Featured Articles
WHAT TO WATCH FOR: Wylie Dissects Mayweather and Canelo’s Game, Part 1
Floyd Mayweather is generally regarded as the best fighter in boxing today. Despite being almost 37 years-old, he has yet to show any conclusive signs that may point to his decline. That his record has remained unblemished in spite of a 17 year-long professional boxing career that has seen him rise through five separate weight classes is really quite astonishing. While his many critics will highlight the fact that he has, on more than one occasion, managed to avoid some of the more risky challenges that were out there for him, only an all-time great could have faced the opposition Mayweather has without ever tasting defeat.
And so, ahead of Saturday’s clash with Saul “Canelo” Alvarez, I will attempt to shed light on some of the nuances of perhaps the most well-rounded pugilist on the planet. In addition, I will also be taking a brief look at Saul “Canelo” Alvarez and will be highlighting some of the ways in which he could potentially take advantage of some of Mayweather’s technical intricacies.
Trying to find imperfections in a fighter who boasts a perfect fighting record is no easy task. All fighters, however, have a tendency to fall into certain habitual patterns—some good, some bad—that can be exploited.
Because no fighter is perfect—everyone makes mistakes from time to time—habits are the smartest aspect of a fighter’s game to analyze and try and take advantage of.
Habits are formed in the gym, where the average fighter will spend hundreds of hours honing their skills.
Floyd Mayweather is not your average fighter.
It is no secret that Mayweather quite literally grew up in a boxing gym; his craft and ring savvy mirror that: according to CompuBox, Mayweather, with a plus/minus rating of +24 (that’s the difference between a fighter’s overall connect rate and that of his opponents), is the finest exponent of the-hit-and-don’t-get-hit philosophy in the entire sport. His opponent on September 14th is ranked number two on that list with a plus/minus rating of +18.
Nevertheless, Mayweather is no different from any other fighter in that the very same gym-sharpened techniques can be seen being used in almost every single one of his fights. It is while performing these techniques that a fighter (even a seemingly flawless one like Floyd) may present the opponent with openings on a somewhat predictable level.
We’ve got an awful lot to get through between now and the end of this analysis, so without further ado, let’s now take a look at some of Mayweather’s tendencies and signature techniques.
Roughhousing tactics
Despite being regularly touted as the finest “pure” boxer on the planet, much of Mayweather’s success in the ring can be attributed towards how he controls his opponents when he isn’t throwing punches.
Similarly to Bernard Hopkins, Mayweather is not afraid to manipulate the rules, often operating just inside the legal boundaries—and even beyond them—but always completely unawares to the official, of course.
One of Mayweather’s little tricks on the inside is to raise his lead arm and push his elbow or forearm into the opponent’s chest (or into their head or neck), causing them to try and hold on or turn to the official in the hope that he calls for a break or issues Floyd a warning.
This can be seen throughout his fights with Shane Mosley and Ricky Hatton.
Mosley looks to close the distance on Mayweather…
….but ends up running head-first into Floyd’s lead elbow.
It’s not just when the opponent is on the attack that Floyd will employ these tactics either; Mayweather will often initiate an attack with a straight right hand, and will then look to immediately smother the opponent’s counter or clinch attempts. If it’s the latter, once his elbow is wedged firmly up against the opponent’s chest or neck, Floyd will push off and continue punching as they try to hold. Using his non-punching hand, elbow or forearm to pin the opponent in place while he’s punching with his free hand, Mayweather will hold, punch, maneuver, and then punch again, giving the opponent little option but to try and cover up or hold on.
Mayweather closes in on Mosley.
Mosley slips outside of Mayweather’s straight right.
Mosley’s clinch attempt is thwarted by Mayweather’s right forearm.
Mayweather pushes Mosley off and immediately nails him with a left hook…
...followed by a right hand.
Mayweather’s intermitting hold-and-punch style of fighting makes it very difficult for the opponent to forecast and defend against.
{youtube}ehMQiwxamJI{/youtube}
A quick look at the Ricky Hatton fight shows just how effective (and sneaky) Mayweather can be on the inside when employing these holding tactics.
{youtube}6AxZewEw7eQ{/youtube}
Body jab
Yet another staple of Mayweather’s game is the undervalued body jab. Although he doesn’t regularly invest to the body—a la Joe Frazier—Floyd will target the body with his jab—a la Ali—to probe and open up targets for further attacks. Once the opponent begins lowering their guard to defend against his body jab, Floyd will shift his attack upstairs.
Mayweather used the body jab quite magnificently against Ricky Hatton (on display in the previous video) and Diego Corrales—changing levels for what both men assumed would be a body jab before catching them stepping in with a left hook or straight right up top.
Mayweather distracts Corrales by showing him a raised lead hand (blinding jab).
Mayweather drops low and sinks a jab deep into the pit of Corrales’ stomach.
Mayweather adjusts his feet to re-establish his range.
Mayweather’s feint causes Corrales to hunch over and lower his guard in anticipation of the body jab.
Mayweather lands a lead hook to the head.
