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Meet ‘Old-Timer’ Tod Morgan, a New Addition to the Boxing Hall of Fame
On Aug. 3, 1953, Tod Morgan died a pauper in his home state of Washington. He was 50 years old.
After more than 200 pro fights, Morgan had nothing to show for it. A former world junior lightweight champion and the former lightweight champion of Australia, Morgan the ex-boxer worked as a bellman in Seattle hotels until he became incapacitated. But he wouldn’t be completely forgotten. This coming June, nearly 69 years after he drew his last breath, Tod Morgan will be formally inducted into the International Boxing Hall of Fame.
The second fighter from the Apple State to be accorded this honor (Tacoma’s Freddie Steele was enshrined in 1999), Morgan was born Albert Pilkington in Sequim, a town on Washington’s Olympic Peninsula. Taking the surname of his stepfather, Frank Morgan, he made his pro debut at age 17 at a vaudeville house in Concrete, Washington, a town whose major employer was, you guessed it, a cement company.
Morgan was just a few fights into his pro career when he shifted his tack to the town of Vallejo near Oakland on the eastern side of San Francisco Bay. Between October of 1920 and May of 1923, he fought exclusively in California, 50 fights in all. These were all 4-rounders. In November of 1913, the voters in California approved a measure that restricted all fights, amateur and pro, to four rounds. The law remained in effect for 10 years.
After a short stint in Seattle, Morgan returned to California. On Dec. 2, 1925, he made the national news wire when he stopped New Jersey’s Mike Ballerino at LA’s Olympic Auditorium. The match was billed for the world junior lightweight title. Ballerino took all the worst of it until his corner tossed in the towel in the 10th and final round.
His bout with Ballerino would be the first of 15 fights denominated as world title fights in the 130-pound weight class. Morgan’s record in these encounters was 12-2-1.
Six of the title fights were at the Mecca of Boxing, Madison Square Garden.
In his first Madison Square Garden exposure, Martin successfully defended his belt with a lopsided decision over Brooklyn’s Joe Glick. They would fight again in this same ring, a match in which Glick was disqualified for low blows. (The wags would saddle Joe Glick with boxing’s oddest nickname. A tailor by trade, he was dubbed the Brownsville Buttonhole Maker.)
Another Brooklynite, Eddie “Cannonball” Martin, gave Morgan one of his toughest fights when they met at Madison Square Garden on May 24, 1928. The referee and both judges gave the bout to Morgan, but there were dissenters among the ringside press.
Cannonball Martin, who previously had a tenuous hold on the world bantamweight title, was very good, but Morgan left no doubt that he was the better man when they hooked up again. After 15 gory rounds, the decision favoring the West Coast invader was so clear-cut that it was cheered by the pro-Martin crowd. The match was held on a hot and muggy July evening before 20,000 at Ebbets Field, home of the Brooklyn baseball team that had taken the name Dodgers.
Tod Morgan’s lone setbacks in those 15 title fights came at the hands of Joey Sangor and Benny Bass. Tod didn’t bring his “A” game when he fought Sangor in a 10-round bout at Milwaukee on New Year’s Day, 1929. The newspaper writers were in general agreement that Sangor, a local man, edged it. But Wisconsin was then a no-decision state which meant that Morgan kept his title as it could only change hands in the event of a knockout. His defeat at the hands of Benny Bass at Madison Square Garden on Dec. 20, 1929, was a horse of a different color. The fight had a bad odor about it.
After winning the first round convincingly, Morgan was knocked out in the second. The knockout punch was a clean right hand to the jaw, but the outcome supported the whispers that the fix was in. All of the late money was on Philadelphia’s “Little Fish,” which made no sense as Morgan was far cleverer. In the lobby at Madison Square Garden, the odds favoring Bass soared as high as 6/1.
The New York Athletic Commission withheld the fighters’ purses. They were unable to prove any wrongdoing, but got a measure of satisfaction by abolishing the junior lightweight class – and for good measure, the other junior divisions as well. Other jurisdictions continued to recognize a 130-pound class and New York eventually relented, restoring the weight division in 1949.
Morgan wore out his welcome in the Big Apple with that suspicious performance and would never fight in New York again. He returned to Washington and fought up and down the West Coast before trundling off to Sydney, Australia in the late summer of 1933.
Morgan spent the last nine years of his boxing career in the Land Down Under. He had 62 fights in Australian rings, the vast majority slated for 15 rounds, and promoted a few fights on the side before returning to the United States shortly after the end of World War II.
