How To Box by Joe Louis: Part 2 – The Jab and the Hook

Published

2 years ago

April 30, 2023

How-to-Box-by-Joe-Louis-Paet-2-The-Jab-and-the-Hook

In the build-up to Rocky Marciano’s first confrontation with Ezzard Charles, The Miami Herald cast an eye back to The Rock’s heartbreaking 1951 destruction of Joe Louis. In an article entitled “Louis Jab Hurt Rock, Boxing Bothers Him,” the newspaper recalled the testimony of Arthur Donovan, who refereed some twenty Joe Louis fights in his storied career. Donovan talked “half fearfully” of the Joe Louis jab and his concern that the Bomber would one day catch someone moving in, chin up and that the Champ would “break his neck.”

Everyone knows that Joe Louis is one of the greatest punchers of all time, that the unparalleled mixture of speed, power and accuracy combined to create one of the most devastating offensive machines in history, but his jab is now somewhat forgotten. Whilst YouTube and similar sights bless us with hours of boxing footage and allow a new generation to discover the ruination Louis wrought upon his opposition, these highlight packages often stress power punches and knockouts at the expense of the techniques that buy these scintillating moments—not least the jab.

Well, Louis did hurt Rocky Marciano with the jab. He hurt everyone he ever fought with the jab. Although, at 76 inches, Joe’s reach is two inches shorter than perennial peer Muhammad Ali and three inches shorter than a modern giant like Vitali Klitschko, I think it rests comfortably amongst some of the best jabs in heavyweight history. This was certainly not in question in his own time, the press labeling it “a piston of a punch,” “a brutal blow,” “Joe’s best punch” and according to the same Miami Herald article that recalled the discomfort it aroused in the era’s most preeminent referee (not to mention Rocky Marciano), “a punch that could rock a man back on his heels.”

And his left hook wasn’t bad either.

The Jab

“The left jab is seldom if ever a knockout blow,” says the 1948 British edition of How to Box by Joe Louis, “but many bouts are won by the skillful use of it. It is used to keep your opponent off balance and create opening for your more powerful blows.”

Anyone who has read the first part of this series, The Foundation of Skill, won’t be surprised to read that Joe Louis stressed disrupting the opponent’s balance as much as he stressed maximizing his own and it is indeed one of the major benefits of a busy, correct jab. Joe’s was absolutely correct and in the early phase of his career this is demonstrated beautifully in his desolation of Max Baer. Arguably his most frightening display of concentrated punching power, the fight is facilitated by Baer’s granite chin, which allows Louis to continue delivering crushing punches long after most men would have been under the care of the ringside doctor. But the jab is the punch that defines the fight.

It is also the only punch Joe throws for the first minute, underlining his technical maturity and reliance upon the punch Holman Williams drilled into him several years before. Film makes these punches appear extended or glancing, but these are the same punches that James J. Braddock described as a series of “light bulbs exploding in your face.” Louis has Baer under control from the first minute, and when Max finally throws his first punch, a leaping right hand that misses by more than a foot, Louis had already landed four jabs and a winging uppercut to the body (one count would have Louis missing just two punches the entire fight).

Moving away from the wild Baer but now sitting down even harder on the jab, Louis is clearly taking the advice in his manual to “jab through the mark, not at it, this will give you a follow-through effect.” He threw thirty-six assorted jabs in that first round and he threw them with wonderful variety mixing body blows with shots aimed at Baer’s mouth and higher on his head. He varies the speed of the jab beautifully, a skill all but lost today, he varies the power judiciously and in keeping with a wider tactical theme, for example throwing rangefinders as he begins to circle before sitting down on the snapping punches as he counters Baer‘s own jab, landing the shots that left Baer looking “like an Apache wearing war-paint” according to one writer.

Thirty-six jabs, and only a handful of other punches, but by the end of the round, Baer is all but beaten.