Although some trainers will discourage their fighter from throwing a jab to the body because of the increased vulnerability to counters, it is an excellent way to condition the opponent into adjusting their guard to compensate (sometimes without them even realizing) so that further openings may be created and exploited.
{youtube}pZ19BKwWrEY{/youtube}
Fade Counter
“I make the enemy see my strengths as weaknesses and my weaknesses as strengths, while I cause his strengths to become weaknesses and discover where he is not strong”.
—Ho Yen-hsi
Similar to how one may set a trap in order to catch a mouse, one of Floyd’s go-to moves is his fade/pull counter, which he uses to draw out a predictable attack from the opponent that he can then counter.
Standing just outside the pocket and often with his gloves lowered and slightly apart, Mayweather baits the opponent into leading with a jab, where he will then lean back and to his left (similar to an inside slip if not for the difference in weight transfer) and land a straight right. It may seem fairly obvious when Mayweather is plotting this counter attack—he raises the heel of his back foot and shifts his weight over on to his front leg—yet his opponents, snake-charmed by his “vulnerable” glove position and “exposed” head, always seem to give into temptation and lead off in a predictable way.
Mayweather leans forward, shifting his weight onto his front foot, gloves slightly apart, looking to draw a lead from Mosley.
Taking the bait, Mosley overcommits and ends up over-reaching with his jab.
Mayweather counters with a straight right.
By offering false targets, Mayweather—like all of the great counterpunching technicians—can funnel his opponent’s options and draw out the very attack that he intends to counter.
Half Guard Defense
Mayweather is not only one of the most fluid movers in boxing, but when he decides to plant his feet and stand his ground, he is also one of the very best pocket fighters in the sport too, thanks, in no small part, to his half guard/shoulder roll/Philly Shell defense.
Although it is not something we haven’t seen before, Mayweather’s effectiveness with the half guard defense, where jabs and hooks are parried or blocked with the rear hand and the lead shoulder is turned in to divert and diffuse any right-handed attacks, has earned him the reputation as one the greatest defensive savants of this or any era.
Using an open right glove to parry the jab, Mayweather uses his lead shoulder almost exclusively for deviating the (orthodox) opponent’s right hand off target so he can come back with counter rights.
Oscar De La Hoya forces Mayweather to the ropes.
Mayweather parries Oscar’s jab with his rear glove.
Mayweather rolls with Oscar’s right hand…
…and comes back with a right hand.
{youtube}MOc9HstV_CY{/youtube}
Mayweather’s rolling of the lead shoulder to protect his jawline does two things: 1) it serves its main purpose (which is to defend) by deflecting the right hand off of the lead shoulder, 2) it spring-loads Mayweather’s hips and places him at a more desirable angle to come back with right hand counters.
Although Floyd is primarily a defensive fighter, he most certainly cannot be accused of being passive in the ring. Whenever an opponent is made to miss, he nearly always makes them pay tenfold.
Another variation of Floyd’s rolling and countering is when a right hand is thrown at him from range; Floyd will use his lead elbow or forearm to spike the opponent’s extended right arm (rather than his shoulder) to steer them toward his right hand.
Mayweather attempts to draw a lead from Baldomir by offering him a tempting target.
Baldomir tries his luck by throwing a right hand aimed toward Mayweather’s “unprotected” left flank, but Floyd deflects the blow off target using his left forearm…
…and counters with a short right hand.
Floyd then immediately weaves out (to his right) to avoid Baldomir’s counter.
Against Carlos Baldomir, Floyd knew that by countering with his right hand, his right flank would immediately open up and become a potential target. By rolling under and out to his right, Floyd managed to evade his opponent’s most likely response after throwing a right hand; a left hook aimed toward his unprotected right flank.
{youtube}gSOlQvoR1IU{/youtube}
Closing the Doors on the Right Lead
A boxer’s job is not complete until they have “closed the door” after finishing an attack, either by jabbing their way out, or angling out. One of the safest exits to round off an attack with—attention Amir Khan, this concerns you– is to duck under and out to the left or right depending on which direction one’s last punch came from. For example, after a right hand, one should roll underneath and out to the right (to avoid the opponent’s likely counter left), and after throwing a left hook, one should roll under and out to the left (to avoid the opponent’s right hand).
Thrown straight from the guard and with very little that may signal to its arrival, Floyd executes his right hand lead better than anyone else in the sport—often forcing the opponent to step to him where he will catch them in-between steps on what is known as the half-beat, before taking some kind of pre-emptive measure against the most common reaction.
Mayweather closes in on southpaws Victor Ortiz and Robert Guerrero respectively.
Mayweather distracts with a “blinding jab”.
Mayweather throws a right hand lead…
… and immediately ducks underneath and out to his right to avoid the southpaw left.
{youtube}lqJ1qzlov7c{/youtube}
{youtube}ygH9AzYOjgQ{/youtube}
Mayweather epitomizes what good boxing is all about. To compete at the highest level, boxing is about doing what is absolutely necessary in order to minimize one’s openings while taking advantage of the opponent’s.