When he was young, Morgan was known for his fast footwork. “His boxing was a pleasure to the eye,” wrote UPI sports editor Frank Getty, who added that when the occasion warranted, Morgan could out-slug the roughest and toughest. As he grew older, what stood out was his cageyness. “He could punch from any angle or position,” reminisced Sydney southpaw Vic Patrick who won three out of four from Tod Morgan at the tail end of Morgan’s career. “He had a favorite punch that seemed to hit right on the spot, where the liver is, without being an illegal punch.”
Back in the States, Morgan told an Associated Press reporter that he planned to enlist the aid of other Pacific Northwest fighters from his era in the formation of a non-profit “to take care of indigent and/or punchy fighters who have passed their prime.” He had a name for it: the American Professional Boxing Association.
Morgan would need to find a sugar daddy to pull this off as he had virtually no resources of his own. When he left the Antipodes with his Australian wife, he didn’t have the funds to pay his way home for the both of them and hired on as a messman in the ship’s cafeteria.
How can a boxer with that many fights under his belt, and a former long-reigning world champion to boot, leave the sport with only his scrapbook? Keep in mind that the 130-pound division was new and had very little cachet. Also, the last half of Morgan’s career overlapped with the period when most of the world, and especially the U.S. and Australia, were in the grips of the Great Depression. Purses were miniscule.
During Morgan’s day, to steal a line from the great sportswriter Jimmy Cannon, professional prizefighters in the main were paid with what amounted to moving-around-money. It cost money to go places to ply one’s trade, even if one doesn’t go first-class. The expenses — transportation, lodging, meals, etc. — can eat a hole in one’s pocket in a hurry.
In July of 1951, Morgan suffered a stroke while staying in the home of his mother in Reno. Two months later, on Sept. 22, this disheartening item appeared in the Los Angeles Times: “[Tod Morgan] underwent an unsuccessful brain operation in Reno recently…He’s now in a State hospital in his home state of Washington…and without funds.”
According to BoxRec, Morgan finished 133-42-33 with 29 KOs in a career during which he answered the bell for 1664 rounds. When he fell ill, a reporter made this observation: “Tod never turned down an opponent, no matter how tough or famous, and was fighting long years after everyone thought him washed up.”
He’s been dead more years than he lived, but this week he was resuscitated, in a fashion, with the news that he has been named to the International Boxing Hall of Fame. If you happen to visit the Shrine in Canastota, be certain to check his plaque on the wall. It would bring a smile to his face, and he had precious few reasons to smile after he hung up his gloves.
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Hall of Fame Boxing Writer Michael Katz (1939-2025) Could Wield His Pen like a Stiletto
One of the last of the breed – a full-time boxing writer for the print edition of a major metropolitan daily – left us this week. Hall of Fame boxing writer Michael Katz was 85 when he drew his last breath at an assisted living facility in Brooklyn on Monday, Jan. 27.
Born in the Bronx, Katz earned his spurs writing for the school newspaper “The Campus” at the City College of New York. He was living in Paris and working for the international edition of the New York Times when he covered his first fight, the 15-round contest between Floyd Patterson and Jimmy Ellis at Stockholm in 1968. He eventually became the Times boxing writer, serving in that capacity for almost nine years before bolting for the New York Daily News in 1985 where he was reunited with the late Vic Ziegel, his former CCNY classmate and cohort at the campus newspaper.
From a legacy standpoint, leaving America’s “paper of record” for a tabloid would seem to be a step down. Before the digital age, the Times was one of only a handful of papers that could be found on microfilm in every college library. Tabloids like the Daily News were evanescent. Yesterday’s paper, said the cynics, was only good for wrapping fish.
But at the Daily News, Michael Katz was less fettered, less of a straight reporter and more of a columnist, freer to air his opinions which tended toward the snarky. Regarding the promoter Don King, Katz wrote, “On the way to the gallows, Don King would try to pick the pocket of the executioner.”
With his metaphoric inkwell steeped in bile, Katz made many enemies. “Bob Arum would sell tickets to a Joey Buttafuoco lecture on morals and be convinced it was for a noble cause,” wrote Katz in 1993. Arum had had enough when Katz took him to task for promoting a fight on the night of Yom Kippur and sued Katz for libel.
“It was out of my hands, HBO picked the date,” said Arum of the 1997 bout between Buster Douglas and John Ruiz that never did come off after Douglas suffered a hand injury in training. (Arum would subsequently drop the suit, saying it wasn’t worth the hassle.)