It is deeply ironic that what was the night upon which Joe’s jab matured to such devastating effect, he also happened to put on his first immortal power punching display. The jab is the punch that puts the “box” in “box-puncher” but Louis, as always, eclipsed his own skill with a display of violence so terrifying that it prompted Paul Gallico to write in The Daily News, “I wonder if his new bride’s heart beat a little with fear that this terrible thing was hers.”

The jab’s excellence is built primarily upon skill. It is not a punch that requires great speed to land quickly or great power to jolt the opponent. It can be the shortest punch, often travelling the shortest distance, from the lead hand to the head of the opponent boring in or from the shoulder of the fleet-footed matador trying to place the bull-rushing pressure-fighter under control. But like all punches, natural gifts help to cover shortcomings in technique. For Louis, proof of the perfection of his jab comes not on the night he met Baer, when the beginnings of his greatness were beginning to be understood, but many years later.

In August of 1951, broke and fighting only for the money, his speed and power having deserted him, a few pounds heavier than he had been in his prime, balding, trying to come back from his own failed comeback having already lost to Ezzard Charles more than a year earlier, Louis was embracing every single cliché that exists for a washed-up pug when he re-matched Cesar Brion.

At the opening bell that night, Brion bought with a brush of his shoulder what other men had paid for in blood and concussion in the previous two decades, bullying Louis back to the ropes as if he were nothing. But upon extracting himself, Louis goes directly to the jab and just like he did against Baer all those years before, he almost immediately has his opponent under control. His jab has evolved, just slightly, and he often snaps it up slightly, driving Brion’s head back a little more than the straight jab would, a heavy, thudding punch. Almost every time he lands it flush, Brion takes a step back, blinks, and thinks about the punch sportswriter Bill Corum called “the stiffest and surest jab the ring has ever seen.”

Brion tried to solve this punch by dipping deep and coming up with his own punches or showing head movement. Louis, by then a canny general, just hit him when he came up or when he stopped moving, now shooting the jab straight down the middle, his unerring accuracy and technique yet to desert him. The punch means Brion is reduced, on the outside, to throwing single shots, and even then reluctantly, as Louis tends to hit him with a jab either side. In the final round, Louis landed his first real burst of punches but he also threw twenty-six left jabs. This would leave him just outside the top ten for jabs thrown per-round in 2023. Joe Louis had a great jab, one of the best at his weight. It was so good he could beat ranked fighters with that punch alone, control ranked fighters with that punch alone. Perhaps it should not rank alongside the very, very best in the division and it seems likely that he could have been out-jabbed by the great technical giants, men like Sonny Liston and Larry Holmes, but I believe these may be the only fighters who I would rank clearly above him in this department. For various reasons of technique, accuracy, persistence, incredible variety and most of all the openings he would carve and the traps he would set with it, Louis can be ranked alongside the other jabbing behemoths in the open class, men like Wladimir Klitschko, Muhammad Ali and Lennox Lewis.

Louis, like these men, was a fighter who could win a fight “on the jab alone.”

The Left Hook

“The shorter this blow,” says How to Box, “the better the effect.”

This is a summary of the Louis offence spoken specifically about the left hook. Joe’s hook was at its absolute best when he threw it downstairs and we are going to look at his body work in detail in Part Four, but when he went upstairs it was his shortest power punch. In his second title defense in 1938 against Nathan Mann, he proved it an unusually flexible punch, too, and it would remain the most varied and improvised finishing blow in his arsenal long after the press had begun criticizing him, in some cases justifiably, for being a “robotic fighter.” Louis fought along disciplined lines, operating almost exclusively in a given kill-zone, working to bring that kill-zone to the opponent or the opponent to that kill-zone but usually in pre-determined, technically proficient ways. Against Mann though, as the broad-shouldered challenger rushed him for the first time, Louis propelled himself sharply back and away. His left foot no longer in touch with the canvas, up on the toes of his right, Louis corkscrewed a whipcord of a hook from his loosely hanging left hand. This punch illustrates two things concerning the Louis hook. Firstly, the positioning of his jab-hand and the frequency with which he throws that punch makes it a blow he can disguise, a natural counter. Secondly, it underlines the strangest fact of all concerning the Louis left hook: he drove it with his right leg.