Moving in behind a high guard, Floyd presses the attack…
…and connects with a straight right.
Anticipating a left hook counter, Mayweather ducks underneath…
…and rolls out to his right.
As you can see, Mayweather’s brilliance is not a result of his speed, reflexes or any other physical attribute; Mayweather is brilliant purely because of his timing, control of distance and unrivalled ring intelligence.
Needless to say, as of yet, there is no definitive blueprint on how to beat Floyd Mayweather. As slick as he is, however, Mayweather is certainly not without a stylistic flaw or two.
Let’s now take a look at some of the ways in which one (specifically Canelo) could possibly take advantage of some of Mayweather’s tendencies.
Deception
“All warfare is based on deception. Hence, when able to attack, we must seem unable; when using our forces, we must seem inactive; when we are near, we must make the enemy believe we are far away; when we are far away, we must make him believe we are near”
—Sun Tzu, The Art of War
In many fields of endeavor, people rely on deception to help them reach their targets. In sports, such as basketball and football, players will fake a pass in one direction to throw off opposing players only to execute the actual intended play in another.
In boxing, the success or failure of such deceptive ploys depends upon the ability of the deceiver to lull the opponent into believing and acting upon a false action.
Early in the second round, Shane Mosley used a body jab to lure Mayweather’s rear hand away from his guard. As a result, Mosley was able to connect with a hard right cross that—if not for Mayweather’s defensive instincts that saw him clamping down on Mosley’s right arm immediately afterwards—would have almost certainly led to his demise.
Mayweather is ready to defend inside his half guard defensive posture.
Mayweather lowers his rear hand to parry Mosley’s low jab…
…but fails to react to the subsequent right hand in time.
A strategy that relies solely on a direct approach will soon result in a predictable attack. By targeting the body first and diverting Mayweather’s attention away from the intended target, Mosley was able to take advantage of a momentary lapse in Mayweather’s defensive structure.
Non-Rhythmic Combinations
Performed well, the half guard defense can be a tough nut to crack. However, like all guards, no one guard is impenetrable as every single one of them leaves an opening somewhere.
As we know, defensive-minded counterpunchers like Floyd love to set traps and draw the opponent in. Since Mayweather is very calculating, it is possible to confuse him by simply not giving him what he expects. Establishing a pattern and then abruptly breaking away from it can accomplish this as it is very difficult to counter effectively unless there is a pattern to predict. In other words, if they are not attacked in a predictable way, counterpunchers cannot mount a reliable counter-strategy.
For so long now, Mayweather has been faced with opponents who all shared the same game plan; pressure him, close the distance, and try to overwhelm him with volume on the inside.
Consider Mayweather’s bout with Philip N’Dou. Every time N’dou found Mayweather up on the ropes, he threw nothing but predictable left-right-left-right combinations that were easy for Mayweather to time and roll with.
{youtube}oVxtbjVWxAk{/youtube}
The half guard defense is the perfect foil for this brand of generic attack. Even the mercurial Juan Manuel Marquez, a stunningly beautiful combination puncher at his best, fell into the same trap against Floyd by failing to vary the rhythm and sequence of his combinations.
{youtube}FCiVNJ60RyA{/youtube}
Back in June, Paulie Malignaggi entered his fight with Adrien Broner a massive underdog. Because of an intelligent game plan, the fight ended up being far more competitive than many had anticipated and while Broner certainly did enough to earn himself a larger portion of the rounds based on him landing the cleaner and more effective punches, Malignaggi was successful where others have failed recently in exposing some of Broner’s stylistic limitations and, to some extent, those of the half guard defense.
As opposed to route one sluggers in Vicente Escobedo and Antonio DeMarco, Paulie employed lots of lateral movement, didn’t always try to take Broner’s head off with one shot, and more importantly, he threw his combinations against the grain.
Paulie throws a low jab which forces Broner to reach low to parry it.
Instead of following up with a predictable right, Malignaggi doubles up on his left with a lead hook to the body.
Paulie then breaks up the combination by taking a half step back…
…feints a jab (drawing out Broner’s rear hand parry)…
…and lands a solid left to the head.
Unlike Philip N’dou and Juan Manuel Marquez when they were confronted with a similar defensive construct, Paulie varied his combinations and threw them discordantly. By doubling and even tripling up on the same hand mid-combination, Paulie made it difficult for Broner to block and roll with his punches.
The true essence of combination punching is not to do all the damage with the initial blow, but to create an opening for a more damaging final one (through manipulating the opponent’s guard by throwing several lesser ones) somewhere down the line. While it is important that each punch is thrown in a rhythmic, free-flowing manner (Marquez does this better than anyone), it is equally important to vary the rhythm and targets.
In other words, rather than simply launch each combination in a uniform pattern (left-right-left-right), it is often best to change the speed of the individual punches and the length of pauses between them (left-left…..left-right). This is what Paulie did brilliantly against Broner (notice that Paulie’s entire combination in the above stills was thrown entirely off his lead hand).