At press luncheons in Las Vegas, the PR people always made certain to seat Katz with his pals Ed Schuyler, the Associated Press boxing writer, and Pat Putnam, the Sports Illustrated guy. They reveled in each other’s company. But Katz also made enemies with some of his peers on press row, in some cases fracturing longstanding friendships.
“I like Hauser,” wrote Katz in a review of Thomas Hauser’s award-winning biography of Muhammad Ali, “and was afraid that after Tom put in those thousands of hours with Ali, somehow the book couldn’t be as good as I wanted. With relief, I can report it’s better than I had hoped.”
The two later had a falling-out.
Katz’s most celebrated run-in with a colleague happened in June of 2004 when he scuffled with Boston Globe boxing writer Ron Borges in the media room at the MGM Grand during the pre-fight press conference for the fight between Oscar De La Hoya and Felix Sturm. During the fracas, Katz, Borges, Arum, and Arum’s publicist Lee Samuels toppled to the floor. The cantankerous Katz, who initiated the fracas by attacking Borges verbally, then wore a neck brace and carried a cane.
“I had my ups and downs with him,” wrote Borges on social media upon learning of Katz’s death, “but we traveled the world together for nearly 50 years and I long admired his talent, his willingness to stand up for fighters and to call out the b.s. of boxing and its promoters and broadcast entities who worked diligently to try and destroy a noble sport.”
A little-known fact about Michael Katz is that he played a role in getting one of the best boxing books, George Kimball’s vaunted “Four Kings,” to its publishing house. Kimball, who passed away in 2011, an esophageal cancer victim at age 67, was hospitalized and too ill to finish the proofing and editing of the manuscript and enlisted the aid of Katz and an old friend from Boston, Tom Frail, an editor at the Smithsonian magazine, to complete the finishing touches. “If there are any mistakes in the book,” wisecracked Kimball, “blame them.”
Katz was one of the first sportswriters to hop on the internet bandwagon, moving his tack to HouseofBoxing.com which became MaxBoxing.com. That didn’t work out so well for him. Some of his last published pieces ran in the Memphis Commercial Appeal and in the Las Vegas weekly Gaming Today.
A widower for much of his adult life, Katz was predeceased by his only child, his beloved daughter Moorea, a cancer sufferer who passed away in 2021. Her death took all the spirit out of him, noted matchmaker and freelance boxing writer Eric Bottjer in a moving tribute.
During a moment in Atlantic City, Bottjer had been privy to a different side of the irascible curmudgeon, “a beautiful soul when open and vulnerable.” The best way to honor Katz’s memory, he writes, is to reach out to a long lost friend. Pass it on.
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Boxing Odds and Ends: Ernesto Mercado, Marcel Cerdan and More
The TSS Fighter of the Month for January is super lightweight Ernesto “Tito” Mercado who scored his sixth straight knockout, advancing his record to 17-0 (16 KOs) with a fourth-round stoppage of Jose Pedraza on the undercard of Diego Pacheco vs. Steven Nelson at the Cosmopolitan Hotel in Las Vegas.
Mercado was expected to win. At age 35, Pedraza’s best days were behind him. But the Puerto Rican “Sniper” wasn’t chopped liver. A 2008 Beijing Olympian, he was a former two-division title-holder. In a previous fight in Las Vegas, in June of 2021, Pedraza proved too savvy for Julian Rodriguez (currently 23-1) whose corner pulled him out after eight rounds. So, although Mercado knew that he was the “A-side,” he also knew, presumably, that it was important to bring his “A” game.
Mercado edged each of the first three frames in what was shaping up as a tactical fight. In round four, he followed a short left hand with an overhand right that landed flush on Pedraza’s temple. “It was a discombobulating punch,” said one of DAZN’s talking heads. Indeed, the way that Pedraza fell was awkward. “[He] crushed colorfully backward and struck the back of his head on the canvas before rising on badly wobbled legs,” wrote ringside reporter Lance Pugmire.
He beat the count, but referee Robert Hoyle wisely waived it off.
Now 23 years old, Ernesto “Tito” Mercado was reportedly 58-5 as an amateur. At the December 2019 U.S. Olympic Trials in Lake Charles, Louisiana, he advanced to the finals in the lightweight division but then took sick and was medically disqualified from competing in the championship round. His opponent, Keyshawn Davis, won in a walkover and went on to win a silver medal at the Tokyo Games.
As a pro, only one of Mercado’s opponents, South African campaigner Xolisani Ndongeni, heard the final bell. Mercado won nine of the 10 rounds. The stubborn Ndongeni had previously gone 10 rounds with Devin Haney and would subsequently go 10 rounds with Raymond Muratalla.