In Box Like the Pros, his own, more detailed manual on boxing, Joe Frazier is very clear on how the left foot should be used when throwing the punch that made him famous. It is to be kept firmly planted; it is to drive the punch; when you bring your left hip around to follow through keep the left foot planted; “adjust your balance as you follow through with the punch, move a little if you have to”; but keep the left foot planted.

Similarly, Bernard Hopkins stresses this left foot drive:

“I dip a little to the left and rotate slightly to the left, my body weight shifts from both legs to mostly the left one…as I bring the punch up I’m driving with the left leg and at the same time bringing my hips around…”

In How to Box by Joe Louis, the transfer of weight is through the right leg.

“From the proper stance…turn your body to the right, shifting your weight to the right leg, throw the left arm in an arc to the opponent’s head. Make sure to hit through the mark and not at it.”

This is not unheard of. I have been told that Ray Leonard threw and even taught the left hook right legged, or rather he was not a slave to the left leg and preferred to gain the leverage where he could. That sounds like Leonard, but it doesn’t really sound like Joe. It isn’t in keeping with Joe’s reputation for technical exactitude and this right foot pivot interested me.

Later in the second round against Mann we see Louis push through with the right foot for the hook once again. As Mann is finally baited forwards upon seeing Joe with his back to the ropes, the Champion throws out a lightning-fast softener, comes the other way with a clubbing punch to the side of Mann’s head before striking out with the punch the trap was set for, a left hook that combines the best attributes of the other two punches. Once more, Louis is turning through his right foot. Mann is stunned and almost goes to his haunches, his face an open question mark, his steps a trickling stream. It is a double blow for the men surprised by Louis, they come forwards as the aggressor into his kill-zone having landed some token punch (in this case a hard right hand) to which Joe gives ground before nearly taking the opponent’s head off with punches. And what punches! Louis still has his elbow crooked in the defensive position when he throws the first left hook, he’s throwing it across that famous and oft-quoted distance, mere-inches, perfectly disguised, impossible to see coming, the power generated in a fashion so brilliant and dynamic that they are almost beyond technically correct; that is, nobody would ever try to teach a fighter to punch in this fashion because it just doesn’t occur to most trainers that the person standing in front of them hitting the pads is the fistic equivalent of a primo ballerina. But it is perfect. The second punch was more fully born but it is still a mere forearm’s length in flight, punching all the way through the target.

Two more left hooks score the first knockdown of the fight just seconds later. Mann flapped after he felt the first one, arching back and to the side, but Louis looked like he was hitting a static heavy bag as he delivered and calmly made his way to the neutral corner. When the action resumed, Louis walked up to Mann and hit him with two more, one up, one down as the gutsy Connecticut man sagged on the ropes. The bell saved him and he wandered off to a neutral corner of his own, confused by the absence of a stool. The inevitable occurred at 1:56 in the third.

I’d nominate Mann as Joe’s best hooking performance, but it did not contain the most devastating hook he ever threw. Louis saved this dubious honour for a fighter who infuriated him personally more perhaps than even Max Schmeling, “Two Ton” Tony Galento. Employing the unfortunate language he has remained famous for, Galento (pictured on his backside) managed to find his way under Joe’s skin, before adding injury to insult by dropping him with a left of his own in the third. In the fourth, Louis sent over what may have been the punch of his career, a left hook which Joe says “started [Galento’s] mouth, nose and right eye bleeding.” There is a beautiful series of photographs in How to Box showing Louis cock and wing in that punch. We see him adjust it in flight so the knuckle part of the glove connects with the point of the chin before Louis follows all the way through, his left hand resting calmly in front of his right, Zen-like. As Galento is falling, he too is Zen-like, but for different reasons.