During their fight, Canelo, a brilliant rhythmic and non-rhythmic combination puncher, managed to floor recent opponent Josesito Lopez with a quite vicious, but in no way reckless attack. The key to the whole combination was Canelo’s doubling up on his lead hand and sudden change in tempo.
Canelo forces Lopez to the ropes.
Canelo throws a blinding jab.
Instead of coming back with a predictable right cross, Canelo moves in behind yet another jab.
Canelo angles to his left off a right uppercut.
From a dominant angle, Canelo plants a left hook deep into the floating ribs of Lopez.
If one always maintains a consistent pattern of timing during a combination, the opponent can easily identify and time each blow. However, if one can break up the rhythm and sequence of the combination by slowing down and speeding up one’s punches, as well as by lengthening and shortening the pauses between them, the combination will become a lot more difficult for the opponent to time and, in Mayweather’s case, roll with.
Hooking off the Jab
“A feint is an outright lie. You make believe you’re going to hit your opponent in one place, he covers the spot and your punch lands on the other side. A left hook off the jab is a classy lie. You’re converting an I into an L. Making openings is starting a conversation with a guy, so another guy (your other hand) can come and hit him with a baseball bat”.
—Jose Torres, former light-heavyweight champion of the world.
Although it is a highly effective way to block the jab and set up counterpunching opportunities, boxers who tend to reach out too far to parry the opponent’s jab (as Mayweather did against Mosley) can be susceptible to hooks immediately following the jab (hooking off the jab). The aim of this technique is to use the jab to draw the opponent’s rear hand out and set him up for a left hook around the guard.
Joe Louis was an absolute master of this technique.
Louis’ subtle pressure forces his opponent to the ropes.
Louis throws a jab to lure the opponent’s rear hand away from his guard…
…and lands a crushing left hook.
Hooking off the jab is a lost art in modern boxing and is rarely seen nowadays, yet Canelo seems to have perfected the technique and is one of the very few who looks to implement it in the heat of battle.
Canelo cuts the ring off on Matthew Hatton.
Hatton reaches out to parry Canelo’s jab.
Canelo changes the trajectory and lands a left hook around the guard to Hatton’s newly exposed head.
Feint to Angling off Left Hook
During his fight with James Toney back in 1994, Roy Jones managed to exploit a major weakness in Toney’s defensive armor. Quite often, when an opponent is looking to close the distance, the half guard defense calls for the exponent to shift one’s weight over onto the back foot, thus making the head a more elusive target. Jones seemed to find the half guard defense’s sweet spot repeatedly against Toney; preceded by a feint, Jones would angle to his right (Toney’s left) and throw a left hook before sliding out behind Toney’s lead side, making it all but impossible for Toney to come back with counter rights.
Roy Jones’ early knockdown of James Toney illustrated this perfectly.
Jones is looking to capitalize on Toney’s retaliatory clowning.
Reacting to Jones’ feint, Toney immediately leans back.
With Toney’s balance severely compromised, Jones angles toward Toney’s lead side and lands a left hook.
Jones now has Toney’s back and has eliminated Toney’s ability to throw an effective counter.
Here is the very same technique performed again.
Jones throws a feint at Toney.
Jones lands a left hook as Toney, reacting to the feint, dips to his right (Jones’ left).
Placing his rear glove on Toney’s back, Jones secures a dominant angle by skipping out to his right, where he lands yet another left hook.
By the time Toney turns and resets, Jones has already exited on a different line to the one on which he entered.
So would the same kind of attack that neutralized James Toney’s half guard defense work just as well against the finest defender in the modern game for someone who doesn’t quite have the same kind of foot speed that Jones possessed during his prime?
Cotto closes in on Mayweather.
Cotto feints with a level change.
Cotto slides his right foot up and out to his right, and lands a left hook on Floyd, who is leaning back and off balance.
Cotto places his rear hand on Mayweather’s back and moves to his blindside. From here, Cotto can continue punching or exit on a different line.
Miguel Cotto doesn’t have nearly half the amount of foot speed that Roy Jones did during his heyday, yet that doesn’t matter; by first feinting, Miguel was able to gain time and draw out a predictable response from Mayweather—leaning back and bending slightly to his right—just as Jones was able to with Toney. Consequently, this kind of attack nullifies the defender’s ability to come back with right hands; the go-to counter from out of the half guard defense.
As we’ve previously discussed, Floyd will lower his lead arm to bait the opponent into throwing their right so he can then roll and counter with his own (for a reminder, look at the opening photo in the Baldomir sequence).
During his fight with Kermit Cintron, Canelo would feint a right hand in order to set up his left hook. Reacting to the feint, Cintron would then bend over at the waist and to his right (as Floyd, Broner and Toney do), only to inadvertently roll directly into Canelo’s incoming left.
Canelo closes the distance behind a jab.
Canelo feints a right hand, forcing Cintron to transfer his weight onto his back foot.
Canelo angles to his right slightly and lands a left hook to the chin of Cintron, who is now leaning over to avoid Canelo’s “right hand”.