The Ndongeni fight, in July of 2023, was staged in Nicaragua, the homeland of Mercado’s parents. Tito was born in Upland in Southern California’s Inland Empire and currently resides in Pomona.
Pomona has spawned two world champions, the late Richie Sandoval and Sugar Shane Mosley. Mercado is well on his way to becoming the third.
Marcel Cerdan Jr
Born in Casablanca, Marcel Cerdan Jr was four years old when his dad ripped the world middleweight title from Tony Zale. A good fighter in his own right, albeit nowhere near the level of his ill-fated father, the younger Cerdan passed away last week at age 81.
Fighting mostly as a welterweight, Cerdan Jr scored 56 wins in 64 professional bouts against carefully selected opponents. He came up short in his lone appearance in a U.S. ring where he was matched tough against Canadian champion Donato Paduano, losing a 10-round decision on May 11, 1970 at Madison Square Garden. This was a hard, bloody fight in which both men suffered cuts from accidental head butts.
Cerdan Jr and Paduano both trained for the match at the Concord Hotel in the Catskills. In the U.S. papers, Cerdan Jr’s record was listed as 47-0-1. The record conveniently omitted the loss that he had suffered in his third pro bout.
Eight years after his final fight, Cerdan Jr acquired his highest measure of fame for his role in the movie Edith et Marcel. He portrayed his father who famously died at age 33 in a plane crash in the Azores as he was returning to the United States for a rematch with Jake LaMotta who had taken away his title.
Edith et Marcel, directed by Claude Lelouch, focused on the love affair between Cerdan and his mistress Edith Piaf, the former street performer turned cabaret star who remains today the most revered of all the French song stylists.
Released in 1983, twenty years after the troubled Piaf passed away at age 47, the film, which opened to the greatest advertising blitz in French cinematic history, caused a sensation in France, spawning five new books and hundreds of magazine and newspaper articles. Cerdan Jr’s performance was “surprisingly proficient” said the Associated Press about the ex-boxer making his big screen debut.
The French language film occasionally turns up on Turner Classic Movies. Although it got mixed reviews, the film is a feast for the ears for fans of Edith Piaf. The musical score is comprised of Piaf’s original songs in her distinctive voice.
Marcel Cerdan Jr’s death was attributed to pneumonia complicated by Alzheimer’s. May he rest in peace.
Claressa Shields
Speaking of movies, the Claressa Shields biopic, The Fire Inside, released on Christmas day, garnered favorable reviews from some of America’s most respected film critics with Esquire’s Max Cea calling it the year’s best biopic. First-time director Rachel Morrison, screenwriter Barry Jenkins, and Ryan Destiny, who portrays Claressa, were singled out for their excellent work.
The movie highlights Shields’ preparation for the 2012 London Olympics and concludes with her training for the Rio Games where, as we know, she would win a second gold medal. In some respects, the movie is reminiscent of The Fighter, the 2010 film starring Mark Wahlberg as Irish Micky Ward where the filmmakers managed to manufacture a great movie without touching on Ward’s famous trilogy with Arturo Gatti.
The view from here is that screenwriter Jenkins was smart to end the movie where he did. In boxing, and especially in women’s boxing, titles are tossed around like confetti. Had Jenkins delved into Claressa’s pro career, a very sensitive, nuanced biopic, could have easily devolved into something hokey. And that’s certainly no knock on Claressa Shields. The self-described GWOAT, she is dedicated to her craft and a very special talent.
Shields hopes that the buzz from the movie will translate into a full house for her homecoming fight this coming Sunday, Feb. 2, at the Dort Financial Center in Flint, Michigan. A bevy of heavyweight-division straps will be at stake when Shields, who turns 30 in March, takes on 42-year-old Brooklynite Danielle Perkins.
At bookmaking establishments, Claressa is as high as a 25/1 favorite. That informs us that the oddsmakers believe that Perkins is marginally better than Claressa’s last opponent, Vanessa Lepage-Joanisse. That’s damning Perkins with faint praise.
Shields vs. Perkins plus selected undercard bouts will air worldwide on DAZN at 8 pm ET / 5 pm PT.
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Ringside at the Cosmo: Pacheco Outpoints Nelson plus Undercard Results
Ringside at the Cosmo: Pacheco Outpoints Nelson plus Undercard Results
LAS VEGAS, NV – Eddie Hearn’s Matchroom Promotions was at the Cosmopolitan in Las Vegas tonight for the second half of a DAZN doubleheader that began in Nottingham, England. In the main event, Diego Pacheco, ranked #1 by the WBO at super middleweight, continued his ascent toward a world title with a unanimous decision over Steven Nelson.