Also of interest: we see Louis pivoting through his right foot. Why? Perhaps it was just the way he threw them and when his trainer Jack Blackburn saw how well they worked he refused to adjust them. Perhaps Louis had a strange ambidextrousness where his left hook was concerned and like Ray Leonard he was able to generate torque with either one of his legs dependent upon circumstances; there do seem to be times when he is driving through his left.

Or just maybe, Joe Louis didn’t like the adjustment Joe Frazier describes at the end of his procedure for throwing the perfect left hook: “Adjust your balance as you follow through, move a little if you have to.” Maybe he found a better way to stay balanced. A more correct way, for him, to throw the punch. Stop—rewind that. There is no “better way” than Frazier’s way when a fighter is throwing a left hook, right?

Right?

If this question makes you uncomfortable, keep an eye out for Part Three. We’re going to talk about the right hand. We don’t have to worry about any peers butting in for that one.

None exist.

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Floyd Mayweather has Another Phenom and his name is Curmel Moton

Published

2 days ago

April 22, 2025

Arne K. Lang

Floyd Mayweather has Another Phenom and his name is Curmel Moton

In any endeavor, the defining feature of a phenom is his youth. Philadelphia Phillies outfielder Bryce Harper was a phenom. He was on the radar screen of baseball’s most powerful player agents when he was 14 years old.

Curmel Moton, who turns 19 in June, is a phenom. Of all the young boxing stars out there, wrote James Slater in July of last year, “Curmel Moton is the one to get most excited about.”

Moton was born in Salt Lake City, Utah. His father Curtis Moton, a barber by trade, was a big boxing fan and specifically a big fan of Floyd Mayweather Jr. When Curmel was six, Curtis packed up his wife (Curmel’s stepmom) and his son and moved to Las Vegas. Curtis wanted his son to get involved in boxing and there was no better place to develop one’s latent talents than in Las Vegas where many of the sport’s top practitioners came to train.

Many father-son relationships have been ruined, or at least frayed, by a father’s unrealistic expectations for his son, but when it came to boxing, the boy was a natural and he felt right at home in the gym.

The gym the Motons patronized was the Mayweather Boxing Club. Curtis took his son there in hopes of catching the eye of the proprietor. “Floyd would occasionally drop by the gym and I was there so often that he came to recognize me,” says Curmel. What he fails to add is that the trainers there had Floyd’s ear. “This kid is special,” they told him.

It costs a great deal of money for a kid to travel around the country competing in a slew of amateur boxing tournaments. Only a few have the luxury of a sponsor. For the vast majority, fund raisers such as car washes keep the wheels greased.

Floyd Mayweather stepped in with the financial backing needed for the Motons to canvas the country in tournaments. As an amateur, Curmel was — take your pick — 156-7 or 144-6 or 61-3 (the latter figure from boxrec). Regardless, at virtually every tournament at which he appeared, Curmel Moton was the cock of the walk.

Before the pandemic, Floyd Mayweather Jr had a stable of boxers he promoted under the banner of “The Money Team.” In talking about his boxers, Floyd was understated with one glaring exception – Gervonta “Tank” Davis, now one of boxing’s top earners.

When Floyd took to praising Curmel Moton with the same effusive language, folks stood up and took notice.

Curmel made his pro debut on Sept. 30, 2023, at the T-Mobile Arena in Las Vegas on the undercard of the super middleweight title fight between Canelo Alvarez and Jermell Charlo. After stopping his opponent in the opening round, he addressed a flock of reporters in the media room with Floyd standing at his side. “I felt ready,” he said, “I knew I had Floyd behind me. He believes in me. I had the utmost confidence going into the fight. And I went in there and did what I do.”

Floyd ventured the opinion that Curmel was already a better fighter than Leigh Wood, the reigning WBA world featherweight champion who would successfully defend his belt the following week.

Moton’s boxing style has been described as a blend of Floyd Mayweather and Tank Davis. “I grew up watching Floyd, so it’s natural I have some similarities to him,” says Curmel who sparred with Tank in late November of 2021 as Davis was preparing for his match with Isaac “Pitbull” Cruz. Curmell says he did okay. He was then 15 years old and still in school; he dropped out as soon as he reached the age of 16.