Elusive Punching
When Floyd lets his hands go, he leaves openings just like everyone else. It is no coincidence, then, that on three of the four occasions where Floyd has been in the most trouble inside a boxing ring, he was tagged while being on the offensive.
Against Chop Chop Corley…
…and Shane Mosley.
As the above images clearly illustrate, Floyd can be hit cleanly while he is punching.
Although it is rarely mentioned when discussing Canelo’s strong points, Canelo is actually fairly difficult to hit cleanly during exchanges aimed toward his center because of the way he moves his head and upper body as he throws his punches. This is especially true when Canelo is throwing his overhand right (cross counter over the top of an opponent’s jab).
Alvarez closes in on Cintron.
Alvarez slips inside Cintron’s jab…
...and lands a hard right hand over the top.
Not only does Alvarez take his head off line, he also changes the elevation of his entire body too. Because of this, Canelo’s opponents soon find out that he is a lot more elusive than they had previously anticipated.
Here’s another example of Canelo’s elusiveness while he is punching.
Alvarez and Trout are both looking to engage.
By slipping outside, Alvarez forces Trout’s jab to sail past his right shoulder and connects with a straight right hand, sending Trout to the canvas.
It is by observing a fighter’s habits (that can then be taken and used against them) that we soon realize—regardless of what any pound-for-pound list may tell us—that every single fighter is capable of losing a fight through meticulous preparation and strategic thinking.
If Floyd were to lose to Canelo on Saturday, it wouldn’t be because of Canelo’s physical strength, heart, desire or even a lucky punch—it would be because of the young man’s craft and because of a superior strategy.
The concluding part of this two part piece will follow on TSS soon.
Featured Articles
Avila Perspective, Chap. 311: Jim Lampley Adds Class to the Benavidez-Morrell Rumble
Avila Perspective, Chap. 311: Jim Lampley Adds Class to the Benavidez-Morrell Rumble
Boxing is the oldest sport.
For at least the last 100 years or so, a person with a microphone sitting ringside as an observer has spewed details in machine gun fashion to a radio or television audience of hand-to-hand combat taking place in a boxing ring.
There have been many excellent orators of the sweet science, too many to name, but one who stands out is Jim Lampley. He is the Cicero of boxing journalism.
Through showers of blood, saliva and sometimes body parts, Lampley gave oratory of boxing matches taking place from the days of Sugar Ray Leonard to the emergence of women’s boxing.
Lampley and his merry men of boxing journalism return to Las Vegas for the light heavyweight clash between David Benavidez (29-0, 24 KOs) and David Morrell (11-0, 9 KOs) on Saturday Feb. 1, at T-Mobile Arena. PPV.Com will stream the fight card among other media outlets.
“People want to see the stars. They want to see the biggest stars,” says Lampley (pictured on the right with Morrell) about today’s boxing platforms. “We’ve gone from mass distribution to point to point distribution…it’s a product of the current digital world and how that operates.”
No other journalist rivals Lampley when it comes to prizefighting. No other can match the style and grace he describes a sport that brings unexpected intensity and sometimes shocking results.
Think Juan Manuel Marquez knocking out the great Manny Pacquiao in their fourth and final meeting in 2012.
Boxing’s Voice
Lampley has few rivals in broadcast journalism unless you compare other sports like baseball where the late Dodger announcer Vin Scully carved his legend. Or perhaps Chick Hearn the originator of pop culture basketball terminology like “it’s in the refrigerator.”
Boxing has Lampley and since his childhood, the sport has captivated his interest. He recalls after his father passed away his mother sat him in front of a small television set at age six to watch Sugar Ray Robinson fight Carl “Bobo” Olson in their second fight. Boxing was his babysitter.
“I’ve had boxing in my heart and in my head ever since,” Lampley said.
During his youth, after his widowed mother moved their family to Miami, Florida, the young Lampley saved car washing and lawn-mowing money to buy a ticket to watch Cassius Clay versus Sonny Liston.
“My mother took me and dropped me off with my individual ticket to go in and watch the fight. That was the night I saw my very first prize fight,” described Lampley about one of the most important boxing events that took place in 1964. “So, boxing has always been big in my background and in my sports fan experience.”
Eventually Lampley worked with ABC Sports covering college football, Wide World of Sports, and Olympic coverage. The only sport he did not cover in 13 years was boxing because Howard Cosell had a vice grip hold on boxing coverage for ABC. But when new leadership arrived it was decided to insert Lampley to cover boxing as a means of punishment.
“He immediately sized up that I was culturally allergic to boxing,” said Lampley of the new ABC leadership. “He assumed that I would be such a bad fit in boxing that it would bring an end to my broadcasting career and kick me out of his division.”
Ironically the event Lampley was forced to cover was Mike Tyson against Jesse Ferguson in Troy, New York on February 1986.
“This was an astonishing opportunity,” Lampley said. “Maybe this was meant to be,”
After a year or two more with ABC, Lampley moved to CBS and HBO to be part of their boxing programming and blazed a course for that program and himself as the preeminent voice of boxing broadcasting.
