Dadashev tragedy may have preyed on his mind, but according to his promoter Juan Orengo, he was lax in his training for Ananyan. Whatever the case, Matias rebounded from that defeat tonight, saddling Hawkins with his first pro loss.

Matias forged ahead in the sixth, knocking Hawkins to his knees and then pursuing him around the ring to apply the finisher. Hawkins survived the onslaught but had no argument when he was pulled out by the ring physician before the next frame.

Photo credit: Amanda Westcott / SHOWTIME

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Juan Francisco Estrada KOs Carlos Cuadras; Chocolatito Wins Too

David A. Avila

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WBC super flyweight world titlist Juan Francisco Estrada led a triumvirate of world title fights with a sizzling knockout victory over Mexican rival Carlos Cuadras to retain the world title and set up a future clash with former foe Roman “Chocolatito” Gonzalez who won his bout in the co-feature.

In front of a small Mexico City crowd Estrada (41-3, 28 KOs) proved he could defeat Cuadras (39-4-1, 27 KOs) again and did it emphatically to retain his title by knockout. There was no squabbling about scorecards in this clash like their first encounter in 2017 that ended with Estrada by decision.

It did not begin well for Estrada who endured Cuadras imposing his strength and speed behind a very strong left jab in the first three rounds. And then a sneaky right uppercut followed by a left hook sent Estrada down for the count in the third round.

But that only proved to be a spark for the fighter known as “El Gallo.”

Estrada realized he was falling behind, especially after the knockdown. Instead of counter-punching, the boxer from Sonora, Mexico began moving forward and became an aggressor. The dynamics of the fight changed suddenly.

Cuadras was hurt by a body shot in the sixth round and spent most of his time looking to avoid more contact. Estrada was in full control.

Despite the change in momentum no round was easy for either Mexican pugilist. Both exchanged freely always looking to end the fight with a big blow. Though each were hurt at times, neither showed signs of relenting.

From the eighth through the 10th round Cuadras seemed to find a second wind, or maybe it was desperation. The Mexico City native known as “Principe” fought possessed and managed to swing the momentum back toward his way for maybe two of those rounds.

In the 11th round both exchanged blows and Estrada connected with a left and right and down went Cuadras. The former world champion got up and was then floored with a counter right cross. He got up again a little shaky and Estrada attacked with a four-punch combination that forced referee Lupe Garcia to stop the fight for a technical knockout at 2:22 of the round.

Estrada retained the WBC super flyweight world title and will now meet Chocolatito.

Chocolatito

Nicaragua’s Roman “Chocolatito” Gonzalez (50-2, 41 KOs) proved that an opponent like Mexico’s Israel Gonzalez (25-3) can be faster, taller, longer and younger but the Nicaraguan will find a way to beat you. He did that with a convincing unanimous decision win after 12 rounds to retain the WBA super flyweight world title.

Chocolatito will now probably meet Juan Francisco Estrada for a long-expected rematch. In their first encounter back in 2012, the Nicaraguan won by decision in Los Angeles.

Chocolatito looked dominant in his ability to deflect the speedy combinations by the young Mexican fighter Gonzalez. Nothing worked against the Nicaraguan who skillfully manipulated his way through barrage after barrage and connected inside with body shots and uppercuts.

It was a masterful performance.

JC Martinez

Mexico City’s Julio Cesar Martinez (17-1, 13 KOs) was defending his WBC flyweight world title against Moises Calleros (33-10-1) a virtual bantamweight weighing more than 7 pounds over the 112-pound flyweight limit. Even the extra weight could not help him.

In the first round, Martinez exploded with a blistering three-punch combination the sent Calleros to the floor dazed and confused. He beat the count and survived the round.

The second round wasn’t too kind for Calleros who became the punching bag for the quick-fisted Martinez who opened up with a nine-punch salvo that forced the referee Cesar Castanon to end the slaughter at 2:42 of the second round.

Other Bouts

Diego Pacheco (10-0, 8 KOs) used his height and reach to score a knockout with a snapping right uppercut to the chin of Mexico’s Juan Mendez (12-3-2) in a super middleweight fight. The end came at 2:02 of the second round with Mexican referee Rafael Saldana stopping the fight at the perfect moment.

Austin “Ammo” Williams (6-0, 5 KOs) powered through Esau Herrera (19-12-1) with body shots and combination punches to win by knockout in a middleweight battle. The end came at 1:36 of the fifth round.

Otha Jones III (5-0-1, 2 KOs) and Mexico City fighter Kevin Montiel (6-0-1) fought to a split draw after six rounds in a super featherweight clash. Both fighters started quickly with Jones having good rounds in the middle portion of the six-round fight, but he tired and allowed Montiel to rally from behind. The scores were split with 58-56 for Jones, 58-56 for Montiel and 57-57.

Photo credit: Ed Mulholland / Matchroom

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