Curmel is now 7-0 with six KOs, four coming in the opening round. He pitched an 8-round shutout the only time he was taken the distance. It’s not yet official, but he returns to the ring on May 31 at Mandalay Bay in Las Vegas where Caleb Plant and Jermall Charlo are co-featured in matches conceived as tune-ups for a fall showdown. The fight card will reportedly be free for Amazon Prime Video subscribers.

Curmel’s presumptive opponent is Renny Viamonte, a 28-year-old Las Vegas-based Cuban with a 4-1-1 (2) record. It will be Curmel’s first professional fight with Kofi Jantuah the chief voice in his corner. A two-time world title challenger who began his career in his native Ghana, the 50-year-old Jantuah has worked almost exclusively with amateurs, a recent exception being Mikaela Mayer.

It would seem that the phenom needs a tougher opponent than Viamonte at this stage of his career. However, the match is intriguing in one regard. Viamonte is lanky. Listed at 5-foot-11, he will have a seven-inch height advantage.

Keeping his weight down has already been problematic for Moton. He tipped the scales at 128 ½ for his most recent fight. His May 31 bout, he says, will be contested at 135 and down the road it’s reasonable to think he will blossom into a welterweight. And with each bump up in weight, his short stature will theoretically be more of a handicap.

For fun, we asked Moton to name the top fighter on his pound-for-pound list. “[Oleksandr] Usyk is number one right now,” he said without hesitation,” great footwork, but guys like Canelo, Crawford, Inoue, and Bivol are right there.”

It’s notable that there isn’t a young gun on that list. Usyk is 38, a year older than Crawford; Inoue is the pup at age 32.

Moton anticipates that his name will appear on pound-for-pound lists within the next two or three years. True, history is replete with examples of phenoms who flamed out early, but we wouldn’t bet against it.

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Arne’s Almanac: The First Boxing Writers Assoc. of America Dinner Was Quite the Shindig

Published

4 days ago

April 20, 2025

Arne K. Lang

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The first annual dinner of the Boxing Writers Association of America was staged on April 25, 1926 in the grand ballroom of New York’s Hotel Astor, an edifice that rivaled the original Waldorf Astoria as the swankiest hotel in the city. Back then, the organization was known as the Boxing Writers Association of Greater New York.

The ballroom was configured to hold 1200 for the banquet which was reportedly oversubscribed. Among those listed as agreeing to attend were the governors of six states (New York, New Jersey, Massachusetts, Pennsylvania, Connecticut, and Maryland) and the mayors of 10 of America’s largest cities.

In 1926, radio was in its infancy and the digital age was decades away (and inconceivable). So, every journalist who regularly covered boxing was a newspaper and/or magazine writer, editor, or cartoonist. And at this juncture in American history, there were plenty of outlets for someone who wanted to pursue a career as a sportswriter and had the requisite skills to get hired.

The following papers were represented at the inaugural boxing writers’ dinner:

New York Times

New York News

New York World

New York Sun

New York Journal

New York Post

New York Mirror

New York Telegram

New York Graphic

New York Herald Tribune

Brooklyn Eagle

Brooklyn Times

Brooklyn Standard Union

Brooklyn Citizen

Bronx Home News

This isn’t a complete list because a few of these papers, notably the New York World and the New York Journal, had strong afternoon editions that functioned as independent papers. Plus, scribes from both big national wire services (Associated Press and UPI) attended the banquet and there were undoubtedly a smattering of scribes from papers in New Jersey and Connecticut.

Back then, the event’s organizer Nat Fleischer, sports editor of the New York Telegram and the driving force behind The Ring magazine, had little choice but to limit the journalistic component of the gathering to writers in the New York metropolitan area. There wasn’t a ballroom big enough to accommodate a good-sized response if he had extended the welcome to every boxing writer in North America.