From Duran to Mayweather
Among those epic fights HBO covered featured Roberto Duran, Boom Boom Mancini, Marvin Halger, Roy Jones Jr., Oscar De La Hoya, Lennox Lewis, James Toney, Bernard Hopkins and Floyd Mayweather to name some.
When it was announced that new ownership for HBO decided to cancel its boxing programming, the boxing world was aghast.
“It was painful, sad, I was bereft,” said Lampley of the last HBO boxing card at the StubHub Center in Carson, Calif. “We had no idea why the brand new owners at HBO, a bunch of cell phone salesmen from Dallas, did not see boxing as an important part of the franchise.”
That night on Dec. 8, 2018, women’s boxing was featured for the first and only time on HBO. Lampley was aided by Max Kellerman and Roy Jones Jr. It was a cold night as usual at the outdoor arena known for its gladiator-like results such as the first meeting between Israel Vazquez and Rafael Marquez, the first of their two bloody clashes. (Photo insert: Lampley’s last HBO hurrah; photo by Al Applerose)
Among the women who fought that evening were Cecilia Braekhus and Claressa Shields. Ironically, seven months earlier, Braekhus fought Kali Reis at the same venue. Reis would go on to earn an Emmy nomination for an HBO series for her portrayal in the True Detective series.
Six years ago was HBO and Lampley’s final bow together.
“Still to this day I have no idea why they thought that was better for the long term,” Lampley said of HBO’s boxing abortion.
PPV.COM
Though HBO Championship Boxing no longer exists, Lampley’s undisputed talent for describing the art of boxing has brought him back. Now he represents PPV.COM an outfit wise enough to recognize the appeal of boxing’s greatest broadcast journalist from 1988 to December 2018. They reeled him back and with a new format that includes texting with fans during the actual fights.
“I help introduce the audience to the new communication phenomenon which I’m involved,” said Lampley who is partnered with journalist Dan Canobbio and Chris Algieri for this event. “It puts me back in touch with all my old friends in the media room where I spend the whole week leading up to the fight.”
Lampley recalls his first broadcast with PPV.COM 15 months ago already saw debates regarding undefeated David Benavidez possibly accepting a challenge from David Morrell.
“As style fights go, its potentially a great one,” said Lampley. “Its two punchers with legitimate punching power in an extremely fan friendly fight. The winner is regarded as logical upcoming opponent for Canelo Alvarez the number one money attraction in the world.”
On Saturday night when Benavidez and Morrell lead a talented fight card, be sure to select PPV.COM as your choice to listen to Lampley’s undeniable talent for describing boxing action.
Take advantage boxing fans.
One last note, Lampley’s book “It Happened” will be coming soon on April 15.
Fights to Watch
Sat. PPV.COM 3 p.m. David Benavidez (29-0) vs David Morrell (11-0); Brandon Figueroa (25-1-1) vs Stephen Fulton (22-1); Isaac Cruz (26-3-1) vs Angel Fierro (23-2-2).
Sun. DAZN 4:30 p.m. Claressa Shields (15-0) vs Danielle Perkins (5-0).
To comment on this story in the Fight Forum CLICK HERE
Featured Articles
Hall of Fame Boxing Writer Michael Katz (1939-2025) Could Wield His Pen like a Stiletto
One of the last of the breed – a full-time boxing writer for the print edition of a major metropolitan daily – left us this week. Hall of Fame boxing writer Michael Katz was 85 when he drew his last breath at an assisted living facility in Brooklyn on Monday, Jan. 27.
Born in the Bronx, Katz earned his spurs writing for the school newspaper “The Campus” at the City College of New York. He was living in Paris and working for the international edition of the New York Times when he covered his first fight, the 15-round contest between Floyd Patterson and Jimmy Ellis at Stockholm in 1968. He eventually became the Times boxing writer, serving in that capacity for almost nine years before bolting for the New York Daily News in 1985 where he was reunited with the late Vic Ziegel, his former CCNY classmate and cohort at the campus newspaper.
From a legacy standpoint, leaving America’s “paper of record” for a tabloid would seem to be a step down. Before the digital age, the Times was one of only a handful of papers that could be found on microfilm in every college library. Tabloids like the Daily News were evanescent. Yesterday’s paper, said the cynics, was only good for wrapping fish.
But at the Daily News, Michael Katz was less fettered, less of a straight reporter and more of a columnist, freer to air his opinions which tended toward the snarky. Regarding the promoter Don King, Katz wrote, “On the way to the gallows, Don King would try to pick the pocket of the executioner.”
With his metaphoric inkwell steeped in bile, Katz made many enemies. “Bob Arum would sell tickets to a Joey Buttafuoco lecture on morals and be convinced it was for a noble cause,” wrote Katz in 1993. Arum had had enough when Katz took him to task for promoting a fight on the night of Yom Kippur and sued Katz for libel.
“It was out of my hands, HBO picked the date,” said Arum of the 1997 bout between Buster Douglas and John Ruiz that never did come off after Douglas suffered a hand injury in training. (Arum would subsequently drop the suit, saying it wasn’t worth the hassle.)