Pacheco glides round the ring smoothly whereas Nelson wastes a lot energy with something of a herky-jerky style. However, although Nelson figured to slow down as the fight progressed, he did some of his best work in rounds 11 and 12. Fighting with a cut over his left eye from round four, a cut that periodically reopened, the gritty Nelson fulfilled his promise that he would a fight as if he had everything to lose if he failed to win, but it just wasn’t enough, even after his Omaha homie Terence “Bud” Crawford entered his corner before the last round to give him a pep talk (back home in North Omaha, Nelson runs the B&B (Bud and Bomac) Sports Academy.
All three judges had it 117-111 for Pacheco who mostly fought off his back foot but landed the cleaner punches throughout. A stablemate of David Benavidez and trained by David’s father Jose Benevidez Sr, Pacheco improved to 23-0 (18). It was the first pro loss for the 36-year-old Nelson (20-1).
Semi wind-up
Olympic gold medalist Andy Cruz, who as a pro has never fought a match slated for fewer than 10 rounds, had too much class for Hermosillo, Mexico’s rugged Omar Salcido who returned to his corner with a puffy face after the fourth stanza, but won the next round and never stopped trying. The outcome was inevitable even before the final round when Salcido barely made it to the final gun, but the Mexican was far more competitive than many expected.
The Cuban, who was 4-0 vs. Keyshawn Davis in closely-contested bouts as an amateur, advanced his pro record to 5-0 (2), winning by scores by 99-91 and 98-92 twice. Salido, coming off his career-best win, a 9th-round stoppage of former WBA super featherweight title-holder Chris Colbert, falls to 20-2.
Other TV bouts
Ernesto “Tito” Mercado, a 23-year-old super lightweight, aims to become the next world champion from Pomona, California, following in the footsteps of the late Richie Sandoval and Sugar Shane Mosely, and based on his showing tonight against former Beijing Olympian and former two-division title-holder Jose Pedraza, he is well on his way.
After three rounds after what had been a technical fight, Mercado (17-0, 16 KOs) knocked Pedraza off his pins with a short left hand followed by an overhand right. Pedraza bounced back and fell on his backside. When he arose on unsteady legs, the bout was waived off. The official time was 2:08 of round four and the fading, 35-year-old Pedraza (29-7-1) was saddled with his third loss in his last four outings.
The 8-round super lightweight clash between Israel Mercado (the 29-year-old uncle of “Tito”) and Leonardo Rubalcava was a fan-friendly skirmish with many robust exchanges. When the smoke cleared, the verdict was a majority draw. Mercado got the nod on one card (76-74), but was overruled by a pair of 75-75 scores.
Mercado came out strong in the opening round, but suffered a flash knockdown before the round ended. The referee ruled it a slip but was overruled by replay operator Jay Nady and what would have been a 10-9 round for Mercado became a 10-8 round for Rubalcava. Mercado lost another point in round seven when he was penalized for low blows.
The scores were 76-74 for Mercado (11-1-2) and 75-75 twice. The verdict was mildly unpopular with most thinking that Mercado deserved the nod. Reportedly a four-time Mexican amateur champion, Rubalcava (9-0-1) is trained by Robert Garcia.
Also
New Matchroom signee Nishant Dev, a 24-year-old southpaw from India, had an auspicious pro debut (pardon the cliché). Before a beaming Eddie Hearn, Dev stopped Oakland’s Alton Wiggins (1-1-1) in the opening round. The referee waived it off after the second knockdown.
Boxers from India have made large gains at the amateur level in recent years and Matchroom honcho Eddie Hearn anticipates that Dev, a Paris Olympian, will be the first fighter from India to make his mark as a pro.
Undefeated Brooklyn lightweight Harley Mederos, managed by the influential Keith Connolly, scored his seventh knockout in eight tries with a brutal third-round KO of Mexico’s Arturo de Isla.
A left-right combination knocked de Isla (5-3-1) flat on his back. Referee Raul Caiz did not bother to count and several minutes elapsed before the stricken fighter was fit to leave the ring. The official time was 1:27 of round three.
In the opener, Newark junior lightweight Zaquin Moses, a cousin of Shakur Stevenson, improved to 2-0 when his opponent retired on his stool after the opening round.
Photo credit: Melina Pizano / Matchroom
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