The keynote speaker at the inaugural dinner was New York’s charismatic Jazz Age mayor James J. “Jimmy” Walker, architect of the transformative Walker Law of 1920 which ushered in a new era of boxing in the Empire State with a template that would guide reformers in many other jurisdictions.

Prizefighting was then associated with hooligans. In his speech, Mayor Walker promised to rid the sport of their ilk. “Boxing, as you know, is closest to my heart,” said hizzoner. “So I tell you the police force is behind you against those who would besmirch or injure boxing. Rowdyism doesn’t belong in this town or in your game.” (In 1945, Walker would be the recipient of the Edward J. Neil Memorial Award given for meritorious service to the sport. The oldest of the BWAA awards, the previous recipients were all active or former boxers. The award, no longer issued under that title, was named for an Associated Press sportswriter and war correspondent who died from shrapnel wounds covering the Spanish Civil War.)

Another speaker was well-traveled sportswriter Wilbur Wood, then affiliated with the Brooklyn Citizen. He told the assembly that the aim of the organization was two-fold: to help defend the game against its detractors and to promote harmony among the various factions.

Of course, the 1926 dinner wouldn’t have been as well-attended without the entertainment. According to press dispatches, Broadway stars and performers from some of the city’s top nightclubs would be there to regale the attendees. Among the names bandied about were vaudeville superstars Sophie Tucker and Jimmy Durante, the latter of whom would appear with his trio, Durante, (Lou) Clayton, and (Eddie) Jackson.

There was a contraction of New York newspapers during the Great Depression. Although empirical evidence is lacking, the inaugural boxing writers dinner was likely the largest of its kind. Fifteen years later, in 1941, the event drew “more than 200” according to a news report. There was no mention of entertainment.

In 1950, for the first time, the annual dinner was opened to the public. For $25, a civilian could get a meal and mingle with some of his favorite fighters. Sugar Ray Robinson was the Edward J. Neil Award winner that year, honored for his ring exploits and for donating his purse from the Charlie Fusari fight to the Damon Runyon Cancer Fund.

There was no formal announcement when the Boxing Writers Association of Greater New York was re-christened the Boxing Writers Association of America, but by the late 1940s reporters were referencing the annual event as simply the boxing writers dinner. By then, it had become traditional to hold the annual affair in January, a practice discontinued after 1971.

The winnowing of New York’s newspaper herd plus competing banquets in other parts of the country forced Nat Fleischer’s baby to adapt. And more adaptations will be necessary in the immediate future as the future of the BWAA, as it currently exists, is threatened by new technologies. If the forthcoming BWAA dinner (April 30 at the Edison Ballroom in mid-Manhattan) were restricted to wordsmiths from the traditional print media, the gathering would be too small to cover the nut and the congregants would be drawn disproportionately from the geriatric class.

Some of those adaptations have already started. Last year, Las Vegas resident Sean Zittel, a recent UNLV graduate, had the distinction of becoming the first videographer welcomed into the BWAA. With more and more people getting their news from sound bites, rather than the written word, the videographer serves an important function.

The reporters who conducted interviews with pen and paper have gone the way of the dodo bird and that isn’t necessarily a bad thing. A taped interview for a “talkie” has more integrity than a story culled from a paper and pen interview because it is unfiltered. Many years ago, some reporters, after interviewing the great Joe Louis, put words in his mouth that made him seem like a dullard, words consistent with the Sambo stereotype. In other instances, the language of some athletes was reconstructed to the point where the reader would think the athlete had a second job as an English professor.

The content created by videographers is free from that bias. More of them will inevitably join the BWAA and similar organizations in the future.

Photo: Nat Fleischer is flanked by Sugar Ray Robinson and Tony Zale at the 1947 boxing writers dinner.

A recognized authority on the history of prizefighting and the history of American sports gambling, TSS editor-in-chief Arne K. Lang is the author of five books including “Prizefighting: An American History,” released by McFarland in 2008 and re-released in a paperback edition in 2020.