At press luncheons in Las Vegas, the PR people always made certain to seat Katz with his pals Ed Schuyler, the Associated Press boxing writer, and Pat Putnam, the Sports Illustrated guy. They reveled in each other’s company. But Katz also made enemies with some of his peers on press row, in some cases fracturing longstanding friendships.
“I like Hauser,” wrote Katz in a review of Thomas Hauser’s award-winning biography of Muhammad Ali, “and was afraid that after Tom put in those thousands of hours with Ali, somehow the book couldn’t be as good as I wanted. With relief, I can report it’s better than I had hoped.”
The two later had a falling-out.
Katz’s most celebrated run-in with a colleague happened in June of 2004 when he scuffled with Boston Globe boxing writer Ron Borges in the media room at the MGM Grand during the pre-fight press conference for the fight between Oscar De La Hoya and Felix Sturm. During the fracas, Katz, Borges, Arum, and Arum’s publicist Lee Samuels toppled to the floor. The cantankerous Katz, who initiated the fracas by attacking Borges verbally, then wore a neck brace and carried a cane.
“I had my ups and downs with him,” wrote Borges on social media upon learning of Katz’s death, “but we traveled the world together for nearly 50 years and I long admired his talent, his willingness to stand up for fighters and to call out the b.s. of boxing and its promoters and broadcast entities who worked diligently to try and destroy a noble sport.”
A little-known fact about Michael Katz is that he played a role in getting one of the best boxing books, George Kimball’s vaunted “Four Kings,” to its publishing house. Kimball, who passed away in 2011, an esophageal cancer victim at age 67, was hospitalized and too ill to finish the proofing and editing of the manuscript and enlisted the aid of Katz and an old friend from Boston, Tom Frail, an editor at the Smithsonian magazine, to complete the finishing touches. “If there are any mistakes in the book,” wisecracked Kimball, “blame them.”
Katz was one of the first sportswriters to hop on the internet bandwagon, moving his tack to HouseofBoxing.com which became MaxBoxing.com. That didn’t work out so well for him. Some of his last published pieces ran in the Memphis Commercial Appeal and in the Las Vegas weekly Gaming Today.
A widower for much of his adult life, Katz was predeceased by his only child, his beloved daughter Moorea, a cancer sufferer who passed away in 2021. Her death took all the spirit out of him, noted matchmaker and freelance boxing writer Eric Bottjer in a moving tribute.
During a moment in Atlantic City, Bottjer had been privy to a different side of the irascible curmudgeon, “a beautiful soul when open and vulnerable.” The best way to honor Katz’s memory, he writes, is to reach out to a long lost friend. Pass it on.
To comment on this story in the Fight Forum CLICK HERE
Featured Articles
Boxing Odds and Ends: Ernesto Mercado, Marcel Cerdan and More
The TSS Fighter of the Month for January is super lightweight Ernesto “Tito” Mercado who scored his sixth straight knockout, advancing his record to 17-0 (16 KOs) with a fourth-round stoppage of Jose Pedraza on the undercard of Diego Pacheco vs. Steven Nelson at the Cosmopolitan Hotel in Las Vegas.
Mercado was expected to win. At age 35, Pedraza’s best days were behind him. But the Puerto Rican “Sniper” wasn’t chopped liver. A 2008 Beijing Olympian, he was a former two-division title-holder. In a previous fight in Las Vegas, in June of 2021, Pedraza proved too savvy for Julian Rodriguez (currently 23-1) whose corner pulled him out after eight rounds. So, although Mercado knew that he was the “A-side,” he also knew, presumably, that it was important to bring his “A” game.
Mercado edged each of the first three frames in what was shaping up as a tactical fight. In round four, he followed a short left hand with an overhand right that landed flush on Pedraza’s temple. “It was a discombobulating punch,” said one of DAZN’s talking heads. Indeed, the way that Pedraza fell was awkward. “[He] crushed colorfully backward and struck the back of his head on the canvas before rising on badly wobbled legs,” wrote ringside reporter Lance Pugmire.
He beat the count, but referee Robert Hoyle wisely waived it off.
Now 23 years old, Ernesto “Tito” Mercado was reportedly 58-5 as an amateur. At the December 2019 U.S. Olympic Trials in Lake Charles, Louisiana, he advanced to the finals in the lightweight division but then took sick and was medically disqualified from competing in the championship round. His opponent, Keyshawn Davis, won in a walkover and went on to win a silver medal at the Tokyo Games.
As a pro, only one of Mercado’s opponents, South African campaigner Xolisani Ndongeni, heard the final bell. Mercado won nine of the 10 rounds. The stubborn Ndongeni had previously gone 10 rounds with Devin Haney and would subsequently go 10 rounds with Raymond Muratalla.
The Ndongeni fight, in July of 2023, was staged in Nicaragua, the homeland of Mercado’s parents. Tito was born in Upland in Southern California’s Inland Empire and currently resides in Pomona.