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Gabriela Fundora KOs Marilyn Badillo and Perez Upsets Conwell in Oceanside

Published

5 days ago

April 20, 2025

David A. Avila

Gabriela-Fundora-KOs-Marilyn-Badillo-and-Perez-Upsets-Conwell-in-Oceanside

It was just a numbers game for Gabriela Fundora and despite Mexico’s Marilyn Badillo’s elusive tactics it took the champion one punch to end the fight and retain her undisputed flyweight world title by knockout on Saturday.

Will it be her last flyweight defense?

Though Fundora (16-0, 8 KOs) fired dozens of misses, a single punch found Badillo (19-1-1, 3 KOs) and ended her undefeated career and first attempt at a world title at the Frontwave Arena in Oceanside, California.

Fundora, however, proves unbeatable at flyweight.

The champion entered the arena as the headliner for the Golden Boy Promotion show and stepped through the ropes with every physical advantage possible, including power.

Mexico’s Badillo was a midget compared to Fundora but proved to be as elusive as a butterfly in a menagerie for the first six rounds. As the six-inch taller Fundora connected on one punch for every dozen thrown, that single punch was a deadly reminder.

Badillo tried ducking low and slipping to the left while countering with slashing uppercuts, she found little success. She did find the body a solid target but the blows proved to be useless. And when Badillo clinched, that proved more erroneous as Fundora belted her rapidly during the tie-ups.

“She was kind of doing her ducking thing,” said Fundora describing Badillo’s defensive tactics. “I just put the pressure on. It was just like a train. We didn’t give her that break.”

The Mexican fighter tried valiantly with various maneuvers. None proved even slightly successful. Fundora remained poised and under control as she stalked the challenger.

In the seventh round Badillo seemed to take a stand and try to slug it out with Fundora. She quickly was lit up by rapid left crosses and down she went at 1:44 of the seventh round. The Mexican fighter’s corner wisely waved off the fight and referee Rudy Barragan stopped the fight and held the dazed Badillo upright.

Once again Fundora remained champion by knockout. The only question now is will she move up to super flyweight or bantamweight to challenge the bigger girls.

Perez Beats Conwell.

Mexico’s Jorge “Chino” Perez (33-4, 26 KOs) upset Charles Conwell (21-1, 15 KOs) to win by split decision after 12 rounds in their super welterweight showdown.

It was a match that paired two hard-hitting fighters whose ledgers brimmed with knockouts, but neither was able to score a knockdown against each other.

Neither fighter moved backward. It was full steam ahead with Conwell proving successful to the body and head with left hooks and Perez connecting with rights to the head and body. It was difficult to differentiate the winner.

Though Conwell seemed to be the superior defensive fighter and more accurate, two judges preferred Perez’s busier style. They gave the fight to Perez by 115-113 scores with the dissenter favoring Conwell by the same margin.

It was Conwell’s first pro loss. Maybe it will open doors for more opportunities.

Other Bouts

Tristan Kalkreuth (15-1) managed to pass a serious heat check by unanimous decision against former contender Felix Valera (24-8) after a 10-round back-and-forth heavyweight fight.

It was very close.

Kalkreuth is one of those fighters that possess all the physical tools including youth and size but never seems to be able to show it. Once again he edged past another foe but at least this time he faced an experienced fighter in Valera.

Valera had his moments especially in the middle of the 10-round fight but slowed down during the last three rounds.

One major asset for Kalkreuth was his chin. He got caught but still motored past the clever Valera. After 10 rounds two judges saw it 99-91 and one other judge 97-93 all for Kalkreuth.

Highly-rated prospect Ruslan Abdullaev (2-0) blasted past dangerous Jino Rodrigo (13- 5-2) in an eight round super lightweight fight. He nearly stopped the very tough Rodrigo in the last two rounds and won by unanimous decision.

Abdullaev is trained by Joel and Antonio Diaz in Indio.

Bakersfield prospect Joel Iriarte (7-0, 7 KOs) needed only 1:44 to knock out Puerto Rico’s Marcos Jimenez (25-12) in a welterweight bout.

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