Pomona has spawned two world champions, the late Richie Sandoval and Sugar Shane Mosley. Mercado is well on his way to becoming the third.
Marcel Cerdan Jr
Born in Casablanca, Marcel Cerdan Jr was four years old when his dad ripped the world middleweight title from Tony Zale. A good fighter in his own right, albeit nowhere near the level of his ill-fated father, the younger Cerdan passed away last week at age 81.
Fighting mostly as a welterweight, Cerdan Jr scored 56 wins in 64 professional bouts against carefully selected opponents. He came up short in his lone appearance in a U.S. ring where he was matched tough against Canadian champion Donato Paduano, losing a 10-round decision on May 11, 1970 at Madison Square Garden. This was a hard, bloody fight in which both men suffered cuts from accidental head butts.
Cerdan Jr and Paduano both trained for the match at the Concord Hotel in the Catskills. In the U.S. papers, Cerdan Jr’s record was listed as 47-0-1. The record conveniently omitted the loss that he had suffered in his third pro bout.
Eight years after his final fight, Cerdan Jr acquired his highest measure of fame for his role in the movie Edith et Marcel. He portrayed his father who famously died at age 33 in a plane crash in the Azores as he was returning to the United States for a rematch with Jake LaMotta who had taken away his title.
Edith et Marcel, directed by Claude Lelouch, focused on the love affair between Cerdan and his mistress Edith Piaf, the former street performer turned cabaret star who remains today the most revered of all the French song stylists.
Released in 1983, twenty years after the troubled Piaf passed away at age 47, the film, which opened to the greatest advertising blitz in French cinematic history, caused a sensation in France, spawning five new books and hundreds of magazine and newspaper articles. Cerdan Jr’s performance was “surprisingly proficient” said the Associated Press about the ex-boxer making his big screen debut.
The French language film occasionally turns up on Turner Classic Movies. Although it got mixed reviews, the film is a feast for the ears for fans of Edith Piaf. The musical score is comprised of Piaf’s original songs in her distinctive voice.
Marcel Cerdan Jr’s death was attributed to pneumonia complicated by Alzheimer’s. May he rest in peace.
Claressa Shields
Speaking of movies, the Claressa Shields biopic, The Fire Inside, released on Christmas day, garnered favorable reviews from some of America’s most respected film critics with Esquire’s Max Cea calling it the year’s best biopic. First-time director Rachel Morrison, screenwriter Barry Jenkins, and Ryan Destiny, who portrays Claressa, were singled out for their excellent work.
The movie highlights Shields’ preparation for the 2012 London Olympics and concludes with her training for the Rio Games where, as we know, she would win a second gold medal. In some respects, the movie is reminiscent of The Fighter, the 2010 film starring Mark Wahlberg as Irish Micky Ward where the filmmakers managed to manufacture a great movie without touching on Ward’s famous trilogy with Arturo Gatti.
The view from here is that screenwriter Jenkins was smart to end the movie where he did. In boxing, and especially in women’s boxing, titles are tossed around like confetti. Had Jenkins delved into Claressa’s pro career, a very sensitive, nuanced biopic, could have easily devolved into something hokey. And that’s certainly no knock on Claressa Shields. The self-described GWOAT, she is dedicated to her craft and a very special talent.
Shields hopes that the buzz from the movie will translate into a full house for her homecoming fight this coming Sunday, Feb. 2, at the Dort Financial Center in Flint, Michigan. A bevy of heavyweight-division straps will be at stake when Shields, who turns 30 in March, takes on 42-year-old Brooklynite Danielle Perkins.
At bookmaking establishments, Claressa is as high as a 25/1 favorite. That informs us that the oddsmakers believe that Perkins is marginally better than Claressa’s last opponent, Vanessa Lepage-Joanisse. That’s damning Perkins with faint praise.
Shields vs. Perkins plus selected undercard bouts will air worldwide on DAZN at 8 pm ET / 5 pm PT.
To comment on this story in the Fight Forum CLICK HERE
-
Featured Articles4 weeks ago
R.I.P. Paul Bamba (1989-2024): The Story Behind the Story
-
Featured Articles3 weeks ago
Jai Opetaia Brutally KOs David Nyika, Cementing his Status as the World’s Top Cruiserweight
-
Featured Articles2 weeks ago
Skylar Lacy Blocked for Lamar Jackson before Making his Mark in Boxing
-
Featured Articles3 weeks ago
Bygone Days: The Largest Crowd Ever at Madison Square Garden Sees Zivic TKO Armstrong
-
Featured Articles2 weeks ago
Mizuki Hiruta Dominates in her U.S. Debut and Omar Trinidad Wins Too at Commerce
-
Featured Articles4 weeks ago
Don’t Underestimate Gloria Alvarado, an Unconventional Boxing Coach
-
Featured Articles2 weeks ago
Avila Perspective, Chap. 309: 360 Promotions Opens with Trinidad, Mizuki and More
-
Featured Articles4 weeks ago
Dante Kirkman: Merging the Sweet Science with Education